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  1. <?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3813689199376250188</id><updated>2024-03-14T01:25:28.420+01:00</updated><category term="Discos"/><category term="Lady Gaga"/><category term="Articulo"/><category term="Eventos"/><category term="Hablemos de"/><category term="Katy Perry"/><category term="Videoclips"/><category term="La Pantalla"/><category term="Rihanna"/><category term="Beyoncé"/><category term="Madonna"/><category term="Ariana Grande"/><category term="TV/Cine"/><category term="Jessie J"/><category term="Series"/><category term="Taylor Swift"/><category term="Nicki Minaj"/><category term="Britney Spears"/><category term="La Lista"/><category term="Adele"/><category term="Demi Lovato"/><category term="Eurovisión"/><category term="Justin Bieber"/><category term="Kesha"/><category term="Miley Cyrus"/><category term="Noticiero"/><category term="P!nk"/><category term="Tony Bennett"/><category term="ARTPOP"/><category term="Ball Tour Week"/><category term="Iggy Azalea"/><category term="Joanne"/><category term="Lana del Rey"/><category term="Leona Lewis"/><category term="Selena Gomez"/><category term="Shakira"/><category term="C.Tangana"/><category term="Cheek To Cheek"/><category term="Cheryl"/><category term="Christina Aguilera"/><category term="Conchita"/><category term="Kelly Clarkson"/><category term="Maroon 5"/><category term="Rita Ora"/><category term="Rosalía"/><category term="Semana ARTPOP"/><category term="Sweet Talker"/><category term="Adam Lambert"/><category term="American Horror Story"/><category term="Camila Cabello"/><category term="Edurne"/><category term="El Mal Querer"/><category term="Fama a bailar"/><category term="Grammy"/><category term="Harry Styles"/><category term="Imagine Dragons"/><category term="Kylie Minogue"/><category term="LM5"/><category term="La Casa Azul"/><category term="Little Mix"/><category term="Lorde"/><category term="Meghan Trainor"/><category term="Música"/><category term="One Direction"/><category term="Only Human"/><category term="PRISM"/><category term="Película"/><category term="Reputation"/><category term="Ruth Lorenzo"/><category term="Segundas Oportunidades"/><category term="Semana Confident"/><category term="Semana PRISM"/><category term="Sia"/><category term="Smoke + Mirrors"/><category term="Spice Girls"/><category term="Star Wars"/><category term="Television"/><category term="The Weeknd"/><category term="The xx"/><category term="Witness"/><category term="25"/><category term="A Star Is Born"/><category term="Agoney"/><category term="Aitana"/><category term="Alfred"/><category term="Amaia"/><category term="Andrea Jaurrieta"/><category term="Antena 3"/><category term="Avida Dollars"/><category term="Barei"/><category term="Big Little Lies"/><category term="Blas Cantó"/><category term="Bradley Cooper"/><category term="Bruno Mars"/><category term="Camila"/><category term="Carly Rae Jepsen"/><category term="Charlie XCX"/><category term="Chromatica"/><category term="Coldplay"/><category term="Concierto"/><category term="Confetti"/><category term="DELLAFUENTE"/><category term="David Bowie"/><category term="Drake"/><category term="EMA"/><category term="El Puente"/><category term="Entrevista"/><category term="E·MO·TION"/><category term="Fangoria"/><category term="Fifth Harmony"/><category term="Florence Welch"/><category term="GAGA Five Foot Two"/><category term="GLORY"/><category term="Golden"/><category term="HBO"/><category term="I See You"/><category term="Ingrid García-Jonsson"/><category term="JLO"/><category term="Juego de Tronos"/><category term="Justin Timberlake"/><category term="Ke$ha"/><category term="Kendrick Lamar"/><category term="La Gran Esfera"/><category term="Lena"/><category term="Lola Índigo"/><category term="Los Juegos del Hambre"/><category term="Loveaholic"/><category term="Lust For Life"/><category term="MOTOMAMI"/><category term="Man Of The Woods"/><category term="Mark Ronson"/><category term="Meaning of Life"/><category term="Merlí"/><category term="Michael Jackson"/><category term="Missy Elliot"/><category term="Movistar+"/><category term="My Everything"/><category term="Netflix"/><category term="OT"/><category term="OT 2017"/><category term="Paula Vazquez"/><category term="Pharrel Williams"/><category term="Prince"/><category term="Queen"/><category term="R.O.S.E."/><category term="Rainbow"/><category term="Rated R"/><category term="Rebel Heart"/><category term="Sam Smith"/><category term="Scream Queens"/><category term="Sonic Toys"/><category term="Super Bowl"/><category term="Sweetener"/><category term="TRENCH"/><category term="Tell Me You Love Me"/><category term="The Killers"/><category term="Title"/><category term="Tour"/><category term="Twenty One Pilots"/><category term="V"/><category term="VMA"/><category term="You Number One"/><category term="Younger Now"/><category term="Zayn"/><category term="Élite"/><category term="Ídolo"/><title type='text'>JASPOP</title><subtitle type='html'>Blog sobre música, en el que analizo los nuevos discos y videoclips de Lady Gaga, Katy Perry, Beyoncé, Adele, Ariana Grande, Miley Cyrus y y muchas otras cantantes del panorama musical. </subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>149</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-1104215610513319524</id><published>2022-03-21T13:06:00.003+01:00</published><updated>2022-03-21T13:35:53.273+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="El Mal Querer"/><category scheme="http://www.blogger.com/atom/ns#" term="MOTOMAMI"/><category scheme="http://www.blogger.com/atom/ns#" term="Rosalía"/><title type='text'>Análisis de MOTOMAMI de Rosalía: El Mal Desear</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2zO76hrnsEP6nVkcxxOUm75sSewq_1LA8_x2AgeZPpzmF0TNf3figem6gfEZgeoAO-cAUW5bk7D5IVEnDjRhEx6_nI2WZe8yHP-SrPuYG3erGg0BU4Au9TehO5fgolGNy_9ac1-drlc8zpOeIrp3GZ3n9GC0EMRXI7RPboww7euf_W4WjV0ysSTQw/s835/Portada.png&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2zO76hrnsEP6nVkcxxOUm75sSewq_1LA8_x2AgeZPpzmF0TNf3figem6gfEZgeoAO-cAUW5bk7D5IVEnDjRhEx6_nI2WZe8yHP-SrPuYG3erGg0BU4Au9TehO5fgolGNy_9ac1-drlc8zpOeIrp3GZ3n9GC0EMRXI7RPboww7euf_W4WjV0ysSTQw/s16000/Portada.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span id=&quot;docs-internal-guid-ab60f46b-7fff-b172-8af7-f89fd03e8675&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;A principios de los 2000 hubo una marca de pantalones que se hizo muy muy famosa entre cierto tipo de chicas adolescentes. &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Los Motor, eran unos vaqueros con el bajo de campana muy abiertos,&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; que tapaban las enormes zapatillas de plataforma, pero muy pegados al culo y con el nombre de la marca en grande para atraer todas las miradas. &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Probablemente Rosalía era una de esas chicas que llevaba pantalones Motor.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span id=&quot;docs-internal-guid-70a32ee4-7fff-cccd-8d58-d46de47c0526&quot;&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Hace unos meses se hizo viral un vídeo de una joven Rosalía yendo a cantar al programa &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Tú Sí Que Vales&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; y desafinando de forma espectacular. ¿Quién le iba a decir a esa chica de 4º de la ESO que &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;años después estaría lanzando el primer single de su álbum &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MOTOMAMI&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; junto al mayor artista masculino del mundo?&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;LA FAMA&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; fue un single inesperado. Yo veía cómo Rosalía iba sacando singles muy comerciales como &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Con Altura&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; o &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Yo x Ti,&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Tú x Mí&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; y yo siempre respondía a los “se ha vendido” con un “verás cuando llegue el disco”. Pero la colaboración con The Weeknd no fue ese &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Malamente&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; que muchos queríamos de ella. &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;En su lugar tuvimos una bachata sin mucha vuelta de hoja, que recordaba mucho a ese mítico &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Obsesión&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; de Aventura.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; Y es curioso, porque al final hablan de cosas muy parecidas. La canción cuenta que esa “fama no va a quererte de verdad”, sino que es una obsesión que “tan pronto viene, se te va”.&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLbmse3OleKVapWosQ8hOHKS_F1dwvQzmmvHnuxULEns6EewliybH788acvrB8m5l5sOID_UgxcJvnK33hja1_LM6AQivOpt5EZxNcYANffrf6kgQtlXikVpqiBot4Fb0eWEkTqWpkH1rDD5FzL4lsYwZOVtvQEwzzRlDA48wmGMfjoeTcDroxDwTj/s835/Motomami%2004.png&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;456&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLbmse3OleKVapWosQ8hOHKS_F1dwvQzmmvHnuxULEns6EewliybH788acvrB8m5l5sOID_UgxcJvnK33hja1_LM6AQivOpt5EZxNcYANffrf6kgQtlXikVpqiBot4Fb0eWEkTqWpkH1rDD5FzL4lsYwZOVtvQEwzzRlDA48wmGMfjoeTcDroxDwTj/s16000/Motomami%2004.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Pero fue el segundo single, &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;SAOKO&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, el que realmente sentó las bases de lo que Rosalía venía a hacer con &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MOTOMAMI.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;¿Una canción jazz reconvertida en reggaetón con un sample de Daddy Yankee y Wisin?&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; ¿Una canción de raggaetón sin estribillo, en la que si quitas el beat, escuchas un piano que podría estar improvisado en un bar? He leído muchas críticas a la letra de &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;SAOKO&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;. Pero si la canción habla de transformarse, no lo hace precisamente porque Rosalía no pare de repetir “yo me transformo”. Sino porque la producción no para de hacerlo entremezclando géneros sin darte a penas cuenta. &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Ese es el gran triunfo de &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MOTOMAMI&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, la música es el mensaje.&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Sin embargo, a pesar de esto el disco no acababa de convencer al gran público. &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;CHICKEN TERIYAKI&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; y sus hiperestudiados bailes para TikTok o la oda al miembro de Rauw Alejandro que es &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;HENTAI &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;eran un vergel de mofas&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; entre las “grandes mentes” de internet. Y Rosalía era muy consciente de ello. Probablemente Columbia Records haya puesto mucho dinero para promocionar el disco de la catalana, &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;pero nunca había visto tanta publicidad no pagada de un álbum.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; Solo lo puedo comparar con el uso que hizo Gaga de las filtraciones entre sus fans en la promoción de &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Chromatica &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;y se queda muy lejos.&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Mofas que se han reconvertido mágicamente en alabanzas cuando el disco ha salido a la venta. ¿Qué ha ocurrido para que cambie tanto la narrativa alrededor del álbum? &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Bueno, parece que Rosalía solo estaba mostrando parte de &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MOTO&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, una mitad de la obra que es &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MOTOMAMI&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;. Canciones más bailables con letras algo más ligeras y divertidas. Como &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;BIZCOCHITO&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, una mamarrachada maravillosa que suena a barraca de pueblo. O &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;LA COMBI VERSACE&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, la otra colaboración con Tokischa, un reggaetón old school súper oscuro, y futurista al mismo tiempo, con el que dan ganas de pisar un par de caras. &lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXkfkzQLyQMB5hmO91uzeZLGGmIy4ZT20olm6a1oXumBAALfNxdBiYO2yn9hHzmlUe_J3NEOwzhCKWBKa9FImYctZF1CQ_nF8rW1C3JkGov6m1oW7Vd5qD44xugNGM3bD0MMJI8TPVcXRyoy52HUTJizpsJngxHPEobsxSLJ4U0JfAylMRbGdM0xX_/s1200/Motomami%2003.jpeg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;675&quot; data-original-width=&quot;1200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhXkfkzQLyQMB5hmO91uzeZLGGmIy4ZT20olm6a1oXumBAALfNxdBiYO2yn9hHzmlUe_J3NEOwzhCKWBKa9FImYctZF1CQ_nF8rW1C3JkGov6m1oW7Vd5qD44xugNGM3bD0MMJI8TPVcXRyoy52HUTJizpsJngxHPEobsxSLJ4U0JfAylMRbGdM0xX_/s16000/Motomami%2003.jpeg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Y es que parece que &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;a artistas &quot;creativas&quot; como Rosalía no se les permite ser demasiado “comerciales”&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; y, si deciden serlo, tengan que hacerlo en los términos que esperamos. Algo que me ha recordado constantemente a la era de &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;ARTPOP &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;(también de Gaga)&lt;i&gt;. &lt;/i&gt;N&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;o solo porque también referenciaba a la Venus de Botticelli en la portada, sino por&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; las críticas que recibió por su intento de llevar el pop &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;mainstream&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; a un terreno más artístico. A todo eso Rosalía contesta en &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;BULERÍAS,&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; un tema que demuestra que &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;podría haber hecho un &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/11/el-mal-querer-de-rosalia-cuando-hay.html&quot;&gt;El Mar Querer &lt;/a&gt;2.0 &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;si así lo hubiera querido&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; Quizás habría sido más fácil a nivel comercial. Pero ella reivindica en este tema que cantando reggaetón, como lo hace en&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; CANDY&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, que combina música latina con R&amp;amp;B, es tan cantaora como cualquiera.&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Pero&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; MAMI&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;b&gt;, la otra mitad del álbum,&lt;/b&gt;&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; esconde otra cara mucho más sentimental.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;G3 N15&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, debe su nombre a la fecha en la que estalló la pandemia en nuestro país. En ella le cuenta a su sobrino lo que es vivir en EE.UU. y reflexiona sobre las cosas que se está perdiendo por culpa de la vida que ha elegido. Un tema precioso que podría haber firmado James Blake o Frank Ocean, con los que ha colaborado en la composición del LP. Y que conecta con &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;COMO UN G&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, una balada preciosa que lleva estas reflexiones al terreno amoroso. Hablando de dejar ir y asumir que las cosas acaban. Una parte del disco en el que la producción se hace mucho más sencilla y orgánica. Aquí las letras vuelven a tomar protagonismo y &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;es la voz la que se escucha en primer plano. Pero Rosalía, entonces, la retuerce y manipula con Autotune y Vocoder como un instrumento más. &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Volviendo a jugar así con lo que se espera de una canción de estas características.&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Parece como si &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MOTOMAMI&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; fuera una conversación entre dos Rosalías. Una ambiciosa y otra reflexiva. &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Quizás esa &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MOTO&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; sea la Rosalía adolescente deseosa de alcanzar la fama,&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; un poco salida, que sueña con sacar un temazo como &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Obsesión&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; o &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Saoco&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;. Y &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MAMI&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, una Rosalía más crecidita, que le responde, como en el bolero &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;DELIRIO DE GRANDEZA,&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; que la fama es efímera. &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Que hay muchas cosas que perderá por el camino y que tiene que ser fiel a ella misma.&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDQMqd4TpYc_xYAg8dGwYYWl4WAgihACFO7b3jRlPGrgqKvxk50ez_Ep5O-ZbBp0lZo-eZHKD1XHCMDI_QcyWq1GRdupRwxUSareb3EKtMmNfK3omAhO7Qj0E2_Ks8ZFh1k5fz5v2AIO73h1kOg2A00Sb4uWZpkeHx79H54TVkJaY1DhWIwxXHWOQZ/s835/Motomami%2002.png&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;470&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgDQMqd4TpYc_xYAg8dGwYYWl4WAgihACFO7b3jRlPGrgqKvxk50ez_Ep5O-ZbBp0lZo-eZHKD1XHCMDI_QcyWq1GRdupRwxUSareb3EKtMmNfK3omAhO7Qj0E2_Ks8ZFh1k5fz5v2AIO73h1kOg2A00Sb4uWZpkeHx79H54TVkJaY1DhWIwxXHWOQZ/s16000/Motomami%2002.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Y es en este punto en el que vemos como Rosalía se desata a nivel creativo &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;y juega con géneros que ya no me atrevo a clasificar.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; Como en &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;DIABLO&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;. Una canción que parte de una base latina, pero que entremezcla con ritmos y armonías flamencas y que, además, &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;distorsiona de unas maneras que recuerdan a lo que Arca ha conseguido con sus &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Kick&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; Un pastiche inclasificable que podría sonar fatal, pero suena alucinantemente bien. Algo que también me pasa con &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;CUUUUuuuuuute&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, un tema súper &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;destroyer&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, con una producción que es una auténtica bomba. Pasando de momentos cañeros a otros de piano y balada en un segundo. Y que vuelve a incidir en las críticas que ha recibido, en este caso, desde la perspectiva del que las lanza.&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Porque, ¿qué es la creatividad sino combinar cosas que ya existen de forma diferente?&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; Las letras del abecedario son iguales para todos, somos nosotros los que formamos palabras que signifiquen cosas nuevas. Y que, como termina diciendo en &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;SAKURA&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;ni siquiera eso es nuevo para siempre.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; La preciosa balada de cierre no cuenta con grandes distorsiones. Es simplemente Rosalía hablando a la pequeña “&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Sakura” &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;desde el escenario de un concierto, diciéndole que no se puede ser una &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;popstar &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;para siempre. Que nada dura eternamente. &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Que el éxito se acaba y que solo quedarán el arte y el amor que hayas dejado a tu paso.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjryviwDdzqGgiT9nHqasP_ICSqXGRgAGa_6X7IQ4y3IwfPQmgzMFqZkkW8XaLNwoxYibHGJMWV8BC2LwvxsOnX1CTJRQ8O1Nm0RU-1p2d5-4m66i-oVGIuUq6kB20bDv2TuS2Jd3bfQRWCL9DhPtTwT_nkSha--oaVjNF8m40Vb254UEN0mAC0TBUN/s835/Motomami%2005.png&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;502&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjryviwDdzqGgiT9nHqasP_ICSqXGRgAGa_6X7IQ4y3IwfPQmgzMFqZkkW8XaLNwoxYibHGJMWV8BC2LwvxsOnX1CTJRQ8O1Nm0RU-1p2d5-4m66i-oVGIuUq6kB20bDv2TuS2Jd3bfQRWCL9DhPtTwT_nkSha--oaVjNF8m40Vb254UEN0mAC0TBUN/s16000/Motomami%2005.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MOTOMAMI&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; va a de deseos, de expectativas.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; De obsesionarse con la fama, con ser una estrella y crear la obra más original de la industria. Y durante toda la promoción, Rosalía ha jugado precisamente con las expectativas del público. Con que la gente deseaba otra cosa de ella, pero la vida muchas veces no nos da lo que esperamos. Y lo hace jugando con la música y con cómo nos esperamos que tiene que sonar una balada, una canción que habla de sexo o un bombazo reggaetonero. &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MOTOMAMI&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; font-weight: 700; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; habla de la creatividad en sí misma y de cómo las cosas siempre tienen un final.&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; De cómo ni si quiera la originalidad es original para siempre. Pero, sobre todo, &lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;MOTOMAMI&lt;/span&gt;&lt;span face=&quot;Calibri, sans-serif&quot; style=&quot;font-size: 12pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; es una carta de amor a aquella adolescente que vestía pantalones Motor, veía anime por la tele y escuchaba a Wisin en la feria de su pueblo, y que un día deseó con todas sus fuerzas ser artista.&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/1104215610513319524/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2022/03/analisis-de-motomami-de-rosalia-el-mal.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1104215610513319524'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1104215610513319524'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2022/03/analisis-de-motomami-de-rosalia-el-mal.html' title='Análisis de MOTOMAMI de Rosalía: El Mal Desear'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2zO76hrnsEP6nVkcxxOUm75sSewq_1LA8_x2AgeZPpzmF0TNf3figem6gfEZgeoAO-cAUW5bk7D5IVEnDjRhEx6_nI2WZe8yHP-SrPuYG3erGg0BU4Au9TehO5fgolGNy_9ac1-drlc8zpOeIrp3GZ3n9GC0EMRXI7RPboww7euf_W4WjV0ysSTQw/s72-c/Portada.png" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-1612369009348610959</id><published>2020-11-20T13:01:00.000+01:00</published><updated>2020-11-20T13:44:31.156+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Rated R"/><category scheme="http://www.blogger.com/atom/ns#" term="Rihanna"/><category scheme="http://www.blogger.com/atom/ns#" term="Segundas Oportunidades"/><title type='text'> Rihanna sacó los cuchillos para Rated R, su disco más oscuro</title><content type='html'>
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  45.   &lt;m:brkBinSub m:val=&quot;&amp;#45;-&quot;/&gt;
  46.   &lt;m:smallFrac m:val=&quot;off&quot;/&gt;
  47.   &lt;m:dispDef/&gt;
  48.   &lt;m:lMargin m:val=&quot;0&quot;/&gt;
  49.   &lt;m:rMargin m:val=&quot;0&quot;/&gt;
  50.   &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt;
  51.   &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt;
  52.   &lt;m:intLim m:val=&quot;subSup&quot;/&gt;
  53.   &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt;
  54.  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
  55. &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  56. &lt;w:LatentStyles DefLockedState=&quot;false&quot; DefUnhideWhenUsed=&quot;true&quot;
  57.  DefSemiHidden=&quot;true&quot; DefQFormat=&quot;false&quot; DefPriority=&quot;99&quot;
  58.  LatentStyleCount=&quot;276&quot;&gt;
  59.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; SemiHidden=&quot;false&quot;
  60.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Normal&quot;/&gt;
  61.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; SemiHidden=&quot;false&quot;
  62.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;heading 1&quot;/&gt;
  63.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 2&quot;/&gt;
  64.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 3&quot;/&gt;
  65.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 4&quot;/&gt;
  66.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
  67.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
  68.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
  69.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
  70.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  71.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  72.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  73.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  74.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  75.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  76.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  77.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  78.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  79.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  80.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  81.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
  82.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  83.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  84.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
  85.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  86.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  87.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  88.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  89.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  90.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  91.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  92.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  93.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  94.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  95.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  96.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  97.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  98.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  99.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  100.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  101.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  102.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  103.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  104.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  105.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  106.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  107.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  108.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  109.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  110.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  111.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  112.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  113.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  114.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  115.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  116.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  117.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  118.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  119.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  120.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  121.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  122.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  123.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  124.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  125.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  126.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  127.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  128.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  129.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  130.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  131.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  132.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  133.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  134.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  135.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  136.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
  137.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  138.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
  139.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  140.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
  141.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  142.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  143.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  144.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  145.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  146.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  147.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  148.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  149.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  150.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  151.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  152.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  153.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  154.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  155.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  156.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  157.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  158.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  159.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  160.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  161.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  162.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  163.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  164.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  165.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  166.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  167.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  168.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  169.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  170.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  171.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  172.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  173.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  174.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  175.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  176.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  177.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  178.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  179.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  180.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  181.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  182.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  183.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  184.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  185.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  186.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  187.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  188.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  189.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  190.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  191.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  192.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  193.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  194.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  195.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  196.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  197.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  198.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  199.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  200.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  201.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  202.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  203.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  204.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  205.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  206.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  207.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  208.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  209.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  210.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  211.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  212.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  213.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  214.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  215.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  216.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  217.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  218.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  219.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  220.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  221.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  222.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  223.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  224.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  225.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  226.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  227.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  228.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  229.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  230.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  231.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  232.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  233.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  234.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  235.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  236.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  237.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  238.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  239.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  240.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  241.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  242.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  243.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  244.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  245.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  246.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  247.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  248.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  249.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  250.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  251.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  252.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  253.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  254.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  255.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  256.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  257.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  258.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
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  423. &lt;span style=&quot;color: black; font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;El acero es un metal que no existe en la naturaleza. Es algo artificial que se crea fundiendo el hierro y mezclándolo con carbono.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;Podría decirse que el acero es una evolución del
  424. hierro, lo perfecciona transformándose en algo más resistente; que sirve, por ejemplo, para fabricar cuchillos. El acero también es el material del
  425. que está hecha la “R” de Rihanna en la portada de &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; mso-bidi-font-style: normal;&quot;&gt;Rated R&lt;/i&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
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  432. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKwJr6WIUbSJ_CaxWc-Q7t9W_qCgTPd6gUVK4Et_sL74pbWDfoxWN68rB4c5J0cE9XJ5u64uukYab-OkP5ywFk8oHyHbXaxydbFxeQ20SVUQKTQB8Nxw_7VS_xev0uBen8ycP6hCt0gLY/s1600/proxy.png&quot; style=&quot;margin-left: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;1457&quot; data-original-width=&quot;900&quot; height=&quot;200&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKwJr6WIUbSJ_CaxWc-Q7t9W_qCgTPd6gUVK4Et_sL74pbWDfoxWN68rB4c5J0cE9XJ5u64uukYab-OkP5ywFk8oHyHbXaxydbFxeQ20SVUQKTQB8Nxw_7VS_xev0uBen8ycP6hCt0gLY/s200/proxy.png&quot; width=&quot;123&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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  436. &lt;span style=&quot;color: black; font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  438. &lt;span style=&quot;color: black; font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Al margen de alguna canción concreta, Rihanna poco había llamado la
  439. atención en la cultura pop hasta el lanzamiento de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Good Girl Gone Bad&lt;/i&gt; y su hit &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Umbrella&lt;/i&gt;.
  440. Fue en ese momento en el que se volvió una estrella mundial y todos los focos se posaron en ella. De esta forma, todos ellos fueron testigos también de su caída.
  441. La reedición de su tercer disco ya nos dejó ver qué era lo que Rihanna estaba
  442. pasando, con ese &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Disturbia&lt;/i&gt; en el que
  443. aparecía fuera de sí. Es en esta época cuando surgió toda la problemática con
  444. Chris Brown, su pareja por aquel entonces; que le agredía física y
  445. verbalmente. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  449. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Fue en este contexto en el que Rihanna lanzó el álbum más oscuro de su carrera y también uno de los menos vendidos: &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Rated R&lt;/i&gt;. La traducción vendría a decir &quot;Clasificado R&quot;, haciendo
  450. referencia a&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;la calificación que se da en EE.UU. al contenido para mayores de 17 años, pero también a&lt;/span&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&amp;nbsp;algo oculto a los ojos del gran público.&lt;/span&gt;&lt;/div&gt;
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  452. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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  454. &lt;span style=&quot;color: black; font-family: Cambria; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Fue en octubre de 2009 cuando fue lanzado el primer single del álbum, &lt;i&gt;Roussian
  455. Roullete&lt;/i&gt;. Este tema comenzaba con una guitarra eléctrica y el giro de la
  456. rueda de una pistola. La cantante rompía con todo lo anterior con una balada
  457. de ritmos marcados muy oscura, que relata ronda tras ronda una ruleta rusa.
  458. Describe el sudor, la taquicardia y el miedo a perder la vida; tan bien
  459. interpretada, que hace plantearse si era eso lo que vivía cada día Rihanna en
  460. esa época. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  462. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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  464. &lt;span style=&quot;color: black; font-family: Cambria; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Como he dicho, la locura es una idea presente en todo el disco y es por
  465. eso que, viniendo de &lt;i&gt;Disturbia&lt;/i&gt;, la cantante lo quiso enlazar con una
  466. introducción que nos metiera en la atmósfera. En &lt;i&gt;Mad House&lt;/i&gt;, un hombre
  467. con voz distorsionada nos invita a entrar a este mundo oscuro que es &lt;i&gt;Rated R
  468. &lt;/i&gt;acompañado de una electrónica industrial que luego escucharíamos en &lt;i&gt;Bionic&lt;/i&gt;
  469. y los coros de Rihanna. Y que enlaza con &lt;i&gt;Wait Your Turn&lt;/i&gt;, diciéndonos que
  470. el tiempo de espera ha acabado, el momento es ahora y hay que levantarse para ganar.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  474. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjMqm6zWq9U13Re_QirXySdPGhmDqVqtb0f-idXNk-iJaNGRlJ5M54bWsf7gBKtRTUq0SyVQpsHO8N9nutElCYYTZDJnpUzZE0JJOnVeuy8fpHxXD5yQRBtmo8llcY5x15LQ2AzkKU0mM/s1600/rihanna_8757.jpg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;500&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjMqm6zWq9U13Re_QirXySdPGhmDqVqtb0f-idXNk-iJaNGRlJ5M54bWsf7gBKtRTUq0SyVQpsHO8N9nutElCYYTZDJnpUzZE0JJOnVeuy8fpHxXD5yQRBtmo8llcY5x15LQ2AzkKU0mM/s1600/rihanna_8757.jpg&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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  476. &lt;span style=&quot;color: black; font-family: Cambria; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  477. &lt;div class=&quot;MsoNormal&quot;&gt;
  478. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  479. &lt;div class=&quot;MsoNormal&quot;&gt;
  480. &lt;span style=&quot;color: black; font-family: Cambria; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Con todo el mundo ya en pie, es momento de mandar formar a las tropas
  481. contra el enemigo. &lt;i&gt;Hard&lt;/i&gt; es un tema hip-hop lleno de actitud compuesto
  482. por ella misma, en el que Rihanna deja claro lo dura y resistente que es. “En
  483. mi vida sigue lloviendo” “pero soy más dura que un león”. Que conecta muy bien
  484. con la producción y el mensaje de&amp;nbsp;&lt;i&gt;G4L&lt;/i&gt; (Gangster For Life), que habla de que
  485. lame la pistola que la ataca porque la venganza es dulce, con un rollo 80s oscuro maravilloso. Además de resistente, su acero está afilado. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  487. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  488. &lt;div class=&quot;MsoNormal&quot;&gt;
  489. &lt;span style=&quot;color: black; font-family: Cambria; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Esta fuerza también la trae con elementos rock que, sorprendentemente,
  490. le quedan muy bien mezclados con el pop. &lt;i&gt;ROCKSTAR 101&lt;/i&gt; es eso, pura
  491. potencia en un tema que mezcla rock con sonidos urbanos. Luego estos sonidos de
  492. guitarras se trasladan a una balada tan potente como &lt;i&gt;Russian Roulette&lt;/i&gt; y
  493. a &lt;i&gt;Fire Bomb&lt;/i&gt;. Este último empieza bien, con una producción muy rock, pero de los pocos que se queda algo a medias en las melodías, sobre todo en el estribillo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  494. &lt;div class=&quot;MsoNormal&quot;&gt;
  495. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  496. &lt;div class=&quot;MsoNormal&quot;&gt;
  497. &lt;span style=&quot;color: black; font-family: Cambria; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Ya sabemos que Rihanna es cañera, pero en el álbum también tiene
  498. momentos más emocionales, como &lt;i&gt;Stupid In Love&lt;/i&gt; o &lt;i&gt;Cold Case Love&lt;/i&gt;.
  499. La primera es una balada clásica de Riri al estilo &lt;i&gt;Unfaithful &lt;/i&gt;o &lt;i&gt;Rehab&lt;/i&gt;,
  500. muy sincera, en la que habla directamente a Chris. Cuenta que, aunque Katy
  501. (Perry) le dijera que aquello estaba mal, ella le dio una oportunidad. Fue una
  502. estupidez, pero ella no es estúpida. En el caso de &lt;i&gt;Cold Case Love, &lt;/i&gt;tenemos
  503. más elementos R&amp;amp;B.&lt;i&gt; &lt;/i&gt;Aquí también le habla a él, desde la profunda
  504. tristeza, “lo que me hiciste es un crimen”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  505. &lt;div class=&quot;MsoNormal&quot;&gt;
  506. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  507. &lt;div class=&quot;MsoNormal&quot;&gt;
  508. &lt;span style=&quot;color: black; font-family: Cambria; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Allá por 2009, Rihanna consiguió, gracias a la colaboración de grandes
  509. productores, incluso Justin Timberlake estuvo involucrado, crear algo atemporal. De la misma forma que el acero no sufre el paso del tiempo, tampoco lo haría su sonido. La
  510. nostálgica &lt;i&gt;Photographs&lt;/i&gt; junto a will.i.am, es un R&amp;amp;B muy elegante que
  511. podría lanzarse ahora mismo. &lt;i&gt;Rude Boy&lt;/i&gt; ya demostró en su momento ser un
  512. hit con esos elementos reage mezclados con electrónica, que posiblemente Riri explorará en R9. Y como tercer as tenemos &lt;i&gt;Te Amo&lt;/i&gt;. Primera
  513. incursión de Rihanna en el mundo latino y que si
  514. fuera lanzada ahora mismo, estaría en los primeros puestos de las listas de
  515. ventas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  516. &lt;div class=&quot;MsoNormal&quot;&gt;
  517. &lt;span style=&quot;color: black; font-family: Cambria; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  518. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  519. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRMWfCqmN4wqqVttdmHrLesAMnkYE2aiclYVXDUXKg95Fct_qNIupvXH8H7O_RtmtJsI4Iby9ofRrBfm3GXAshJveHMzjRiOizcPrYF5FPnERHE4uQUtOQZeMjQBVz5wavXZPNf6VhYtk/s1600/Rihanna-PROMO-2.4.jpg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;534&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRMWfCqmN4wqqVttdmHrLesAMnkYE2aiclYVXDUXKg95Fct_qNIupvXH8H7O_RtmtJsI4Iby9ofRrBfm3GXAshJveHMzjRiOizcPrYF5FPnERHE4uQUtOQZeMjQBVz5wavXZPNf6VhYtk/s1600/Rihanna-PROMO-2.4.jpg&quot; /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
  520. &lt;div class=&quot;MsoNormal&quot;&gt;
  521. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Como cierre de este viaje, Rihanna compuso una balada rock
  522. tremendamente desnuda, &lt;i&gt;The Last Song&lt;/i&gt;. Si en &lt;i&gt;Russian Roulette&lt;/i&gt; nos
  523. hablaba del miedo a morir, aquí retoma ese mensaje escribiendo lo que sería su
  524. última canción. “¿Qué diría? ¿Qué haría antes de desaparecer?”. Un final que te
  525. rompe, más sabiendo por lo que estaba pasando en ese momento.&lt;/span&gt;&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  526. &lt;div class=&quot;MsoNormal&quot;&gt;
  527. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  528. &lt;div class=&quot;MsoNormal&quot;&gt;
  529. &lt;span style=&quot;color: black; font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;En &lt;i&gt;Rated R&lt;/i&gt;, Rihanna por primera
  530. vez lanzaba un mensaje al mundo. Como el acero que forma su símbolo, había sufrido,
  531. pero eso la hizo evolucionar, ser más resistente y dura. Y así lo simbolizaba
  532. utilizando letras crudas y producciones mucho más agresivas, con incluso
  533. elementos rock. Precisamente por esto, consiguió crear un LP atemporal, que
  534. sonaba bien en 2009 y suena bien ahora. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  535. &lt;div class=&quot;MsoNormal&quot;&gt;
  536. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  537. &lt;div class=&quot;MsoNormal&quot;&gt;&lt;span style=&quot;color: black; font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;En este disco Rihanna tomó sus vivencias, de la
  538. misma forma que Kesha hizo con &lt;i&gt;Rainbow&lt;/i&gt;,&amp;nbsp; para crear una de
  539. sus mejores obras. Una que, por primera vez, respiraba verdad. Y que nos abría las puertas de esa &lt;i&gt;Mad House&lt;/i&gt; que era su cabeza en ese momento. Puede
  540. que las ventas no acompañaran a &lt;i&gt;Rated R&lt;/i&gt;, pero fue aquí cuando Rihanna
  541. demostró que no era solamente una cantante pop, sino que además tenía mucho que
  542. contar.&lt;/span&gt;&lt;/div&gt;
  543. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;!--EndFragment--&gt;&lt;br /&gt;
  544. &lt;/span&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  545. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br class=&quot;Apple-interchange-newline&quot; /&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;/span&gt;&lt;/div&gt;
  546. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;
  547. &lt;/span&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  548. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: Cambria; font-size: 14px; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  549. &lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
  550. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2018/02/analisis-bionic-de-christina-aguilera.html&quot; style=&quot;text-align: justify;&quot;&gt;Análisis Bionic de Christina Aguilera: Tras la super mujer&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  551. &lt;div style=&quot;text-align: justify;&quot;&gt;
  552. &lt;span style=&quot;background-color: white; color: #333333; font-family: Cambria; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  553. &lt;div style=&quot;text-align: justify;&quot;&gt;
  554. &lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/09/analisis-de-rainbow-de-kesha-despues-de.html&quot;&gt;Análisis de Rainbow de Kesha: Después de la tormenta&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  555. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/1612369009348610959/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/05/analisis-de-rated-r-de-rihanna-locura-y.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1612369009348610959'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1612369009348610959'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/05/analisis-de-rated-r-de-rihanna-locura-y.html' title=' Rihanna sacó los cuchillos para Rated R, su disco más oscuro'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjX-bbej1dNWSaqorf4mOk4LZaNk3bpoId-r9g5ECpl_31pYSIYxD4LZ0V1yC0iOHbHfGoPEWnvjKIWluEkC0eliGBlie-gb1_lFGM3hTDoQva8Jpc-TMffkFSnUYFpjvh6ogqbejdOezs/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-2928408992730112013</id><published>2020-11-09T17:22:00.006+01:00</published><updated>2020-11-09T17:41:16.959+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Confetti"/><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Leona Lewis"/><category scheme="http://www.blogger.com/atom/ns#" term="Little Mix"/><category scheme="http://www.blogger.com/atom/ns#" term="LM5"/><title type='text'>¿Qué celebran las Little Mix y qué tiene que ver con Leona Lewis? Análisis de Confetti, su nuevo disco</title><content type='html'>&lt;p&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuWTZ33UU2kqj1g7QRNA6z3NBgvAuS-tRLmGDD9JAS09fatza6isbo-ZFesVWBhMIYktRsgRMWlydlaSpwwby9B7nBidEDXBWUpHGgCOw53QhRXEDNvEgZgcSeaQkDMC1Mq7ypvXhKep4/s835/1+Ima%25CC%2581genes+destacadas+835_confetti.jpg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuWTZ33UU2kqj1g7QRNA6z3NBgvAuS-tRLmGDD9JAS09fatza6isbo-ZFesVWBhMIYktRsgRMWlydlaSpwwby9B7nBidEDXBWUpHGgCOw53QhRXEDNvEgZgcSeaQkDMC1Mq7ypvXhKep4/s16000/1+Ima%25CC%2581genes+destacadas+835_confetti.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;11 de diciembre de 2011, unas jóvenes y nerviosísimas Perrie, Jesy, Leigh-Anne y Jade interpretan &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Cannonball&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; en la final de The X Factor. Nadie esperaba que llegaran tan lejos en el concurso, las &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;girlbands &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;nunca eran una competencia real para los solistas. Y, sin embargo y contra todo pronóstico, Dermot O&#39;Leary pronunció esas palabras que lo cambiarían todo para ellas: &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;“and the winner is… Little Mix”.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span id=&quot;docs-internal-guid-f4df0b8a-7fff-dd6c-f3b2-627c0d01da53&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;/span&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Y es que las pequeña mezcla nunca han sido una &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;girlband&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; usual. Para empezar porque son ya, la banda británica de mujeres más exitosa de la historia. Y también porque son una de las más longevas. Es por eso que &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;LM5&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, su quito álbum (algo nada común en el panorama musical), fue en sí una celebración de las &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;girlbands&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;. Un homenaje a todas las que les precedieron, con sonido súper noventero y referencias constantes a las Spice Girls. Y sobre todo una forma de dejar su mensaje, porque si algo son las bandas de mujeres, son referentes para millones y millones de chicas jóvenes. De ahí que el disco tuviera letras tan potentes sobre sororidad entre mujeres, desigualdad salarial o auto-aceptación de nuestro cuerpo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Sin embargo, no todo salió como esperaban. La discográfica, comandada por Simon Cowell (creador de The X Factor), impuso una promoción totalmente alejada de lo que ellas querían comunicar en ese momento. Todo esto acabó en una ruptura de un día para otro y el disco en un limbo en el que nadie quería apostar por él.&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://los40.com/los40/imagenes/2020/10/29/musica/1603971885_354293_1603972013_gigante_normal.jpg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;363&quot; data-original-width=&quot;800&quot; src=&quot;https://los40.com/los40/imagenes/2020/10/29/musica/1603971885_354293_1603972013_gigante_normal.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Después de esta larga introducción (creo que es importante conocer el contexto), llegamos a &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Confetti&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, su nada menos que sexto álbum, estrenando discográfica.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Break Up Song&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; fue la canción elegida para dar el pistoletazo de salida a esta nueva era; un tema &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;synth pop&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; en el que se subieron a esa oleada de música retro, 80s en este caso. Y es que a simple vista, la temática del disco está muy clara: hablamos de una ruptura.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Sweet Melody&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, nos habla de “las bonitas palabras” que les decía ese chico. Un bop oscuro lleno de fuerza que ha conseguido levantar la era. Y en la genial &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Happiness&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, una canción más noventera con tintes trap, hablan de atreverse a hacer cambios para ser feliz, superando el miedo a poder quedarse solo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Y qué decir de &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Gloves Up&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, una canción súper hip-hop que podría firmar Rihanna en &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Talk That Talk&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; y en la que llegan con los guantes de boxeo puestos, listas para pelear.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://www.que.es/wp-content/uploads/2020/10/little-mix-sweet-melody-1-1200x688.jpg&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;459&quot; data-original-width=&quot;800&quot; src=&quot;https://www.que.es/wp-content/uploads/2020/10/little-mix-sweet-melody-1-1200x688.jpg&quot; /&gt;&lt;/a&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Pero como ya os imaginaréis a estas alturas, esto no va de romper con “un chico”, sino de romper con su discográfica, con Simon Cowell y, sobre todo, con las ataduras de no poder dirigir su carrera. No es casualidad que directamente dediquen &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;“Not A Pop Song&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;” a criticar las canciones pop; o más bien, a reivindicar que una canción pop sí puede contar cosas y mandar un mensaje.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;De eso va la canción &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Confetti&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, un tema súper oscuro y hip-hop, de deshacerte de alguien que no te deja brillar y hacerte oír. Lanzas el confeti como celebración, pero también porque ahora tú eres la reina de esta fiesta. “Ahora, me toca a mí”.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Si habéis seguido un poco la carrera de exconcursantes de The X Factor, puede que os suene una historia parecida. Fue en 2006 cuando una, también nerviosísima, Leona Lewis se proclamó ganadora del talent y rompió todos los charts con su single &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Bleeding Love&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;. Ella y Simon Cowell tuvieron una relación complicada, con imposiciones tanto de canciones como de colaboraciones con DJs, hasta que después de su tercer disco &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Glassheart&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, Leona no pudo más y rompió con todo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;I Am&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, su siguiente disco, es lo que hoy es &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Confetti&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;. Leona, al igual que Little Mix tuvo la necesidad de tener una catarsis en la que deshacerse de todo aquello y autoafirmarse. “Soy yo, contigo o sin ti”.&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Ambos apuestan a lo seguro, cada uno en su terreno. Por eso este disco está lleno de música pop actual, sin miramientos.&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;/p&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;a href=&quot;https://i2.wp.com/celebriteen.com.mx/wp-content/uploads/2020/08/littlemix-holiday.jpg?fit=1368%2C912&amp;amp;ssl=1&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;533&quot; data-original-width=&quot;800&quot; src=&quot;https://i2.wp.com/celebriteen.com.mx/wp-content/uploads/2020/08/littlemix-holiday.jpg?fit=1368%2C912&amp;amp;ssl=1&quot; /&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;A Mess (Happy 4 U)&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; hace una bonita referencia en sonidos a sus orígenes y &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;If You Want My Love&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; continúa la estela noventera de &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;LM5&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; y eso se agradece. Es en este tipo de canciones donde la producción brilla, porque va en línea y aporta en lo que se quiere contar.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Sin embargo, hay otras como &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Nothing But My Feelings,&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; un trap algo tosco, o&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; Redenzvous&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, un tema algo más lento que calca la melodía de &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;American Boy&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;, que están lejos de ofrecer la frescura de las mezclas de &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;LM5&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;. Pero, sobre todo, la mayor pega es que no se sienten tan personales como deberían.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Hoy nueve años después, las Little Mix vuelven a lanzar confeti como aquella noche de 2011, dando carpetazo a esa etapa y celebrando un nuevo comienzo.&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Confetti&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; es un disco de auto-afirmación, con letras llenas de fuerza, nostálgicas e incluso enfadadas. Pero en el que, aunque está lleno de muy buen pop, falta que la producción también nos cuente algo.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Da la sensación de que, al igual que Leona, están en un proceso de encontrarse a sí mismas. Quizás, las vacaciones que mencionan en &lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-style: italic; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;Holiday&lt;/span&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt; (“estar contigo es como estar de vacaciones”) no sean suficientes y necesiten parar un momento y tomárselo con calma para poder encontrar lo que andan buscando.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria;&quot;&gt;&lt;span style=&quot;font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div&gt;&lt;br class=&quot;Apple-interchange-newline&quot; /&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/12/lm5-de-little-mix-una-celebracion-de.html&quot;&gt;LM5 de Little Mix: Una celebración de las girl bands con referencias a las Spice Girls&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style=&quot;text-align: justify;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: small;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;text-align: left;&quot;&gt;&lt;span style=&quot;color: #0000ee; font-family: times, times new roman, serif;&quot;&gt;&lt;u&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2020/05/que-tienen-que-ver-el-pais-de-las.html&quot;&gt;¿Qué tienen que ver El país de las maravillas, Sweetener y Perfect Illusion? | Análisis de Chromatica de Lady Gaga&lt;/a&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;p dir=&quot;ltr&quot; style=&quot;line-height: 1.38; margin-bottom: 0pt; margin-top: 0pt;&quot;&gt;&lt;span style=&quot;font-family: Cambria; font-size: 14pt; font-variant-east-asian: normal; font-variant-numeric: normal; vertical-align: baseline; white-space: pre-wrap;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;/span&gt;&lt;p&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/2928408992730112013/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2020/11/que-celebran-las-little-mix-y-que-tiene.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/2928408992730112013'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/2928408992730112013'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2020/11/que-celebran-las-little-mix-y-que-tiene.html' title='¿Qué celebran las Little Mix y qué tiene que ver con Leona Lewis? Análisis de Confetti, su nuevo disco'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuWTZ33UU2kqj1g7QRNA6z3NBgvAuS-tRLmGDD9JAS09fatza6isbo-ZFesVWBhMIYktRsgRMWlydlaSpwwby9B7nBidEDXBWUpHGgCOw53QhRXEDNvEgZgcSeaQkDMC1Mq7ypvXhKep4/s72-c/1+Ima%25CC%2581genes+destacadas+835_confetti.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-1078340271154575400</id><published>2020-05-31T12:21:00.000+02:00</published><updated>2020-05-31T12:27:28.420+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ariana Grande"/><category scheme="http://www.blogger.com/atom/ns#" term="Chromatica"/><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Joanne"/><category scheme="http://www.blogger.com/atom/ns#" term="Lady Gaga"/><title type='text'>¿Qué tienen que ver El país de las maravillas, Sweetener y Perfect Illusion? | Análisis de Chromatica de Lady Gaga</title><content type='html'>&lt;div class=&quot;MsoNormal&quot; style=&quot;font-family: Calibri, sans-serif; font-size: 12pt; margin: 0cm 0cm 0.0001pt;&quot;&gt;
  556. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  557. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYaazKk8sYOoUnVL3w0m02OLUMQZrG516x_MIjV7Av7klH5Z3YbdxlziHM9UdW0qNe5IqybWVGPR19CKboLOHAa-un-OFOhzAFUaC6kUKCt0QahWOnz4gzHatnKhR8tz8Z-LjhzLTQWgw/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYaazKk8sYOoUnVL3w0m02OLUMQZrG516x_MIjV7Av7klH5Z3YbdxlziHM9UdW0qNe5IqybWVGPR19CKboLOHAa-un-OFOhzAFUaC6kUKCt0QahWOnz4gzHatnKhR8tz8Z-LjhzLTQWgw/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  559. &lt;i style=&quot;font-size: 12pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;Alicia en el País de las Maravillas&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt; es una obra de Lewis Carrol que cuenta las aventuras de la protagonista a través de un mundo de fantasía. Al margen de la película de Disney, lo interesante de este libro es cómo te narra todo lo que ve Alicia a través de los ojos y la forma de pensar de una niña. Para nosotros nada de lo que ocurre en la novela tiene sentido, pero todo tiene un sentido dentro de El País de las Maravillas; debido a que (spoiler) todo ocurre en su cabeza. Este lugar tiene mucho que ver con &lt;i&gt;Chromatica&lt;/i&gt;, el nuevo disco de Lady Gaga.&lt;/span&gt;&lt;/div&gt;
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  562. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;El 28 de febrero recibimos el flamante comeback de Lady Gaga (mes arriba, mes abajo). La vuelta a las pistas de baile vino con la canción &lt;/span&gt;&lt;i style=&quot;font-family: cambria, serif; font-size: 14pt;&quot;&gt;Stupid Love,&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt; un nuevo single que, para sorpresa de muchos, de nuevo no tenía nada. La camaleónica Lady Gaga, la artista de la que nunca puedes esperarte nada, de pronto había sacado una canción previsible; hecha con algunas melodías muy &lt;/span&gt;&lt;i style=&quot;font-family: cambria, serif; font-size: 14pt;&quot;&gt;Born This Way&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;, mezcladas con beats de &lt;/span&gt;&lt;i style=&quot;font-family: cambria, serif; font-size: 14pt;&quot;&gt;ARTPOP&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;. La realidad es que no sabía que Lady Gaga tenía un sonido, pero sin duda ese sonido era &lt;/span&gt;&lt;i style=&quot;font-family: cambria, serif; font-size: 14pt;&quot;&gt;Stupid Love&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
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  566. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;Después de esa vuelta algo descafeinada mis expectativas no estaban demasiado altas para este disco y no es de extrañar que a muchos &lt;i&gt;Chromatica&lt;/i&gt; les sonara en su primera escucha a música de baile fácil de escuchar. Tenemos canciones como &lt;i&gt;Free Woman&lt;/i&gt;, la &lt;i&gt;Hair&lt;/i&gt; de este álbum que apela a la libertad de los más adolescentes. Tenemos&amp;nbsp;&lt;i&gt;911&lt;/i&gt;, con sus vibes a las más machaconas de &lt;i&gt;BTW, &lt;/i&gt;que nos habla de ser nuestros mayores enemigos.&amp;nbsp;O&amp;nbsp;&lt;i&gt;Sour Candy, &lt;/i&gt;la colaboración con las BlackPink que sigue la estela noventera que empezó &lt;i&gt;Swish Swish.&lt;/i&gt;&amp;nbsp;Son eso, canciones de puro pop que te animan a bailar.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
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  570. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsVRdIlTQNocg_WltrY8yR2Fe1LCh37BX1O-wa-sKtJGSGioNbaNHYSEIgGMB2ZEV4ZKr2vw_8QXTR4WVklzidO_bh7f2Z5K5uL84uyYKL91tHgrXqcrYWvZLJjGu05Gw6J20OH-eCBEI/s1600/lady-gaga-pospone-lanzamiento-chromatica_0_421_958_596.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;498&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsVRdIlTQNocg_WltrY8yR2Fe1LCh37BX1O-wa-sKtJGSGioNbaNHYSEIgGMB2ZEV4ZKr2vw_8QXTR4WVklzidO_bh7f2Z5K5uL84uyYKL91tHgrXqcrYWvZLJjGu05Gw6J20OH-eCBEI/s1600/lady-gaga-pospone-lanzamiento-chromatica_0_421_958_596.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  573. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;Es por eso que surgieron comparaciones nada desacertadas con la Madonna de &lt;i&gt;Vogue&lt;/i&gt; y &lt;i&gt;Confession&lt;/i&gt;s o, incluso, RuPaul. Ellas también beben de las discotecas de los 70 y la música de los 90 que las mezcló con la electrónica más cañera. &lt;i&gt;Enigma, Replay&lt;/i&gt; y &lt;i&gt;Babylon&lt;/i&gt;, las más old school, nos llevan a este mundo de &lt;i&gt;glitter,&lt;/i&gt; desfiles de moda y coros gospel. Que, por cierto, son los temas más creativos y atemporales de todo el disco. Pero &lt;i&gt;Chromatica&lt;/i&gt; de Lady Gaga esconde mucho más.&lt;/span&gt;&lt;/div&gt;
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  577. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;Porque si por un momento dejamos de bailar y prestamos atención a las letras, nos damos cuenta de que lo que estamos cantando nada tiene de alegre. Todas y cada una de las canciones hablan de tristeza, de llorar tsunamis, de que “no me lo estoy pasando bien esta noche” (&lt;/span&gt;&lt;i style=&quot;font-family: cambria, serif; font-size: 14pt;&quot;&gt;Fun Tonight&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;), de que se siente como una &lt;/span&gt;&lt;i style=&quot;font-family: cambria, serif; font-size: 14pt;&quot;&gt;Plastic Doll&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt; o de que “perdió el amor y a nadie le importó” en &lt;/span&gt;&lt;i style=&quot;font-family: cambria, serif; font-size: 14pt;&quot;&gt;Sine From Above&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;. Esta última, un trallazo eurovisivo que nunca me habría imaginado de la mano de Lady Gaga y Elton John. ¿Qué nos está queriendo decir la cantante? La respuesta está en el segundo single &lt;/span&gt;&lt;i style=&quot;font-family: cambria, serif; font-size: 14pt;&quot;&gt;Rain On Me&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt; junto a Ariana Grande.&lt;/span&gt;&lt;/div&gt;
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  581. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;La gran colaboración que ha devuelto a Gaga a los primeros puestos de las listas habla de asumir la tristeza, de “dejarse llorar” y hacer de eso una fiesta. Y es que si alguien podía hablar de estos temas, esa es Ariana Grande. El tan criticado álbum &lt;i&gt;Sweetener&lt;/i&gt; &lt;a href=&quot;https://jaspop.blogspot.com/2018/11/el-mal-querer-de-rosalia-cuando-hay.html&quot;&gt;sigue siendo, para mí, el álbum más triste de la carrera de la artista&lt;/a&gt;. Porque después de un trauma tan grande como el que sufrió con el atentado de Manchester, no es un disco dramático, sino todo lo contrario. Ariana estaba tan mal que no era capaz de cantar &lt;a href=&quot;https://twitter.com/bloodpop/status/1266832242019430400&quot;&gt;una sola balada sobre ello&lt;/a&gt; (de hecho, por eso nunca canta &lt;i&gt;Imagine&lt;/i&gt;) y lo que decidió fue “edulcorar” la realidad. Darle la vuelta y transformarla en algo dulce y divertido, algo que le ayudara a evadirse y seguir adelante.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
  582. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
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  585. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBuDs7LqmAe4LfVR7n4-MbS14kt8djne1T03IlNLVgoFD372Bg4B1OtYu_xIM7tcP1RdB56hwE4zqzsVarXtEiF1uGm_T442I-QCs9l-ls67XykNJI5Yr0sa6E9Himm8K_GRvMmVEMy2o/s1600/Lady-Gagq.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;550&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBuDs7LqmAe4LfVR7n4-MbS14kt8djne1T03IlNLVgoFD372Bg4B1OtYu_xIM7tcP1RdB56hwE4zqzsVarXtEiF1uGm_T442I-QCs9l-ls67XykNJI5Yr0sa6E9Himm8K_GRvMmVEMy2o/s1600/Lady-Gagq.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  587. &lt;div class=&quot;MsoNormal&quot; style=&quot;font-family: Calibri, sans-serif; font-size: 12pt; margin: 0cm 0cm 0.0001pt;&quot;&gt;
  588. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;Qué curioso que uno de los discos con las letras más tristes de la carrera de Gaga sea tan tan bailable. Ni siquiera algo experimental como &lt;i&gt;ARTPOP&lt;/i&gt;, sino puro baile fácil de escuchar. De hecho, a &lt;i&gt;1000 Doves&lt;/i&gt; llegas sin muchas ganas de escucharla ya. Eso es porque &lt;i&gt;Chromatica&lt;/i&gt; es el &lt;i&gt;Sweetener &lt;/i&gt;de Lady Gaga. Un mundo donde ve la realidad a través de un filtro con los colores muy saturados (de ahí el título) y los problemas se resuelven bailando. Ese es el País de las Maravillas que busca en la sorprendente y misteriosa&lt;i&gt; Alice&lt;/i&gt;; ese mundo de fantasía, en este caso con estética futurista y ciberpunk, en el que “nadie es menos que nadie”, como proclama el cartel promocional.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
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  590. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;Los interludios &lt;i&gt;Chromatica I, II y III&lt;/i&gt;, muy inteligentemente colocados, sirven para refrescar el ambiente y limpiar el confeti de la pista de baile. Introducen en la atmósfera y nos llevan en volandas por este mundo nuevo para nosotros y y así acentuar la vuelta al beat discotequero.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  594. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;Sabiendo ahora todo esto, volvamos a &lt;i&gt;Stupid Love&lt;/i&gt;. Muchos os preguntaréis: ¿Por qué elegir una canción que suena tan a la Gaga del pasado como primer single de entre todo el álbum? Bueno, Lady Gaga nos lo explicó hace casi 4 años, concretamente en el primer single de &lt;i&gt;Joanne&lt;/i&gt;: &lt;i&gt;Perfect Illusion&lt;/i&gt;. Una canción que habla de su caída en la era &lt;i&gt;ARTPOP&lt;/i&gt;, de que se sintió abandonada y se dio cuenta de que la gente no la quería tanto como ella pensaba. Que ese &lt;u&gt;amor&lt;/u&gt; que recibía no era real, era otra cosa, era una &lt;u&gt;perfecta ilusión&lt;/u&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;br /&gt;
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  601. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;Ese es el gran tema de &lt;i&gt;Chromatica&lt;/i&gt;. Que ya es, no solo uno de los álbumes más compactos y trabajados a nivel conceptual de la carrera de Lady Gaga, sino uno de los más personales. Y es que no es casualidad que absolutamente toda la campaña de promoción del álbum se haya basado en las filtraciones, demostrando lo bien que Gaga conoce a su público. Solo que esta vez lo ha usado a su favor. Muchas letras del disco hablan de lo utilizada que se siente por sus fans y de lo desconsiderados que a veces han sido con ella. De la presión que siente por satisfacer sus demandas, a la vez que intenta batallar con sus otros monstruos, los que tiene en su interior.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  605. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot; , serif; font-size: 14pt;&quot;&gt;Pero ahora, después de una época de depresión, como ella misma ha confesado, es cuando se ha dado cuenta de que ese amor estúpido e irreal, ese que recibe cuando hace bailar a la gente, consigue que se olvide de los problemas y le lleva a su propio País de las Maravillas. Un lugar lleno de color donde, aunque todo sea una ilusión perfecta dentro de su cabeza, es un poco más feliz.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  613. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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  615. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/10/es-sweetener-el-disco-mas-triste-de.html&quot;&gt;¿Es Sweetener el disco más triste de Ariana Grande?&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  616. &lt;div style=&quot;font-family: Times; font-size: medium; text-align: justify;&quot;&gt;
  617. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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  619. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: small;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;color: #0000ee; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;u&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2016/10/analisis-de-joanne-nuevo-y-esperado.html&quot;&gt;Análisis de “Joanne”, nuevo y esperado disco de Lady Gaga&lt;/a&gt;&lt;/u&gt;&lt;/span&gt;&lt;br /&gt;
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  624. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/1078340271154575400/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2020/05/que-tienen-que-ver-el-pais-de-las.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1078340271154575400'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1078340271154575400'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2020/05/que-tienen-que-ver-el-pais-de-las.html' title='¿Qué tienen que ver El país de las maravillas, Sweetener y Perfect Illusion? | Análisis de Chromatica de Lady Gaga'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYaazKk8sYOoUnVL3w0m02OLUMQZrG516x_MIjV7Av7klH5Z3YbdxlziHM9UdW0qNe5IqybWVGPR19CKboLOHAa-un-OFOhzAFUaC6kUKCt0QahWOnz4gzHatnKhR8tz8Z-LjhzLTQWgw/s72-c/1+Ima%25CC%2581genes+destacadas+835.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-2130032150246226080</id><published>2018-12-02T19:27:00.003+01:00</published><updated>2018-12-02T19:28:34.586+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Fifth Harmony"/><category scheme="http://www.blogger.com/atom/ns#" term="Little Mix"/><category scheme="http://www.blogger.com/atom/ns#" term="LM5"/><category scheme="http://www.blogger.com/atom/ns#" term="Spice Girls"/><title type='text'>LM5 de Little Mix: Una celebración de las girl bands con referencias a las Spice Girls</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  1016.  
  1017. &lt;br /&gt;
  1018. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1019. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm2yTd4F4aVrur6WjIzHjXNqypIsjV_2cCP3Z2e0ihqclrLemeRIM689NrcLvDWnUHu2p41pw-RBWcAGgZKN3BBZXWHj_XslfU8tE2Lra4VL6wWqxUixLfQl782tqgw8AKk6ItkxYZ44Q/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm2yTd4F4aVrur6WjIzHjXNqypIsjV_2cCP3Z2e0ihqclrLemeRIM689NrcLvDWnUHu2p41pw-RBWcAGgZKN3BBZXWHj_XslfU8tE2Lra4VL6wWqxUixLfQl782tqgw8AKk6ItkxYZ44Q/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  1020. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1021. &lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  1022. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1023. &lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  1024. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1025. &lt;span style=&quot;font-size: 14pt;&quot;&gt;Spice Girls, Destiny’s Child&lt;/span&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;,&lt;/span&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; Pussycat Dolls, Sugababes,
  1026. Fifth Harmony. Son muchos los grupos femeninos que han impactado en la
  1027. industria musical en las últimas décadas. Sin embargo, pocos o ninguno de ellos
  1028. ha superado los dos o tres discos con todas sus integrantes. Como dice Mimi,
  1029. las &lt;i&gt;girl band&lt;/i&gt; son algo caduco, que
  1030. acaba más pronto que tarde. Y sin embargo, aquí estamos, analizando el quinto
  1031. LP de Little Mix, después de siete años desde su formación.&lt;/span&gt;&lt;br /&gt;
  1032. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;/div&gt;
  1033. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1034. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Glory Days&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; fue un álbum muy pop que colocaba a Little Mix en el panorama de forma
  1035. contundente. De los dos grupos de mujeres que estaban reinando en todo el
  1036. mundo, ellas siempre eran las niñas, las que cantaban &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Black Magic&lt;/i&gt; como pequeñas brujas de instituto. Sin embargo, con la
  1037. separación de Fifth Harmony, Little Mix fue cada vez tomando más peso con
  1038. propuestas como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Touch&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Power&lt;/i&gt;, demostrando talento tanto vocal
  1039. como escénico. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1040. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1041. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Dos años después, el grupo
  1042. británico vuelve con cambio de discográfica. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Woman Like Me&lt;/i&gt; junto a Nicki Minaj supone el pistoletazo de salida
  1043. en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;LM5&lt;/i&gt;, su nuevo álbum. Un tema que
  1044. recuerda a la fórmula reggea-pop de Ariana con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Side To Side&lt;/i&gt; (también en colaboración con la rapera). Salvo que en
  1045. este caso, las chicas buscan crear un himno feminista que hable de las ataduras
  1046. que supone ser mujer.&lt;/span&gt;&lt;/div&gt;
  1047. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1048. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisetyDUGLg6_EL7zzS2XTZMFVdEDcf8C8Sqo5Qwo35Nn6Wv2944X9Vmd6xJXBQ1Ekv4cn2BfPZuFMHcSZT10ykhSYTmP0_SJoOg11EGrB-B2Z0X-qjlYfQ0QSn3IPqfIsbyB2AFKU6pUg/s1600/1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;431&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEisetyDUGLg6_EL7zzS2XTZMFVdEDcf8C8Sqo5Qwo35Nn6Wv2944X9Vmd6xJXBQ1Ekv4cn2BfPZuFMHcSZT10ykhSYTmP0_SJoOg11EGrB-B2Z0X-qjlYfQ0QSn3IPqfIsbyB2AFKU6pUg/s1600/1.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  1049. &amp;nbsp;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt; text-align: center;&quot;&gt;Sin embargo, este género
  1050. poco tiene que ver con el sonido que reina en el álbum. Únicamente &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; font-size: 14pt; text-align: center;&quot;&gt;American Boy&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt; text-align: center;&quot;&gt; tiene esos mismos tintes
  1051. tropicales. Un tema muy divertido y bien producido.&lt;/span&gt;&lt;br /&gt;
  1052. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt; text-align: center;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  1053. &lt;br /&gt;
  1054. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1055. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Aunque es verdad que este es
  1056. un álbum con una propuesta muy actual. Solo hace falta escuchar el bop que es &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Think About Us&lt;/i&gt;, llena de peso tanto en
  1057. la letra, como en la producción, con ese piano tan bien colocado. En este grupo
  1058. entran la colaboración con Cheat Codes, que también suena genial, o el R&amp;amp;B
  1059. old school un tanto oscuro de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Notice&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1060. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1061. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Sin embargo, lo que tenemos en
  1062. otros muchos temas es un pop con referencias a finales de los 90 y principios
  1063. de los 2000. Con canciones más arriesgadas, que no se quedan a medias y
  1064. apuestan por un sonido muy concreto. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Strip&lt;/i&gt;
  1065. es un claro ejemplo, con una producción muy cañera, pero en la que no hay
  1066. grandes alardes vocales, sino que prácticamente está recitada. Esto consigue
  1067. que se sientan llenas de actitud, que están sobradas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1068. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1069. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;En esta estela también van
  1070. otras canciones como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Joan of Arc&lt;/i&gt;,
  1071. donde juegan también con tintes R&amp;amp;B y hip-hop. Me encanta la nueva seguridad
  1072. con la que cantan las canciones. Ahora ya no buscan lucirse con grandes agudos,
  1073. que también los hay, sino hacer que tema tema mejor, dotarle de significado e
  1074. interpretación y eso se nota. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1075. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1076. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-oN9ZNcROK45YdHJaxNX3XbUb2goA4A49tyNsdYMIqXALV22I6X2fB7VASayF_9Lv9PgLN8K5HtS_WBnQHPvuE6y9Wqe35BAJt0NKCyNUsN6oVtFdBa10mix8DqcJghTAun9bbHky3sg/s1600/2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;504&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-oN9ZNcROK45YdHJaxNX3XbUb2goA4A49tyNsdYMIqXALV22I6X2fB7VASayF_9Lv9PgLN8K5HtS_WBnQHPvuE6y9Wqe35BAJt0NKCyNUsN6oVtFdBa10mix8DqcJghTAun9bbHky3sg/s1600/2.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  1077. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1078. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  1079. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1080. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;La clave de esto es el track
  1081. que abre el álbum, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The National Anthem&lt;/i&gt;.
  1082. No hay tres cantantes con un vozarrón, sino una formación femenina que encaja y
  1083. armoniza a la perfección.&lt;/span&gt;&lt;/div&gt;
  1084. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1085. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Hay momentos también para
  1086. ponerse más intensas, con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Told You So&lt;/i&gt;,
  1087. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Monster Like Me&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;More Than Words&lt;/i&gt;. Canciones que
  1088. relacionan el superar inseguridades con el amor y la amistad. Mensajes muy
  1089. interesantes para una &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;girl band&lt;/i&gt;.&lt;/span&gt;&lt;/div&gt;
  1090. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1091. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Esta nueva autoafirmación
  1092. como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;girl band&lt;/i&gt; ha hecho que se hayan
  1093. querido fijar en otras que fueron grandes en el pasado. Por eso es fantástico
  1094. escuchar temas como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Wasabi&lt;/i&gt;, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Motivate&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Love a Girl Right&lt;/i&gt;. Verdaderos hits noventeros que podrían firmar
  1095. los Backstreet Boys o las Spice Girls, hechos en 2018. Llenos de actitud, de
  1096. gusto en la producción, con referencias a la tendencia latina y hip-hop que se
  1097. llevaba entonces (y que ha vuelto ahora). &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Wasabi&lt;/i&gt;,
  1098. en concreto, es una fantasía que cambia de género con cada frase.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1099. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1100. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJmaa24yvwmBliC1VlG1ZDkfDcHDCIQDMZanwTY5xFXxUDnlHT3zf5iyS6_6lBzLnj-bf2Ipiqg-evjJIJOG2dwtx0zVdieup57zNw69mY7lAk4_5fn5cwbFNKIgbjnvtJvb-AqaeeP0s/s1600/3.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;528&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJmaa24yvwmBliC1VlG1ZDkfDcHDCIQDMZanwTY5xFXxUDnlHT3zf5iyS6_6lBzLnj-bf2Ipiqg-evjJIJOG2dwtx0zVdieup57zNw69mY7lAk4_5fn5cwbFNKIgbjnvtJvb-AqaeeP0s/s1600/3.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  1101. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1102. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  1103. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1104. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Y cerramos con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Woman’s World&lt;/i&gt; que trae el mensaje del
  1105. álbum. Un mensaje feminista sin rodeos, hablando de problemáticas concretas
  1106. como la diferencia salarial y otras muchas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1107. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 240.25pt;&quot;&gt;
  1108. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;LM5&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;
  1109. es un triunfo simplemente por el hecho de existir, que haya un quinto proyecto
  1110. con estas siglas. Esta es la razón de que el propio nombre en clave se haya
  1111. convertido en el título del álbum. Precisamente por esto, porque han llegado a
  1112. hacer algo que muy pocos grupos han conseguido, han tomado conciencia de lo que
  1113. son, una &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;girl band&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1114. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1115. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;girl band&lt;/i&gt;
  1116. consciente de su poder, ahora Little Mix se ha planteado qué tipo de mensajes
  1117. debería decir al mundo y, sobre todo, a todas esas chicas jóvenes que les
  1118. siguen. Esto se traduce en sororidad, autoestima y feminismo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1119. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1120. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Y, ¿qué mejor forma de traer estos mensajes que
  1121. haciendo un homenaje a todos los grupos de los 90 y los 2000 que les han
  1122. precedido? &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;LM5&lt;/i&gt; además de ser una
  1123. autoafirmación, es una celebración de las &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;girl
  1124. bands&lt;/i&gt;, que fusiona los sonidos más actuales con referencias otras épocas. Ellas,
  1125. como las Pussicat Dolls, las Destiny’s Child o las Spice, quieren hacer bailar,
  1126. pero también transmitir valores como la amistad o el apoyo entre mujeres.
  1127. Porque que sean una &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;girl band&lt;/i&gt;, también
  1128. hace que muchas chicas las consideren sus referentes.&lt;/span&gt;&lt;/div&gt;
  1129. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;br /&gt;
  1130. &lt;br /&gt;
  1131. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  1132. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/10/es-sweetener-el-disco-mas-triste-de.html&quot;&gt;¿Es Sweetener el disco más triste de Ariana Grande?&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  1133. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1134. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  1135. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1136. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/02/analisis-de-camila-de-camila-cabello-la.html&quot;&gt;Análisis de Camila de Camila Cabello: La importancia de tener un mensaje&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  1137. &lt;br /&gt;&lt;/div&gt;
  1138. &lt;!--EndFragment--&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/2130032150246226080/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/12/lm5-de-little-mix-una-celebracion-de.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/2130032150246226080'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/2130032150246226080'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/12/lm5-de-little-mix-una-celebracion-de.html' title='LM5 de Little Mix: Una celebración de las girl bands con referencias a las Spice Girls'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgm2yTd4F4aVrur6WjIzHjXNqypIsjV_2cCP3Z2e0ihqclrLemeRIM689NrcLvDWnUHu2p41pw-RBWcAGgZKN3BBZXWHj_XslfU8tE2Lra4VL6wWqxUixLfQl782tqgw8AKk6ItkxYZ44Q/s72-c/1+Ima%25CC%2581genes+destacadas+835.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-1493672028351571484</id><published>2018-11-25T17:57:00.000+01:00</published><updated>2018-11-25T17:57:17.452+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Jessie J"/><category scheme="http://www.blogger.com/atom/ns#" term="Queen"/><category scheme="http://www.blogger.com/atom/ns#" term="R.O.S.E."/><category scheme="http://www.blogger.com/atom/ns#" term="Sweet Talker"/><title type='text'>R.O.S.E. de Jessie J: El disco invisible</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  1532. &lt;br /&gt;
  1533. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  1534. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCp4zSe3iXBTY26pExOW6sOumFRxNKqax8USTNmPChd76FW1yJuw_LlkljV7Gmn6TniXtL3TzlKNHyn6g_G2VNcplWoXVfQ86dipDWaz27lzhnssOAlEyp8JQ1DkqQPaHsZrJxpOOeMhw/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCp4zSe3iXBTY26pExOW6sOumFRxNKqax8USTNmPChd76FW1yJuw_LlkljV7Gmn6TniXtL3TzlKNHyn6g_G2VNcplWoXVfQ86dipDWaz27lzhnssOAlEyp8JQ1DkqQPaHsZrJxpOOeMhw/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  1537. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1538. &lt;span style=&quot;font-size: 14pt;&quot;&gt;Jessie J ha pasado por un momento en su vida en el
  1539. que nada tenía sentido. Tras &lt;/span&gt;&lt;i style=&quot;font-size: 14pt;&quot;&gt;Sweet Talker&lt;/i&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;
  1540. y su éxito relativo, planteó su siguiente paso, solo que se dio cuenta de que
  1541. el camino que estaba recorriendo no tenía sentido. &lt;/span&gt;&lt;i style=&quot;font-size: 14pt;&quot;&gt;R.O.S.E.&lt;/i&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;, su cuarto álbum, es la respuesta a todo esto.&lt;/span&gt;&lt;/div&gt;
  1542. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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  1544. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Con este disco, Jessie J ha querido romper con todo;
  1545. tanto, que ha roto el propio tracklist, dividiéndolo en cuatro partes. Estas
  1546. corresponden a las cuatro letras del título: &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;R (Realisations)&lt;/i&gt;, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;O(Obsessions)&lt;/i&gt;,
  1547. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;S (Sex)&lt;/i&gt; y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;E (Empowerment)&lt;/i&gt;. Es importante entender esto para comentar lo que
  1548. nos quiere contar en esta nueva era. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  1550. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;El sonido que encontramos no tiene absolutamente
  1551. nada que ver con la marca Jessie J. Ya nos dimos cuenta con el delante de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Real Deal&lt;/i&gt; que la dirección que iba a
  1552. tomar la cantante poco o nada tendría que ver con el pop de otros discos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  1554. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Realisations&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; habla de cerrar etapas. De
  1555. decir cosas que llevaba tiempo queriendo decir. Conversaciones con antiguos
  1556. socios, con sus fans, incluso con Dios. “Hago dinero, comparto mi tiempo, pero
  1557. necesito algo que sea mío y para mí”.&lt;/span&gt;&lt;/div&gt;
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  1559. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Así, encontramos canciones tan crudas como el primer
  1560. single (que luego no lo fue), &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Think About
  1561. That&lt;/i&gt;. Un tema R&amp;amp;B muy minimalista con un piano y algo de percusión para
  1562. marcar el ritmo, en el que habla directamente con su representante y le dice
  1563. que piense en todo lo que ha hecho. Es una oscuridad nueva en Jessie J, una
  1564. oscuridad que supura verdad.&lt;/span&gt;&lt;/div&gt;
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  1566. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikokoQCR6iyJqh9kuodMScs_y921cRH_-ZG16DQj5SE29hpRY3340IjljTh0Cr5LB59izPBbsEiH2NhwVEAAJlnXr2MWy159SYXh9wgNqI6eCfUya6K2fBa8anfDaO4CxGiPAP6GWElxs/s1600/jessie-j.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; font-family: Times; font-size: medium; margin-bottom: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;529&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikokoQCR6iyJqh9kuodMScs_y921cRH_-ZG16DQj5SE29hpRY3340IjljTh0Cr5LB59izPBbsEiH2NhwVEAAJlnXr2MWy159SYXh9wgNqI6eCfUya6K2fBa8anfDaO4CxGiPAP6GWElxs/s1600/jessie-j.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  1568. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Y de la misma forma&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt; Easy On Me&lt;/i&gt; hace lo propio con todo su público. La que para mí ya
  1569. es una de las joyas de su carrera, habla de que necesita espacio, con una
  1570. producción de un gusto exquisito.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1571. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1572. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;En &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Obessions&lt;/i&gt;
  1573. la británica nos confiesa sus complejos y los temas que han rondado su cabeza
  1574. todo este tiempo. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Not My Ex &lt;/i&gt;es un
  1575. claro ejemplo de esto, hablando de sentirse comparada y comparar a sus parejas.
  1576. La guitarra de este tema lo hace todavía más íntimo y es genial.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1577. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1578. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Sin embargo, se sigue respirando resentimiento en
  1579. sus palabras. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Petty&lt;/i&gt; y su genial
  1580. producción R&amp;amp;B con toques juguetones de instrumentos de viento lo
  1581. representa muy bien. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1582. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1583. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;La tercera parte, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Sex&lt;/i&gt;, es la más sexual como es obvio, pero también la que habla de
  1584. su identidad como mujer y a sentirse segura de sí misma. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Queen,&lt;/i&gt; como gran estandarte, temazo intimista donde los haya (y
  1585. verdadero primer single), muestra a la Jessie J con más actitud de todo el
  1586. álbum. Se escucha llena de rollo, colocando la voz en lugares totalmente
  1587. diferentes. Una sorpresa.&lt;/span&gt;&lt;/div&gt;
  1588. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1589. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Dangerous &lt;/i&gt;es
  1590. una muy digna segunda de abordo. La producción disco ochentera es fantástica.
  1591. Y,&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;además, combina muy bien con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;One Night Lover&lt;/i&gt; y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Play.&lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1592. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1593. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYVRZCIF3cbH9R9OVms-F4cBe_GM0BMUMsPMNDCgnB8DCKkjUGUHtdrap9ZoerTEpVuPsPJhlbc4Tn479th5tYvxvHCCImkixzn-HJUTN8i2D6wW0TmasDOSk3LTu3QmEBMEWc9tKhuQ8/s1600/Captura-de-Tela-132.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; font-family: Times; font-size: medium; margin-bottom: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;522&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYVRZCIF3cbH9R9OVms-F4cBe_GM0BMUMsPMNDCgnB8DCKkjUGUHtdrap9ZoerTEpVuPsPJhlbc4Tn479th5tYvxvHCCImkixzn-HJUTN8i2D6wW0TmasDOSk3LTu3QmEBMEWc9tKhuQ8/s1600/Captura-de-Tela-132.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  1595. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;El álbum cierra con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Empowerment,&lt;/i&gt; una fase algo más buen rollera que habla de que cree
  1596. en el amor y que ahora sus cicatrices forman parte de ella y le han convertido
  1597. en quien es ahora.&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Someone´s Lady&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; es maravillosa.&lt;/span&gt;&lt;/div&gt;
  1598. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1599. &lt;i style=&quot;font-size: 12pt;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;R.O.S.E.&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; es el álbum más valiente
  1600. que ha lanzado Jessie J.&amp;nbsp; La cantante se
  1601. ha abierto en canal dejando salir todos los demonios que llevaba dentro y a su
  1602. vez curando alguna que otra herida. Una rosa preciosa que florece y deja ver lo
  1603. que hay en su interior, pero que a su vez duele con cada pinchazo.&lt;/span&gt;&lt;/div&gt;
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  1605. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;No sé si estaremos ante las mejores letras de Jessie
  1606. J, pero estoy seguro de que son las que cuentan más verdad. Y precisamente por
  1607. eso, porque lo importante es lo que cuentan, la producción de las canciones
  1608. toma un segundo plano con un estilo muy minimalista. Están hechas pensando en
  1609. los mínimos elementos necesarios para expresar lo que se quiere expresar y eso
  1610. me encanta. Es un disco elegante, lleno de buen gusto. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1611. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1612. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Sin embargo, no sé si ha sido el resentimiento de la
  1613. artista o la poca visión de la discográfica, pero me he visto escuchando el
  1614. disco en una lista de reproducción con los cuatro EPs porque no existe como
  1615. álbum. La promoción ha sido desastrosa y este disco no lo merecía. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  1616. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  1617. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;R.O.S.E.&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; es un disco que ha pasado
  1618. desapercibido, un disco invisible, sin portada; siendo uno de los mejores y más
  1619. importantes de la carrera de Jessie J. Pero, ya sabéis, ni toda la realidad es
  1620. lo que vemos, ni la caverna todo lo que existe, ni todos los buenos discos son
  1621. los que tienen éxito.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  1622. &lt;br class=&quot;Apple-interchange-newline&quot; /&gt;
  1623. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;br /&gt;
  1624. &lt;br /&gt;
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  1627. &lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
  1628. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/10/es-sweetener-el-disco-mas-triste-de.html&quot;&gt;¿Es Sweetener el disco más triste de Ariana Grande?&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  1629. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1630. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  1631. &lt;div style=&quot;text-align: justify;&quot;&gt;
  1632. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/10/trench-de-twenty-one-pilots-una.html&quot;&gt;TRENCH de Twenty One Pilots | Una trinchera amarilla&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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  1697. &lt;/style&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/1493672028351571484/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/11/rose-de-jessie-j-el-disco-invisible.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1493672028351571484'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1493672028351571484'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/11/rose-de-jessie-j-el-disco-invisible.html' title='R.O.S.E. de Jessie J: El disco invisible'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgCp4zSe3iXBTY26pExOW6sOumFRxNKqax8USTNmPChd76FW1yJuw_LlkljV7Gmn6TniXtL3TzlKNHyn6g_G2VNcplWoXVfQ86dipDWaz27lzhnssOAlEyp8JQ1DkqQPaHsZrJxpOOeMhw/s72-c/1+Ima%25CC%2581genes+destacadas+835.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-4917629202799500450</id><published>2018-11-15T07:51:00.000+01:00</published><updated>2018-11-15T07:51:23.276+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="C.Tangana"/><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="El Mal Querer"/><category scheme="http://www.blogger.com/atom/ns#" term="Rosalía"/><title type='text'>El Mal Querer de Rosalía | Cuando hay barreras que nunca debieron existir</title><content type='html'>
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  1762.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
  1763.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
  1764.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
  1765.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
  1766.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  1767.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  1768.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  1769.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  1770.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  1771.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  1772.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  1773.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  1774.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  1775.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  1776.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  1777.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
  1778.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  1779.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  1780.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
  1781.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  1782.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  1783.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  1784.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  1785.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  1786.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  1787.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  1788.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  1789.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  1790.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  1791.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  1792.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  1793.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  1794.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  1795.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  1796.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  1797.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  1798.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  1799.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  1800.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  1801.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  1802.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  1803.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  1804.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  1805.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  1806.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  1807.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  1808.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  1809.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  1810.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  1811.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  1812.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  1813.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  1814.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  1815.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  1816.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  1817.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  1818.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  1819.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  1820.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  1821.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  1822.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  1823.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  1824.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  1825.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  1826.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  1827.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  1828.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  1829.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  1830.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  1831.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  1832.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
  1833.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  1834.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
  1835.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  1836.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
  1837.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  1838.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  1839.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  1840.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  1841.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  1842.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  1843.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  1844.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  1845.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  1846.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  1847.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  1848.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  1849.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  1850.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  1851.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  1852.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  1853.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  1854.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  1855.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  1856.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  1857.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  1858.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  1859.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  1860.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  1861.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  1862.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  1863.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  1864.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  1865.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  1866.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  1867.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  1868.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  1869.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  1870.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  1871.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  1872.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  1873.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  1874.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  1875.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  1876.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  1877.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  1878.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  1879.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  1880.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  1881.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  1882.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  1883.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  1884.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  1885.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  1886.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  1887.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  1888.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  1889.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  1890.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  1891.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  1892.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  1893.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  1894.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  1895.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  1896.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  1897.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  1898.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  1899.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  1900.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  1901.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  1902.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  1903.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  1904.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  1905.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  1906.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  1907.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  1908.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  1909.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  1910.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  1911.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  1912.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  1913.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  1914.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  1915.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  1916.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  1917.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  1918.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  1919.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  1920.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  1921.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  1922.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  1923.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  1924.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  1925.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  1926.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  1927.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  1928.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  1929.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  1930.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  1931.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  1932.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  1933.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  1934.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  1935.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  1936.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  1937.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  1938.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  1939.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  1940.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  1941.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  1942.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  1943.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  1944.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  1945.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  1946.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  1947.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  1948.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  1949.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  1950.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  1951.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  1952.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  1953.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  1954.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  1955.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  1956.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  1957.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  1958.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  1959.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  1960.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  1961.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  1962.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  1963.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  1964.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  1965.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  1966.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  1967.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  1968.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
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  2098. &lt;br /&gt;
  2099. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2100. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh23VHWtX2nbmOrCPKx6tdDzX6Op7WyY9xWF2gyljHL_CB-KwYA2qH6nb3nFhVl_Av0VDYf35A_5VAdPznEsXHnrLP_DZ39hoc3230-YWFnRKbudlTCnnj6X85zmhAerm7GNYL9FvHp7fk/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh23VHWtX2nbmOrCPKx6tdDzX6Op7WyY9xWF2gyljHL_CB-KwYA2qH6nb3nFhVl_Av0VDYf35A_5VAdPznEsXHnrLP_DZ39hoc3230-YWFnRKbudlTCnnj6X85zmhAerm7GNYL9FvHp7fk/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  2101. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2102. &lt;i style=&quot;font-size: 12pt;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Flamenca&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; es una obra literaria
  2103. escrita en el siglo XIII, que cuenta cómo la hija del conde Guido Nemours,
  2104. después de casarse con Archambaut de Auvernia, es encerrada en una torre. Lo
  2105. curioso de esta novela es que no tiene final; las últimas páginas se perdieron,
  2106. así que nunca sabremos si Flamenca consiguió escapar de su cautiverio. &lt;i&gt;Flamenca&lt;/i&gt;, además, es el punto de partida
  2107. del nuevo álbum de Rosalía, &lt;i&gt;El Mal Querer&lt;/i&gt;.&lt;/span&gt;&lt;/div&gt;
  2108. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
  2109.  
  2110.  
  2111. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2112. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Se ha hablado mucho del segundo disco de Rosalía, y
  2113. muchos ya tenían su opinión formada antes si quiera de escucharlo. Y es que
  2114. cuando aparece algo con tanta repercusión en cualquier ámbito, miles de voces
  2115. se alzan tanto a favor como en contra, luchando por imponer su opinión al
  2116. mundo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2117. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2118. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Aunque suene raro, tanto en Cataluña como en mi
  2119. tierra, Navarra, hay núcleos muy potentes alrededor del flamenco. Fue después
  2120. de diez años absorbiendo y aprendiendo cuando nació &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Los Ángeles&lt;/i&gt;; un disco que habla sobre la muerte. Si lo escuchamos
  2121. ahora, el sonido resulta relativamente tradicional, pero ya experimentaba con
  2122. los instrumentos y la producción, tocando las guitarras de forma brusca, buscando
  2123. la fuerza de eléctricas. Es aquí donde apareció el germen de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El Mal Querer&lt;/i&gt;.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2124. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2125. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Malamente&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; es, al margen de todo lo
  2126. demás, una revolución en sí misma. Un tema que utiliza una base de pianos hip
  2127. hop-trap, solo que en vez de combinarla con percusión de música urbana, lo que
  2128. acompañan son palmas. En este primer single Rosalía recrea el ambiente de un tablao
  2129. flamenco sobre un tema que no lo es. Un augurio de todo lo que estaba por
  2130. venir.&lt;/span&gt;&lt;/div&gt;
  2131. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2132. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX5JVH-M20DQ2o-nf3wES6xNadca4-KAvdOobzm3LIfOiLzZDPoEXJwtM1wrR5D8G4mMYdMNZvMwVmfiYyouaJBUUQeLEY_2HEw-8llzk-oGM53pbiuGQPZTIgw48E8LMPHCaSLCJTJz4/s1600/rosali%25CC%2581a-so%25CC%2581nar2018.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;533&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX5JVH-M20DQ2o-nf3wES6xNadca4-KAvdOobzm3LIfOiLzZDPoEXJwtM1wrR5D8G4mMYdMNZvMwVmfiYyouaJBUUQeLEY_2HEw-8llzk-oGM53pbiuGQPZTIgw48E8LMPHCaSLCJTJz4/s1600/rosali%25CC%2581a-so%25CC%2581nar2018.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  2133. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2134. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  2135. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2136. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Cuando escuchamos &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Pienso En Tu Mirá&lt;/i&gt;, además, nos dimos cuenta de que lo que traía la
  2137. cantante era una historia. Una obra distribuida en capítulos como si de un
  2138. libro o un disco de Beyoncé se tratara. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El
  2139. Mal Querer&lt;/i&gt; es una historia que nos cuenta los estadios de una relación
  2140. tóxica y violenta, que alterna entre la visión de ella, la muchacha enamorada,
  2141. y de él, el agresor. Entre la tradición y la modernidad.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2142. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2143. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Sin embargo, fue con la llegada del disco cuando
  2144. entendimos la dimensión del proyecto. Pues &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El
  2145. Mal Querer&lt;/i&gt; además de seguir un esquema similar a &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Lemonade&lt;/i&gt;, se acerca a la grandiosidad y minuciosidad de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;LVBNA&lt;/i&gt; de Mónica Naranjo. Es por eso que,
  2146. después del shock inicial por ver que hits como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Houte Couture&lt;/i&gt; no estaban incluidos, entendí que la decisión de
  2147. Rosalía había sido mucho más valiente de lo que parecía. Dejando fuera temas
  2148. pop urbano que habrían hecho las delicias de las radios (la mal llamada &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;“Esto está encendío” &lt;/i&gt;está producida por
  2149. Pharrel Williams) estaba apostando por una atmósfera y una entidad de obra
  2150. literaria muy concreta, que ha conseguido que se respire en todo el LP.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2151. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2152. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;En contraposición a esto, nos encontramos con canciones
  2153. más cercanas al flamenco y la copla tradicionales como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Que no salga la luna&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Di mi
  2154. nombre&lt;/i&gt;. Esto a su vez se entrelaza con otras con instrumentación sinfónica
  2155. como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Reniego&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2156. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2157. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Este aspecto tradicional del sonido del álbum, choca
  2158. con la experimentación que está tan presente en capítulos como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;De aquí no sales&lt;/i&gt;. Este track en concreto
  2159. es digno de estudio. Utiliza el sonido de motores, frenazos y sirenas para
  2160. representar la violencia. La canción no suena “agradable”, porque lo que está
  2161. contando no lo es; es brusco, es dañino. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2162. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2163. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQIPr7uw9vg1cmz4atxstGlkaYf47nNelmFvH4tkmXtyfB7Sp0ZmaFTRmI-eXt09Qxzcn6C2Xji0MPxuCuDkizQu2GId7-kX4iVRj017h6_bYuXCeb7zF27sQqXx9cPCRdyuoCPDon3ZY/s1600/Copia-de-01870014_-1-1440x808.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;449&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQIPr7uw9vg1cmz4atxstGlkaYf47nNelmFvH4tkmXtyfB7Sp0ZmaFTRmI-eXt09Qxzcn6C2Xji0MPxuCuDkizQu2GId7-kX4iVRj017h6_bYuXCeb7zF27sQqXx9cPCRdyuoCPDon3ZY/s1600/Copia-de-01870014_-1-1440x808.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  2164. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2165. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  2166. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2167. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;O &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Bagdad&lt;/i&gt; y
  2168. su tan comentado sampleo de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Cry me a
  2169. river&lt;/i&gt; de Justin Timberlake. En la que, lejos de limitarse a utilizar el
  2170. trocito de sonido y ya, como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Crying in
  2171. the club&lt;/i&gt; de Camila Cabello, lo integra y modifica, apareciendo tal cual en
  2172. las estrofas, pero con una tonalidad diferente en los estribillos. Sin duda, es
  2173. un momento icónico dentro del álbum. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2174. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2175. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Pero como bien dice Rosalía, esta es una obra
  2176. voz-centrista. De ahí que aunque el disco lleve un trabajo de producción
  2177. obsesivamente perfeccionista, suena minimalista. Esto es porque la música deja silencios
  2178. intencionadamente para que la voz de la cantante tome protagonismo. Rosalía
  2179. suena enorme, y con ella las voces blancas presentes en canciones como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Pienso en tu mirá &lt;/i&gt;o la voz experimentada
  2180. de Rossy de Palma. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2181. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2182. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Aunque si hablamos de la voz, tenemos que hablar de
  2183. cómo la retuerce y modifica en temas como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Nana&lt;/i&gt;
  2184. o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Bagdad&lt;/i&gt;. Rosalía y El Guincho han
  2185. creado toda una atmósfera cercana a lo religioso, con un coro de Rosalías, con
  2186. una clara influencia de James Blake. Es fantástico.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2187. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2188. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;El álbum cierra dando fin a la historia que nunca
  2189. tuvo final. Aquí &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Flamenca&lt;/i&gt; sale
  2190. victoriosa y se toma la justicia por su mano. En &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Maldición&lt;/i&gt; tenemos un órgano eléctrico que nos va guiando al
  2191. desenlace cuando, de pronto, la canción se corta y aparecen unos efectos de
  2192. sonido de una espada propios del anime o de un videojuego. Sí, de anime. Una
  2193. fantasía. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2194. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2195. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0psB0D6c8zQyd7wOMzDTWM7vIeHXnipnVossSdEqUT9VL9LzCEtXyvAB7aK6bVDowQ8aCRRsOo6u27ZfjoonR6fbpdhl7AehXGTuV3X8eMUdZmLNFYkPLT_aTyNYZM04fGZvA4v74mV0/s1600/rosalia-el-mal-querer.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;601&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0psB0D6c8zQyd7wOMzDTWM7vIeHXnipnVossSdEqUT9VL9LzCEtXyvAB7aK6bVDowQ8aCRRsOo6u27ZfjoonR6fbpdhl7AehXGTuV3X8eMUdZmLNFYkPLT_aTyNYZM04fGZvA4v74mV0/s1600/rosalia-el-mal-querer.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  2196. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2197. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  2198. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2199. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Esto da paso al track final: &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;A ningún hombre&lt;/i&gt;. Un cante totalmente desnudo que únicamente cuenta
  2200. con la voz de Rosalía, solo que al final de este camino, Rosalía ya no es solo
  2201. Rosalía. La voz de la cantante es acompañada con numerosas otras voces de otras
  2202. Rosalías que han vivido este mal querer antes que ella. Voces modificadas, como
  2203. viniendo de otro mundo, de mujeres que quizás no tuvieron la suerte de poder
  2204. contarlo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2205. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2206. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;El Mal Querer&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; es una obra abrumadora. El
  2207. arte del flamenco es extremadamente complejo, pero además Rosalía se atreve a
  2208. entremezclarlo con otras cosas y que, además, ha envuelto con un universo lleno
  2209. de símbolos, imágenes y referencias. El álbum es un choque constante entre la
  2210. tradición y lo moderno, entre lo purista y la producción pop y urbana, entre el
  2211. antiguo machismo y el nuevo empoderamiento femenino. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  2213. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Rosalía además de alabada, ha sido muy criticada.
  2214. Una cantaora catalana. Que si es un producto, que si se está apropiando de una
  2215. cultura que no es la suya&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
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  2217. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;El Mal Querer&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; es un disco que habla de
  2218. libertad. Libertad de una autora que compone y produce un disco inmenso de
  2219. forma independiente; y que luego es perseguida por las discográficas de todo el
  2220. mundo para promocionarlo. Libertad de una cantaora con un gran talento para
  2221. interpretar y emocionar a todo tipo de gente, ya sea en un tablao o en los
  2222. premios MTV EMA. Libertad de una mujer a lanzar un mensaje de empoderamiento
  2223. femenino al mundo y, sobre todo, a su público más joven.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  2225. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;La cultura, como las mujeres, no tiene dueño. Ya no
  2226. hay cautiverio, ni hay torre, ni barreras que nunca debieron existir. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Flamenca&lt;/i&gt; es libre. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
  2227. &lt;br class=&quot;Apple-interchange-newline&quot; /&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;br /&gt;
  2228. &lt;br /&gt;
  2229. &lt;div style=&quot;margin: 0px;&quot;&gt;
  2230. &lt;/div&gt;
  2231. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12pt;&quot;&gt;
  2232. &lt;/div&gt;
  2233. &lt;div style=&quot;text-align: justify;&quot;&gt;
  2234. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: small;&quot;&gt;«&lt;/span&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/04/idolo-y-avida-dollars-en-concierto-la.html&quot;&gt;Ídolo y Avida Dollars: La unión de Lady Gaga y C.Tangana&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  2235. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2018/03/analisis-de-loveaholic-de-ruth-lorenzo.html&quot;&gt;Análisis de Loveaholic de Ruth Lorenzo: Volver a florecer&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  2236. &lt;br /&gt;
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  2239. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/4917629202799500450/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/11/el-mal-querer-de-rosalia-cuando-hay.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/4917629202799500450'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/4917629202799500450'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/11/el-mal-querer-de-rosalia-cuando-hay.html' title='El Mal Querer de Rosalía | Cuando hay barreras que nunca debieron existir'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh23VHWtX2nbmOrCPKx6tdDzX6Op7WyY9xWF2gyljHL_CB-KwYA2qH6nb3nFhVl_Av0VDYf35A_5VAdPznEsXHnrLP_DZ39hoc3230-YWFnRKbudlTCnnj6X85zmhAerm7GNYL9FvHp7fk/s72-c/1+Ima%25CC%2581genes+destacadas+835.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-7494886271439105238</id><published>2018-11-11T17:48:00.000+01:00</published><updated>2018-11-11T17:48:56.100+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="El Puente"/><category scheme="http://www.blogger.com/atom/ns#" term="Fama a bailar"/><category scheme="http://www.blogger.com/atom/ns#" term="Movistar+"/><category scheme="http://www.blogger.com/atom/ns#" term="Paula Vazquez"/><category scheme="http://www.blogger.com/atom/ns#" term="TV/Cine"/><title type='text'>El Puente: ¿Por qué el Juego de Tronos de los realities merece una tercera temporada?</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  2719.  
  2720. &lt;br /&gt;
  2721. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2722. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFJyKKOgqP2RKW2fPtX80JUwRZE5_BgGv_GsIWKKyhaCXy0zbdnIL-2i58eRndLWccYglfMxMwJ6tg4xtxsftLh4TuR1zsHyBp8o6CIlHqQ6xbNB6ehSMjHlfeL9L5UsnI4EwcmFRn708/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFJyKKOgqP2RKW2fPtX80JUwRZE5_BgGv_GsIWKKyhaCXy0zbdnIL-2i58eRndLWccYglfMxMwJ6tg4xtxsftLh4TuR1zsHyBp8o6CIlHqQ6xbNB6ehSMjHlfeL9L5UsnI4EwcmFRn708/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  2724. &lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  2725. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2726. &lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  2727. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2728. &lt;span style=&quot;font-size: 14pt;&quot;&gt;Después de un tiempo sin conocer de proyectos
  2729. guiados por Paula Vázquez, la presentadora anunciaba hace casi dos años que
  2730. fichaba por Movistar Cero. La presentadora sería la cara visible de un
  2731. enigmático formato del que no se sabía absolutamente nada: &lt;/span&gt;&lt;i style=&quot;font-size: 14pt;&quot;&gt;El Puente&lt;/i&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;. La semana pasada, el programa terminaba ya su segunda
  2732. temporada por todo lo alto, sin embargo, no se conoce aún información sobre una
  2733. tercera etapa en la cadena. Hoy vengo a reivindicar que &lt;/span&gt;&lt;i style=&quot;font-size: 14pt;&quot;&gt;El Puente&lt;/i&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; merece renovar por una nueva temporada.&lt;/span&gt;&lt;/div&gt;
  2734. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
  2735. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2736. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;El programa producido por Zeppelin TV (&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Gran Hermano&lt;/i&gt;, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Fama a bailar&lt;/i&gt;) es un reality un tanto especial. La base de un
  2737. programa de estas características es la nominación, ya sea por un jurado o por los propios compañeros, y una posterior expulsión por parte de la audiencia. En &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El Puente&lt;/i&gt;, el espectador no interviene
  2738. en la aventura, sino que la vive con los concursantes, mientras construyen un
  2739. puente de madera hasta alcanzar una isla que alberga el tesoro.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2740. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2741. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Los participantes no abandonan el concurso y, de
  2742. hecho, son ellos los que eligen al ganador, que decide si quedarse el premio de
  2743. 100.000 euros o repartirlo y en qué cantidades. Esto, aporta un extra de
  2744. franqueza en las conversaciones privadas, ya que los que estamos al otro lado
  2745. de la pantalla no somos jueces. El programa aprovecha esto para presentar
  2746. perfiles nunca antes vistos en televisión. Y, al mismo tiempo, todos demuestran
  2747. un afán por adquirir la figura del líder dentro del grupo, ya que con toda
  2748. probabilidad este será uno de los candidatos a ganar el reality. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2749. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2750. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXFsyKD3sCLhCwDJpyiIqvfzhj6Rg87u8KCeayYe3dPgRL9XNFeCFF29w8A9mQaW13JnpdWJGkL_GGlYBJqrfwFJ18b7zp08GYhHoIOL6wjWjG8rSGiPJmzotS9ym25cY7KDBuH35rVNc/s1600/1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;451&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXFsyKD3sCLhCwDJpyiIqvfzhj6Rg87u8KCeayYe3dPgRL9XNFeCFF29w8A9mQaW13JnpdWJGkL_GGlYBJqrfwFJ18b7zp08GYhHoIOL6wjWjG8rSGiPJmzotS9ym25cY7KDBuH35rVNc/s1600/1.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  2751. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2752. &lt;br /&gt;&lt;/div&gt;
  2753. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2754. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Que la audiencia adquiera un roll pasivo en el
  2755. formato podría parecer que quita emoción al programa, pero nada más lejos de la
  2756. realidad. Lo que consigue &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El Puente&lt;/i&gt;
  2757. es digno de estudio (y así se lo han reconocido numerosas nominaciones a
  2758. premios de todo tipo), ya que estamos ante un proyecto que cuenta la realidad,
  2759. como si fuera ficción. De hecho, las imágenes están grabadas con cámaras de
  2760. cine. Una maravilla visual. Paula Vázquez no es la presentadora del programa,
  2761. es la narradora; que guía al espectador por los capítulos de una historia de
  2762. superación. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2763. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2764. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Paula, que dota de corazón y verdad todo lo que
  2765. toca, ha adquirido una mayor importancia en esta segunda temporada. Ya no solo
  2766. cuenta, sino que también juega. Por medio de bengalas y mensajes, va
  2767. interactuando con los concursantes alterando las reglas de juego, como un
  2768. titiritero que mueve los hilos del formato. Un acierto, sin duda, que ha hecho la
  2769. aventura doblemente emocionante. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2770. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2771. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Porque, claro, después de revelar la mecánica tan
  2772. rompedora en la primera temporada, Zeppelin podría haberse quedado ahí, con lo
  2773. que la segunda no habría supuesto ninguna sorpresa para el
  2774. espectador. Pero la creatividad del equipo no deja de sorprender.&lt;/span&gt;&lt;/div&gt;
  2775. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2776. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJDGpLxIeMs3ul6MxzKVASCFnt4nAzL19-YvXaG4a8EKki7BMSp1JdqDceDMDEyfvg8BIN57LjHrWVvZeFhxyjBMbyFDx3GCODVMqZj8FLNOc3-hBBoiUFKF8x88iO_75tIhui7mJ07IQ/s1600/2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJDGpLxIeMs3ul6MxzKVASCFnt4nAzL19-YvXaG4a8EKki7BMSp1JdqDceDMDEyfvg8BIN57LjHrWVvZeFhxyjBMbyFDx3GCODVMqZj8FLNOc3-hBBoiUFKF8x88iO_75tIhui7mJ07IQ/s1600/2.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  2777. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2778. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  2779. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2780. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  2781. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2782. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;En esta temporada, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El Puente&lt;/i&gt; se ha convertido en el &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Juego de Tronos&lt;/i&gt; de los realities. Una serie en la que cada capítulo
  2783. es importante, porque nunca sabes cuándo puede aparecer una bengala que les
  2784. regale un tramo de puente a cambio de sacrificar a un compañero, un ofrecimiento
  2785. a traicionar a los suyos, un giro de guión que lo cambie todo. Y además
  2786. acompañado de un apartado visual apabullante y en la que toman un papel muy
  2787. interesante los silencios.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  2788. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  2789. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;La segunda temporada ha sido más emocionante, más
  2790. variada, más todo. Así que no puedo aguantarme las ganas de ver las ideas que
  2791. tienen preparadas para una tercera. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El
  2792. Puente&lt;/i&gt; ha demostrado que se puede apostar por formatos diferentes, que no
  2793. necesariamente compitan por audiencia, sino por premios.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  2794. &lt;br class=&quot;Apple-interchange-newline&quot; /&gt;
  2795. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;br /&gt;
  2796. &lt;br /&gt;
  2797. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  2798. &lt;br /&gt;&lt;/div&gt;
  2799. &lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
  2800. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/11/ana-de-dia-el-juego-de-expectativas-de.html&quot;&gt;ANA DE DÍA: El juego de expectativas de la película dirigida por Andrea Jaurrieta y protagonizada por Ingrid García-Jonsson&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  2801. &lt;div style=&quot;text-align: justify;&quot;&gt;
  2802. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  2803. &lt;div style=&quot;text-align: justify;&quot;&gt;
  2804. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/10/elite-carisma-intriga-y-buenas.html&quot;&gt;Élite: Carisma, intriga y buenas referencias en la nueva serie de Netflix&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  2805. &lt;!--EndFragment--&gt;&lt;br /&gt;
  2806. &lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/7494886271439105238/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/11/el-puente-por-que-el-juego-de-tronos-de.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/7494886271439105238'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/7494886271439105238'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/11/el-puente-por-que-el-juego-de-tronos-de.html' title='El Puente: ¿Por qué el Juego de Tronos de los realities merece una tercera temporada?'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiFJyKKOgqP2RKW2fPtX80JUwRZE5_BgGv_GsIWKKyhaCXy0zbdnIL-2i58eRndLWccYglfMxMwJ6tg4xtxsftLh4TuR1zsHyBp8o6CIlHqQ6xbNB6ehSMjHlfeL9L5UsnI4EwcmFRn708/s72-c/1+Ima%25CC%2581genes+destacadas+835.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-5270939875348168399</id><published>2018-11-09T17:51:00.000+01:00</published><updated>2018-11-09T18:42:10.868+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Andrea Jaurrieta"/><category scheme="http://www.blogger.com/atom/ns#" term="Ingrid García-Jonsson"/><category scheme="http://www.blogger.com/atom/ns#" term="Película"/><category scheme="http://www.blogger.com/atom/ns#" term="TV/Cine"/><title type='text'>ANA DE DÍA: El juego de expectativas de la película dirigida por Andrea Jaurrieta y protagonizada por Ingrid García-Jonsson</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  3287. &lt;br /&gt;
  3288. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  3289. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGXvOq_ZHd1LJLV2_J09_XpAdfNipM2tjq_7ZTCnobOGqyGobxzZHSzWwxeiYTRCIafF0ghRY7AluPRAHiJ5r2PII3Yq3ILY8eU9jzWrE4XLOCttHUO89a0kYmrZBjLf7_9fgTIVl-9tg/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGXvOq_ZHd1LJLV2_J09_XpAdfNipM2tjq_7ZTCnobOGqyGobxzZHSzWwxeiYTRCIafF0ghRY7AluPRAHiJ5r2PII3Yq3ILY8eU9jzWrE4XLOCttHUO89a0kYmrZBjLf7_9fgTIVl-9tg/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  3291. &lt;br /&gt;&lt;/div&gt;
  3292. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3293. Hoy se estrena &lt;i&gt;ANA DE DÍA&lt;/i&gt;, la nueva película
  3294. protagonizada por Ingrid García-Jonsson y Mona Martínez. Tuve la oportunidad de
  3295. asistir a la premiere de el primer proyecto de Andrea Jaurrieta. El proyecto de
  3296. su vida.&lt;br /&gt;
  3297. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3298. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3299. ¿Podrías escapar de ti mismo? La película escrita y
  3300. dirigida por Andrea comienza con una sinopsis muy clara: La protagonista, Ana,
  3301. descubre una mañana cualquiera que una chica idéntica a ella ha suplantado su
  3302. identidad. Como veis, es un punto de partida relativamente contundente, pero
  3303. que no cuenta nada que no hayamos visto ya. De hecho, yo fui al cine con la
  3304. idea de ver una película de domingo por la tarde algo mejor ejecutada. Mi
  3305. sorpresa llegó cuando la película tras presentar esta situación, pasaba
  3306. totalmente de ella. &lt;span style=&quot;font-size: 16pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3307. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3308. &lt;i&gt;ANA DE DÍA&lt;/i&gt; es una película que es consciente de las
  3309. expectativas que genera en el espectador y juega con ellas. Ya sea porque la
  3310. protagonista tiene una gemela o porque tiene una colección de clones, lo cierto
  3311. es que hemos visto esta premisa muchas otras veces. Andrea Jaurrieta también ha
  3312. visto estas películas y se ha propuesto hacer algo diferente, hablarnos de
  3313. nosotros mismos.&lt;span style=&quot;font-size: 16pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3314. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  3315. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw1-Dkb_C8uDgegxDRe5YhC_yQ0kLonMpYVTlN6VclZAGmScGWjPUQCu1oSrmhbTzaFkIxnRm-Vjd-T-_vTW4RETDXBH3ls9RU81vYhUqQT6hjxrMLZ6VLyEqnbCytV1019Eq3r1GYKhs/s1600/1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw1-Dkb_C8uDgegxDRe5YhC_yQ0kLonMpYVTlN6VclZAGmScGWjPUQCu1oSrmhbTzaFkIxnRm-Vjd-T-_vTW4RETDXBH3ls9RU81vYhUqQT6hjxrMLZ6VLyEqnbCytV1019Eq3r1GYKhs/s1600/1.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  3316. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3317. &lt;br /&gt;&lt;/div&gt;
  3318. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3319. Porque si digo que juega con las expectativas no me
  3320. refiero solo a la película en sí. &lt;i&gt;ANA DE DÍA&lt;/i&gt; tiene un tono muy marcado, con el
  3321. que tengo sentimientos encontrados, pero que le dota de una personalidad muy a
  3322. destacar. Sino que el film nos introduce en un mundo que juega con la realidad
  3323. y la ficción, lo costumbrista y lo extravagante, para hablarnos también de la
  3324. vida que nosotros esperábamos tener cuando éramos adolescentes. De ese “yo” que
  3325. nos imaginábamos y que no tiene nada que ver con el que hemos acabado siendo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  3326. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3327. Es especialmente interesante que Andrea Jaurrieta
  3328. nos hable de esto con un proyecto que empezó a gestar cuando aún no había
  3329. acabado la carrera, hace casi diez años. Ella sola, con el dinero de mecenas y
  3330. otras aportaciones, decidió ponerse un reto hace tanto tiempo, tan joven,
  3331. porque ella sí, iba a cumplir sus expectativas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  3332. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3333. Y emocionada levantaba la mirada el lunes pasado
  3334. viendo a actores de la talla de Fernando Albizu, Mona Martínez (ella
  3335. especialmente está fantástica) o Iñaki Ardanaz sentados apoyándola, con la cara
  3336. de Ingrid García-Jonsson de lado a lado de la pantalla. Ella sí, ha conseguido
  3337. que su vida vaya de lo que ella quería, y esperemos que durante muchos años,
  3338. hacer películas.&lt;/div&gt;
  3339. &lt;br /&gt;
  3340. &lt;br class=&quot;Apple-interchange-newline&quot; /&gt;
  3341. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;br /&gt;
  3342. &lt;br /&gt;
  3343. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  3344. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  3345. &lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
  3346. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/10/no-me-emocione-viendo-star-is-born.html&quot;&gt;No me emocioné viendo A Star Is Born, película de Lady Gaga y Bradley Cooper&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  3347. &lt;div style=&quot;text-align: justify;&quot;&gt;
  3348. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  3349. &lt;div style=&quot;text-align: justify;&quot;&gt;
  3350. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/10/elite-carisma-intriga-y-buenas.html&quot;&gt;Élite: Carisma, intriga y buenas referencias en la nueva serie de Netflix&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  3351. &lt;div&gt;
  3352. &lt;br /&gt;&lt;/div&gt;
  3353. &lt;/div&gt;
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  3357. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/5270939875348168399/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/11/ana-de-dia-el-juego-de-expectativas-de.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/5270939875348168399'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/5270939875348168399'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/11/ana-de-dia-el-juego-de-expectativas-de.html' title='ANA DE DÍA: El juego de expectativas de la película dirigida por Andrea Jaurrieta y protagonizada por Ingrid García-Jonsson'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGXvOq_ZHd1LJLV2_J09_XpAdfNipM2tjq_7ZTCnobOGqyGobxzZHSzWwxeiYTRCIafF0ghRY7AluPRAHiJ5r2PII3Yq3ILY8eU9jzWrE4XLOCttHUO89a0kYmrZBjLf7_9fgTIVl-9tg/s72-c/1+Ima%25CC%2581genes+destacadas+835.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-7926656482352175502</id><published>2018-11-04T18:53:00.000+01:00</published><updated>2018-11-04T18:53:53.839+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Agoney"/><category scheme="http://www.blogger.com/atom/ns#" term="Aitana"/><category scheme="http://www.blogger.com/atom/ns#" term="Blas Cantó"/><category scheme="http://www.blogger.com/atom/ns#" term="C.Tangana"/><category scheme="http://www.blogger.com/atom/ns#" term="DELLAFUENTE"/><category scheme="http://www.blogger.com/atom/ns#" term="Eurovisión"/><category scheme="http://www.blogger.com/atom/ns#" term="Fangoria"/><category scheme="http://www.blogger.com/atom/ns#" term="La Casa Azul"/><category scheme="http://www.blogger.com/atom/ns#" term="La Lista"/><category scheme="http://www.blogger.com/atom/ns#" term="Lola Índigo"/><category scheme="http://www.blogger.com/atom/ns#" term="Rosalía"/><category scheme="http://www.blogger.com/atom/ns#" term="Ruth Lorenzo"/><title type='text'>C.Tangana, Rosalía o Ruth Lorenzo, los cantantes españoles más internacionales | La Lista de Noviembre</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  3838. &lt;br /&gt;
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  3840. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  3841. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlNCHULncDmOkGqlhPRQmBtxd_ISDWCOskPz_n0ymqQBHpNJ4S_3rQvph0R_dSSWxOi7i8iEkNbCqRoIx4LrpBM_dGu2lGO5v2np85pNXiC2ziFO2aX79boQrOUBUKfdgmJ2wG01GgBxw/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlNCHULncDmOkGqlhPRQmBtxd_ISDWCOskPz_n0ymqQBHpNJ4S_3rQvph0R_dSSWxOi7i8iEkNbCqRoIx4LrpBM_dGu2lGO5v2np85pNXiC2ziFO2aX79boQrOUBUKfdgmJ2wG01GgBxw/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  3842. &lt;br /&gt;&lt;/div&gt;
  3843. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3844. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;“Yo no escucho música española”.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;¿Cuántas veces habéis dicho u oído esto? Yo
  3845. muchas. Y es que, generalmente, los sonidos y las tendencias que se llevan en
  3846. la industria a nivel internacional no acaban de llegar a nuestro país o, en su
  3847. defecto, lo hacen mucho después y de forma un tanto descafeinada. Aquí el pop
  3848. rock es el rey. O, al menos, lo era.&lt;/span&gt;&lt;br /&gt;
  3849. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3850. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3851. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Cada vez hay más cantantes españoles que no se
  3852. limitan a usar el género Cadena DIAL o imitar el &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;tropical house&lt;/i&gt; de hace tres años. Para La Lista de este mes os
  3853. traigo una selección de los cantantes con propuestas más internacionales de
  3854. nuestro país. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3855. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3856. &lt;br /&gt;&lt;/div&gt;
  3857. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3858. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;1. C. Tangana &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
  3859. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;
  3860. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  3861. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVXAFE3zoNDpiTZE88Brbi3KJXAyOnwwpBMdf03CodBYXHotfJZIZd5ONdcoodb4qowVBJspdYPWSuz1vHlVqm7IMdmcQJsNyCEQ2CKdGFlGzoi7IdEmJgWPS5Os04K88HDvA9_StJjtc/s1600/1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;511&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVXAFE3zoNDpiTZE88Brbi3KJXAyOnwwpBMdf03CodBYXHotfJZIZd5ONdcoodb4qowVBJspdYPWSuz1vHlVqm7IMdmcQJsNyCEQ2CKdGFlGzoi7IdEmJgWPS5Os04K88HDvA9_StJjtc/s1600/1.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  3862. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  3863. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3864. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Definir a C.Tangana como un artista urbano (y ahora
  3865. reggeatonero) sería quedarnos muy cortos. El cantante ha tomado las bases del
  3866. hip hop y el trap y ha creado un proyecto con un sonido propio, que marca
  3867. tendencia en todo el mundo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3868. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3869. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;En &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Ídolo&lt;/i&gt; y
  3870. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Avida Dollars&lt;/i&gt; escuchamos fusiones de
  3871. urbano con R&amp;amp;B, música tradicional latina y sonidos ambientales. Y las
  3872. colaboraciones no se están quedando cortas, con toques ochenteros en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Guerrera&lt;/i&gt; junto a DELLAFUENTE. Veremos
  3873. qué más trae en los próximos años. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3874. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3875. &lt;br /&gt;&lt;/div&gt;
  3876. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3877. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;2. Rosalía&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
  3878. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;
  3879. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  3880. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwwMSs2CdJXc_SbiqaYYDjoTzf9NzmTHYMaxhzU1SkKKLi4SIyd4i63gF8HYs0oRnY2NitkLC0_3el-Xb4QRU_leqetO9XIXKleuhbOeFqEZrZOwowS-hGgG_3avlAGyEn0_fYq4hofCI/s1600/2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwwMSs2CdJXc_SbiqaYYDjoTzf9NzmTHYMaxhzU1SkKKLi4SIyd4i63gF8HYs0oRnY2NitkLC0_3el-Xb4QRU_leqetO9XIXKleuhbOeFqEZrZOwowS-hGgG_3avlAGyEn0_fYq4hofCI/s1600/2.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  3881. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  3882. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3883. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;La cantante que actuará en los MTV EMA 2018, que ha
  3884. presentado sus canciones en la BBC y, mucho más importante, que suena en la
  3885. casa de Las Karsashian. Ella. Rosalía. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3886. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3887. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;No hay que ser un genio para ver lo genuino de la
  3888. propuesta de Rosalía, que mezcla sonidos trap y urbano tanganeros con algo tan
  3889. español como el flamenco o los tangos malagueños. Y lo mejor es que esto solo
  3890. acaba de empezar. Ya tenemos &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El Mal
  3891. Querer &lt;/i&gt;y el pelotazo en listas de ventas no se ha hecho esperar. Ganas de
  3892. ver qué trae Rosalía en el futuro y cómo evolucionar este sonido tan nuevo.&lt;/span&gt;&lt;/div&gt;
  3893. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  3894. &lt;br /&gt;&lt;/div&gt;
  3895. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3896. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;3. Ruth
  3897. Lorenzo &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
  3898. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;
  3899. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  3900. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih-yH3i-Jv1bq8EfvmErdqD1TGeRR-y3451LgWFvhsvKO04a4i9KDu9l6GK8ftZbCLyTDqfxn5bOUs_LK9lptrI3-pSDwP1im6i2_mJS1BIVqkCN-ADjCQBKTmbytMKAfTeJlM_0uMOjE/s1600/3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;601&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEih-yH3i-Jv1bq8EfvmErdqD1TGeRR-y3451LgWFvhsvKO04a4i9KDu9l6GK8ftZbCLyTDqfxn5bOUs_LK9lptrI3-pSDwP1im6i2_mJS1BIVqkCN-ADjCQBKTmbytMKAfTeJlM_0uMOjE/s1600/3.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  3901. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  3902. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  3903. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Queen, Prince; las referencias
  3904. que Ruth Lorenzo tiene para hacer su música no tienen nada que ver con lo que
  3905. se podría esperar de un cantante español en 2018. Pero Ruth no es precisamente una
  3906. artista española común.&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
  3907. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  3908. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Planeta Azul&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; sentó las bases de lo que vendría después con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Loveaholic&lt;/i&gt;, un álbum con un sonido atemporal, más propio de la
  3909. música británica de los setenta. Y es que si algo nos da Eurovisión son
  3910. artistas con miras en lo internacional, como Ruth Lorenzo o Barei.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3911. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  3912. &lt;br /&gt;&lt;/div&gt;
  3913. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3914. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;4. Blas Cantó&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
  3915. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;
  3916. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  3917. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNTbPIQxNaGWrLdY_MMVsthXp1TxwJ2RZy3yh2X_yraS9wIqXnJDlj4ZjkuU8FEPygICrnN-koLlVTqc2UTWpEOTzQDnTLtp8TcWhXju6zt3DcBwKY0EX3exqBnA4bQa3F_UhAXJGQb0Q/s1600/4.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;522&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNTbPIQxNaGWrLdY_MMVsthXp1TxwJ2RZy3yh2X_yraS9wIqXnJDlj4ZjkuU8FEPygICrnN-koLlVTqc2UTWpEOTzQDnTLtp8TcWhXju6zt3DcBwKY0EX3exqBnA4bQa3F_UhAXJGQb0Q/s1600/4.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  3918. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  3919. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3920. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Auryn fue su punto de partida, pero está claro que
  3921. el talento de Blas Cantó era algo que todavía teníamos que descubrir. Y fue
  3922. después de su participación en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Tu Cara Me
  3923. Suena&lt;/i&gt; cuando lanzó uno de los temazos que sigue sonando día sí y día
  3924. también en mi Spotify: &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;In Your Bed&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3925. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3926. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Con influencias de Bruno Mars o Maroon 5, Blas tiene
  3927. un talento desbordante del que, además, sabe sacar partido cuando actúa en
  3928. directo. Más adelante, ha evolucionado su sonido a algo más pop rock español,
  3929. con su hit &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Él No Soy Yo&lt;/i&gt;. En cualquier
  3930. caso, espero y deseo que consiga compaginar estos dos estilos y no privarnos de
  3931. maravillas como sus primeros singles. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3932. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3933. &lt;br /&gt;&lt;/div&gt;
  3934. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3935. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;5. Aitana &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
  3936. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;
  3937. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  3938. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkuAmCbQWko7nduDDRA9XrZcawo2V6Gh6ZFIwD-nnHp3kMLffv_F4DNrSxZa3lSM3ZfX5m7TRqSJRpZQtw9fKVSqwR1QZXLPSZHMIPjCo2sHR9yWOTohgOApC1XyzZ62QE6ieWNCG8LtU/s1600/5.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkuAmCbQWko7nduDDRA9XrZcawo2V6Gh6ZFIwD-nnHp3kMLffv_F4DNrSxZa3lSM3ZfX5m7TRqSJRpZQtw9fKVSqwR1QZXLPSZHMIPjCo2sHR9yWOTohgOApC1XyzZ62QE6ieWNCG8LtU/s1600/5.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  3939. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  3940. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  3941. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Como digo, ahora más que
  3942. nunca, en España están apareciendo propuestas con la mente en lo internacional.
  3943. Y el claro ejemplo son los concursantes de Operación Triunfo 2017, con
  3944. propuestas tan dispares como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Ya No Quiero
  3945. Ná&lt;/i&gt; de Lola Índigo o el genial &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Quizás&lt;/i&gt;
  3946. de Agoney. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3947. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  3948. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Aunque, sin duda, la que más
  3949. proyección internacional parece mostrar es Aitana. Parece que su colaboración
  3950. con Brisa Fenoy en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Lo Malo&lt;/i&gt; ha marcado
  3951. el camino a seguir con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;TELÉFONO&lt;/i&gt;, un
  3952. tema pop, que mezcla la dulzura de su voz con el trap más actual. Y que pronto
  3953. estará de nuevo de actualidad por su remix junto a Lele Pons. Veremos qué nos
  3954. trae con su próximo EP, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Tráiler&lt;/i&gt;.&lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3955. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3956. &lt;br /&gt;&lt;/div&gt;
  3957. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3958. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;6. La Casa
  3959. Azul &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
  3960. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;
  3961. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  3962. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPG7vGOX4s-JEDCvGwQtTT93cuyLsiobYVRlK4VJd78ZDtUB2xRyC-9V9ur70_D0jtIi8SQYway3uIXH_oEnoPgWLwqQuj3t9fTk1ncrCigQmeOg-fVGGhsbn29BrS6_Tqp5BTBf5s9Yw/s1600/6.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;395&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPG7vGOX4s-JEDCvGwQtTT93cuyLsiobYVRlK4VJd78ZDtUB2xRyC-9V9ur70_D0jtIi8SQYway3uIXH_oEnoPgWLwqQuj3t9fTk1ncrCigQmeOg-fVGGhsbn29BrS6_Tqp5BTBf5s9Yw/s1600/6.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  3963. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  3964. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  3965. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Pero aunque sea ahora cuando
  3966. han surgido cantantes con enfoque más internacional, llevamos ya muchos años
  3967. con canciones que bien podrían sonar en una discoteca de cualquier lugar del
  3968. mundo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3969. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  3970. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;La Casa Azul siempre ha
  3971. destacado por ir al margen de las tendencias de nuestro país, con una electrónica
  3972. producida con mucho gusto. De ahí que hayan conseguido modernizar no solo su
  3973. sonido con temas como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El Momento&lt;/i&gt;,
  3974. sino también el de Fangoria con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Fiesta en
  3975. el Infierno&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Iluminados&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  3976. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3977. &lt;br /&gt;&lt;/div&gt;
  3978. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3979. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Esto es solo una probadita de lo que podréis
  3980. escuchar en la playlist de este mes que ya tenéis disponible en Spotify. También
  3981. podéis mandarme por redes sociales vuestras canciones más internacionales. &lt;/span&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  3982. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  3983. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  3984. &lt;br /&gt;
  3985. &lt;div style=&quot;margin: 0px;&quot;&gt;
  3986. &lt;iframe allow=&quot;encrypted-media&quot; allowtransparency=&quot;true&quot; frameborder=&quot;0&quot; height=&quot;380&quot; src=&quot;https://open.spotify.com/embed/user/jaspopblog/playlist/1gqQL7btAzhGZ0y9wzRbWM&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  3987.  
  3988. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; style=&quot;cursor: move; font-size: 12pt;&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  3989. &lt;div style=&quot;margin: 0px;&quot;&gt;
  3990. &lt;/div&gt;
  3991. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12pt;&quot;&gt;
  3992. &lt;/div&gt;
  3993. &lt;div style=&quot;text-align: justify;&quot;&gt;
  3994. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: small;&quot;&gt;«&lt;/span&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/04/idolo-y-avida-dollars-en-concierto-la.html&quot;&gt;Ídolo y Avida Dollars: La unión de Lady Gaga y C.Tangana&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  3995. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2018/03/analisis-de-loveaholic-de-ruth-lorenzo.html&quot;&gt;Análisis de Loveaholic de Ruth Lorenzo: Volver a florecer&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  3996. &lt;br /&gt;
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  3999. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/7926656482352175502/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/11/ctangana-rosalia-o-ruth-lorenzo-los.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/7926656482352175502'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/7926656482352175502'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/11/ctangana-rosalia-o-ruth-lorenzo-los.html' title='C.Tangana, Rosalía o Ruth Lorenzo, los cantantes españoles más internacionales | La Lista de Noviembre'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlNCHULncDmOkGqlhPRQmBtxd_ISDWCOskPz_n0ymqQBHpNJ4S_3rQvph0R_dSSWxOi7i8iEkNbCqRoIx4LrpBM_dGu2lGO5v2np85pNXiC2ziFO2aX79boQrOUBUKfdgmJ2wG01GgBxw/s72-c/1+Ima%25CC%2581genes+destacadas+835.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-8762323750555286714</id><published>2018-10-27T19:55:00.000+02:00</published><updated>2018-10-28T18:24:01.102+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ariana Grande"/><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Missy Elliot"/><category scheme="http://www.blogger.com/atom/ns#" term="Nicki Minaj"/><category scheme="http://www.blogger.com/atom/ns#" term="Pharrel Williams"/><category scheme="http://www.blogger.com/atom/ns#" term="Sweetener"/><title type='text'>¿Es Sweetener el disco más triste de Ariana Grande?</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  4073.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  4074.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  4075.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
  4076.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  4077.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  4078.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  4079.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  4080.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  4081.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  4082.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  4083.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  4084.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  4085.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  4086.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4087.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  4088.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4089.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  4090.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4091.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  4092.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4093.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  4094.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4095.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  4096.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4097.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  4098.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4099.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  4100.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4101.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  4102.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4103.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  4104.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4105.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  4106.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4107.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  4108.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4109.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  4110.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4111.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  4112.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4113.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  4114.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4115.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  4116.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4117.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  4118.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4119.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  4120.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4121.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  4122.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4123.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  4124.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4125.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  4126.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  4127.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
  4128.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  4129.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
  4130.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  4131.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
  4132.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  4133.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4134.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  4135.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4136.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  4137.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4138.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  4139.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4140.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  4141.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4142.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  4143.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4144.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  4145.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4146.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  4147.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4148.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  4149.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4150.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  4151.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4152.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  4153.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4154.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  4155.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4156.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  4157.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4158.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  4159.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4160.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  4161.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4162.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  4163.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4164.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  4165.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4166.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  4167.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4168.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  4169.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4170.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  4171.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4172.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  4173.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4174.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  4175.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4176.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  4177.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4178.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  4179.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4180.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  4181.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4182.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  4183.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4184.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  4185.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4186.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  4187.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4188.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  4189.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4190.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  4191.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4192.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  4193.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4194.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  4195.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4196.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  4197.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4198.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  4199.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4200.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  4201.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4202.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  4203.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4204.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  4205.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4206.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  4207.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4208.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  4209.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4210.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  4211.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4212.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  4213.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4214.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  4215.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4216.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  4217.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4218.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  4219.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4220.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  4221.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4222.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  4223.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4224.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  4225.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4226.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  4227.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4228.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  4229.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4230.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  4231.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4232.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  4233.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4234.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  4235.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4236.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  4237.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4238.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  4239.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4240.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  4241.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4242.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  4243.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4244.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  4245.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4246.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  4247.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4248.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  4249.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4250.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  4251.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4252.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  4253.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4254.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  4255.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  4256.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  4257.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  4258.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  4259.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  4260.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  4261.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  4262.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  4263.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  4264.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
  4265.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  4266.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
  4267.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  4268.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 6&quot;/&gt;
  4269.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  4270.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
  4271.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  4272.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 6&quot;/&gt;
  4273.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  4274.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 6&quot;/&gt;
  4275.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  4276.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 6&quot;/&gt;
  4277.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  4278.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
  4279.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  4280.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
  4281.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  4282.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
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  4395. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh75NtDEo75KnApE3d2TU99WfdUGJzuhe2XhSp8n9Gsvvi3sIoSJOW_GYz6r7S-2eQAVV1KzGeYnPZwKoCFqNhwp42dkrcRA2jgC6XLZvrmKlypbeEXhgDR7iSPZgbz1bEdMVHM2gAm15E/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh75NtDEo75KnApE3d2TU99WfdUGJzuhe2XhSp8n9Gsvvi3sIoSJOW_GYz6r7S-2eQAVV1KzGeYnPZwKoCFqNhwp42dkrcRA2jgC6XLZvrmKlypbeEXhgDR7iSPZgbz1bEdMVHM2gAm15E/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  4399. &lt;span style=&quot;font-size: 14pt;&quot;&gt;Probablemente el 22 de mayo no sea una fecha que os
  4400. diga nada. Pero Ariana Grande
  4401. la tendrá siempre presente en sus pesadillas. El 22 de mayo de 2017, dio el
  4402. peor concierto que un artista podría imaginar. El atentado de Manchester colocó
  4403. a la cantante en todas las portadas y, lo que es más importante, provocó en
  4404. ella un trauma del que todavía se está recuperando.&lt;/span&gt;&lt;/div&gt;
  4405. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4406. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;/span&gt;&lt;/div&gt;
  4407. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
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  4409. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Un año de silencio después, Ariana despierta con
  4410. todos los ojos puestos en ella. “El álbum más importante de su carrera”. ¿Qué
  4411. tendrá que decir la cantante sobre lo sucedido? ¿Habrá baladón desgarrador?
  4412. Todos estábamos expectantes por ver cómo la pequeña Ariana se rompía ante la
  4413. mirada del mundo entero. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  4415. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;No Tears Left
  4416. To Cry&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; fue
  4417. la elegida para ser la carta de presentación de la nueva era. La artista salía
  4418. en la portada en la oscuridad y con un arcoíris en sus ojos, como refractando
  4419. la luz con sus mejillas aún húmedas de llorar. Ariana iba a dar al público lo
  4420. que estaba esperando. O quizás no. El primer single empieza con unos coros y la
  4421. voz de la cantante desnuda, como si fuese el comienzo de “esa balada”. Hasta
  4422. que de pronto aparece la percusión y se convierte en un medio tiempo con toques
  4423. urbanos. El que ya se ha convertido en un clásico instantáneo es una
  4424. declaración de intenciones. “No, no voy a cantar lo que todos esperáis”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  4425. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  4426. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjza3yRh_LhrRdqOkIX_EWv_KHxPXfBeSPq-v1S2UZDor_YbcIHGJuBATGJPvTNaQ5AUIL-O1RZvZjcilZWV1p6Pff-iQiVhclZ7ud30lBdoCuNpZyV8hdIOfvdtKUd7KWqtWH1FuP0z3o/s1600/Imagen+1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;529&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjza3yRh_LhrRdqOkIX_EWv_KHxPXfBeSPq-v1S2UZDor_YbcIHGJuBATGJPvTNaQ5AUIL-O1RZvZjcilZWV1p6Pff-iQiVhclZ7ud30lBdoCuNpZyV8hdIOfvdtKUd7KWqtWH1FuP0z3o/s1600/Imagen+1.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  4427. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4428. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  4429. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4430. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Y es que el comienzo de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Sweetener&lt;/i&gt; juega con nuestras expectativas de una manera similar. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Raindrops (An Angel Cried)&lt;/i&gt; solo cuenta
  4431. con la voz de Ariana totalmente desnuda, producida exisitamente, demostrando su
  4432. virtuosismo y llegando a las nubes. Y cuál es nuestra sorpresa cuando en el
  4433. siguiente track ella y Pharrel colaboran en un tema R&amp;amp;B muy rítmico y juguetón.&lt;/span&gt;&lt;/div&gt;
  4434. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4435. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Blazed&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; está lleno de esos
  4436. detallitos en la producción made in Pharrel Williams, productor principal del
  4437. álbum. Y es esa estela la que sigue &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The
  4438. Light Is Coming&lt;/i&gt; en colaboración con su amiguísima Nicki Minaj. Un tema
  4439. super petardo con el que tengo sentimientos encontrados. Ambas canciones están
  4440. colocadas ahí para darnos en la cara nada más empezar a escuchar el LP.&lt;/span&gt;&lt;/div&gt;
  4441. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4442. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Lo cierto es que ya habíamos escuchado &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Sweetener&lt;/i&gt; en nuestra cabeza hace mucho
  4443. tiempo y no tenía nada que ver con lo que en realidad ha sido. Ariana Grande
  4444. podría haber hecho ese álbum tristón, lleno de canciones lentas de lágrima
  4445. fácil y cero personalidad. Pero no lo ha hecho. La artista ha preferido mostrar
  4446. su tristeza de una forma diferente. Ocultándola. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  4447. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4448. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;El cuarto álbum de Ariana Grande está lleno de
  4449. canciones felices, sexuales y juguetonas. Así, por ejemplo, nos encontramos con
  4450. las geniales &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Sweetener &lt;/i&gt;o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Succesful. &lt;/i&gt;La primera cuenta con
  4451. producción más R&amp;amp;B clásico, mientras que la segunda recuerda a los sonidos
  4452. de los videojuegos de los 90. Una fantasía. Temas desenfadados, llenos de
  4453. referencias al sexo con Pete Davidson, que también tiene canción dedicada, o
  4454. simplemente a su éxito como mujer. Esta es la principal razón de ser del
  4455. tremendo &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;God Is A Woman&lt;/i&gt;, uno de los
  4456. temas más sexuales, que luego muy hábilmente Ariana ha transformado en un himno
  4457. feminista. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  4458. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  4459. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4HvSkcy7GRMWdfw4GNxtQVv1wvBIoK-3RplOTOSLQQZ2fmizE9mO4vejnDiUCvQcC6dlSH0xiTFGoR0SSV5DoRy1rTVsXXqYbUZeFmIUFosl4ojL1iwuGJRazkFNNDofTPF8myL36XYM/s1600/Imagen+2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;527&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4HvSkcy7GRMWdfw4GNxtQVv1wvBIoK-3RplOTOSLQQZ2fmizE9mO4vejnDiUCvQcC6dlSH0xiTFGoR0SSV5DoRy1rTVsXXqYbUZeFmIUFosl4ojL1iwuGJRazkFNNDofTPF8myL36XYM/s1600/Imagen+2.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  4460. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4461. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  4462. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4463. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;¿Qué sentido tiene tanta alegría y tanto sexo en un
  4464. álbum así? La respuesta está en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;R.E.M&lt;/i&gt;.
  4465. y su “no quiero despertar”. Suelen decir que cuando experimentamos un trauma
  4466. tan fuerte, nos quedamos como dormidos. Una especie de sistema de defensa de
  4467. nuestro cuerpo para no morir de tristeza. El cuarto track del álbum nos
  4468. introduce en la cuarta fase del sueño, esa en la que dejamos la mente volar y
  4469. soñamos sin importar lo que esté ocurriendo en el mundo real. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  4470. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4471. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Y es por esta razón que el tono de las canciones es
  4472. más alegre de la cuenta, aunque la letra diga cosas como “la luz está llegando
  4473. para devolver lo que la oscuridad se llevó”. Incluso, podemos escuchar en la
  4474. producción de muchas de las canciones cómo Ariana echa azúcar sobre ellas,
  4475. haciendo honor al título del álbum. Es una felicidad irreal.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  4476. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  4477. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;De ahí que pueda despertar de ese sueño a las tantas
  4478. de la noche y darse cuenta de que todo era un sueño. Es ahí donde aparecen &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; font-size: 14pt;&quot;&gt;Everytime&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt; o &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; font-size: 14pt;&quot;&gt;Breathin&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;. Temas producidos por Max Martin que recuerdan mucho más a
  4479. &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; font-size: 14pt;&quot;&gt;Dangerous Woman&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt; que a este álbum. Con
  4480. un sonido pop electrónico, son claros candidatos a hit, en los que casualmente
  4481. ya no se escucha caer el azúcar. Es por eso que sus letras también son mucho
  4482. más duras, sobre todo &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; font-size: 14pt;&quot;&gt;Breathin&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt; y sus
  4483. referencias a la ansiedad de Ariana.&lt;/span&gt;&lt;/div&gt;
  4484. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  4485. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  4486. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  4487. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;El álbum cierra con una última etapa algo más
  4488. descafeinada, sobre todo por canciones como &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; font-size: 14pt;&quot;&gt;Goodnight
  4489. n Go&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;. Aunque &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; font-size: 14pt;&quot;&gt;Better Off&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt; y, sobre
  4490. todo, &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; font-size: 14pt;&quot;&gt;Borderline &lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;han mejorado
  4491. bastante con las escuchas. Equilibran muy bien lo delicado de una con lo urbano
  4492. de la otra.&lt;/span&gt;&lt;/div&gt;
  4493. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  4494. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  4495. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4496. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Al terminar la noche, Ariana Grande despierta de
  4497. nuevo para dar el punto y final con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Get
  4498. Well Soon&lt;/i&gt;. Un último tema muy clásico que se queda algo corto para cerrar
  4499. un álbum así, no por no ser la gran balada, sino por quedarse en tierra de
  4500. nadie. Tan solo lo salvan esos cinco minutos veintidós de silencio como
  4501. recuerdo a las víctimas del atentado, haciendo referencia a la fatídica fecha. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  4502. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  4503. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT628MlGLdHkrlhQGykAVmxc73ovJeiGFnuP-_EHOfgYv3X5H-dK4D1juhY_-7AIbaf-NrEdwqIFytLZx4fePrnRqkVfhr7E-nfPhx3tXMRFqHmN2pagQPWxZDH5GjIIGhjLuIIk7swVY/s1600/Imagen+3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiT628MlGLdHkrlhQGykAVmxc73ovJeiGFnuP-_EHOfgYv3X5H-dK4D1juhY_-7AIbaf-NrEdwqIFytLZx4fePrnRqkVfhr7E-nfPhx3tXMRFqHmN2pagQPWxZDH5GjIIGhjLuIIk7swVY/s1600/Imagen+3.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  4504. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4505. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  4506. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4507. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Como mucha gente ha dicho ya, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Sweetener&lt;/i&gt; ha sido víctima de las expectativas. Pero, ¿qué pasa si
  4508. es eso lo que Ariana Grande buscaba? Jugar con nuestras expectativas. Todo el
  4509. mundo conoce el año tan horrible que ha vivido, sin contar además con la
  4510. reciente muerte de Mac Miller. Como artista, ha optado por traer una propuesta
  4511. diferente. No contarnos lo triste que está, sino cómo ha afrontado esa
  4512. tristeza.&lt;/span&gt;&lt;/div&gt;
  4513. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4514. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Para poder seguir viviendo, Ariana ha tenido que
  4515. edulcorar la realidad con ese azúcar presente en todo el sonido del álbum. Se
  4516. ha agarrado a su relación con Pete Davidson y a su poderío como mujer para
  4517. salir adelante. En un plano en el que ya no sabía qué era real y qué era un sueño.
  4518. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  4519. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4520. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Sweetener&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; es, además, una apuesta
  4521. decidida en cuanto a sonido con ese R&amp;amp;B calmado lleno de detallitos. Se ve
  4522. que en esta ocasión Ariana ha hecho lo que le apetecía, independientemente de
  4523. que fuera lo que más iba a gustar. No es un disco sin fallos, por su puesto;
  4524. muchas canciones suenan parecidas, con melodías poco pegadizas y temáticas
  4525. repetitivas. Pero porque lo interesante de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Sweetener&lt;/i&gt;
  4526. no son sus letras, sino la dura verdad que hay detrás de ellas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  4527. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  4528. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Estamos ante el disco más triste de la carrera de
  4529. Ariana Grande, uno al que le da vergüenza llorar en público. Que pone buena
  4530. cara y nos transporta a un mundo onírico en el que todo es dulce, sexual y
  4531. divertido, un mundo en el que el 22 de mayo es una fecha como otra cualquiera.&lt;/span&gt;&lt;/div&gt;
  4532. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  4533. &lt;br class=&quot;Apple-interchange-newline&quot; /&gt;&lt;/div&gt;
  4534. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;br /&gt;
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  4537. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  4538. &lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
  4539. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2017/11/analisis-de-reputation-de-taylor-swift.html&quot;&gt;Análisis de Reputation de Taylor Swift: ¿La antigua Taylor ha muerto?&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  4540. &lt;div style=&quot;text-align: justify;&quot;&gt;
  4541. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  4542. &lt;div style=&quot;text-align: justify;&quot;&gt;
  4543. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/02/analisis-de-camila-de-camila-cabello-la.html&quot;&gt;Análisis de Camila de Camila Cabello: La importancia de tener un mensaje&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  4544. &lt;!--EndFragment--&gt;&lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/8762323750555286714/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/10/es-sweetener-el-disco-mas-triste-de.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/8762323750555286714'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/8762323750555286714'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/10/es-sweetener-el-disco-mas-triste-de.html' title='¿Es Sweetener el disco más triste de Ariana Grande?'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh75NtDEo75KnApE3d2TU99WfdUGJzuhe2XhSp8n9Gsvvi3sIoSJOW_GYz6r7S-2eQAVV1KzGeYnPZwKoCFqNhwp42dkrcRA2jgC6XLZvrmKlypbeEXhgDR7iSPZgbz1bEdMVHM2gAm15E/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-6678443684511601029</id><published>2018-10-25T17:56:00.000+02:00</published><updated>2018-10-25T17:56:16.954+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Netflix"/><category scheme="http://www.blogger.com/atom/ns#" term="Series"/><category scheme="http://www.blogger.com/atom/ns#" term="TV/Cine"/><category scheme="http://www.blogger.com/atom/ns#" term="Élite"/><title type='text'>Élite: Carisma, intriga y buenas referencias en la nueva serie de Netflix</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  5024.  
  5025. &lt;br /&gt;
  5026. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  5027. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4FEk8GnwJOIyJSLlF3PK0AetDpp8RQqrQbmhyphenhyphenA2vlE-bR1toF5Bd3_249ZeE6NLQO4-fU8jtx5xbMVeZdiel3huGYY31QdD1CS0Wz1fJmtS2zIwdelW2fiXc0XYEUipRUy_Ex5Luq5Ro/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4FEk8GnwJOIyJSLlF3PK0AetDpp8RQqrQbmhyphenhyphenA2vlE-bR1toF5Bd3_249ZeE6NLQO4-fU8jtx5xbMVeZdiel3huGYY31QdD1CS0Wz1fJmtS2zIwdelW2fiXc0XYEUipRUy_Ex5Luq5Ro/s1600/1+Ima%25CC%2581genes+destacadas+835.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  5028. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5029. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5030. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5031. &lt;span style=&quot;font-size: 12pt;&quot;&gt;Netflix Original. La nueva
  5032. serie de Carlos Montero, Darío Madrona y Ramón Salazar, entre otros nombres,
  5033. lleva una etiqueta algo diferente a otras ficciones que han hecho. Élite se
  5034. presenta como la segunda gran producción original del servicio de streaming,
  5035. por detrás de &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Las Chicas del Cable&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; (y
  5036. obviando &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Paquita Salas&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;, que viene de
  5037. Flooxer). Solo que esta vez, además, la propuesta no cuenta con grandes caras
  5038. que puedan respaldar el proyecto. Eso sí, pisa fuerte.&lt;/span&gt;&lt;/div&gt;
  5039. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
  5040. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5041. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  5042. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5043. &lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;b style=&quot;font-size: 12pt;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Las Encinas,
  5044. el nuevo instituto&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  5045. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  5046. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwwTHPdHmrCUYgcBziCijsYDdWMaiCq2PEzaFmW2iZijkjgXEQ-bXPH6ExsfDesmqmKs98GuyM42CSjAInE3vWxPlxw6DDbshVvF2qnmEiZDzDa0CncIxRPm6DkQghzoFdpOZdzwA13xI/s1600/Imagen+2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjwwTHPdHmrCUYgcBziCijsYDdWMaiCq2PEzaFmW2iZijkjgXEQ-bXPH6ExsfDesmqmKs98GuyM42CSjAInE3vWxPlxw6DDbshVvF2qnmEiZDzDa0CncIxRPm6DkQghzoFdpOZdzwA13xI/s1600/Imagen+2.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  5047. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5048. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5049. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5050. &lt;span style=&quot;font-size: 12pt;&quot;&gt;Pupitres, taquillas, fiestas y
  5051. amoríos. Nos gusta un instituto y, la verdad, se echaba de menos. La genial &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Merlí&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; (de la que ya hice una reseña),
  5052. terminó a comienzos de este año y nos quedamos sin nuestra ficción de adolescentes
  5053. en la parrilla. &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Élite&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; viene a cubrir
  5054. ese hueco y, ¿quién mejor que una de las mentes pensantes detrás de &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Física o Química&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; para ponerla en marcha?&lt;/span&gt;&lt;/div&gt;
  5055. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5056. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  5057. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5058. Carlos Montero tenía un reto
  5059. importante en sus manos, porque la juventud ya no es la misma. La Generación Z
  5060. es ahora la que ha tomado el mando y eso implica que las historias deben
  5061. contarse de manera diferente. De ahí que en la serie de Netflix hayan aparecido
  5062. personajes algo diferentes, con problemas que siempre han existido, pero
  5063. enfocados teniendo esta nueva forma de pensar en mente.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  5064. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5065. El VIH se muestra con mucha más
  5066. naturalidad, aprovechando para informar al espectador. Hay personas hetero y
  5067. personas gays, pero también existe un amplio abanico de sexualidades entre uno
  5068. y otro. Y como estos, muchos otros temas como la desigualdad entre clases, el
  5069. racismo o la corrupción. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  5070. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5071. &lt;br /&gt;&lt;/div&gt;
  5072. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5073. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;¿Cómo defender
  5074. a un estudiante asesino?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  5075. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5076. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  5077. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0kjLIqKbSpIC8i5zRxaUhz692tbCVCD-obF8F59YEJI7PuJoMdHXHEAKFNf-qIe0JKW1_ApWrkLdlbm9lpTiXUzCGqj468meNXiPDg2vL9vBFkCKvGi4TLeKku4STd21y5UdC-wUfVRI/s1600/Imagen+3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0kjLIqKbSpIC8i5zRxaUhz692tbCVCD-obF8F59YEJI7PuJoMdHXHEAKFNf-qIe0JKW1_ApWrkLdlbm9lpTiXUzCGqj468meNXiPDg2vL9vBFkCKvGi4TLeKku4STd21y5UdC-wUfVRI/s1600/Imagen+3.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  5078. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;span id=&quot;goog_1171042639&quot;&gt;&lt;/span&gt;&lt;span id=&quot;goog_1171042640&quot;&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5079. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5080. &lt;span style=&quot;font-size: 12pt;&quot;&gt;Sin embargo,
  5081. Las Encinas no es un instituto normal. O, al menos, todo lo normal que puede
  5082. ser el instituto de una serie de estas características. La trama gira en torno
  5083. a un crimen, uno que sirve de hilo conductor y que nos hace sospechar de todos
  5084. y cada uno de los personajes. Y vemos los interrogatorios de los sospechosos. Y
  5085. hay saltos en el tiempo. Y, sí , también hay un trofeo. La referencia está
  5086. clara y las redes no se han cortado a la hora de comentarlo. &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;How To Ger Away With Murder&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; tiene una
  5087. estructura muy clara y &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Élite&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; bebe
  5088. mucho de este esquema.&lt;/span&gt;&lt;/div&gt;
  5089. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  5090. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  5091. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  5092. Pero eso no
  5093. quiere decir que la serie pierda personalidad. Hay veces que está bien fijarte
  5094. en propuestas que han conseguido con éxito sensaciones que tú buscas provocar
  5095. con la tuya. La de ABC ha sabido evolucionar muchos elementos de las series
  5096. estadounidenses consiguiendo un ritmo brutal en cada capítulo. Es importante
  5097. saber elegir bien a tus referentes. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  5098. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  5099. &lt;br /&gt;&lt;/div&gt;
  5100. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5101. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: 16.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Vuelven las
  5102. ficciones de photocall&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  5103. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5104. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  5105. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg97ROcBUFXnyLnv4RoLo9hi0OPKXD2dL0swJ0BZrsWd_lmn77iKtpW_E0umoXQ5M5KPptacn0Flu2uCtS4SFazDDJzhsnt5UcYYxOqaX2uX-bCLpWM4DLIQHXAc8zs5eMITasuywdii1c/s1600/Imagen+1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg97ROcBUFXnyLnv4RoLo9hi0OPKXD2dL0swJ0BZrsWd_lmn77iKtpW_E0umoXQ5M5KPptacn0Flu2uCtS4SFazDDJzhsnt5UcYYxOqaX2uX-bCLpWM4DLIQHXAc8zs5eMITasuywdii1c/s1600/Imagen+1.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  5106. &lt;br /&gt;
  5107. &lt;br /&gt;
  5108. Como he
  5109. dicho, esta era una apuesta arriesgada por parte de Netflix, porque aunque no
  5110. sea una historia que nunca hayamos visto, sí que lo eran las caras de quienes
  5111. nos la contaban. La ficción española tiene un gran problema que es no saber
  5112. promocionar un nuevo producto sin una cara conocida al frente. Es por eso que &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Élite&lt;/i&gt; se ha sentido como algo fresco que
  5113. apetecía descubrir.&lt;/div&gt;
  5114. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  5115. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  5116. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  5117. Porque el
  5118. hecho de que no asociemos a los actores con nada, hace que los asociemos con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Élite&lt;/i&gt;. Son carismáticos y, sobre todo y
  5119. más importante, son talentosos. Y eso se agradece. Vuelven las grandes
  5120. presentaciones de series en España, como ya lo fueron las de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Física o Química&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El Internado&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  5121. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  5122. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Las Chicas del Cable&lt;/i&gt; fue la puerta de
  5123. entrada, una forma de que el público español colocara a Netflix en su radar con
  5124. algo que les fuera familiar. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Paquita
  5125. Salas&lt;/i&gt; ha sido conversación. Un gran prescriptor que innovara y sirviera
  5126. para vender el servicio y darle entidad. Ahora &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Élite&lt;/i&gt; está llamada a ser el siguiente paso, el fenómeno del que
  5127. todos los jóvenes hablen. Y, a juzgar por el seguimiento de los actores en
  5128. redes sociales y la renovación por una segunda temporada, lo está consiguiendo.&lt;br /&gt;
  5129. &lt;br /&gt;
  5130. &lt;div style=&quot;margin: 0px;&quot;&gt;
  5131. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; style=&quot;font-size: 12pt;&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  5132. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12pt;&quot;&gt;
  5133. &lt;/div&gt;
  5134. &lt;div style=&quot;text-align: justify;&quot;&gt;
  5135. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/04/merli-una-serie-que-aprende-y-nos-hace.html&quot;&gt;Merlí, una serie que aprende y nos hace aprender&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  5136. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2017/10/big-little-lies-cuando-las-mentiras-lo.html&quot;&gt;Big Little Lies: Cuando las mentiras lo inundan todo&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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  5140. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/6678443684511601029/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/10/elite-carisma-intriga-y-buenas.html#comment-form' title='2 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/6678443684511601029'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/6678443684511601029'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/10/elite-carisma-intriga-y-buenas.html' title='Élite: Carisma, intriga y buenas referencias en la nueva serie de Netflix'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4FEk8GnwJOIyJSLlF3PK0AetDpp8RQqrQbmhyphenhyphenA2vlE-bR1toF5Bd3_249ZeE6NLQO4-fU8jtx5xbMVeZdiel3huGYY31QdD1CS0Wz1fJmtS2zIwdelW2fiXc0XYEUipRUy_Ex5Luq5Ro/s72-c/1+Ima%25CC%2581genes+destacadas+835.jpg" height="72" width="72"/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-4908229230485700222</id><published>2018-10-21T18:10:00.000+02:00</published><updated>2018-10-23T11:46:34.736+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Kendrick Lamar"/><category scheme="http://www.blogger.com/atom/ns#" term="TRENCH"/><category scheme="http://www.blogger.com/atom/ns#" term="Twenty One Pilots"/><title type='text'>TRENCH de Twenty One Pilots | Una trinchera amarilla</title><content type='html'>&lt;!--[if !mso]&gt;
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  5548. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjILnVH9aX3nLylzHegk8RiZHu5zmgI6B_ruNnHS8LwjmCrYOI8Z_OXOxLtc19a1t_AlJ0DEleGXxVZOzAxnSpfjGHRMEDCNQhOoo0I5dVZwOXSE7Veb03DIO_0nD82gbHvLAKoOoKS750/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjILnVH9aX3nLylzHegk8RiZHu5zmgI6B_ruNnHS8LwjmCrYOI8Z_OXOxLtc19a1t_AlJ0DEleGXxVZOzAxnSpfjGHRMEDCNQhOoo0I5dVZwOXSE7Veb03DIO_0nD82gbHvLAKoOoKS750/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  5550. &lt;span style=&quot;font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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  5552. &lt;span style=&quot;font-size: 14pt;&quot;&gt;En psicología, el rojo es un color relacionado con
  5553. la pasión, los impulsos y la sangre. Puede generar actitudes agresivas y está
  5554. muy unido a la cólera. &lt;/span&gt;&lt;i style=&quot;font-size: 14pt;&quot;&gt;Blurryface&lt;/i&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;,
  5555. el tercer álbum de Twenty One Pilots utilizaba el negro y el rojo en todas sus
  5556. piezas gráficas. Sin embargo, &lt;/span&gt;&lt;i style=&quot;font-size: 14pt;&quot;&gt;TRENCH&lt;/i&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt;
  5557. no utiliza el rojo, &lt;/span&gt;&lt;i style=&quot;font-size: 14pt;&quot;&gt;TRENCH&lt;/i&gt;&lt;span style=&quot;font-size: 14pt;&quot;&gt; es
  5558. amarillo.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
  5559. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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  5561. &lt;span style=&quot;font-size: 14pt;&quot;&gt;Twenty One Pilots nació como banda en 2009, pero ha
  5562. sido hace poco cuando han pegado el pelotazo y se han hecho con lo primeros
  5563. puestos en las listas de ventas. Y es que la música de este grupo es todo lo
  5564. contrario a fácil de consumir. Requiere tiempo tanto apreciar los detalles del
  5565. sonido que proponen, como directamente entender qué narices están contando.&lt;/span&gt;&lt;/div&gt;
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  5567. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;¿Quién es Nico? ¿Qué es DEMA? ¿Quiénes son los nueve
  5568. obispos? El grupo podría haber lanzado un álbum conceptual que hablara de los
  5569. problemas de Tyler, el cantante del grupo, y sin embargo ha creado una
  5570. narrativa con personajes, ciudades y organizaciones secretas. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;TRENCH&lt;/i&gt; no es un álbum que mezcla
  5571. hip-hop, reggea y rock; es mucho más, es una historia. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  5573. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Vivimos en un momento en el que el contenido se
  5574. consume a una velocidad brutal y en el que generalmente no se pide ningún
  5575. esfuerzo con el fin de eliminar cualquier barrera de entrada a nuevo público.
  5576. Sin embargo, cada vez existen más propuestas que demuestran que el éxito no
  5577. tiene nada que ver con esto. La saga &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Dark
  5578. Souls&lt;/i&gt;, son unos videojuegos extremadamente difíciles, a la par que
  5579. exitosos, que no cuentan con prácticamente ninguna escena de vídeo. La historia
  5580. está esparcida por el mundo del juego en forma de puzzle que el jugador, junto
  5581. a la comunidad, va recomponiendo e interpretando.&lt;/span&gt;&lt;/div&gt;
  5582. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  5583. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4R6itI8a_96YvZZMfzTfI_gxA1_XVSoRMqN-j_IIwg-YyPaBaL_4D92i0fSR1F0taQZyrtisy2JtC92dEt2iDCnIPA9btcrBWYVuvULA1smZv7q9u-bJKHmVfCDp6sL3_fG8v1E7SkpY/s1600/Imagen+3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh4R6itI8a_96YvZZMfzTfI_gxA1_XVSoRMqN-j_IIwg-YyPaBaL_4D92i0fSR1F0taQZyrtisy2JtC92dEt2iDCnIPA9btcrBWYVuvULA1smZv7q9u-bJKHmVfCDp6sL3_fG8v1E7SkpY/s1600/Imagen+3.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  5584. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  5585. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;Es por eso que si escuchamos &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; font-size: 14pt;&quot;&gt;Jumsuit&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;, el primer single del álbum o &lt;/span&gt;&lt;i style=&quot;font-family: Cambria; font-size: 14pt;&quot;&gt;Levitate&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;, podremos apreciar el increíble talento que tiene Tyler.
  5586. Interpretando desde un tema rock que empieza en lo más pequeño y que explota en
  5587. un scream brutal, hasta un hip-hop rapeado de forma magistral, con claras
  5588. influencias de Kendrick Lamar.&lt;/span&gt;&lt;/div&gt;
  5589. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  5590. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 14pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5591. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5592. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Si escuchamos &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Nico
  5593. and The Niners &lt;/i&gt;o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;My Blood&lt;/i&gt;,
  5594. veremos además, que Tyler está acompañado de un nivel de producción lleno de
  5595. estilos y referencias muy trabajado. Mantiene el sonido de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Blurryface&lt;/i&gt;, ese sello tan característico y personal que tienen,
  5596. pero evoluciona a algo más oscuro y urbano. Tenemos reggae en temas como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Cut My Lip&lt;/i&gt; o pop en otros como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Hype&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Bandito&lt;/i&gt;. Pero el hip-hop es sin duda el rey del LP. Hay temas más
  5597. puros como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Morph&lt;/i&gt; y otros que se
  5598. fusionan con el género como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Pet Cheetah&lt;/i&gt;,
  5599. dando unidad a todo el disco.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  5600. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5601. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Y, sin embargo, terminaremos el disco y solo habremos
  5602. empezado a entrar en el mundo que proponen. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;TRENCH&lt;/i&gt;
  5603. es un álbum que además de escucharlo hay que verlo, leerlo e, incluso, traducirlo
  5604. a HTML. Es lo que unos llamarían un proyecto transmedia (cómo odio esa palabra)
  5605. y Paquita Salas uno tres sesenta. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  5606. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5607. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Blurryface&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; creaba un personaje con ese
  5608. mismo nombre que simbolizaba todos los miedos de Tyler, lo que en esta nueva
  5609. historia denominan como “Nico and The Niners”, que lo ahogaba y no le dejaba
  5610. vivir (identificado con el color rojo). &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;TRENCH&lt;/i&gt;
  5611. funciona como una secuela de esa historia. Ahora, aparece en escena un nuevo
  5612. personaje, “Clancy”, que viene a ser el lado opuesto. El amarillo, color de la
  5613. luz, de la alegría y del positivismo, es el que identifica este sentimiento,
  5614. que forma parte del mono que lleva en algunas escenas (&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Jumsuit&lt;/i&gt;) y de toda la identidad gráfica del álbum. Curiosamente, el
  5615. rojo es el color que más fácil visualiza el ser humano y el amarillo el que
  5616. menos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  5617. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  5618. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDXKhIIF9pv1I0Ip2HpjPsqZfLVuy3NSdtAHeuxKLXzWBEPpWxNDr_s1rptYH07PEVsJjmYnFu7Ds3d3uuw8ackA6tNe-rZlT-tQrzU55olG4ubuCLHQgV3yhzqB9fq_vVW3U0371Xowg/s1600/Imagen+2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;500&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDXKhIIF9pv1I0Ip2HpjPsqZfLVuy3NSdtAHeuxKLXzWBEPpWxNDr_s1rptYH07PEVsJjmYnFu7Ds3d3uuw8ackA6tNe-rZlT-tQrzU55olG4ubuCLHQgV3yhzqB9fq_vVW3U0371Xowg/s1600/Imagen+2.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  5619. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5620. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5621. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5622. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;La historia de Nico and The Niners (nombre, por
  5623. cierto, basado en un célebre científico que nunca existió) y Clancy nos lleva a
  5624. DEMA, una ciudad oscura donde Tyler está prisionero. Este lugar tiene una estructura
  5625. similar a las torres del silencio, unas construcciones mortuorias de la
  5626. antigüedad donde se colocaban los muertos para que los buitres fueran
  5627. comiéndoselos (como en la portada). Así, como dato interesante. Lo que el álbum
  5628. narra es esa lucha del cantante por salir de allí. Como veis, sencillo, lo que
  5629. es sencillo, no es. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  5630. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5631. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Lo que Twenty One Pilots nos quiere contar es cómo
  5632. después de la depresión y la ansiedad que Tyler sufrió (y sigue sufriendo),
  5633. protagonistas de su anterior disco, ahora el cantante tiene esperanza, ganas de
  5634. luchar y escapar de esa prisión. Y es curioso que esto lo cuenten con uno de
  5635. sus discos más oscuros en cuanto a sonido, mucho más que &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Blurryface&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  5636. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5637. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Es solo al final del disco cuando salimos de la
  5638. historia y nos topamos con una canción muy especial, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Legend&lt;/i&gt;. El único tema que es abiertamente alegre, habla de algo tan
  5639. triste como la muerte del abuelo de Tyler. Como si ese Clancy hubiese nacido de
  5640. la necesidad de hacerle sentir orgulloso.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  5641. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5642. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Y que cierra con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Leave
  5643. The City&lt;/i&gt;, una balada a piano que cuenta lo cansado que se siente Tyler y de
  5644. la decisión que ha tomado de, aún así, seguir luchando. De dejar esa ciudad
  5645. mortuoria y vivir. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  5646. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  5647. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVaox7azk5EtaVC0PCmSyk1OJMvWZGtAMbzQwfrRhx7GTIVEJw0m4LuOBTmecQ3dkFrf1qoeJVSqZ-5znSsMr1dj8sZMfB-CFBhQdypFsHH23acxuh1s0SwKV1Y58DrPlvhliAkj7r8hs/s1600/Imagen+1.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;410&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhVaox7azk5EtaVC0PCmSyk1OJMvWZGtAMbzQwfrRhx7GTIVEJw0m4LuOBTmecQ3dkFrf1qoeJVSqZ-5znSsMr1dj8sZMfB-CFBhQdypFsHH23acxuh1s0SwKV1Y58DrPlvhliAkj7r8hs/s1600/Imagen+1.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  5648. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5649. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  5650. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5651. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;TRENCH&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt; es una apuesta firme, un
  5652. golpe en la mesa que demuestra que Twenty One Pilots no es un grupito de
  5653. adolescentes que no tiene nada que contar. La banda se consolida trayéndonos un
  5654. diario personal convertido en un mundo imaginario lleno de grandes ideas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  5655. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5656. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;En general en esta nueva era, la banda se siente más
  5657. madura, más consciente de lo que está experimentando y de cómo lo cuenta. Por
  5658. eso quizás se les nota más calmados, con ritmos más pausados y con una calidad
  5659. muy a tener en cuenta a la hora de interpretar.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  5660. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  5661. &lt;span style=&quot;font-size: 14.0pt; mso-bidi-font-size: 12.0pt;&quot;&gt;Da la sensación de que Tyler se ha dado cuenta de
  5662. que sus problemas psicológicos, al igual que el grupo, no son cosa de un día,
  5663. ni de un año. Es una gran lucha que va a vivir durante toda su vida; y de ahí
  5664. que se dé la oportunidad de parar, de reflexionar en la ficticia tranquilidad
  5665. de una trinchera en medio del campo de batalla.&lt;/span&gt;&lt;/div&gt;
  5666. &lt;div style=&quot;margin: 0px;&quot;&gt;
  5667. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; style=&quot;font-size: 12pt;&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  5668. &lt;div style=&quot;margin: 0px;&quot;&gt;
  5669. &lt;/div&gt;
  5670. &lt;div style=&quot;margin: 0px;&quot;&gt;
  5671. &lt;/div&gt;
  5672. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12pt;&quot;&gt;
  5673. &lt;/div&gt;
  5674. &lt;div style=&quot;text-align: justify;&quot;&gt;
  5675. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/12/analisis-de-i-see-you-de-xx-conectamos.html&quot; style=&quot;font-family: times, &amp;quot;times new roman&amp;quot;, serif;&quot;&gt;Análisis de I See You de The xx: ¿Conectamos?&lt;/a&gt;&lt;br /&gt;
  5676. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: #0000ee; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;u&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/04/idolo-y-avida-dollars-en-concierto-la.html&quot;&gt;Ídolo y Avida Dollars en concierto. La unión de Lady Gaga y C.Tangana&lt;/a&gt;&lt;/u&gt;&lt;/span&gt;&lt;/div&gt;
  5677. &lt;!--EndFragment--&gt;&lt;br /&gt;
  5678. &lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/4908229230485700222/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/10/trench-de-twenty-one-pilots-una.html#comment-form' title='1 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/4908229230485700222'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/4908229230485700222'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/10/trench-de-twenty-one-pilots-una.html' title='TRENCH de Twenty One Pilots | Una trinchera amarilla'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjILnVH9aX3nLylzHegk8RiZHu5zmgI6B_ruNnHS8LwjmCrYOI8Z_OXOxLtc19a1t_AlJ0DEleGXxVZOzAxnSpfjGHRMEDCNQhOoo0I5dVZwOXSE7Veb03DIO_0nD82gbHvLAKoOoKS750/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-5242861764891128764</id><published>2018-10-21T13:02:00.000+02:00</published><updated>2018-10-21T13:02:06.566+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Articulo"/><category scheme="http://www.blogger.com/atom/ns#" term="Concierto"/><category scheme="http://www.blogger.com/atom/ns#" term="La Casa Azul"/><category scheme="http://www.blogger.com/atom/ns#" term="La Gran Esfera"/><title type='text'>La Casa Azul en Concierto: Todas nuestras amigas</title><content type='html'>&lt;!--[if !mso]&gt;
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  6084. &lt;br /&gt;
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  6086. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirzSFrVBGZ6FzYTXP5i7KSfHG0Os83VXBc0TBTgRf2vi-tJCAlPpASpmVxbVt7D1OS4n_IvfnhLOUvB_PMyUjFbaFa3aiwGv8eFyg30GXkkrFVuveoPmYyRPZy7Y2B1yMQzoWYSVOVr4A/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirzSFrVBGZ6FzYTXP5i7KSfHG0Os83VXBc0TBTgRf2vi-tJCAlPpASpmVxbVt7D1OS4n_IvfnhLOUvB_PMyUjFbaFa3aiwGv8eFyg30GXkkrFVuveoPmYyRPZy7Y2B1yMQzoWYSVOVr4A/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  6088. &lt;br /&gt;&lt;/div&gt;
  6089. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6090. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;La Casa Azul es un grupo que ha sufrido muchos
  6091. altibajos de popularidad en su carrera. Una propuesta que se debate entre el
  6092. pop y la electrónica y, a su vez, que navega en una zona cercana a lo indie,
  6093. pese a no serlo del todo. Es en este punto donde comienza la nueva andadura de
  6094. la banda.&lt;/span&gt;&lt;br /&gt;
  6095. &lt;a href=&quot;https://www.blogger.com/null&quot; name=&quot;more&quot;&gt;&lt;/a&gt;&lt;/div&gt;
  6096. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6097. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Operación Triunfo y su indiscutible fenómeno no solo
  6098. ha supuesto el lanzamiento estelar de dieciséis nuevos cantantes (alguno más
  6099. estelar que otro), sino que además ha salpicado a otros muchos artistas que han
  6100. sido arrastrados en ese ascenso a los primeros puestos de ventas. Brisa Fenoy o
  6101. el Kanka pueden dar fe de ello. Y, como no podía ser de otra manera, la
  6102. participación de Guille Milkyway en el programa como profesor de cultura
  6103. musical (os recomiendo encarecidamente ver sus clases en YouTube), sumada a la
  6104. interpretación de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;La Revolución Sexual&lt;/i&gt;
  6105. por los chicos, también ha supuesto un chute de visibilidad para La Casa Azul.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6106. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6107. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Sabiendo esto y teniendo en cuenta que era gratuito,
  6108. podría parecer que el concierto que el grupo dio en Villaverde, Madrid, estaría
  6109. lleno de fans de Operación Triunfo deseosos de escuchar &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;La Revolución Sexual&lt;/i&gt;, para acto seguido entrar en la discoteca más
  6110. cercana. Pero nada más lejos de la realidad. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6111. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  6112. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5pV2o9w8WmT5gOqS4RBJm3Q5B-ycDIOUR6P5O7CBs2WLfAHnBK-KKWGUDXUpzP0dpuwWgK-rQZ6tCf0yU7cgKxXtBuOPNYvSI1nnz73afJO8U_pnoDU9LrsJ73DWBE3WzVOmwq6VsA-M/s1600/Imagen+2.png&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;548&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5pV2o9w8WmT5gOqS4RBJm3Q5B-ycDIOUR6P5O7CBs2WLfAHnBK-KKWGUDXUpzP0dpuwWgK-rQZ6tCf0yU7cgKxXtBuOPNYvSI1nnz73afJO8U_pnoDU9LrsJ73DWBE3WzVOmwq6VsA-M/s1600/Imagen+2.png&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  6113. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6114. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6115. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6116. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Guille Milkyway tiene una seña de identidad muy
  6117. clara, unos cascos blancos que lo aíslan del público. No nos oye cuando
  6118. gritamos y coreamos sus éxitos. Y, sin embargo, canta como si fuera tu mejor
  6119. amigo el que estuviera ahí subido. Es la verdad con la que interpreta las
  6120. canciones y la certeza de que todo lo que cuenta lo ha sentido o experimentado
  6121. en algún momento de su vida.&lt;/span&gt;&lt;/div&gt;
  6122. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6123. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Es por ello que cuando &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Podría Ser Peor&lt;/i&gt; empezó a sonar con los miembros del grupo
  6124. apareciendo en escena, el público hizo suya la letra. Los problemas que habían
  6125. pasado durante la semana quedaban aparcados durante las dos próximas horas,
  6126. para gritar hasta que ya no tuvieran fuerza. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  6128. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;La Casa Azul nos lleva por un viaje estelar que
  6129. recorre &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;La Gran Esfera&lt;/i&gt;, el álbum y
  6130. nosotros mismos como entes cósmicos. El setlist, muy bien equilibrado, es un
  6131. repaso entre nuevas y viejas glorias, aunque echara de menos &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Todas Tus Amigas&lt;/i&gt;, pero eso ya son gustos
  6132. personales. De esta forma, consiguen conectar con el público de siempre, ese
  6133. que los ha seguido durante todos estos años y también con el nuevo público que
  6134. acaba de llegar. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Chicle Cosmos&lt;/i&gt;, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Los Chicos Hoy Saltarán A La Pista&lt;/i&gt;, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El Momento&lt;/i&gt;, &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;A T A R
  6135. A X I A&lt;/i&gt;. Todo el mundo pude verse reflejado en alguna de ellas. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6136. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  6137. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPSqWiwg4q7F42MNqXfGpnmGD-KN_ya4D53DeSV7v5L-haIB1_67t_dTiwBk-Hpq8_c2JogZtsFWCaJhXKw2jEjj6NRrgsnTe1GaPLHaYsTEgemLXmtMEqIJA7HVevdb6juylCi4NK3NY/s1600/Imagen+1.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;512&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPSqWiwg4q7F42MNqXfGpnmGD-KN_ya4D53DeSV7v5L-haIB1_67t_dTiwBk-Hpq8_c2JogZtsFWCaJhXKw2jEjj6NRrgsnTe1GaPLHaYsTEgemLXmtMEqIJA7HVevdb6juylCi4NK3NY/s1600/Imagen+1.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  6138. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6139. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6140. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6141. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Los grandes conciertos son aquellos en los que te
  6142. sientes parte del espectáculo y que trasciende el tamaño del escenario. Es eso
  6143. lo que hace especiales a los conciertos de cantantes como Lady Gaga. No es su
  6144. voz, ni sus bailarines, ni siquiera los grandes presupuestos; sino sentir que
  6145. son irrepetibles y olvidar por un momento que forman parte de una gira enorme
  6146. con miles de actuaciones. Es por eso que si algo destaco del concierto de La
  6147. Casa Azul es la implicación de Guille como de todo el grupo, sus actuaciones a
  6148. piano en las que el cantante se quitaba los cascos porque, ahora sí, quería
  6149. cantar con el público o la interpretación en primicia del tema que da título al
  6150. álbum, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;La Gran Esfera&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6151. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6152. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Si el concierto de La Casa Azul fue genial, fue
  6153. porque todo el público estaba unido para apoyar al grupo y vivir al máximo el
  6154. espectáculo. Ya no había corros separados, yo fui con unos amigos. Si fue un
  6155. gran concierto, fue por conseguir crear un ambiente en el que todas tus amigas
  6156. eran también las mías.&lt;/span&gt;&lt;/div&gt;
  6157. &lt;div style=&quot;margin: 0px;&quot;&gt;
  6158. &lt;br class=&quot;Apple-interchange-newline&quot; /&gt;
  6159. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; style=&quot;cursor: move; font-size: 12pt;&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  6160. &lt;div style=&quot;margin: 0px;&quot;&gt;
  6161. &lt;/div&gt;
  6162. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12pt;&quot;&gt;
  6163. &lt;/div&gt;
  6164. &lt;div style=&quot;text-align: justify;&quot;&gt;
  6165. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/12/analisis-de-i-see-you-de-xx-conectamos.html&quot; style=&quot;font-family: times, &amp;quot;times new roman&amp;quot;, serif;&quot;&gt;Análisis de I See You de The xx: ¿Conectamos?&lt;/a&gt;&lt;br /&gt;
  6166. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2018/05/la-lista-de-mayo-viva-eurovision.html&quot;&gt;La Lista de Mayo: ¡Viva Eurovisión!&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  6167. &lt;br /&gt;&lt;/div&gt;
  6168. &lt;!--EndFragment--&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/5242861764891128764/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/10/la-casa-azul-en-concierto-todas.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/5242861764891128764'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/5242861764891128764'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/10/la-casa-azul-en-concierto-todas.html' title='La Casa Azul en Concierto: Todas nuestras amigas'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirzSFrVBGZ6FzYTXP5i7KSfHG0Os83VXBc0TBTgRf2vi-tJCAlPpASpmVxbVt7D1OS4n_IvfnhLOUvB_PMyUjFbaFa3aiwGv8eFyg30GXkkrFVuveoPmYyRPZy7Y2B1yMQzoWYSVOVr4A/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-4006153566042411465</id><published>2018-10-13T22:25:00.001+02:00</published><updated>2018-10-14T19:06:10.425+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="A Star Is Born"/><category scheme="http://www.blogger.com/atom/ns#" term="Bradley Cooper"/><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Lady Gaga"/><category scheme="http://www.blogger.com/atom/ns#" term="Película"/><category scheme="http://www.blogger.com/atom/ns#" term="TV/Cine"/><title type='text'>No me emocioné viendo A Star Is Born, película de Lady Gaga y Bradley Cooper</title><content type='html'>&lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  6169. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFoPfafYZT1VLmUGVFvnlKE14Xj1n2NE1fcXt4s7U4m4kMieCU8MdJgQO4XLh0oLOH7ReEOwY0JfwpZIIVemNVTOp-aSBqynB72En2KXFrpDKt0Ed29F9wxBced7KLSkHV5k1oSqwlLmE/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;/a&gt;&lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFoPfafYZT1VLmUGVFvnlKE14Xj1n2NE1fcXt4s7U4m4kMieCU8MdJgQO4XLh0oLOH7ReEOwY0JfwpZIIVemNVTOp-aSBqynB72En2KXFrpDKt0Ed29F9wxBced7KLSkHV5k1oSqwlLmE/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; display: inline !important; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;386&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFoPfafYZT1VLmUGVFvnlKE14Xj1n2NE1fcXt4s7U4m4kMieCU8MdJgQO4XLh0oLOH7ReEOwY0JfwpZIIVemNVTOp-aSBqynB72En2KXFrpDKt0Ed29F9wxBced7KLSkHV5k1oSqwlLmE/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  6170. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6171. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  6172. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;8 de abril de 2008, Lady Gaga lanza su single debut,
  6173. el tema que hasta ahora ha sido su mayor éxito hasta la fecha, &lt;/span&gt;&lt;i style=&quot;font-family: times, &amp;quot;times new roman&amp;quot;, serif;&quot;&gt;Just Dance&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;. Una canción divertida, sin
  6174. pretensiones, que habla de solamente bailar y pasarlo bien. Stefani por fin
  6175. había conseguido lo que tanto ansiaba, un contrato discográfico con Interscope
  6176. Records, después de dedicarse a componer para otros cantantes y tocar en bares
  6177. de Nueva York.&lt;/span&gt;&lt;br /&gt;
  6178. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
  6179. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;Diez años después, Stefani vuelve a debutar, ahora
  6180. en la gran pantalla, junto a otro primerizo Bradley Cooper en la dirección. &lt;/span&gt;&lt;i style=&quot;font-family: times, &amp;quot;times new roman&amp;quot;, serif;&quot;&gt;A Star Is Born&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt; ha llegado de nuevo a los
  6181. cines con un nuevo remake (esta no debuta) llena de expectación y buenas
  6182. críticas. Que si Lady Gaga merece el Oscar, que si Bradley Cooper canta como
  6183. los ángeles. Lo cierto es que he intentado no hacerme expectativas, pero uno no
  6184. es de piedra.&lt;/span&gt;&lt;/div&gt;
  6185. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6186. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;La película no cuenta nada nuevo. Jackson es un
  6187. reputado cantante de rock y Ally una camarera con un sueño frustrado. ¿Por qué
  6188. siempre es camarera? ¿No hay ingenieras con talento para cantar? Lo cierto es
  6189. que si de algo peca la propuesta es de ser muy previsible. Prácticamente en los
  6190. primeros cinco minutos ya conocíamos el final, aun sin haber visto las otras
  6191. versiones del guión. Sin embargo, el gran triunfo del nuevo &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;A Star Is Born&lt;/i&gt; es conseguir que eso no
  6192. te importe en absoluto.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6193. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6194. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Como digo, es la cuarta vez que se graba una cinta
  6195. basada en esta historia. Han existido cuatro Allys y cuatro Jacksons, aunque
  6196. con otros nombres. Lo interesante de esta nueva propuesta es descubrir que este
  6197. nacimiento de una estrella puede contarse de una forma diferente. &lt;span style=&quot;font-size: normal;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6198. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6199. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  6200. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN2q6eh5SXEhB5bxULSl6OyYAm5H-2fJv-WduRWcCZ-m9R8-nI2lGs7FKn_NmmDFaZaEjALxyUL4vNiuBnbxwtRVl8V-pTc8ctBVqwlJKVdhVaQOyUTclbiEaXdaKipF-4KHnmS1M8rRo/s1600/Imagen+1.jpeg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;469&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhN2q6eh5SXEhB5bxULSl6OyYAm5H-2fJv-WduRWcCZ-m9R8-nI2lGs7FKn_NmmDFaZaEjALxyUL4vNiuBnbxwtRVl8V-pTc8ctBVqwlJKVdhVaQOyUTclbiEaXdaKipF-4KHnmS1M8rRo/s1600/Imagen+1.jpeg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  6201. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  6202. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;El auge de la telerealidad es un hecho. Ya no solo
  6203. por el gran éxito de programas como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Keeping
  6204. up with the Kardashians&lt;/i&gt; u &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Operación
  6205. Triunfo&lt;/i&gt; en España, eso siempre ha existido; sino por Facebook, Instagram y
  6206. YouTube. Como dice en una escena Jackson, “el talento no importa”, por eso en
  6207. los concursos de televisión no gana el que mejor canta. Lo que interesa es una
  6208. historia real, es tener algo que contar. Si Bradley Cooper hubiese grabado &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;A Star Is Born&lt;/i&gt; como una película normal,
  6209. la habríamos visto como una película normal. Pero lo que él quería era que nos
  6210. implicáramos con los personajes, que sintiéramos que aquello había pasado de
  6211. verdad. Por eso la cámara casi nunca está fija, sino que las escenas están
  6212. grabadas cámara en mano y esta se mueve como en un documental.&lt;/span&gt;&lt;/div&gt;
  6213. &lt;/div&gt;
  6214. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6215. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Un documental que habla de la vida de dos cantantes.
  6216. Y es por eso que los momentos álgidos ocurren alrededor de actuaciones. Podría
  6217. parecer que estamos ante un musical, pero cualquier parecido con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;La La Land&lt;/i&gt; es fruto de la casualidad.
  6218. Porque en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;A Star Is Born&lt;/i&gt;, las escenas
  6219. más importantes ocurren en el escenario, pero sobre todo detrás de él. Es en
  6220. ese lugar, con los focos rojos y verdes filtrándose a través del telón, donde
  6221. ocurren las escenas más importantes de la película. Es por eso que el uso de la
  6222. luz y el simbolismo de sus colores tiene especial relevancia y la forma en la
  6223. que Bradley Cooper lo utiliza es una auténtica maravilla. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6224. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6225. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Y sí, como dicen las críticas, Lady Gaga y Bradley
  6226. Cooper están increíbles. Sus interpretaciones son geniales. Lady Gaga, especialmente,
  6227. tenía un reto muy importante. Como digo, hace diez años que cumplió su sueño y
  6228. lanzó su primer single. Un single pop. Y cambió de color de pelo. Y empezó a
  6229. cantar con bailarines. Y tuvo problemas con su representante. Hasta se ha
  6230. utilizado su última gira para grabar escenas de los conciertos. Es por eso que
  6231. podría parecer que estamos ante un biopic de la cantante. Pero Stefani no es
  6232. Ally y Ally no es Stefani.&lt;span style=&quot;font-size: normal;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6233. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6234. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  6235. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5aocriA6SM7qmvENlUR28-QNFZsG7ZdqyqNhUZe181taT5zi7psmL8pHIknJDVAGFOxqQagaobPvsALe3nuZJMiAy6KN41SByaXw6mVdQ4ygw3Vo0dgHIuA0iBfezNJUKQqP6Hhr9MEE/s1600/Imagen+2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;470&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi5aocriA6SM7qmvENlUR28-QNFZsG7ZdqyqNhUZe181taT5zi7psmL8pHIknJDVAGFOxqQagaobPvsALe3nuZJMiAy6KN41SByaXw6mVdQ4ygw3Vo0dgHIuA0iBfezNJUKQqP6Hhr9MEE/s1600/Imagen+2.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  6236. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  6237. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;La protagonista de &lt;/span&gt;&lt;i style=&quot;font-family: times, &amp;quot;times new roman&amp;quot;, serif;&quot;&gt;A Star Is Born&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt; es una chica más femenina, más tímida y más dulce. Es
  6238. mucho más fácil interpretar un personaje totalmente diferente a ti, que uno que
  6239. comparte rasgos y vivencias contigo, porque aunque le ocurran cosas parecidas,
  6240. no le van a afectar de la misma forma, ni va a reaccionar como tú lo harías.&lt;/span&gt;&lt;/div&gt;
  6241. &lt;/div&gt;
  6242. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6243. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Y lo que me ha sorprendido todavía más es que esto
  6244. se ve reflejado también en sus voces. Cuando escuchamos a Bradley en la piel de
  6245. Jackson realmente parece que lleve años bebiendo, fumando y cantando rock.
  6246. Ella, sin embargo, usa más los falsetes y su voz suena mucho más clara de la
  6247. que estamos acostumbrados. Es otra demostración de lo que han cuidado cada
  6248. detalle.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6249. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6250. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Y sí, obviamente, tenemos que hablar de la banda
  6251. sonora. Prácticamente un nuevo disco de Lady Gaga, compuesto mayoritariamente
  6252. por ella, pero interpretado por Jackson y Ally. Son tres estilos los
  6253. protagonistas del álbum, porque son tres las fases que componen la película. El
  6254. enamoramiento y ascenso a la fama, la vida como estrella pop y el desenlace.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6255. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6256. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;En la primera, el protagonista indiscutible es
  6257. Jackson, con un rock mezclado con folk que suena muy muy bien. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Blak Eyes, Alibi, Diggin’ My Grave &lt;/i&gt;o&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt; Shallow&lt;/i&gt; son fantásticas. Esta última
  6258. además con una estructura muy peculiar (estrofa, estrofa, estribillo,
  6259. estribillo), como si estuviera sin terminar de componer. Bradley podría
  6260. plantearse lanzar música, porque definitivamente tiene talento para ello. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6261. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6262. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;En el segundo apartado, es Ally la que toma el
  6263. relevo, interpretando primero canciones más orgánicas como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Always Remember Us This Way&lt;/i&gt;, que sencillamente espectacular, y la
  6264. sorpresa &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Look What I Found&lt;/i&gt;, que
  6265. podría ser un tema de Amy Winehouse. Y después pasando a un pop más superficial
  6266. con temas como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Heal Me&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Hair Body Face&lt;/i&gt; (parece que &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Cure&lt;/i&gt; podría haber formado parte de
  6267. este grupo),&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt; &lt;/i&gt;una fantasía de
  6268. canciones pop chicle con toques R&amp;amp;B y trap, muy &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;radiofriendly&lt;/i&gt;.&lt;span style=&quot;font-size: xx-small;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  6269. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6270. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  6271. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfocB2xVsj4PQWYRCJBMiAEis6Ew-z2RbPJfPg-r71sgXOPb_GTQHVm4V0q8IGze6KLgx5USpfkwZNfAxb4QYy91Bpq-j56Kaw1O20w8LAT802qJYuRm9pJOlUbfYRAS4A3e7KhTrX5G8/s1600/Imagen+3.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;418&quot; data-original-width=&quot;835&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfocB2xVsj4PQWYRCJBMiAEis6Ew-z2RbPJfPg-r71sgXOPb_GTQHVm4V0q8IGze6KLgx5USpfkwZNfAxb4QYy91Bpq-j56Kaw1O20w8LAT802qJYuRm9pJOlUbfYRAS4A3e7KhTrX5G8/s1600/Imagen+3.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  6272. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;Y por último tenemos los baladones. Porque sí, no
  6273. nos engañemos, Gaga ha venido a marcarse su &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;I
  6274. Always Love You&lt;/i&gt;; y en vez de uno, mete dos. Porque &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Is That Alright?&lt;/i&gt; y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;I’ll Never
  6275. Love Again&lt;/i&gt; son eso, el gran baladón de su carrera. Un tipo de canción que
  6276. no encaja con el estilo de Lady Gaga, pero que aún así se echaba en falta en su
  6277. discografía. Ella, muy inteligentemente, ha aprovechado esta oportunidad y ha
  6278. demostrado su versatilidad a la hora de componer.&lt;/span&gt;&lt;/div&gt;
  6279. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6280. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;Si habéis llegado hasta aquí, habréis podido comprobar
  6281. que he sobre-analizado tanto la película como su banda sonora mientras la veía.
  6282. El ser seguidor de Gaga ha hecho que sea el más crítico de todos y por eso no
  6283. he llegado a emocionarme. Sin embargo, es precisamente ese el logro de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;A Star Is Born&lt;/i&gt;. Fui con una amiga al
  6284. cine y en la escena final me di cuenta de que es el primer producto de Gaga que
  6285. no está pensado exclusivamente para mí.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6286. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6287. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; font-size: normal;&quot;&gt;El éxito de la película es llevar el mundo de la
  6288. industria discográfica, las adicciones y problemas psicológicos de los
  6289. cantantes y las actuaciones musicales a gente que no necesariamente lo sigue
  6290. tanto. El que se interesen por este mundo y se emocionen con él. Después de salir
  6291. de la sala los dos corrimos a escuchar la banda sonora, porque queríamos seguir
  6292. disfrutando del mundo creado por Gaga y Bradley. Es esa la razón por la que las
  6293. canciones de la película están monopolizando las listas de éxitos de todo el
  6294. mundo. Yo no lloré con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;A Star Is Born&lt;/i&gt;,
  6295. pero mi amiga se emocionó como pocas veces la había visto. &lt;span style=&quot;font-size: normal;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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  6298. &lt;br class=&quot;Apple-interchange-newline&quot; /&gt;
  6299. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; style=&quot;font-size: 12pt;&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  6300. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12pt;&quot;&gt;
  6301. &lt;/div&gt;
  6302. &lt;div style=&quot;text-align: justify;&quot;&gt;
  6303. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/09/lady-gaga-culmina-la-era-joanne-con-el.html&quot; style=&quot;font-family: times, &amp;quot;times new roman&amp;quot;, serif;&quot;&gt;Lady Gaga culmina la era Joanne con el documental GAGA: Five Foot Two&lt;/a&gt;&lt;br /&gt;
  6304. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com/2016/10/analisis-de-joanne-nuevo-y-esperado.html&quot;&gt;Análisis de “Joanne”, nuevo y esperado disco de Lady Gaga&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  6305. &lt;br /&gt;&lt;/div&gt;
  6306. &lt;/div&gt;
  6307. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/4006153566042411465/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/10/no-me-emocione-viendo-star-is-born.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/4006153566042411465'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/4006153566042411465'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/10/no-me-emocione-viendo-star-is-born.html' title='No me emocioné viendo A Star Is Born, película de Lady Gaga y Bradley Cooper'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFoPfafYZT1VLmUGVFvnlKE14Xj1n2NE1fcXt4s7U4m4kMieCU8MdJgQO4XLh0oLOH7ReEOwY0JfwpZIIVemNVTOp-aSBqynB72En2KXFrpDKt0Ed29F9wxBced7KLSkHV5k1oSqwlLmE/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-1906714214437831141</id><published>2018-05-13T19:17:00.000+02:00</published><updated>2018-05-13T19:17:05.083+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Barei"/><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="You Number One"/><title type='text'>Análisis de You Number One de Barei: “No me compares”</title><content type='html'>
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  6718.  
  6719.  
  6720.  
  6721. &lt;!--StartFragment--&gt;
  6722.  
  6723. &lt;br /&gt;
  6724. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  6725. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoz65lAN8cF7gTWdPb_u0fQvuWUtyrYXH5mTrLc_t-hKOaSEAJHbGXlt5VPEYxkGCA3TLWGiIvsq2ed9p3JdrVhob0ywAls8OSoWvzT7LOXa5XWi1YbZOj_eSiSmFvsRa-bdBBlDqDgNg/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; display: inline !important; float: left; font-family: Times; font-size: 13.5pt; margin-bottom: 1em; margin-right: 1em; text-align: center;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoz65lAN8cF7gTWdPb_u0fQvuWUtyrYXH5mTrLc_t-hKOaSEAJHbGXlt5VPEYxkGCA3TLWGiIvsq2ed9p3JdrVhob0ywAls8OSoWvzT7LOXa5XWi1YbZOj_eSiSmFvsRa-bdBBlDqDgNg/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  6726. &lt;div class=&quot;MsoNormal&quot;&gt;
  6727. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Empezar de cero no es fácil, pero empezar de nuevo puede costar
  6728. incluso más. Cuando Barei se presentó a Eurovisión, yo no la conocía, como
  6729. muchos otros. Es por eso que la cantante siempre se lo tomó como una
  6730. oportunidad de difusión. Independientemente del resultado, todo lo que viniera
  6731. sería para mejorar.&lt;/span&gt;&lt;/div&gt;
  6732. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;br /&gt;
  6733.  
  6734.  
  6735. &lt;div class=&quot;MsoNormal&quot;&gt;
  6736. &lt;br /&gt;&lt;/div&gt;
  6737. &lt;div class=&quot;MsoNormal&quot;&gt;
  6738. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Gracias a esto consiguió un contrato de un año (creo recordar) con
  6739. Universal Music, con los que lanzó una reedición de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Throw The Dice,&lt;/i&gt; su segundo LP. El sonido de este álbum se basaba en
  6740. la &lt;b&gt;mezcla del dance y el pop electrónico con elementos más orgánicos propios
  6741. del jazz o del R&amp;amp;B clásico. &lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6742. &lt;div class=&quot;MsoNormal&quot;&gt;
  6743. &lt;br /&gt;&lt;/div&gt;
  6744. &lt;div class=&quot;MsoNormal&quot;&gt;
  6745. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Antes de acabar este contrato discográfico, Barei lanzó lo que
  6746. sería la puerta de entrada al álbum que tenemos ante nosotros, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;I Don’t Need To Be You&lt;/i&gt;. Con un videoclip
  6747. mucho más trabajado, grabado en la fábrica donde ahora se encuentra la escuela
  6748. de Fama A Bailar; la apuesta venía a tomar el sonido de la cantante y darle un
  6749. giro acercándolo a las últimas tendencias. &lt;b&gt;El tropical house es el protagonista
  6750. en un tema que habla sobre la autoestima y la lucha contra el bulliyng. &lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6751. &lt;div class=&quot;MsoNormal&quot;&gt;
  6752. &lt;br /&gt;&lt;/div&gt;
  6753. &lt;div class=&quot;MsoNormal&quot;&gt;
  6754. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Es en este punto donde Barei volvió a tener que remar en solitario
  6755. y comenzar una nueva etapa para fabricar lo que sería su tercer disco, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;You Number One&lt;/i&gt;. Como digo, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;I Don’t Need To Be You&lt;/i&gt; es decisivo para
  6756. entender este cambio en su estilo. Si en este primer single teníamos ese sonido
  6757. tropical tan contemporáneo, &lt;b&gt;en el disco lo que vemos es una evolución,
  6758. explorando otras formas de enfocarlo&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6759. &lt;div class=&quot;MsoNormal&quot;&gt;
  6760. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6761. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  6762. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0W1L6PxY42HEeNWEvz6snX39YqjLZzZrk7fGrNbPHYHFl-5wxiI6y4Ll4wVe9CenXgmMwui7BtMJRn1mQ1HZGvCFGWwL_c8Y_sgMQuHXwPq5e4Dv4hLzOzJqdXffEocMhnEqvQNoYLhA/s1600/barei-wasnt-me.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;459&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0W1L6PxY42HEeNWEvz6snX39YqjLZzZrk7fGrNbPHYHFl-5wxiI6y4Ll4wVe9CenXgmMwui7BtMJRn1mQ1HZGvCFGWwL_c8Y_sgMQuHXwPq5e4Dv4hLzOzJqdXffEocMhnEqvQNoYLhA/s1600/barei-wasnt-me.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  6763. &lt;div class=&quot;MsoNormal&quot;&gt;
  6764. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;De esta forma tenemos &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Loseen
  6765. up Get Me Higher&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Worry, Worry. &lt;/i&gt;Ambas animan a perderse y dejar las preocupaciones atrás. Me imagino
  6766. escuchándolas en la playa con una cerveza en la mano, así que consiguen lo que buscan. La primera quizás innova
  6767. poco, pero en el single junto al rapero Porta, vemos cómo Barei busca darle una
  6768. vuelta introduciendo distorsiones vocales que la hacen más actual.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6769. &lt;div class=&quot;MsoNormal&quot;&gt;
  6770. &lt;br /&gt;&lt;/div&gt;
  6771. &lt;div class=&quot;MsoNormal&quot;&gt;
  6772. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Como la propia artista explica, &lt;b&gt;con este álbum buscaba darle
  6773. importancia a las melodías y usar ritmos más relajados&lt;/b&gt;. Es por eso que tenemos
  6774. otras canciones que tomando este sonido de base, se acercan más a lo que podría
  6775. ser un &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Love Yourself &lt;/i&gt;de Justin Bieber
  6776. o &lt;i&gt;I&lt;/i&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;DGAF&lt;/i&gt;&amp;nbsp;de Dua Lipa.
  6777. Dos claros ejemplos de esto son &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;I’m With
  6778. You&lt;/i&gt; y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;You Number One&lt;/i&gt;, canción que
  6779. da título al álbum. Estas sin duda son el núcleo del disco, en las que Barei habla
  6780. directamente a esa gente que puede estar sintiéndose solo y les dice que no
  6781. están solos y que son los números uno para ella.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6782. &lt;div class=&quot;MsoNormal&quot;&gt;
  6783. &lt;br /&gt;&lt;/div&gt;
  6784. &lt;div class=&quot;MsoNormal&quot;&gt;
  6785. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;You
  6786. Number One&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; tiene una propuesta clara de sonido, sin embargo, &lt;b&gt;esto no quiere
  6787. decir que haya dicho adiós a esa esencia &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Say
  6788. Yay!&lt;/i&gt; que tanto nos gustó en esa preselección de 2016.&lt;/b&gt; El dance y la
  6789. electrónica siguen presentes en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Gotta Be
  6790. Today&lt;/i&gt; y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Warning&lt;/i&gt;, dos temazos
  6791. discotequeros imprescindibles mientras nos
  6792. preparamos para salir de fiesta en el baño. Mientras que la primera nos puede recordar más a ese
  6793. aire &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Throw The Dice, &lt;/i&gt;la segunda juega
  6794. con el saxofón como ya lo hizo Cheryl en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Crazy
  6795. Stupid Love&lt;/i&gt; o Carly Rae Jepsen en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Run
  6796. Away With Me&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6797. &lt;div class=&quot;MsoNormal&quot;&gt;
  6798. &lt;br /&gt;&lt;/div&gt;
  6799. &lt;div class=&quot;MsoNormal&quot;&gt;
  6800. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Aunque si hablamos de jugar con nuevos sonidos, sin duda lo más
  6801. interesante aparece cuando &lt;b&gt;la artista se atreve a experimentar e introducir
  6802. sonidos tribales entremezclándolos con ese tropical house, sonando mucho más fresco.&lt;/b&gt; &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Ready Or Not&lt;/i&gt; y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Not A Drama&lt;/i&gt;
  6803. son dos canciones muy diferentes pero que forman parte de un todo. La primera
  6804. es un tema bailable muy rítmico que toma la tendencia de cantantes como Camila
  6805. Cabello y lo fusiona con la esencia Barei. Uno de los puntos álgidos del álbum
  6806. y con el que no puedo dejar de bailar. En &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Not
  6807. A Drama&lt;/i&gt; tomamos este sonido y relajamos el ambiente, consiguiendo un tema
  6808. muy sexual que nos enseña otro lado de la madrileña. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6809. &lt;div class=&quot;MsoNormal&quot;&gt;
  6810. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6811. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  6812. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHVkeMqHN7kPv63_pWb9LUZMSYVqoS1lKiElWamKuiAB6bo63qa4BVgBB2ma5haXn04I3vQLIjJcBSyurnIZdSA-gY2UUmzGJRamUSdthFoRHO6fEh8WW4S5OMk79rgxPx5Tqiyf8l_Dg/s1600/barei-worry-worry.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;513&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHVkeMqHN7kPv63_pWb9LUZMSYVqoS1lKiElWamKuiAB6bo63qa4BVgBB2ma5haXn04I3vQLIjJcBSyurnIZdSA-gY2UUmzGJRamUSdthFoRHO6fEh8WW4S5OMk79rgxPx5Tqiyf8l_Dg/s1600/barei-worry-worry.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  6813. &lt;div class=&quot;MsoNormal&quot;&gt;
  6814. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  6815. &lt;div class=&quot;MsoNormal&quot;&gt;
  6816. &lt;br /&gt;&lt;/div&gt;
  6817. &lt;div class=&quot;MsoNormal&quot;&gt;
  6818. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Sin embargo, aunque seamos los reyes de la pista, todo el mundo
  6819. vuelve a casa y siente esa soledad de la que habla Lorde en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Melodrama&lt;/i&gt;. &lt;b&gt;Barei quería dar importancia
  6820. en este álbum también a los mensajes que lanzaba&lt;/b&gt; y es por eso que tenemos un
  6821. tramo final más emocional, lejos del volumen de los altavoces de la discoteca. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6822. &lt;div class=&quot;MsoNormal&quot;&gt;
  6823. &lt;br /&gt;&lt;/div&gt;
  6824. &lt;div class=&quot;MsoNormal&quot;&gt;
  6825. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;My
  6826. Fault&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; es una balada que la cantante sabe interpretar de forma
  6827. desgarradora gracias a esa voz arenosa que tiene. Comienza de forma muy íntima,
  6828. pero rápidamente se transforma en un &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;midtempo,
  6829. &lt;/i&gt;sonando muy interesante cuando lo mezcla con el saxofón que escuchábamos en
  6830. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Warning. &lt;/i&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6831. &lt;div class=&quot;MsoNormal&quot;&gt;
  6832. &lt;br /&gt;&lt;/div&gt;
  6833. &lt;div class=&quot;MsoNormal&quot;&gt;
  6834. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;De forma ya más “convencional” tenemos otras dos baladas. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;With The Flow&lt;/i&gt; tiene como hilo conductor
  6835. el piano que se vuelve más rítmico poco a poco. Aunque para mí el punto más
  6836. intenso viene con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Bitter Cold&lt;/i&gt;, un
  6837. tema totalmente desnudo donde Barei vuelve a ser una niña frágil e indefensa.
  6838. Una canción preciosa. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6839. &lt;div class=&quot;MsoNormal&quot;&gt;
  6840. &lt;br /&gt;&lt;/div&gt;
  6841. &lt;div class=&quot;MsoNormal&quot;&gt;
  6842. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Y llegamos al punto final del álbum con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Hide and Seek&lt;/i&gt;. En la colaboración con Zeek lo que más destaca es lo
  6843. bien que encajan sus voces. A nivel de producción no me vuelve loco, aunque es
  6844. sin duda el mensaje lo que hace grande a este cierre. Porque cuando habla del
  6845. juego del escondite puede hablar de amor, de bulliying o de que antes se
  6846. escondía pero que volverá corriendo dispuesta a ganar el juego. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6847. &lt;div class=&quot;MsoNormal&quot;&gt;
  6848. &lt;br /&gt;&lt;/div&gt;
  6849. &lt;div class=&quot;MsoNormal&quot;&gt;
  6850. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;&lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;You
  6851. Number One&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt; es un álbum con una propuesta bien cerrada. A nivel de sonidos,
  6852. &lt;b&gt;tenemos un conglomerado de tropical house que Barei exprime al máximo&lt;/b&gt;, sacando
  6853. todo tipo de variantes, más lentas o más bailables; experimentando incluso con
  6854. nuevos sonidos más tribales, que son la última tendencia ahora mismo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6855. &lt;div class=&quot;MsoNormal&quot;&gt;
  6856. &lt;br /&gt;&lt;/div&gt;
  6857. &lt;div class=&quot;MsoNormal&quot;&gt;
  6858. &lt;span style=&quot;color: black; font-family: Times; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Aunque el gran valor del tercer álbum de la cantante es transmitir
  6859. un mensaje que le representa y que conecta con sus fans y con la sociedad en la
  6860. que vive. Porque el bulliyng del que hablaba en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;I Don’t Need To Be You&lt;/i&gt; es solo una de las muchas consecuencias de
  6861. intentar ser otra persona. &lt;b&gt;&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;You Number
  6862. One&lt;/i&gt; va de libertad, de buscar ser nosotros mismos por encima de todo como
  6863. en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;I’m With You&lt;/i&gt; y de que una mujer
  6864. pueda vivir su sexualidad sin imposiciones como en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Not A Drama&lt;/i&gt;.&lt;/b&gt; Barei tenía muy claro qué quería traer con su nuevo álbum y
  6865. lo iba a hacer con o sin sello discográfico; iba a sonar como quería, se llevara o no ese estilo en
  6866. España; e iba a hablar de los temas que quería, fuera o no un éxito en ventas. “Esta soy yo, no me compares”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  6867. &lt;div class=&quot;MsoNormal&quot;&gt;
  6868. &lt;br /&gt;&lt;/div&gt;
  6869. &lt;div style=&quot;margin: 0px;&quot;&gt;
  6870. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; style=&quot;font-size: 12pt;&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  6871. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12pt;&quot;&gt;
  6872. &lt;/div&gt;
  6873. &lt;div style=&quot;text-align: justify;&quot;&gt;
  6874. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: small;&quot;&gt;«&lt;/span&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2018/05/la-lista-de-mayo-viva-eurovision.html&quot;&gt;La Lista de Mayo: ¡Viva Eurovisión!&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  6875. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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  6880. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/1906714214437831141/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/05/analisis-de-you-number-one-de-barei-no.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1906714214437831141'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1906714214437831141'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/05/analisis-de-you-number-one-de-barei-no.html' title='Análisis de You Number One de Barei: “No me compares”'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjoz65lAN8cF7gTWdPb_u0fQvuWUtyrYXH5mTrLc_t-hKOaSEAJHbGXlt5VPEYxkGCA3TLWGiIvsq2ed9p3JdrVhob0ywAls8OSoWvzT7LOXa5XWi1YbZOj_eSiSmFvsRa-bdBBlDqDgNg/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-363005125276946769</id><published>2018-05-06T19:32:00.001+02:00</published><updated>2018-05-06T19:32:35.800+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Alfred"/><category scheme="http://www.blogger.com/atom/ns#" term="Amaia"/><category scheme="http://www.blogger.com/atom/ns#" term="Eurovisión"/><category scheme="http://www.blogger.com/atom/ns#" term="La Lista"/><title type='text'>La Lista de Mayo: ¡Viva Eurovisión!</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  7267. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_B-a2tC755MBfYKop12C92rTK9sh7hjsGGVnrSrmpL6EuqoLwOwT7MglEUqQe2UTXns-4C6qYrGoLWpFfYm-plRQtffTLRasAeZ9tBKjWwWGwe1KCycwDgIhhTJgORPdIMGVdCWzso6E/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_B-a2tC755MBfYKop12C92rTK9sh7hjsGGVnrSrmpL6EuqoLwOwT7MglEUqQe2UTXns-4C6qYrGoLWpFfYm-plRQtffTLRasAeZ9tBKjWwWGwe1KCycwDgIhhTJgORPdIMGVdCWzso6E/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  7268. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7269. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  7270. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7271. &lt;span style=&quot;font-size: 12pt;&quot;&gt;Mayo es el mes marcado a fuego en
  7272. todos los calendarios del mundo del pop europeo, porque (además de ser mi
  7273. cumpleaños) se celebra uno de los acontecimientos musicales del año,
  7274. Eurovisión. “El mayor escenario del mundo”, “una de las mayores audiencias de
  7275. la televisión”, se califica de muchas maneras al certamen europeo, pero no hay
  7276. que olvidar que este es un programa de música.&lt;/span&gt;&lt;br /&gt;
  7277. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;/div&gt;
  7278. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7279. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  7280. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7281. Por eso, hoy vengo a reivindicar
  7282. los temazos de Eurovisión, esas canciones que serán olvidadas por algunos, pero
  7283. que mucha otra gente incluirá en sus listas de reproducción de Spotify. Es por
  7284. eso que La Lista de este mes va dedicada a &lt;b&gt;esos temas que no ganaron, pero que
  7285. triunfaron en nuestros reproductores de música&lt;/b&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  7286. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7287. &lt;span style=&quot;font-size: x-large;&quot;&gt;Temazos discotequeros&lt;/span&gt;&lt;/div&gt;
  7288. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7289. &lt;iframe allow=&quot;autoplay; encrypted-media&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;450&quot; src=&quot;https://www.youtube.com/embed/ex133UhxB64&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  7290.  
  7291. &lt;br /&gt;
  7292. &lt;br /&gt;
  7293. Si pensamos en Eurovisión,
  7294. necesariamente tenemos que pensar en música de baile. &lt;b&gt;Eso que denominan como una
  7295. “canción eurovisiva” con producción cañera, más o menos vozarrón y un
  7296. estribillo que enganche. &lt;/b&gt;Ese tipo de canciones que seguirán sonando durante
  7297. todo el verano en los bares de ambiente y harán las delicias de los más
  7298. discotequeros. Y es que hay mucho más donde elegir fuera de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Euphoria&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  7299. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7300. El año pasado Macedonia nos trajo &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Dance Alone&lt;/i&gt;, que me ha acompañado en mis
  7301. sesiones de gimnasio durante este año. No consiguió pasar ni a la final, pero
  7302. era sin duda un temón. Como lo fue también &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;This
  7303. Is Love&lt;/i&gt; de Grecia o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Hey Mamma&lt;/i&gt; de
  7304. Moldavia. Que sí, que el momento boda era un poco too much, pero los toques house
  7305. que tiene la canción eran un chute de energía, eso es así. Aunque, sin duda,
  7306. todos recordaréis el mítico &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;La La Love&lt;/i&gt;
  7307. de Ivi Adamou de Chipre. Sin duda, uno de los trallazos del verano de 2012.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  7308. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7309. &lt;span style=&quot;font-size: x-large;&quot;&gt;¿Quién dijo que en Eurovisión no hay rock?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  7310. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7311. &lt;iframe allow=&quot;autoplay; encrypted-media&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;450&quot; src=&quot;https://www.youtube.com/embed/idUxTqmCFR0&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  7312. &lt;b&gt;&lt;br /&gt;&lt;/b&gt;
  7313. &lt;b&gt;&lt;br /&gt;&lt;/b&gt;
  7314. &lt;b&gt;Parece que nunca asociamos el rock
  7315. al festival europeo, pero nada más lejos de la realidad.&lt;/b&gt; A veces más, a veces
  7316. menos, pero cada año hay algún país que se atreve a salirse de la línea y
  7317. plantear una propuesta diferente. Y no nos engañemos, si lo que haces está lo
  7318. suficientemente bien planteado, pueden salirte muy bien las cosas como pasó con
  7319. Lordi en 2006. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  7320. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7321. Macedonia llevó un muy buen tema
  7322. llamado &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Next Time&lt;/i&gt; en 2009 y Georgia y
  7323. su representante Nina Sublatti también lo hicieron con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Warrior&lt;/i&gt; en 2015. Turquía también se atrevió con la potente &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;We Could Be The Same&lt;/i&gt;. Aunque para mí fue
  7324. en 2016 cuando directamente una canción rock se merecía ganar de nuevo Eurovisión y
  7325. esa fue Chipre, con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Alter Ego&lt;/i&gt; de
  7326. Minus One, un tema muy potente que sigue sonando en mi móvil a estas alturas.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  7327. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7328. &lt;span style=&quot;font-size: x-large;&quot;&gt;Las grades divas&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  7329. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7330. &lt;iframe allow=&quot;autoplay; encrypted-media&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;450&quot; src=&quot;https://www.youtube.com/embed/5ymFX91HwM0&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  7331.  
  7332. &lt;br /&gt;
  7333. &lt;br /&gt;
  7334. Por supuesto, tenía que haber un
  7335. lugar especial para esas mujeres, divas con pelazo y vestidos increíbles.
  7336. &lt;b&gt;Ellas. Porque una gran balada no se canta igual si no le pones un ventilador y
  7337. una explosión de luz en el obligado agudo final. &lt;/b&gt;Aquí tenemos para dar y
  7338. regalar y en España somos ya expertos, en parte, porque nos cuesta competir en buenas producciones, pero de voces andamos sobrados. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  7339. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7340. Aunque ha habido otras, las
  7341. candidaturas más potentes de este género para mí fueron sin duda Pastora Soler
  7342. con &lt;i&gt;Quédate Conmigo&lt;/i&gt; y Ruth Lorenzo con &lt;i&gt;Dancing In The Rain&lt;/i&gt; (pese a que la
  7343. canción no me entusiasmara). Australia también llevó a su diva eurovisiva en 2016
  7344. con el baladón que es &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Sound Of Silence&lt;/i&gt;.
  7345. También cabe la modalidad a dos, como la ganadora de 2011 &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Running Scared&lt;/i&gt;, pero que no suele destacar, salvo contadas veces
  7346. como en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Never Forget&lt;/i&gt; de Greta Salome
  7347. &amp;amp; Jonsi.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  7348. &lt;br /&gt;
  7349. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7350. &lt;span style=&quot;font-size: x-large;&quot;&gt;“Esto no es eurovisivo”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  7353.  
  7354. &lt;br /&gt;
  7355. &lt;br /&gt;
  7356. Luego están esas canciones que, de
  7357. primeras, podría no encajarnos en Eurovisión, pero que después funcionan a las
  7358. mil maravillas al ser algo que no es común en ese escenario. Aquí abarco desde
  7359. el misterioso &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;City Lights&lt;/i&gt; de Blanche,
  7360. hasta el eletro latino que llevó Rumanía con&lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;
  7361. Zaleilah&lt;/i&gt; en 2012.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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  7757. En este grupo podríamos meter
  7758. canciones irónicamente a las ganadoras de los dos últimos años; por lo que
  7759. podemos decir que &lt;b&gt;lo eurovisivo dejó de serlo hace tiempo. &lt;/b&gt;Frans destacó en su
  7760. año con el midtempo &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;If I Were Sorry&lt;/i&gt;
  7761. y, después de su hipnótica actuación, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Rhythm
  7762. Inside&lt;/i&gt; de Löic Nottet fue directa a mi lista de reproducción.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  7763. &lt;br /&gt;
  7764. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  7765. &lt;span style=&quot;font-size: x-large;&quot;&gt;Los que pudieron ser y no fueron&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  7766. &lt;iframe allow=&quot;autoplay; encrypted-media&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;450&quot; src=&quot;https://www.youtube.com/embed/ejU7RKmmJMQ&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  7767.  
  7768. &lt;br /&gt;
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  7770. &lt;br /&gt;
  7771. En Eurovisión hay
  7772. grandes temazos, de eso estamos de acuerdo, pero &lt;b&gt;en la fase de la preselección,
  7773. también hay un mundo de canciones que son tan buenas o mejores que las que
  7774. llegan a competir en el escenario. &lt;/b&gt;Por eso, no quería acabar la entrada sin
  7775. darles un hueco, porque sí, porque se lo merecen. No olvidemos que nada menos que Kerli intentó
  7776. ir a Eurovisión con &lt;i&gt;Spirit Animal&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  7777. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 39.2pt;&quot;&gt;
  7778. Otro tema que no
  7779. pudo salir de mi cabeza durante mucho tiempo es &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Busy Doin’ Nothin’&lt;/i&gt;, un tema movido que pudo llevar Suecia hace 4
  7780. años. Probablemente lo hizo porque ganar tantas veces seguidas ya sería abusar.
  7781. Suecia y su &lt;i&gt;Melodifestivalen&lt;/i&gt; se han convertido en un acontecimiento en la
  7782. previa del festival, aunque eso no quiera decir que siempre elijan a la mejor.
  7783. Fue el año pasado cuando dejaron pasar la oportunidad de volver a ganar con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Statements&lt;/i&gt;, un temazo tremendo que iba a
  7784. devolver a Loreen a la posición que se merece.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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  7787.  
  7788. Aunque la gran
  7789. oportunidad la perdimos nosotros con Brequette y su &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Más&lt;/i&gt;. Comenzando como una balada, el tema crecía hasta convertirse
  7790. en una explosión de electrónica que la cantante sabía acompañar con su potente
  7791. voz y ese punto de locura que tanto traspasaba la pantalla. Nos conformaremos
  7792. con haber estado primeros en apuestas durante algo más de una hora, lo que
  7793. tardó en terminar la gala de preselección. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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  7795. En la lista de
  7796. reproducción de Spotify podréis encontrar todas las canciones que he nombrado y
  7797. muchas otras más, como el house oscuro de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Heartbeat&lt;/i&gt;
  7798. de Justs Sirmais, L&#39;Amore E Femmina de Nina Zilli o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Childen Of The
  7799. Universe&lt;/i&gt;, con la que Reino Unido cerró la gala de 2014.&lt;br /&gt;
  7800. &lt;br /&gt;
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  7860. &lt;/style&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/363005125276946769/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/05/la-lista-de-mayo-viva-eurovision.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/363005125276946769'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/363005125276946769'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/05/la-lista-de-mayo-viva-eurovision.html' title='La Lista de Mayo: ¡Viva Eurovisión!'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg_B-a2tC755MBfYKop12C92rTK9sh7hjsGGVnrSrmpL6EuqoLwOwT7MglEUqQe2UTXns-4C6qYrGoLWpFfYm-plRQtffTLRasAeZ9tBKjWwWGwe1KCycwDgIhhTJgORPdIMGVdCWzso6E/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-3875945510609509144</id><published>2018-04-30T19:38:00.000+02:00</published><updated>2018-11-03T13:18:36.333+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Articulo"/><category scheme="http://www.blogger.com/atom/ns#" term="Avida Dollars"/><category scheme="http://www.blogger.com/atom/ns#" term="C.Tangana"/><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Lady Gaga"/><category scheme="http://www.blogger.com/atom/ns#" term="Ídolo"/><title type='text'>Ídolo y Avida Dollars: La unión de Lady Gaga y C.Tangana</title><content type='html'>&lt;!--[if !mso]&gt;
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  8285. &lt;br /&gt;
  8286. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  8287. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgh8Ht-6EZw5hyphenhyphenWKqJRa5Oybkr9ny7KIX3GIJ4CiIeAxudKJLfaR53dqP41b0XT9NAZ-U96WFY5sEotHd2YoQvcP06yPYAIBr7Lz0rYPhEDXVIiic39ATX4VwYtu0_KUCzPo3QCmwK1k4/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgh8Ht-6EZw5hyphenhyphenWKqJRa5Oybkr9ny7KIX3GIJ4CiIeAxudKJLfaR53dqP41b0XT9NAZ-U96WFY5sEotHd2YoQvcP06yPYAIBr7Lz0rYPhEDXVIiic39ATX4VwYtu0_KUCzPo3QCmwK1k4/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  8288. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  8289. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot;; font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  8290. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  8291. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot;; font-size: 12pt;&quot;&gt;Seguidores, followers, fans. Desde que la música pasó a
  8292. considerarse una industria, los cantantes y los grupos han buscado crear una multitud de fieles consumidores que quieran comprar lanzamiento tras lanzamiento que sacan al mercado. Aunque
  8293. no fue hasta finales del siglo pasado cuando este fenómeno fue tomando forma
  8294. siguiendo como gran referente a la religión.&lt;/span&gt;&lt;/div&gt;
  8295. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
  8296. &lt;div class=&quot;MsoNormal&quot;&gt;
  8297. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot;; font-size: 12pt;&quot;&gt;&lt;b&gt;Es así como los ahora llamados fandoms tienen su propio
  8298. vocabulario, símbolos que les representan, himnos e, incluso, mitología&lt;/b&gt;. Lady Gaga o Britney Spears
  8299. lo saben bien, con emblemas como “la garra” de los Little Monster o el mítico
  8300. “It’s Britney Bitch”, pensaríamos en abejas si hablamos de Beyoncé y en gatos con Katy Perry. Son elementos icónicos que unen y representan a los seguidores de un
  8301. artista. De esto, también es muy consciente C.Tangana, uno de los cantantes más
  8302. revolucionarios de España en los últimos años.&lt;/span&gt;&lt;/div&gt;
  8303. &lt;div class=&quot;MsoNormal&quot;&gt;
  8304. &lt;br /&gt;&lt;/div&gt;
  8305. &lt;div class=&quot;MsoNormal&quot;&gt;
  8306. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Ya antes de lanzar su primer álbum, el autor de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Mala Mujer&lt;/i&gt; supo trasladar la música
  8307. urbana, el trap y sus mensajes a un escenario inesperado y convertirlo de alguna forma en pop.
  8308. De esta manera, para la promoción de &lt;i&gt;Ídolo&lt;/i&gt; no buscó imitar a los cantantes de
  8309. éxito de nuestro país, sino que fue más allá, &lt;b&gt;tomando como referencia la escena
  8310. internacional y los códigos que suele utilizar el mundo de la moda, con lo
  8311. visual como parte fundamental de su propuesta.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
  8312. &lt;br /&gt;
  8313. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  8314. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixOVIjt9CzHkK14BVr4iCDGmFA2vU3QDAZsiu-SnIKzFbqjknmzn3ZLxNpX3kFHNq0gb8p3nwxBGH6CiajsWSCexeJqn1hlmxQ7jTeGhKskfQa4-aPsYWflJRi0-GSrXRBcF7K7Fm-0WM/s1600/tangana_loewe_1-1400x933.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;533&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixOVIjt9CzHkK14BVr4iCDGmFA2vU3QDAZsiu-SnIKzFbqjknmzn3ZLxNpX3kFHNq0gb8p3nwxBGH6CiajsWSCexeJqn1hlmxQ7jTeGhKskfQa4-aPsYWflJRi0-GSrXRBcF7K7Fm-0WM/s1600/tangana_loewe_1-1400x933.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  8315. &lt;div class=&quot;MsoNormal&quot;&gt;
  8316. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
  8317. &lt;div class=&quot;MsoNormal&quot;&gt;
  8318. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot;; font-size: 12pt;&quot;&gt;Es de esto de lo que va su primer álbum de estudio, &lt;/span&gt;&lt;b style=&quot;font-family: Times; font-size: 12pt;&quot;&gt;un
  8319. conglomerado de canciones que buscan transmitir ese viaje personal de Tangana a
  8320. lo más alto.&lt;/b&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot;; font-size: 12pt;&quot;&gt; &lt;/span&gt;&lt;i style=&quot;font-family: Times; font-size: 12pt;&quot;&gt;Mala Mujer&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot;; font-size: 12pt;&quot;&gt;, su gran hit,
  8321. es la punta de lanza, que mezcla su esencia urbana con ritmos latinos, usando
  8322. incluso elementos de Bachata y Salsa. Y aunque hay otras que siguen su estela
  8323. como &lt;/span&gt;&lt;i style=&quot;font-family: Times; font-size: 12pt;&quot;&gt;De Pie&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot;; font-size: 12pt;&quot;&gt;, temazo donde los haya, también tiene tiempo para lanzar otro tipo de mensajes y sonidos que enriquecen
  8324. la propuesta de&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;font-family: Times; font-size: 12pt;&quot;&gt;Ídolo&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot;; font-size: 12pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
  8325. &lt;div class=&quot;MsoNormal&quot;&gt;
  8326. &lt;br /&gt;&lt;/div&gt;
  8327. &lt;div class=&quot;MsoNormal&quot;&gt;
  8328. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Hay temas más sensuales como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Intoxiaco&lt;/i&gt;,
  8329. un R&amp;amp;B totalmente internacional, o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Pa
  8330. Que Brille&lt;/i&gt;. Como veis, el primer LP de Antón es hit tras hit, dedicando &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Caballo Ganador&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;No Te Pegas&lt;/i&gt; a sus “competidores”, si es que en algún momento hubiera
  8331. tenido alguno. Esta última, además, con guiño a &lt;i&gt;Mala Mujer&lt;/i&gt;, una herramienta muy interesante que tradicionalmente ha usado el pop y que saca una sonrisa al que lo escucha. En general tenemos letras que van en línea con el tipo de mensajes que se suelen
  8332. lanzar en la escena más urbana. Sin embargo, como digo, &lt;b&gt;C.Tangana ha sabido
  8333. traspasar la imagen de lo que se podría esperar de un artista de sus
  8334. características.&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8335. &lt;div class=&quot;MsoNormal&quot;&gt;
  8336. &lt;br /&gt;&lt;/div&gt;
  8337. &lt;div class=&quot;MsoNormal&quot;&gt;
  8338. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;De esta forma, y como guinda del pastel, aparece &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Pop Ur Pussy&lt;/i&gt; rompiéndonos todos los esquemas.
  8339. Es en esta canción donde Tangana cambia totalmente y pasa a hablar de estar encerrado en un cuerpo que no es el tuyo, de impotencia y de querer
  8340. escapar. Un tema abierto a interpretaciones, pero que acompañado del videoclip,
  8341. se postula como un nuevo himno LGTBI. Sí, puede sorprender pero Antón es el
  8342. tipo de cantante millenial que no tiene ningún problema en sacar mujeres espectaculares bailando pole dance al escenario en &lt;i&gt;Intoxicao&lt;/i&gt; para, acto seguido, que los que&lt;/span&gt;&amp;nbsp;bailen en la barra sean hombres con tacones. Un&amp;nbsp;&lt;i&gt;plot twist&lt;/i&gt;&amp;nbsp;genial del concierto, por cierto.&lt;/div&gt;
  8343. &lt;div class=&quot;MsoNormal&quot;&gt;
  8344. &lt;br /&gt;&lt;/div&gt;
  8345. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  8346. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT93Xj_211Ly2frPFz_ae-qAD7pu32kTwD_7ZAO5VLev-rXFK40CXoujGDKjxv22m8YHBUDOVhyPq_L7X00_sIflqawEQYsXByyl5I8Hk0WyZfGkr4pl2J2ibVw4csyDnQx6SI6ipE5xI/s1600/c-tangana-1516019349.92.2560x1440.jpg.jpe&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhT93Xj_211Ly2frPFz_ae-qAD7pu32kTwD_7ZAO5VLev-rXFK40CXoujGDKjxv22m8YHBUDOVhyPq_L7X00_sIflqawEQYsXByyl5I8Hk0WyZfGkr4pl2J2ibVw4csyDnQx6SI6ipE5xI/s1600/c-tangana-1516019349.92.2560x1440.jpg.jpe&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  8347. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  8348. &lt;br /&gt;&lt;/div&gt;
  8349. &lt;div class=&quot;MsoNormal&quot;&gt;
  8350. &lt;i style=&quot;font-size: 12pt;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot;;&quot;&gt;Ídolo&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot;; font-size: 12pt;&quot;&gt;
  8351. es un muy buen primer disco, bien cerrado y con una producción muy trabajada; sin embargo, Tangana tenía una carta sorpresa bajo
  8352. la manga. Porque pocos meses después ha lanzado algo que da un giro total a lo
  8353. que nos cuenta en su LP. &lt;i&gt;Avida Dollars&lt;/i&gt;
  8354. es su nuevo EP (aunque él lo llame &lt;i&gt;mixtape&lt;/i&gt;), en el que referencia a Dalí o Andy Warhol y donde el enfoque es un tanto diferente.&lt;/span&gt;&lt;/div&gt;
  8355. &lt;div class=&quot;MsoNormal&quot;&gt;
  8356. &lt;br /&gt;&lt;/div&gt;
  8357. &lt;div class=&quot;MsoNormal&quot;&gt;
  8358. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Si antes nos hablaba de su viaje hacia la fama y todo lo que él
  8359. quería contar en esa nueva posición, ahora esto se da por hecho. &lt;b&gt;Es el dinero y
  8360. el poder los que toman el protagonismo en este nuevo lanzamiento. &lt;/b&gt;Por eso, aquí encontramos temas como los geniales &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Llorando
  8361. En La Limo&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Huele A Nuevo&lt;/i&gt; en los
  8362. que ya está en la cima y donde, además, muestra otro registro en su voz. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8363. &lt;div class=&quot;MsoNormal&quot;&gt;
  8364. &lt;br /&gt;&lt;/div&gt;
  8365. &lt;div class=&quot;MsoNormal&quot;&gt;
  8366. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;En general, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Avida Dollars&lt;/i&gt;
  8367. es más agresivo en la producción, con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Still
  8368. Raping&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Baile De La Lluvia&lt;/i&gt; con
  8369. ritmos más marcadamente urbanos. Aunque la clave de este EP es la combinación de este tipo
  8370. de canciones con otras más íntimas como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Cuando
  8371. Me Miras&lt;/i&gt;. Representando esa pelea interna entre lo que quiere y lo que
  8372. desea. &lt;b&gt;Aquí ya no hay ídolo, solo una persona que se deja llevar por todo lo
  8373. que le ofrece la fama y que a veces es consumido por ella. &lt;/b&gt;Todas las canciones,
  8374. por cierto, están enlazadas como una sola pieza, lo cual es un plus, sin lugar a dudas (y que le aleja del término &lt;i&gt;mixtape&lt;/i&gt;)&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot;; font-size: 12pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
  8375. &lt;div class=&quot;MsoNormal&quot;&gt;
  8376. &lt;br /&gt;&lt;/div&gt;
  8377. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  8378. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYbe9j1iIoeMmVlN6cbLOyvqtw2Wx4hZKMRyzpYncxlBjiJjC3_6emCHc_UJeUIhupxMyFnK3YhbpLoGxW01PmcPvQCF4o-PMeWj66YAjNgkUSJ6p_nA84CNR68S-hoQVrjTcUrnU5fYQ/s1600/maxresdefault.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYbe9j1iIoeMmVlN6cbLOyvqtw2Wx4hZKMRyzpYncxlBjiJjC3_6emCHc_UJeUIhupxMyFnK3YhbpLoGxW01PmcPvQCF4o-PMeWj66YAjNgkUSJ6p_nA84CNR68S-hoQVrjTcUrnU5fYQ/s1600/maxresdefault.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  8379. &lt;div class=&quot;MsoNormal&quot;&gt;
  8380. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8381. &lt;div class=&quot;MsoNormal&quot;&gt;
  8382. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8383. &lt;div class=&quot;MsoNormal&quot;&gt;
  8384. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;En la portada de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Ídolo&lt;/i&gt;
  8385. el cantante mostraba una especie de reinterpretación de un dios pagano, solo
  8386. que representado con una estética moderna. En su nuevo EP, el protagonista
  8387. de la portada no es un símbolo, sino él mismo, con muy mala cara por cierto. Y es que si su
  8388. primer álbum se basaba en “la construcción del ídolo”, como estuvo explicando
  8389. en el concierto, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Avida Dollars&lt;/i&gt; es “la
  8390. destrucción de ese ídolo”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8391. &lt;div class=&quot;MsoNormal&quot;&gt;
  8392. &lt;br /&gt;&lt;/div&gt;
  8393. &lt;div class=&quot;MsoNormal&quot;&gt;
  8394. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Es en este punto donde vuelvo a referenciar a Lady Gaga. Porque la
  8395. habilidad de C.Tangana para fusionar lo urbano y lo pop ha ido mucho más allá
  8396. con esta propuesta. &lt;b&gt;Así, el cantante se revela como un arista mucho más
  8397. conceptual de lo que podría parecer en un principio,&lt;/b&gt; llegando a crear su propia
  8398. bilogía de la fama con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Ídolo&lt;/i&gt; y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Avida Dollars&lt;/i&gt;, de la misma forma que
  8399. Gaga lo hizo con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Fame&lt;/i&gt; y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Fame Monster: &lt;/i&gt;&lt;b&gt;la ascensión del artista y los monstruos que surgen estando en la cima.&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8400. &lt;div class=&quot;MsoNormal&quot;&gt;
  8401. &lt;br /&gt;&lt;/div&gt;
  8402. &lt;div class=&quot;MsoNormal&quot;&gt;
  8403. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Como pieza fundamental de este concepto, aparece el concierto dedicado a sus
  8404. nuevos álbumes (yo pude verlo en la Sala Riviera de Madrid). Un despliegue como muy pocas veces he visto en un local de
  8405. estas características, con pirotecnia, láseres y billetes voladores. Tangana se
  8406. entregó ya no solo con su interpretación, aunque en ciertos momentos se abusara
  8407. del playback, sino trayendo un espectáculo bien pensado que tenía muy claro qué
  8408. quería contar. Una pieza importante para entender ese paso de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Ídolo&lt;/i&gt; a &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Avida Dollars. &lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
  8409. &lt;div class=&quot;MsoNormal&quot;&gt;
  8410. &lt;br /&gt;&lt;/div&gt;
  8411. &lt;div class=&quot;MsoNormal&quot;&gt;
  8412. &lt;span style=&quot;color: black; font-family: &amp;quot;times&amp;quot;; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;C.Tangana poco a poco se postula como un artista muy interesante
  8413. al que seguir. Ya no solo por su éxito indiscutible, sino por sus mensajes pensados,
  8414. inclusivos y conceptuales. &lt;b&gt;Propuestas trabajadas que funcionan como un todo y
  8415. que van de la mano de lo visual. &lt;/b&gt;Nunca me habría planteado decir esto hace unos
  8416. años, pero probablemente si te gusta Lady Gaga (y la música urbana), te acabe
  8417. gustando C.Tangana.&lt;/span&gt;&lt;/div&gt;
  8418. &lt;div style=&quot;margin: 0px;&quot;&gt;
  8419. &lt;br class=&quot;Apple-interchange-newline&quot; /&gt;
  8420. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; style=&quot;font-size: 12pt;&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  8421. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12pt;&quot;&gt;
  8422. &lt;/div&gt;
  8423. &lt;div style=&quot;text-align: justify;&quot;&gt;
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  8425. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/09/lady-gaga-culmina-la-era-joanne-con-el.html&quot;&gt;Lady Gaga culmina la era Joanne con el documental GAGA: Five Foot Two&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
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  8428. &lt;!--EndFragment--&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/3875945510609509144/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/04/idolo-y-avida-dollars-en-concierto-la.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/3875945510609509144'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/3875945510609509144'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/04/idolo-y-avida-dollars-en-concierto-la.html' title='Ídolo y Avida Dollars: La unión de Lady Gaga y C.Tangana'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgh8Ht-6EZw5hyphenhyphenWKqJRa5Oybkr9ny7KIX3GIJ4CiIeAxudKJLfaR53dqP41b0XT9NAZ-U96WFY5sEotHd2YoQvcP06yPYAIBr7Lz0rYPhEDXVIiic39ATX4VwYtu0_KUCzPo3QCmwK1k4/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-361620448114175247</id><published>2018-04-22T18:25:00.000+02:00</published><updated>2018-04-22T18:25:15.136+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Golden"/><category scheme="http://www.blogger.com/atom/ns#" term="Kylie Minogue"/><title type='text'>Análisis de Golden de Kylie Minogue: ¿El atardecer de Kylie?</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  8839. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqG7e9LpWc8gJ9xsRChC_NqWIxPfLw6E3dPZXRr8wfodIkGyT86Jrw0VEAd2w2cCzTxFcsYtGKgefMq_xX-4Bgpebn5YQFNsAVSsRnn7Bgcxk55OsRIjD5TpILXoA86RmCJV6ZZq0SeJA/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqG7e9LpWc8gJ9xsRChC_NqWIxPfLw6E3dPZXRr8wfodIkGyT86Jrw0VEAd2w2cCzTxFcsYtGKgefMq_xX-4Bgpebn5YQFNsAVSsRnn7Bgcxk55OsRIjD5TpILXoA86RmCJV6ZZq0SeJA/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  8842. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  8843. &lt;span style=&quot;font-size: 12pt;&quot;&gt;El mundo de los colores encierra muchísima simbología. Está demostrado
  8844. el efecto psicológico que provoca en nuestra mente ver según que tonalidades.
  8845. Que el rojo recuerda a la pasión y el azul a la tranquilidad es solo quedarse
  8846. en la superficie. No es casualidad que el color que representa el feminismo sea
  8847. el morado, de la misma forma que no es casualidad que el envase de los
  8848. productos “Premium” tengan elementos en negro y dorado. Precisamente es el
  8849. dorado el color que Kylie Minogue ha escogido para dar título a su decimocuarto
  8850. álbum: &lt;i&gt;Golden&lt;/i&gt;.&lt;/span&gt;&lt;/div&gt;
  8851. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
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  8853. &lt;span style=&quot;font-size: 12pt;&quot;&gt;Fue en 2014 cuando la australiana lanzó &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Kiss Me Once&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;, cuatro
  8854. años después del fantástico &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Aphrodite&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;. Sin embargo, en este caso no
  8855. corrió la misma suerte, con una promoción descafeinada y una acogida muy muy
  8856. discreta. La sensación de que Kylie ya no tenía el mismo status en la industria era inevitable.
  8857. Parece, además, que últimamente en su vida personal tampoco ha disfrutado de una gran
  8858. suerte.&lt;/span&gt;&lt;/div&gt;
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  8860. &lt;br /&gt;&lt;/div&gt;
  8861. &lt;div class=&quot;MsoNormal&quot;&gt;
  8862. &lt;i&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: Cambria;&quot;&gt;Dancing&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;, el primer single de
  8863. esta nueva etapa, llega en medio de todo esto. Pero la cantante nunca ha sido
  8864. de regodearse en las penas. Al contrario, ella es experta en mantener la
  8865. sonrisa a pesar de todo. De eso va este fantástico tema, de bailar siempre y
  8866. pase lo que pase, acompañado con una mezcla de guitarras y dance made in Kylie
  8867. que te hace no poder parar.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
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  8869. &lt;br /&gt;&lt;/div&gt;
  8870. &lt;div class=&quot;MsoNormal&quot;&gt;
  8871. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;El sonido, es uno de los elementos que más llama la atención de esta
  8872. nueva apuesta, que tras escuchar todo el disco, está todavía más patente. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;La tendencia del country-pop está cada vez
  8873. más establecida y, tras el experimento de Justin Timberlake, Minogue busca
  8874. hacer su propia fusión.&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
  8875. &lt;div class=&quot;MsoNormal&quot;&gt;
  8876. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
  8877. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  8878. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2foIrXUff58rCy-wpc0ZanZezvkONv8NNULG0rhWUBQqpbnG7wJKQY9dcBoQtkyKswE44MVA7MKAoDHkJC7CRajdjXv5XXwRM6nykqdKgdNnG_Z_XXkxxZS4H8Tm86LBoquW3Z53kp1U/s1600/kylie-minogue-dancing.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;422&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2foIrXUff58rCy-wpc0ZanZezvkONv8NNULG0rhWUBQqpbnG7wJKQY9dcBoQtkyKswE44MVA7MKAoDHkJC7CRajdjXv5XXwRM6nykqdKgdNnG_Z_XXkxxZS4H8Tm86LBoquW3Z53kp1U/s1600/kylie-minogue-dancing.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  8879. &lt;div class=&quot;MsoNormal&quot;&gt;
  8880. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
  8881. &lt;div class=&quot;MsoNormal&quot;&gt;
  8882. &lt;br /&gt;&lt;/div&gt;
  8883. &lt;div class=&quot;MsoNormal&quot;&gt;
  8884. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Es así cómo sin nadie esperarlo, Kylie se adentra en Nashville y nos trae
  8885. un sonido nunca antes visto en ella. Aunque curiosamente, &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;el dorado es uno de los pocos colores que no pueden mezclarse con
  8886. otros.&lt;/b&gt; Y es que el country está muy presente en &lt;i&gt;Golden&lt;/i&gt;, pero en
  8887. ningún momento se pierde la esencia Kylie Minogue. Es el caso de &lt;i&gt;Stop Me
  8888. From Falling&lt;/i&gt; o &lt;i&gt;A Lifetime to Repair&lt;/i&gt;, dos fantásticos temas bailables donde habla de no caer y de reparar, porque si algo inunda todo el
  8889. álbum es positivismo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8890. &lt;div class=&quot;MsoNormal&quot;&gt;
  8891. &lt;br /&gt;&lt;/div&gt;
  8892. &lt;div class=&quot;MsoNormal&quot;&gt;
  8893. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Pero es sin duda la canción &lt;i&gt;Golden&lt;/i&gt; una de las que encierra más significado en lo que Kylie quiere contar. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;El
  8894. dorado es el color que identifica los 50 años, las Bodas de Oro, “Las Chicas de
  8895. Oro”, son todo referencias a la edad, a dejar de ser joven.&lt;/b&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;En
  8896. todo el álbum se respira un aire de nostalgia y melancolía.&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;Sin embargo,
  8897. este tema es un canto a la vida, a disfrutar de cada momento. Porque si Rihanna
  8898. brilla como diamantes, ella quiere brillar como el oro, como las estrellas. Y lo hace mezclando esos sonidos de guitarras con elementos R&amp;amp;B y aires tribales.&lt;/span&gt;&lt;/div&gt;
  8899. &lt;div class=&quot;MsoNormal&quot;&gt;
  8900. &lt;br /&gt;&lt;/div&gt;
  8901. &lt;div class=&quot;MsoNormal&quot;&gt;
  8902. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Y es por eso que en &lt;i&gt;Sincerely Yours&lt;/i&gt; y &lt;i&gt;One Last Kiss&lt;/i&gt; dedica
  8903. una carta despedida a la antigua Kylie, a esa vida, pero también a nosotros
  8904. como público. Una especie de punto y seguido porque, como dice en el tema,
  8905. “siempre volverá”; simplemente hay veces que necesita esconderse. Aunque es en
  8906. la segunda donde de verdad la producción acompaña al mensaje y las guitarras
  8907. toman el protagonismo. Recordemos que es la instrumentación orgánica del
  8908. country la que consigue dar ese aire de nostalgia. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8909. &lt;div class=&quot;MsoNormal&quot;&gt;
  8910. &lt;br /&gt;&lt;/div&gt;
  8911. &lt;div class=&quot;MsoNormal&quot;&gt;
  8912. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Tras una fase algo más relajada, Kylie vuelve a cambiar, entrelazando
  8913. estos sonidos con producciones más pop y menos dance. Aquí nos encontramos con &lt;i&gt;Live
  8914. A Little&lt;/i&gt; y &lt;i&gt;Shelby ’68&lt;/i&gt;, dos temas más animados que hablan de dejar
  8915. las preocupaciones y vivir. Es esta la representación de la moraleja que
  8916. explica en el precioso &lt;i&gt;Radio On&lt;/i&gt;. Porque cuando la noche acaba y la
  8917. fiesta está en su punto más bajo, ella pone la radio y una canción vuelve a
  8918. llenarla de energía. Para ella, la música sana.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8919. &lt;div class=&quot;MsoNormal&quot;&gt;
  8920. &lt;br /&gt;&lt;/div&gt;
  8921. &lt;div class=&quot;MsoNormal&quot;&gt;
  8922. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Podrá estar en
  8923. momentos mejores o peores, pero para nosotros Kylie siempre será Afrodita,
  8924. diosa del amor.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt; El dorado, además, es el color de la
  8925. divinidad. Es por eso que en&lt;i&gt; Love&lt;/i&gt; nos trae un alegato en forma de
  8926. canción pop rock bastante sencillota, en el que nos anima a buscar el amor en todas sus formas,
  8927. porque el amor nos hará libres. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8928. &lt;div class=&quot;MsoNormal&quot;&gt;
  8929. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  8930. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  8931. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigPO9uNclRikuNlZW8uRqV7rWWaadv3hBFhJ9F73YbsbTe3dezVyQoaS4ucQL824JNEHsRzubivJGmavkpz-DsfMR91Axp-J8RsyGJjib5JdpF5ZNKLphjqrhfvhKKUWT0rnCepnSZVjU/s1600/neben-helene-fischer-und-mark-forster-auch-kylie-minogue-tritt-beim-echo-2018-auf.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEigPO9uNclRikuNlZW8uRqV7rWWaadv3hBFhJ9F73YbsbTe3dezVyQoaS4ucQL824JNEHsRzubivJGmavkpz-DsfMR91Axp-J8RsyGJjib5JdpF5ZNKLphjqrhfvhKKUWT0rnCepnSZVjU/s1600/neben-helene-fischer-und-mark-forster-auch-kylie-minogue-tritt-beim-echo-2018-auf.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  8932. &lt;div class=&quot;MsoNormal&quot;&gt;
  8933. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  8934. &lt;div class=&quot;MsoNormal&quot;&gt;
  8935. &lt;br /&gt;&lt;/div&gt;
  8936. &lt;div class=&quot;MsoNormal&quot;&gt;
  8937. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Aunque, sin duda, es en &lt;i&gt;Raining Glitter&lt;/i&gt; donde brilla con luz
  8938. propia en una producción algo retro. Un tema bailable muy gay en el que trae un
  8939. mensaje similar a&lt;i&gt; Dancing&lt;/i&gt;, solo que esta vez no habla solo de ella, sino
  8940. también de sus fans. Ellos, al igual que Kylie, dejan una estela de confeti
  8941. dorado por donde pasan. Uno de los mejores tracks del álbum que además homenajea a esa relación tan estrecha que se crea entre la cantante y el público. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8942. &lt;div class=&quot;MsoNormal&quot;&gt;
  8943. &lt;br /&gt;&lt;/div&gt;
  8944. &lt;div class=&quot;MsoNormal&quot;&gt;
  8945. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Y llegamos al final del álbum, con la colaboración de Jack Savoretti,
  8946. en un tema algo demasiado lento para mi gusto. &lt;i&gt;Music’s Too Sad Without You&lt;/i&gt;
  8947. es un cierre bonito, en el que sigue hablando con sus fans y les dedica el
  8948. disco, porque han sido ellos los que le han dado esa luz que le hacía falta
  8949. tras esa fase más oscura de su vida. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8950. &lt;div class=&quot;MsoNormal&quot;&gt;
  8951. &lt;br /&gt;&lt;/div&gt;
  8952. &lt;div class=&quot;MsoNormal&quot;&gt;
  8953. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Por suerte, tenemos los bonus tracks que levantan el final de &lt;i&gt;Golden&lt;/i&gt;.
  8954. Es aquí donde Kylie no se preocupa tanto en mantener el sonido del álbum,
  8955. aunque eso no quiere decir que no sean muy buenos temas. Tanto &lt;i&gt;Lost Without
  8956. You&lt;/i&gt;, como &lt;i&gt;Every Little Part of Me &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/i&gt;o &lt;i&gt;Rollin’&lt;/i&gt; son canciones que podrían
  8957. haber estado perfectamente dentro de la edición normal si no fuera por el cambio en la
  8958. producción o porque ya hay otras canciones que cumplen ese mismo perfil. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8959. &lt;div class=&quot;MsoNormal&quot;&gt;
  8960. &lt;br /&gt;&lt;/div&gt;
  8961. &lt;div class=&quot;MsoNormal&quot; style=&quot;tab-stops: 73.45pt;&quot;&gt;
  8962. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Kylie cumple 50 años y 14 discos en
  8963. su carrera.&lt;i&gt; &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Golden&lt;/b&gt;&lt;/i&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; sí representa el atardecer de la cantante,
  8964. pero es un atardecer dorado, porque es en ese momento del día cuando la luz del sol
  8965. brilla más intensa, cálida y llena de color.&lt;/b&gt; En el atardecer, además, las sombras se hacen más visibles y es por eso que necesariamente en este álbum también se tenía que hablar de los momentos no tan buenos, aunque quizás se echan en falta letras algo más
  8966. oscuras. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8967. &lt;div class=&quot;MsoNormal&quot; style=&quot;tab-stops: 73.45pt;&quot;&gt;
  8968. &lt;br /&gt;&lt;/div&gt;
  8969. &lt;div class=&quot;MsoNormal&quot; style=&quot;tab-stops: 73.45pt;&quot;&gt;
  8970. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;i&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: Cambria;&quot;&gt;Golden&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt; es un álbum con una apuesta de sonido
  8971. clara, que busca tomar la instrumentación orgánica del country y fusionarla con
  8972. la música de bailable de Kylie.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt; Una mezcla que suena muy bien, aunque
  8973. no sea nada que Avicii, que nos dejaba esta semana, no haya traído antes. Habría sido muy interesante
  8974. utilizar ese recurso también para conseguir baladas emocionales que
  8975. enriquecieran el tracklist aunque, quizás, no sea eso lo que Minogue busca.
  8976. Quizás Kylie no quiera dedicar más tiempo a lo negativo y simplemente busque
  8977. llevar su positivismo dorado a todo aquel que se haya sentido como ella;
  8978. sanarles con sus canciones mientras la música le sana a ella. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  8979. &lt;div class=&quot;MsoNormal&quot;&gt;
  8980. &lt;br /&gt;&lt;/div&gt;
  8981. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  8982. &lt;br class=&quot;Apple-interchange-newline&quot; /&gt;&lt;/div&gt;
  8983. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;br /&gt;
  8984. &lt;br /&gt;
  8985. &lt;br /&gt;
  8986. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  8987. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/12/la-lista-de-diciembre-el-ano-del-country.html&quot;&gt;La Lista de Diciembre: El año del country&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  8988. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  8989. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  8990. &lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
  8991. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2018/03/analisis-de-man-of-woods-de-justin.html&quot;&gt;Análisis de Man Of The Woods de Justin Timberlake: La fusión de dos mundos&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  8992. &lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
  8993. &lt;br /&gt;&lt;/div&gt;
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  9058. &lt;/style&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/361620448114175247/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/04/analisis-de-golden-de-kylie-minogue-el.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/361620448114175247'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/361620448114175247'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/04/analisis-de-golden-de-kylie-minogue-el.html' title='Análisis de Golden de Kylie Minogue: ¿El atardecer de Kylie?'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqG7e9LpWc8gJ9xsRChC_NqWIxPfLw6E3dPZXRr8wfodIkGyT86Jrw0VEAd2w2cCzTxFcsYtGKgefMq_xX-4Bgpebn5YQFNsAVSsRnn7Bgcxk55OsRIjD5TpILXoA86RmCJV6ZZq0SeJA/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-76524995294900686</id><published>2018-04-08T19:07:00.000+02:00</published><updated>2018-10-14T19:05:26.438+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Merlí"/><category scheme="http://www.blogger.com/atom/ns#" term="Series"/><category scheme="http://www.blogger.com/atom/ns#" term="TV/Cine"/><title type='text'>Merlí, una serie que aprende y nos hace aprender</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  9541. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFZ2fz2Af7IOCozcdbQ4yENSoFgDFblzSq2pi_rdWv9FA9Iyl_XE1rNDPVf_jTBVrDsl28SL6dKxlOnV17HpRiErkW0sfypRGGNZzJmryFimtjfC16gxNCWZfyx14xMylMjPJ9PB6SOWY/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFZ2fz2Af7IOCozcdbQ4yENSoFgDFblzSq2pi_rdWv9FA9Iyl_XE1rNDPVf_jTBVrDsl28SL6dKxlOnV17HpRiErkW0sfypRGGNZzJmryFimtjfC16gxNCWZfyx14xMylMjPJ9PB6SOWY/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  9546. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  9547. &lt;span style=&quot;font-size: 12pt;&quot;&gt;La televisión autonómica rara
  9548. vez tiene repercusión a nivel nacional (al margen de temas políticos). Pero es
  9549. verdad que TV3 ha sabido de vez en cuando sorprender con ficciones valientes,
  9550. que han sorprendido, dando el salto a televisiones de mayor alcance. Ya ocurrió
  9551. con &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Pulseras Rojas&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; (&lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Polseres Vermelles&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;), “la historia que
  9552. emocionó a Steven Spielberg”.&lt;/span&gt;&lt;br /&gt;
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  9555. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  9556. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  9557. Sin embargo, fue hace unos años
  9558. cuando en mi opinión lanzaron una de sus mejores apuestas: Merlí. La serie ha cosechado
  9559. grandes éxitos con sus tres temporadas, vendiendo sus derechos de distribución
  9560. tanto a Atresmedia como a Netflix. Pero, ¿qué hace a esta serie tan especial?&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  9561. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  9562. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;El Hank Moody
  9563. catalán&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  9564. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  9565. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpGtTfglVV6-ftuXnvrWzL_84vDMFD7vtUQIZrZX5Jxv7vIvuMsAVySYMF9ge8vmxnV3Envz8R_PzHkrzDlxAZF4hsBcKN1GxcByELehspVJMhAO3nawhucNJCcDDilhCTuqsWuq0eyIA/s1600/californication.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;420&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpGtTfglVV6-ftuXnvrWzL_84vDMFD7vtUQIZrZX5Jxv7vIvuMsAVySYMF9ge8vmxnV3Envz8R_PzHkrzDlxAZF4hsBcKN1GxcByELehspVJMhAO3nawhucNJCcDDilhCTuqsWuq0eyIA/s1600/californication.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  9566. &lt;br /&gt;
  9567. &lt;br /&gt;
  9568. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  9569. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Californication&lt;/i&gt; es una serie de 2007 que centraba su trama alrededor
  9570. de un escritor fracasado, con talento, descuidado y mujeriego. Hank Moody era
  9571. el principal atractivo de la serie, porque era un hombre que no se regía por
  9572. las reglas éticas que la mayoría de la sociedad sigue. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;De alguna forma, es un personaje aspiracional que, aunque a veces nos
  9573. cree algo de rechazo, hace lo que nosotros no nos atrevemos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
  9574. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  9575. Este es un juego muy común en
  9576. las series americanas. Charlie Seen de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Two
  9577. And A Half Men&lt;/i&gt; o Brian de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Queer As
  9578. Folk&lt;/i&gt;, salvando las distancias, son ese tipo de personaje. Es ese perfil el
  9579. que define a Merlí, un hombre interesante e interesado, algo machista a la hora
  9580. de ligar y que mira primero por su bien. Un personaje que, en definitiva,
  9581. engancha.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  9582. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  9583. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;Física o
  9584. Química o Filosofía&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  9585. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  9586. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiol2W2BO8L5dEcWbzvzhGWBT1RtqhSCQIHHCE3LMtWj2h-tbIVMMIbBR1eeuRHVccvpZel_97lkmi2oyAGFscrdZetTowC_ImGZ7cDvRMDgOBJQBBGspSjrs-CrA3zg0jR5kkCX4AMNkU/s1600/FoQ.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;447&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiol2W2BO8L5dEcWbzvzhGWBT1RtqhSCQIHHCE3LMtWj2h-tbIVMMIbBR1eeuRHVccvpZel_97lkmi2oyAGFscrdZetTowC_ImGZ7cDvRMDgOBJQBBGspSjrs-CrA3zg0jR5kkCX4AMNkU/s1600/FoQ.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  9587. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  9588. &lt;span style=&quot;font-size: 12pt;&quot;&gt;Merlí era,
  9589. además, una serie necesaria. Durante mucho tiempo tuvimos propuestas con
  9590. personajes jóvenes, tramas de instituto y problemas de la vida real (plasmadas
  9591. con más o menos acierto). &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;SMS&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;, &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Física o Química&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;, incluso &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Los Serrano&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; han formado parte de nuestro
  9592. día a día. Pero de un tiempo a esta parte, esos actores han ido creciendo y &lt;/span&gt;&lt;b style=&quot;font-size: 12pt;&quot;&gt;la comodidad de apostar siempre por las
  9593. mismas caras ha hecho que los espectadores más jóvenes no se vean representados&lt;/b&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;b&gt;. &lt;/b&gt;Precisamente ese es uno de los secretos del éxito de programas como OT.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
  9594. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  9595. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  9596. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  9597. La serie de
  9598. TV3 cubre ese hueco. Un aula de filosofía llena de hormonas con personajes de
  9599. todo tipo. Al margen de los amores y desamores, que los hay, logra dar a cada
  9600. alumno una personalidad trabajada, compleja y con motivaciones reales. Un
  9601. elenco con el que sentirse identificado, que representa el descubrimiento de la
  9602. sexualidad, los problemas económicos o las dudas para decidir su futuro,
  9603. tomando como referencia la década en la que nos encontramos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  9604. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  9605. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;El Club de los
  9606. Poetas Muertos como el referente al que aspirar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  9607. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  9608. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqu_hnckC16PJi7jxRLLGDw0f4Q0gv6ntaiKyw-JXts7k_IUeovqMwgQZ3I8us2VPSLmBaD_feeohmR5dbCN_5EkLB9r4OaDmDsZFS_R8m8gGy1_4wjHqOiG4oKtfxh2Qmc-VqBI3HmNU/s1600/poetas.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqu_hnckC16PJi7jxRLLGDw0f4Q0gv6ntaiKyw-JXts7k_IUeovqMwgQZ3I8us2VPSLmBaD_feeohmR5dbCN_5EkLB9r4OaDmDsZFS_R8m8gGy1_4wjHqOiG4oKtfxh2Qmc-VqBI3HmNU/s1600/poetas.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  9609. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  9610. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  9611. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  9612. &lt;span style=&quot;font-size: 12pt;&quot;&gt;Como tercer
  9613. componente de esta coctelera no podía faltar la película de Robin Williams.
  9614. Porque ante todo, el foco de la acción se encuentra en una clase y es ahí donde
  9615. se desencadena la evolución de los personajes. Volvemos a ver el caso, tan
  9616. acertado como siempre, de un profesor que consigue motivar a sus alumnos a
  9617. pesar de la desgana del resto del claustro. &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;El
  9618. Club de los Poetas Muertos&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;, &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Los
  9619. Chicos del Coro&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; y también &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Merlí &lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;consiguen
  9620. dejar un poso de esperanza y de ganas de cambiar las cosas en el espectador.&lt;/span&gt;&lt;/div&gt;
  9621. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  9622. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  9623. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  9624. Y esto es
  9625. interesante porque &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Merlí&lt;/i&gt; consigue ese
  9626. sentimiento no solo en relación a la educación en España, sino también si
  9627. miramos a la ficción de nuestro país. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;La
  9628. serie creada por Héctor Lozano está escrita con mucha inteligencia, haciendo
  9629. que el propio espectador aprenda sin sentirse subestimado.&lt;/b&gt; Porque si &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;El Ministerio del Tiempo&lt;/i&gt; conseguía que
  9630. nos interesáramos por la historia, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Merlí&lt;/i&gt;
  9631. lo hace con la filosofía. Cada capítulo está dedicado a un pensador que será el
  9632. protagonista de la lección, haciendo que aprendamos sobre él y sirviendo,
  9633. además, como detonante que hará cambiar a uno de los personajes. Es,
  9634. sencillamente, genial. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  9635. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 83.35pt;&quot;&gt;
  9636. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Merlí &lt;/i&gt;es la serie que necesitábamos, sin
  9637. ni siquiera saberlo. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Una ficción nacida
  9638. con el dinero del que dispone una cadena autonómica, que sabe aprender de
  9639. referentes tanto nacionales como internacionales.&lt;/b&gt; Así, nos encontramos con
  9640. un protagonista carismático, en un instituto lleno de personajes complejos que
  9641. representan la realidad actual de nuestra sociedad y que nos enseña, además de
  9642. filosofía, que una televisión inteligente es posible, independientemente del
  9643. presupuesto.&lt;/div&gt;
  9644. &lt;br /&gt;
  9645. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  9646. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  9647. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  9648. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  9649. &lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
  9650. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/10/primeras-impresiones-de-ot-2017.html&quot;&gt;Primeras impresiones de OT 2017&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  9651. &lt;div style=&quot;text-align: justify;&quot;&gt;
  9652. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  9653. &lt;div style=&quot;text-align: justify;&quot;&gt;
  9654. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/10/big-little-lies-cuando-las-mentiras-lo.html&quot;&gt;Big Little Lies: Cuando las mentiras lo inundan todo&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  9655. &lt;br /&gt;
  9656. &lt;div&gt;
  9657. &lt;br /&gt;&lt;/div&gt;
  9658. &lt;/div&gt;
  9659. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/76524995294900686/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/04/merli-una-serie-que-aprende-y-nos-hace.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/76524995294900686'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/76524995294900686'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/04/merli-una-serie-que-aprende-y-nos-hace.html' title='Merlí, una serie que aprende y nos hace aprender'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFZ2fz2Af7IOCozcdbQ4yENSoFgDFblzSq2pi_rdWv9FA9Iyl_XE1rNDPVf_jTBVrDsl28SL6dKxlOnV17HpRiErkW0sfypRGGNZzJmryFimtjfC16gxNCWZfyx14xMylMjPJ9PB6SOWY/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-6346783015506400391</id><published>2018-04-01T19:40:00.001+02:00</published><updated>2018-04-01T19:40:42.153+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Britney Spears"/><category scheme="http://www.blogger.com/atom/ns#" term="Camila Cabello"/><category scheme="http://www.blogger.com/atom/ns#" term="Justin Bieber"/><category scheme="http://www.blogger.com/atom/ns#" term="La Lista"/><category scheme="http://www.blogger.com/atom/ns#" term="Lady Gaga"/><category scheme="http://www.blogger.com/atom/ns#" term="Madonna"/><category scheme="http://www.blogger.com/atom/ns#" term="Selena Gomez"/><category scheme="http://www.blogger.com/atom/ns#" term="Spice Girls"/><category scheme="http://www.blogger.com/atom/ns#" term="Taylor Swift"/><title type='text'>La Lista de Abril: Las grandes batallas del pop</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  9710.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
  9711.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
  9712.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
  9713.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
  9714.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  9715.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  9716.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  9717.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  9718.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  9719.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  9720.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  9721.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  9722.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  9723.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  9724.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  9725.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
  9726.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  9727.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  9728.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
  9729.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  9730.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  9731.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  9732.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  9733.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  9734.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  9735.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  9736.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  9737.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  9738.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  9739.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  9740.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  9741.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  9742.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  9743.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  9744.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  9745.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  9746.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  9747.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  9748.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  9749.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  9750.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  9751.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  9752.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  9753.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  9754.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  9755.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  9756.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  9757.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  9758.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  9759.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  9760.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  9761.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  9762.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  9763.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  9764.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  9765.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  9766.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  9767.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  9768.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  9769.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  9770.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  9771.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  9772.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  9773.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  9774.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  9775.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  9776.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  9777.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  9778.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  9779.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  9780.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
  9781.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  9782.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
  9783.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  9784.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
  9785.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  9786.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  9787.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  9788.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  9789.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  9790.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  9791.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  9792.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  9793.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  9794.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  9795.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  9796.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  9797.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  9798.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  9799.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  9800.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  9801.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  9802.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  9803.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  9804.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  9805.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  9806.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  9807.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  9808.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  9809.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  9810.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  9811.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  9812.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  9813.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  9814.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  9815.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  9816.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  9817.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  9818.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  9819.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  9820.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  9821.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  9822.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  9823.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  9824.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  9825.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  9826.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  9827.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  9828.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  9829.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  9830.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  9831.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  9832.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  9833.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  9834.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  9835.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  9836.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  9837.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  9838.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  9839.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  9840.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  9841.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  9842.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  9843.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  9844.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  9845.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  9846.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  9847.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  9848.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  9849.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  9850.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  9851.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  9852.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  9853.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  9854.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  9855.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  9856.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  9857.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  9858.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  9859.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  9860.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  9861.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  9862.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  9863.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  9864.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  9865.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  9866.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  9867.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
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  9869.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  9870.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  9871.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  9872.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  9873.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  9874.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  9875.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  9876.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  9877.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  9878.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  9879.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  9880.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  9881.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  9882.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  9883.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  9884.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  9885.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  9886.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  9887.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  9888.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  9889.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  9890.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  9891.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  9892.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  9893.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  9894.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  9895.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  9896.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  9897.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  9898.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  9899.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  9900.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  9901.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  9902.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  9903.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  9904.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  9905.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  9906.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  9907.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  9908.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  9909.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  9910.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  9911.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  9912.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  9913.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  9914.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
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  10038. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  10039. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpB7fbsfRXQ1auJJNewWPtuG1pfAT13TyBcfaK0hldLmHVw3eiZhx_o12jl2A6x1vGLOX27gZ2SRyL2P5d2T8vURSeDj1G0KyGnGFnLfa3rWx-owJM4j3mdAEnGFBAvwt7qoyHjUKcXkc/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpB7fbsfRXQ1auJJNewWPtuG1pfAT13TyBcfaK0hldLmHVw3eiZhx_o12jl2A6x1vGLOX27gZ2SRyL2P5d2T8vURSeDj1G0KyGnGFnLfa3rWx-owJM4j3mdAEnGFBAvwt7qoyHjUKcXkc/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  10040. &lt;br /&gt;
  10041. &lt;br /&gt;
  10042. Se dice que ahora estamos en la
  10043. era de las historias. Todas las marcas (o al menos las que lo hacen bien)
  10044. tienen muy presente que ya no vale con contarnos lo geniales que son, sus
  10045. promociones, etc. sino que &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;todo ello
  10046. tiene que venir con una narrativa que nos guíe.&lt;/b&gt; Sin embargo, aunque ahora
  10047. se hable mucho de ello, esto para nada es algo nuevo. Industrias como la del pop
  10048. siempre han sabido ir más allá, siendo los lanzamientos musicales solo una
  10049. pequeña parte de todo el conjunto, que engloba desde el apartado visual, hasta
  10050. la vida personal de los cantantes. En definitiva, una narrativa que lo une
  10051. todo.&lt;br /&gt;
  10052. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10053. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10054. Precisamente estas vidas
  10055. personales, sus amores y sobre todo sus desencuentros, son los que han supuesto
  10056. los mayores picos de popularidad de muchos cantantes. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Tener algo que contar, una historia que enganche y nos haga creernos
  10057. las letras de sus canciones.&lt;/b&gt; Porque sí, si por algo estas enemistades han
  10058. sido interesantes es porque además nos han dado grandes temazos que han marcado
  10059. el mundo de la música comercial tal y como lo conocemos. De eso va la lista de
  10060. este mes, de las grades batallas del pop. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10061. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10062. &lt;span style=&quot;font-size: x-large;&quot;&gt;Amores y desamores parte 1: Britney y Justin&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10063. &lt;iframe allow=&quot;autoplay; encrypted-media&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;450&quot; src=&quot;https://www.youtube.com/embed/DksSPZTZES0&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  10064.  
  10065. &lt;br /&gt;
  10066. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10067. &lt;br /&gt;
  10068. Si hay una pareja que fue mítica
  10069. en todo el mundo, fue la de Britney Spears y Justin Timberlake. Ambos se
  10070. hicieron famosos muy jóvenes y vivieron ese ascenso juntos. Por eso, porque no
  10071. se concebía el personaje de uno sin el otro, fue tan sonada su ruptura. De ahí
  10072. que, obviamente, todo el mundo quisiera escuchar lo que tenían que decir.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10073. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10074. Es en ese momento cuando apareció
  10075. uno de los mayores hits de la carrera de Timberlake, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Cry My A River&lt;/i&gt;. Una canción con el sonido Timbaland y una
  10076. producción totalmente innovadora, que empezaba con sonido de lluvia y que
  10077. estaba llena de actitud y de resentimiento por parte del cantante. Este tema,
  10078. por cierto, fue acompañado de un videoclip icónico, con una doble de Britney
  10079. como actriz principal.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10080. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10081. Allá por 2003, Britney lanzó &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;In The Zone,&lt;/i&gt; un discazo todo él, que
  10082. incluía una balada nunca antes vista en ella: &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Everytime&lt;/i&gt;. En el tema ella pide perdón por algo que ha hecho a una
  10083. persona a la que quiere. ¿Había engañado Britney a Justin?&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10084. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10085. &lt;span style=&quot;font-size: x-large;&quot;&gt;Madonna, Lady Gaga y el reinado del pop&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10086. &lt;iframe allow=&quot;autoplay; encrypted-media&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;450&quot; src=&quot;https://www.youtube.com/embed/7hPMmzKs62w&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  10087.  
  10088. &lt;br /&gt;
  10089. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10090. &lt;br /&gt;
  10091. Siempre que aparece una nueva
  10092. bruja poderosa en el aquelarre, este va quitando poder a la Suprema hasta que
  10093. ocupa su lugar (AHS reference). Ya pasó en su momento entre Cher y Madonna, que
  10094. nunca se llevaron del todo bien. Pero fue sin duda la enemistad entre Madonna y
  10095. Lady Gaga la más sonada entorno al trono del pop. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10096. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10097. Esta batalla, siempre fue una
  10098. guerra fría, con insinuaciones, pero pocos ataques directos. Madonna versionó &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Born This Way &lt;/i&gt;en uno de sus conciertos,
  10099. fusionándolo con su &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Express Yourself&lt;/i&gt;,
  10100. para que todos vieran su gran parecido. También llegó a dedicar una canción a
  10101. Gaga titulada &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Two Steps Behind Me&lt;/i&gt;. Un
  10102. temazo discotequero que nunca vio la luz, pero que un tiempo después fue
  10103. filtrado para todos nosotros. Más adelante lanzó &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Bitch I’m Madonna&lt;/i&gt;, en la que hablaba al mundo en general, dejando
  10104. clara su posición en la industria.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10105. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10106. Lady Gaga fue algo más discreta en
  10107. sus referencias, aunque incluyó &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Queen&lt;/i&gt;
  10108. en su segundo LP, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Born This Way&lt;/i&gt;. En
  10109. ella habla de que “tú también puedes ser una reina”, dando a entender que si
  10110. todo el mundo es reina, nadie lo es. Durante este tiempo, la cantante también
  10111. ha tenido tiempo para ganarse otras enemigas como Azealia Banks. La rapera le
  10112. dedicó &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Chasing Time&lt;/i&gt;, acompañado de un
  10113. videoclip lleno de referencias, dolida por haber grabado con Stefanni una
  10114. colaboración que no fue incluida en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;ARTPOP&lt;/i&gt;.
  10115. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10116. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10117. &lt;span style=&quot;font-size: x-large;&quot;&gt;Todos contra Taylor Swift &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10118. &lt;iframe allow=&quot;autoplay; encrypted-media&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;450&quot; src=&quot;https://www.youtube.com/embed/QcIy9NiNbmo&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  10119.  
  10120. &lt;br /&gt;
  10121. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10122. &lt;br /&gt;
  10123. Si hablamos de enemistades, no
  10124. puedo dejar de nombrar a uno de los grandes focos en lo que a batallas pop se
  10125. refiere. Taylor Swift es una de las artistas más importantes del panorama
  10126. porque ha sabido adaptarse, crear nuevas tendencias y hacer que su música
  10127. enganche entrelazándola con su vida personal.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10128. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10129. Es aquí donde surge su relación
  10130. con Harry Styles, la más mediática hasta la fecha. Ella le dedicó &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Style&lt;/i&gt;, entre otras muchas referencias, y
  10131. él, por su parte, le devolvió la mención en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Two
  10132. Ghosts&lt;/i&gt; dentro su álbum debut. Dos de los mejores temas de sus respectivos
  10133. discos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10134. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10135. Pero el personaje de Taylor da
  10136. mucho más de sí. Porque los últimos años de su carrera se han caracterizado por
  10137. ser una batalla campal con diferentes cantantes y celebrities. Es de sobra conocida
  10138. la antipatía entre Katy Perry y Taylor Swift por un tema de contratación de
  10139. bailarines. De aquí han salido temazos como &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Bad
  10140. Blood&lt;/i&gt; o &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Swish Swish&lt;/i&gt;. Ambas
  10141. canciones, por cierto, han sido interpretadas por Nicki Minaj, que también tuvo
  10142. lo suyo con Miley Cyrus. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10143. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10144. Aunque fueron sus desavenencias
  10145. con Kanye West y Kim Kardasian las que le hicieron desaparecer del mapa y luego
  10146. volver con más fuerza todavía. El rapero dedicó a Taylor su tema &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Famous&lt;/i&gt;, que hacía referencia a su
  10147. intervención cuando Swift ganó el VMA a mejor vídeo. Después ella respondió con
  10148. su hit &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Look What You Made Me Do&lt;/i&gt; y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;That Is Why We Can’t Have Nice Things&lt;/i&gt;. El
  10149. efecto de estas batallas está claro, Taylor rompió no una, sino dos veces, el
  10150. record a vídeo más rápido visto en YouTube con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Bad Blood&lt;/i&gt; y con el primer single de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Reputation&lt;/i&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10151. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10152. &lt;span style=&quot;font-size: x-large;&quot;&gt;Amores y desamores parte 2: Justin y Selena&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10153. &lt;iframe allow=&quot;autoplay; encrypted-media&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;450&quot; src=&quot;https://www.youtube.com/embed/oyEuk8j8imI&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  10154.  
  10155. &lt;br /&gt;
  10156. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10157. &lt;br /&gt;
  10158. Y de Taylor pasamos a su gran
  10159. amiga Selena Gomez, actriz, por cierto, que encarnaba a Katy en &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Bad Blood&lt;/i&gt;. Ella y Justin Bieber han
  10160. formado parte de una de las parejas más mediáticas del momento. Al igual que
  10161. Britney y Timberlake, ellos se hicieron populares muy jóvenes y juntos llevaron
  10162. los altibajos de la fama. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10163. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10164. De esta unión, separación y volver
  10165. a unirse han salido un sin fin de temas, como la balada de Selena &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;The Heart Wants What It Wants&lt;/i&gt;. Más tarde
  10166. Justin respondió con su hit &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Love Yourself&lt;/i&gt;,
  10167. haciendo referencia a un tatuaje que Gomez tiene en el costado en árabe, que se
  10168. traduciría como “love yourself first”. #JasEquipoDeInvestigación&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10169. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10170. Pero Selena pronto irrumpió en la
  10171. industria con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Revival&lt;/i&gt; y su cambio de
  10172. sonido. Aquí dedicó al menos dos canciones al cantante. &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Sober&lt;/i&gt;, haciendo referencia a sus adicciones, y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Same Old Love&lt;/i&gt;, que compuso con Charlie XCX. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10173. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10174. &lt;span style=&quot;font-size: x-large;&quot;&gt;Ya no más Spice Girls, ya no más Fifth Harmony&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10175. &lt;iframe allow=&quot;autoplay; encrypted-media&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;450&quot; src=&quot;https://www.youtube.com/embed/eegDtyrSUZw&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  10176.  
  10177. &lt;br /&gt;
  10178. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 134.0pt;&quot;&gt;
  10179. &lt;br /&gt;
  10180. Uno de los
  10181. grandes focos de conflicto entre cantantes siempre ha sido y será la separación
  10182. de los grupos. Desde las míticas Spice Girls hasta los One Direction, todos han
  10183. sido tremendamente amigos, hasta que de pronto, ya no lo son. Y, claro, esto
  10184. nos ha dado grandes temas a nuestras listas de reproducción. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10185. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 134.0pt;&quot;&gt;
  10186. La ruptura de
  10187. las Spice supuso una bomba en el mundo del pop. Aunque la formación lanzó un
  10188. tercer álbum, esta vez sin Geri. En él incluyeron un tema titulado &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Goodbye&lt;/i&gt; como despedida a su compañera,
  10189. aunque irónicamente, también fue su despedida como grupo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10190. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 134.0pt;&quot;&gt;
  10191. En la actualidad
  10192. también tenemos unos cuantos casos. Zayn hizo lo propio cuando salió de One
  10193. Direction, a los que dedicó &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;BeFoUr,&lt;/i&gt;
  10194. con juego de letras y todo. En el caso más reciente, Fifth Harmony, no tuvimos temas
  10195. del grupo, pero Camila Cabello no se mordió la lengua y lanzó algunos dardos
  10196. con &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Real Friends&lt;/i&gt; y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Something’s Gotta Give&lt;/i&gt;. “No tener
  10197. razones para quedarse es una buena razón para irse”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10198. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  10199. &lt;span style=&quot;font-size: x-large;&quot;&gt;Rihanna y Kesha: Girl’s power&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10200. &lt;iframe allow=&quot;autoplay; encrypted-media&quot; allowfullscreen=&quot;&quot; frameborder=&quot;0&quot; height=&quot;450&quot; src=&quot;https://www.youtube.com/embed/ZQ2nCGawrSY&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;
  10201.  
  10202. &lt;br /&gt;
  10203. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 45.6pt;&quot;&gt;
  10204. &lt;br /&gt;
  10205. Para acabar no
  10206. podía no hacer una mención a conflictos más serios, pues está claro que los
  10207. malos tratos de Chris Brown hacia Rihanna, fueron determinantes en su carrera.
  10208. Después de esa época tan horrible, Rihanna lo supo canalizar artísticamente creando
  10209. uno de sus discos más oscuros, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Rated R&lt;/i&gt;.
  10210. Aquí aparecía una de sus canciones más icónicas y que tiene claras referencias
  10211. a estos hechos, &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Russian Roullete&lt;/i&gt;.
  10212. Después, todos conocemos los ires y venires que tuvo la cantante, lanzando &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;We Found Love&lt;/i&gt;, con un videoclip en el
  10213. que aparecía un actor parecido a su ex. Y tras esto, el featuring de &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Nobody’s Business&lt;/i&gt;, en el que los dos
  10214. dicen que su relación no es asunto de nadie.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10215. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 45.6pt;&quot;&gt;
  10216. Kesha también
  10217. tuvo lo propio con Dr. Luke. Después de todo el calvario que supuso para ella,
  10218. salió airosa, lanzando el mejor álbum de su carrera en el que le dedica dos
  10219. canciones, entre otras referencias: &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Bastards&lt;/i&gt;
  10220. y &lt;i style=&quot;mso-bidi-font-style: normal;&quot;&gt;Praying&lt;/i&gt;. Esta tremendísima balada
  10221. fue interpretada por la cantante en los últimos Grammy, actuación en la que no
  10222. estuvo sola. Para sorpresa de todos, Rihanna, además de otras compañeras,
  10223. estuvo acompañando a Kesha en esa actuación, dejando clara su postura ante este
  10224. problema y cerrando así ese capítulo de su personaje. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10225. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12.0pt; tab-stops: 45.6pt;&quot;&gt;
  10226. Como veis, los
  10227. conflictos en el panorama musical son muchos y muy variados. Encontraréis todos
  10228. las canciones que he nombrado en la lista de reproducción de Spotify, además de
  10229. otras que hacen referencia a las infidelidades de Jay-Z a Beyoncé o la ruptura
  10230. de Jennifer Lopez y Mark Anthony entre otras.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10231. &lt;!--EndFragment--&gt;&lt;br /&gt;
  10232. &lt;iframe allow=&quot;encrypted-media&quot; allowtransparency=&quot;true&quot; frameborder=&quot;0&quot; height=&quot;380&quot; src=&quot;https://open.spotify.com/embed/user/jaspopblog/playlist/4kt3Etfsz9ti2sNb5waN0N&quot; width=&quot;800&quot;&gt;&lt;/iframe&gt;&lt;br /&gt;
  10233. &lt;div style=&quot;margin: 0px;&quot;&gt;
  10234. &lt;br class=&quot;Apple-interchange-newline&quot; /&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; style=&quot;font-size: 12pt;&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  10235. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12pt;&quot;&gt;
  10236. &lt;/div&gt;
  10237. &lt;div style=&quot;text-align: justify;&quot;&gt;
  10238. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2018/03/analisis-de-man-of-woods-de-justin.html&quot;&gt;Análisis de Man Of The Woods de Justin Timberlake: La fusión de dos mundos&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10239. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/11/analisis-de-reputation-de-taylor-swift.html&quot;&gt;Análisis de Reputation de Taylor Swift: ¿La antigua Taylor ha muerto?&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10240. &lt;div&gt;
  10241. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  10242. &lt;/div&gt;
  10243. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/6346783015506400391/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/04/la-lista-de-abril-las-grandes-batallas.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/6346783015506400391'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/6346783015506400391'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/04/la-lista-de-abril-las-grandes-batallas.html' title='La Lista de Abril: Las grandes batallas del pop'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpB7fbsfRXQ1auJJNewWPtuG1pfAT13TyBcfaK0hldLmHVw3eiZhx_o12jl2A6x1vGLOX27gZ2SRyL2P5d2T8vURSeDj1G0KyGnGFnLfa3rWx-owJM4j3mdAEnGFBAvwt7qoyHjUKcXkc/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-4209965184062736202</id><published>2018-03-26T19:54:00.000+02:00</published><updated>2018-04-07T18:09:11.190+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Loveaholic"/><category scheme="http://www.blogger.com/atom/ns#" term="Prince"/><category scheme="http://www.blogger.com/atom/ns#" term="Ruth Lorenzo"/><title type='text'>Análisis de Loveaholic de Ruth Lorenzo: Volver a florecer</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  10636.  
  10637. &lt;br /&gt;
  10638. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  10639. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxTL6N8LpbS1ogxD5SBD50HB5bVQb6BEBt9gvsHYF6igbckVVr5lVar4eZcKB_koOy2zunZAXUi2nRGVAQMb7IN4VoRN2EaYhuePkNGHsRyyulCWjqYzDme1QuCAjDGdpLY7M7IHi6lcHd/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxTL6N8LpbS1ogxD5SBD50HB5bVQb6BEBt9gvsHYF6igbckVVr5lVar4eZcKB_koOy2zunZAXUi2nRGVAQMb7IN4VoRN2EaYhuePkNGHsRyyulCWjqYzDme1QuCAjDGdpLY7M7IHi6lcHd/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  10640. &lt;div class=&quot;MsoNormal&quot;&gt;
  10641. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  10642. &lt;div class=&quot;MsoNormal&quot;&gt;
  10643. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  10644. &lt;div class=&quot;MsoNormal&quot;&gt;
  10645. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;La rosa es un símbolo universal que aparece en numerosas obras
  10646. artísticas. Una rosa representa la pura belleza, que contrasta con el dolor que
  10647. provocan sus espinas. El cristianismo lo ha utilizado un sin fin de veces
  10648. relacionado con la Virgen María y las heridas de Cristo en la cruz. Pero
  10649. además, es un emblema de renovación, una flor se marchita y otra vuelve a
  10650. renacer, a ser brillante, colorida y llena de vida. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;La rosa, además, es lo que Ruth Lorenzo ha elegido como elemento de
  10651. unión en toda la imagen de su nuevo álbum: &lt;i&gt;Loveaholic&lt;/i&gt;.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
  10652. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10653. &lt;div class=&quot;MsoNormal&quot;&gt;
  10654. &lt;br /&gt;&lt;/div&gt;
  10655. &lt;div class=&quot;MsoNormal&quot;&gt;
  10656. &lt;i&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: Cambria;&quot;&gt;Planeta Azul&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt; fue el comienzo de
  10657. Ruth en 2014, un disco en el que representaba la búsqueda de ella misma en un
  10658. mundo que sigue girando al margen de lo que nos ocurre. Casi cuatro años
  10659. después la cantante vuelve potente, muy potente, con un single que rompe con la
  10660. estela anterior. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10661. &lt;div class=&quot;MsoNormal&quot;&gt;
  10662. &lt;br /&gt;&lt;/div&gt;
  10663. &lt;div class=&quot;MsoNormal&quot;&gt;
  10664. &lt;i&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: Cambria;&quot;&gt;Good Girls Don’t
  10665. Lie&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt; no va de inseguridades, no va de buscar su lugar. &lt;i&gt;Good Girls Don’t
  10666. Lie&lt;/i&gt; habla de una mujer fuerte que arrasa con todo, que “antes de sufrir
  10667. hace sufrir”. Y lo hace con un sonido totalmente internacional, que mezcla las
  10668. guitarras con un ritmo que va acelerando y te hace querer salir corriendo hacia
  10669. ningún lugar. A&lt;/span&gt;lgo que contrasta fantásticamente con la debilidad que muestra en&amp;nbsp;&lt;i&gt;My First Man.&lt;/i&gt;&amp;nbsp;Un tema en el que se abre totalmente y habla del primer hombre que apareció en su vida, su padre, y cómo su falta le ha marcado para siempre, tanto a ella como a su forma de afrontar el amor.&lt;/div&gt;
  10670. &lt;div class=&quot;MsoNormal&quot;&gt;
  10671. &lt;br /&gt;&lt;/div&gt;
  10672. &lt;div class=&quot;MsoNormal&quot;&gt;
  10673. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Y después de presentar al personaje protagonista, el “quién” de esta
  10674. historia, pasamos al “qué”. &lt;i&gt;Loveaholic&lt;/i&gt;, el tema que da título al álbum,
  10675. nos habla de amor, de una noche de pasión en la que sin haberse despedido ya se
  10676. pregunta cuándo se verán de nuevo. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Porque
  10677. de esto va a ir el disco, de la relación de Ruth con el amor.&lt;/b&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10678. &lt;div class=&quot;MsoNormal&quot;&gt;
  10679. &lt;br /&gt;&lt;/div&gt;
  10680. &lt;div class=&quot;MsoNormal&quot;&gt;
  10681. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Muchos han comparado &lt;i&gt;Loveaholic&lt;/i&gt; con &lt;i&gt;Love On The Brain&lt;/i&gt;,
  10682. como si en algún momento de su carrera Rihanna hubiese inventado la música de los 50-60 y las baladas soul.
  10683. Pero si nos detenemos a escuchar los detalles del tema, los gritos rasgados
  10684. de Lorenzo o el coro que acompaña al final a la cantante, creo que el referente
  10685. es algo anterior a la de Barbados.&lt;/span&gt;&lt;/div&gt;
  10686. &lt;div class=&quot;MsoNormal&quot;&gt;
  10687. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  10688. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  10689. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIQWv2cEtM_mEZvx2wo_qSbZiL6eg-nNUG3cPM0lXQwv2rfNAU0RR9p9Gf-_izDpGoY3Oe3REsq2xpk5ulyT8aHTXkI44vySVfzw23u3ds6nT087I-0ZdJBJo4j8dr8xG9AYQlcJ2GusOh/s1600/DXxoSTjX0AIaNeR-e1520772890538.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;554&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgIQWv2cEtM_mEZvx2wo_qSbZiL6eg-nNUG3cPM0lXQwv2rfNAU0RR9p9Gf-_izDpGoY3Oe3REsq2xpk5ulyT8aHTXkI44vySVfzw23u3ds6nT087I-0ZdJBJo4j8dr8xG9AYQlcJ2GusOh/s1600/DXxoSTjX0AIaNeR-e1520772890538.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  10690. &lt;div class=&quot;MsoNormal&quot;&gt;
  10691. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  10692. &lt;div class=&quot;MsoNormal&quot;&gt;
  10693. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  10694. &lt;div class=&quot;MsoNormal&quot;&gt;
  10695. &lt;span style=&quot;font-size: 12pt;&quot;&gt;Prince nos dejó hace ya dos años, pero su legado sigue ahí, influyendo
  10696. cada día en la industria de la música. Cantantes como Justin Timberlake, Lady
  10697. Gaga o la mencionada Rihanna, se han declarado fans indiscutibles del artista.
  10698. Ruth Lorenzo es otra de esas seguidoras acérrimas. Porque su impresionante
  10699. interpretación de &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Purple Rain&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;, eterna canción de concursos de canto, en
  10700. The X Factor podría no haber significado nada; pero con su segundo álbum la cantante demuestra que su admiración por Prince va mucho más allá.&lt;/span&gt;&lt;/div&gt;
  10701. &lt;div class=&quot;MsoNormal&quot;&gt;
  10702. &lt;br /&gt;&lt;/div&gt;
  10703. &lt;div class=&quot;MsoNormal&quot;&gt;
  10704. &lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;Solo hace falta escuchar &lt;i&gt;Freaks&lt;/i&gt;,
  10705. un tema que todavía no me creo que esté siendo lanzado en un álbum de 2018. Esas
  10706. guitarras y esas frases cortantes y explosivas en el estribillo son un claro homenaje
  10707. al &lt;i&gt;“Rey Púrpura” &lt;/i&gt;y su &lt;i&gt;Kiss&lt;/i&gt;. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Porque,
  10708. ¿qué mejor canción para dar tributo a Prince que una que habla de sentirse sexy
  10709. por lo que nos hace diferentes?&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10710. &lt;div class=&quot;MsoNormal&quot;&gt;
  10711. &lt;br /&gt;&lt;/div&gt;
  10712. &lt;div class=&quot;MsoNormal&quot;&gt;
  10713. &lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;Es este el mensaje del tema que
  10714. abre el álbum. &lt;i&gt;Bring Back The New&lt;/i&gt;, trae un estilo retro totalmente adictivo con aires rock para hablar de
  10715. volver a lo nuevo. Volver porque hay que ir al pasado para encontrarlo. Una canción fantá&lt;/span&gt;sticamente compuesta que nos anima a
  10716. dejar de ser conservadores y ser valientes otra vez, “dejando salir al león”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  10717. &lt;div class=&quot;MsoNormal&quot;&gt;
  10718. &lt;br /&gt;&lt;/div&gt;
  10719. &lt;div class=&quot;MsoNormal&quot;&gt;
  10720. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;Es esta sensualidad la que se respira en todo álbum, porque si hablamos
  10721. de rosas, tenemos que hablar necesariamente de pasión.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt; Y es aquí donde aparecen dos canciones que hablan de esto, pero de dos
  10722. formas totalmente diferentes. &lt;i&gt;Spanish Guitar&lt;/i&gt; es un R&amp;amp;B en el que
  10723. juega con el spanglish para representar su lado más latino como si de Christina
  10724. Aguilera se tratara. Y que pide a su acompañante que la toque como a una
  10725. guitarra española. Algo que contrasta totalmente con &lt;i&gt;Ride &lt;/i&gt;mucho más
  10726. ambiental. Una canción también muy sexual, pero enfocada desde un lado más
  10727. místico, de conexión con la otra persona, “aunque no sepa ni su nombre”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10728. &lt;div class=&quot;MsoNormal&quot;&gt;
  10729. &lt;br /&gt;&lt;/div&gt;
  10730. &lt;div class=&quot;MsoNormal&quot;&gt;
  10731. &lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;Pero de la misma forma que durante la
  10732. noche todo es pasión, toda noche tiene un amanecer y los pétalos de la rosa
  10733. caen. Es aquí donde surgen canciones como &lt;i&gt;My Last Song&lt;/i&gt; o &lt;i&gt;Another Day&lt;/i&gt;.
  10734. La primera, una balada totalmente épica que sube hasta el cielo, en la que Ruth se
  10735. pregunta qué diría si esta fuera su última canción, antes de simplemente dejar
  10736. la habitación. Y de esas despedidas también habla &lt;i&gt;Another Day&lt;/i&gt;, un track
  10737. que empieza con solamente un piano y llega al estribillo llena de fuerza
  10738. rodeada de guitarras dignas de Mike Oldfield. Siempre, además, jugando con ese doble sentido de las despedidas, como desamor y como muerte. La influencia de Queen está ahí y que alguien vea
  10739. influencias de Queen en tus canciones es mucho decir. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10740. &lt;div class=&quot;MsoNormal&quot;&gt;
  10741. &lt;br /&gt;&lt;/div&gt;
  10742. &lt;div class=&quot;MsoNormal&quot;&gt;
  10743. &lt;i&gt;&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;&quot;&gt;Moscas Muertas&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt; es el contrapeso a la música americana y anglosajona que inunda todo el disco. Un tema que me cuesta encajar en el
  10744. estilo del disco, pero que acaba enganchando por lo íntima que es. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Gracias a este tipo de temas, como también hace &lt;i&gt;My First Man&lt;/i&gt;, Ruth consigue
  10745. que conectemos con ella y con lo que siente&lt;/b&gt;.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10746. &lt;div class=&quot;MsoNormal&quot;&gt;
  10747. &lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  10748. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  10749. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7JO0dJyGKnbtyIKDa8azUG9FM0PbzY4w5HqKIHQaUUelRuvdr80H4XcKOzxdv0cTylYctZahJFFOT9bWlhr8l_y2WykikWt9WLTqIM31AB77-71Plw26pWqhS2S9y_oGcDiQX04Nj7_gf/s1600/ruth-lorenzo-releases-new-single-my-last-song-from-new-album-loveaholic-01.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;459&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7JO0dJyGKnbtyIKDa8azUG9FM0PbzY4w5HqKIHQaUUelRuvdr80H4XcKOzxdv0cTylYctZahJFFOT9bWlhr8l_y2WykikWt9WLTqIM31AB77-71Plw26pWqhS2S9y_oGcDiQX04Nj7_gf/s1600/ruth-lorenzo-releases-new-single-my-last-song-from-new-album-loveaholic-01.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  10750. &lt;div class=&quot;MsoNormal&quot;&gt;
  10751. &lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  10752. &lt;div class=&quot;MsoNormal&quot;&gt;
  10753. &lt;b style=&quot;font-size: 12pt;&quot;&gt;Este proceso, pasión y despedida, florecer y marchitar, es de lo que va
  10754. &lt;i&gt;Loveaholic &lt;/i&gt;y que Ruth representa de forma muy inteligente como algo
  10755. cíclico.&lt;/b&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; Y sí, es una estrategia similar a la
  10756. que utiliza el magistral &lt;i&gt;Melodrama&lt;/i&gt;. Y de la misma forma que Lorde
  10757. después de este proceso saca una serie de lecciones de vida, la cantante
  10758. murciana también aprende con &lt;i&gt;Bodies. &lt;/i&gt;Un himno existencialista en el que
  10759. habla de que &quot;solo somos carne y pulmones, soldados en una guerra que no podemos ganar&quot;.
  10760. Así que si seguimos vivos, tenemos que vivir intensamente. Todo ello envuelto en una
  10761. producción de guitarras y electrónica tremendamente épica.&lt;/span&gt;&lt;/div&gt;
  10762. &lt;div class=&quot;MsoNormal&quot;&gt;
  10763. &lt;br /&gt;&lt;/div&gt;
  10764. &lt;div class=&quot;MsoNormal&quot;&gt;
  10765. &lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;Para terminar tenemos una de las grandes sorpresas,&amp;nbsp;&lt;i&gt;Amanecer;&amp;nbsp;&lt;/i&gt;el tema que cierra el álbum totalmente desnudo y que juega con ritmos propios
  10766. del tango. Ahora ya no habla con sus amantes, sino con ella misma. Aquí se
  10767. revela el verdadero significado del disco. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Porque
  10768. &lt;i&gt;Loveaholic&lt;/i&gt; es una carta de la Ruth Lorenzo del pasado que le anima a no
  10769. dejar de buscar el amor a pesar de esas mañanas vacías&lt;/b&gt;, porque la vida es
  10770. muy corta para no aprovecharla al máximo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10771. &lt;div class=&quot;MsoNormal&quot;&gt;
  10772. &lt;br /&gt;&lt;/div&gt;
  10773. &lt;div class=&quot;MsoNormal&quot;&gt;
  10774. &lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;Con &lt;i&gt;Loveaholic,&lt;/i&gt; Ruth Lorenzo se
  10775. posiciona como una de las artistas más interesantes a nivel nacional. No solo
  10776. porque no acate ninguna regla no escrita de la música española&lt;/span&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;, arriesgándose enormemente,&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;sino porque no
  10777. se limita a imitar a los cantantes internacionales de moda. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Los referentes de Ruth están en los grandes iconos de la industria,
  10778. como pueden ser Prince o Queen, basando su nuevo sonido en las guitarras y toques de rock.&lt;/b&gt;
  10779. Algo que combina genial con su de sobra conocido vozarrón; que ahora lleva un
  10780. paso más allá, rasgándolo de formas inhumanas. Mención especial también a todo el apartado visual, que es maravilla mundial.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  10781. &lt;div class=&quot;MsoNormal&quot;&gt;
  10782. &lt;br /&gt;&lt;/div&gt;
  10783. &lt;div class=&quot;MsoNormal&quot;&gt;
  10784. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;En su segundo álbum, Ruth Lorenzo habla de amor, de pasión y de
  10785. despedidas; y cómo esto le crea un vacío interior, pero también le hace sentir
  10786. viva.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt; Revelándose así como una compositora simplemente
  10787. fantástica. Utiliza sonidos del pasado para hablar de volver, no necesariamente
  10788. a lo antiguo; sino volver a florecer, a buscar cosas nuevas y a enamorarse.&lt;/span&gt;&lt;/div&gt;
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  10794. &lt;div style=&quot;text-align: justify;&quot;&gt;
  10795. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333;&quot;&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;color: #333333;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/10/analisis-de-melodrama-de-lorde-la.html&quot;&gt;Análisis de Melodrama de Lorde: La imagen de uno mismo&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  10796. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
  10797. &lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2018/02/analisis-bionic-de-christina-aguilera.html&quot;&gt;Análisis Bionic de Christina Aguilera: Tras la super mujer&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  10798. &lt;br /&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/4209965184062736202/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/03/analisis-de-loveaholic-de-ruth-lorenzo.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/4209965184062736202'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/4209965184062736202'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/03/analisis-de-loveaholic-de-ruth-lorenzo.html' title='Análisis de Loveaholic de Ruth Lorenzo: Volver a florecer'/><author><name>Anonymous</name><uri>http://www.blogger.com/profile/06821774015080831019</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxTL6N8LpbS1ogxD5SBD50HB5bVQb6BEBt9gvsHYF6igbckVVr5lVar4eZcKB_koOy2zunZAXUi2nRGVAQMb7IN4VoRN2EaYhuePkNGHsRyyulCWjqYzDme1QuCAjDGdpLY7M7IHi6lcHd/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-1418573025903453757</id><published>2018-03-18T17:56:00.000+01:00</published><updated>2018-04-07T18:09:16.543+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Carly Rae Jepsen"/><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="E·MO·TION"/><title type='text'>Análisis de E·MO·TION de Carly Rae Jepsen: Pura química</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  11204. &lt;br /&gt;
  11205. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;
  11206. &lt;div class=&quot;MsoNormal&quot;&gt;
  11207. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Carly Rae Jepsen lanzó su tercer álbum &lt;i&gt;E·MO·TION&lt;/i&gt; en 2015. Aunque
  11208. para el resto del mundo sea el segundo, dado el boom que supuso &lt;i&gt;Call Me
  11209. Maybe&lt;/i&gt;, &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;y con la consiguiente&lt;/b&gt; &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;fama de &lt;i&gt;only hit wonder&lt;/i&gt; que ha
  11210. arrastrado desde entonces&lt;/b&gt;. El disco llegó al puesto 16 de Billboard y tras
  11211. cuatro semanas salió fulminantemente de la lista. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  11212. &lt;div class=&quot;MsoNormal&quot;&gt;
  11213. &lt;br /&gt;&lt;/div&gt;
  11214. &lt;div class=&quot;MsoNormal&quot;&gt;
  11215. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;La concepción que yo tenía de Carly entonces no era excesivamente
  11216. buena. Realmente, no era. Pero lanzó el primer single, &lt;i&gt;I Really Like You&lt;/i&gt;,
  11217. un tema pop tan chicle como nos tenía acostumbrados, pero esta vez algo más
  11218. ochentero, con Tom Hanks marcándose un &lt;i&gt;lipsync&lt;/i&gt;. “Lo ha vuelto a hacer”,
  11219. pensé. En el sentido de que había lanzado de nuevo un hit sin demasiada
  11220. pretensión, pero tremendamente pegadizo. Mi sorpresa llegó después, cuando me
  11221. animé a escuchar el disco entero y me di cuenta de que su propuesta iba más
  11222. allá.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  11223. &lt;div class=&quot;MsoNormal&quot;&gt;
  11224. &lt;br /&gt;&lt;/div&gt;
  11225. &lt;div class=&quot;MsoNormal&quot;&gt;
  11226. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;E·MO·TION va de
  11227. sentir emoción (obvio), en el sentido de nervios, euforia.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt; Imaginaos que
  11228. tomarais esa sensación que os provoca &lt;i&gt;Green Light&lt;/i&gt; de Lorde y la convirtierais
  11229. en un álbum completo. Es así como me siento cuando escucho el saxofón de &lt;i&gt;Run
  11230. Away With Me&lt;/i&gt; y me dan ganas de dejarlo todo y escapar con Carly muy lejos.
  11231. El ritmo marcado, cómo va acelerando y el golpe que anuncia el estribillo. Todo
  11232. en esta canción es un temazo. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  11233. &lt;div class=&quot;MsoNormal&quot;&gt;
  11234. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  11235. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  11236. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAQUR8bEFkXJ4OTkIn2VroamleGzm7_8q6HEopDlwPpGpOH08vhvyW_U-SFSfnKZSXguTAujjpErbIT1oD-aIVlEnf2dy2MQKbVMfTSsmKZVSN1D2wPyZYOP9pg-0DTOAxASOJR2qZHoU/s1600/E-Mo-Tion-carly-rae-jep-ppcorn.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;400&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiAQUR8bEFkXJ4OTkIn2VroamleGzm7_8q6HEopDlwPpGpOH08vhvyW_U-SFSfnKZSXguTAujjpErbIT1oD-aIVlEnf2dy2MQKbVMfTSsmKZVSN1D2wPyZYOP9pg-0DTOAxASOJR2qZHoU/s1600/E-Mo-Tion-carly-rae-jep-ppcorn.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  11237. &lt;div class=&quot;MsoNormal&quot;&gt;
  11238. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  11239. &lt;div class=&quot;MsoNormal&quot;&gt;
  11240. &lt;br /&gt;&lt;/div&gt;
  11241. &lt;div class=&quot;MsoNormal&quot;&gt;
  11242. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Tanto &lt;i&gt;Emotion&lt;/i&gt; como &lt;i&gt;Let’s Get Lost &lt;/i&gt;o&lt;i&gt; Making The Most Of
  11243. The Night&lt;/i&gt; siguen la estela de las dos canciones promocionales, con ese
  11244. estilo desenfadado, pero llenos de detalles en la producción. Aunque la
  11245. cantante no da puntada sin hilo y ya nos deja caer que ella no es una simple
  11246. flor en el muro, que va a crecer y crecer en nuestra cabeza. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Y es que si algo demuestra Carly canción
  11247. tras canción es que es muy buena compositora&lt;/b&gt;, quizás no con profundos
  11248. mensajes que nos vayan a cambiar la vida, pero sí con letras cuidadas que se
  11249. quedan en la cabeza y no se van. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  11250. &lt;div class=&quot;MsoNormal&quot;&gt;
  11251. &lt;br /&gt;&lt;/div&gt;
  11252. &lt;div class=&quot;MsoNormal&quot;&gt;
  11253. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Esta es la base del pop, y aquí hay mucho de eso. Un estilo tan
  11254. escuchado y a la vez tan poco valorado. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Y,
  11255. sin embargo, la cantante no tiene complejos en abrazar este género y elevarlo a
  11256. una categoría superior&lt;/b&gt;. &lt;i&gt;Boy Problems&lt;/i&gt;, sin ir más lejos, una
  11257. composición en la que ha colaborado con Sia, habla de que está cansada de los
  11258. problemas de su amiga. Como si nos hablara a nosotros y nos dijera que dejemos
  11259. de ser tan intensos y bailemos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  11260. &lt;div class=&quot;MsoNormal&quot;&gt;
  11261. &lt;br /&gt;&lt;/div&gt;
  11262. &lt;div class=&quot;MsoNormal&quot;&gt;
  11263. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Esta es la clave de que &lt;i&gt;Number 1 Angel&lt;/i&gt; sea un mixtape tan
  11264. disfrutable. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;El pop por encima de todo,
  11265. dejando las pretensiones a un lado.&lt;/b&gt; Porque hay veces que se nos olvida que
  11266. la música también es para disfrutarla. La diferencia con la propuesta de
  11267. Charlie XCX es que &lt;i&gt;E·MO·TION&lt;/i&gt; tiene una propuesta completa, con un sonido
  11268. que lo caracteriza. La producción está pensada y muy trabajada. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  11269. &lt;div class=&quot;MsoNormal&quot;&gt;
  11270. &lt;br /&gt;&lt;/div&gt;
  11271. &lt;div class=&quot;MsoNormal&quot;&gt;
  11272. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Sonidos de los 80
  11273. inundan todo el álbum con referentes claros como Madonna o Prince&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;, incluso &lt;i&gt;Born
  11274. This Way&lt;/i&gt; de Gaga si vamos a algo más actual.&lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt; &lt;/b&gt;De esta forma tenemos canciones tan interesantes como &lt;i&gt;When I
  11275. Needed You&lt;/i&gt;, o &lt;i&gt;Your Type &lt;/i&gt;o la fantástica &lt;i&gt;Gimmie Love.&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
  11276. &lt;div class=&quot;MsoNormal&quot;&gt;
  11277. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
  11278. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  11279. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8rU3nHPJCaSG2Dl99kLoHZRaR5vmOF2ZpIOcJjekV3jeqpT3bQu3tBNE6rHyRXL45KYMZH2FfGcmsohKB414mW0EaY8hMH1TdktGT0-bdo0SAawAkvmxIKsj9ugdJKu4C205x5kpd658/s1600/carly-rae-jepsen.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;449&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj8rU3nHPJCaSG2Dl99kLoHZRaR5vmOF2ZpIOcJjekV3jeqpT3bQu3tBNE6rHyRXL45KYMZH2FfGcmsohKB414mW0EaY8hMH1TdktGT0-bdo0SAawAkvmxIKsj9ugdJKu4C205x5kpd658/s1600/carly-rae-jepsen.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  11280. &lt;div class=&quot;MsoNormal&quot;&gt;
  11281. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/span&gt;&lt;/div&gt;
  11282. &lt;div class=&quot;MsoNormal&quot;&gt;
  11283. &lt;i&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: Cambria;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;Y otras más lentas como &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;All That &lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;y &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Warm Blood&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;, muy
  11284. sensual tanto en instrumentación, como la interpretación de la cantante, los
  11285. dos grandes pilares del disco. Una muy grata sorpresa que dice mucho del
  11286. talento de la cantante y de lo que es capaz de hacer.&lt;/span&gt;&lt;/div&gt;
  11287. &lt;div class=&quot;MsoNormal&quot;&gt;
  11288. &lt;br /&gt;&lt;/div&gt;
  11289. &lt;div class=&quot;MsoNormal&quot;&gt;
  11290. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Pero aunque &lt;i&gt;E·MO·TION&lt;/i&gt; sea un álbum muy referencial que toma
  11291. ideas de los 80, está lejos de sonar desfasado. La electrónica que se ha usado
  11292. en la producción es muy actual, también con elementos de los 90, y así podemos
  11293. escucharlo &lt;i&gt;en LA Hallucinations&lt;/i&gt; y en la fantástica &lt;i&gt;I Didn’t Just Come
  11294. Here To Dance&lt;/i&gt;, injustamente relegada a bonus track. Esta última es un
  11295. hitazo como pocos se han lanzado últimamente. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  11296. &lt;div class=&quot;MsoNormal&quot;&gt;
  11297. &lt;br /&gt;&lt;/div&gt;
  11298. &lt;div class=&quot;MsoNormal&quot;&gt;
  11299. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Aunque a veces pueda parecer más niña, a sus 32 años, Carly Rae Jepsen
  11300. sabe muy bien lo que hace y a donde quiere llegar. Como tercer álbum, la
  11301. cantante no se limitó a lanzar un single pegadizo, &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;sino que nos trajo una propuesta completa en la que toma el pop bien
  11302. hecho como bandera y sin prejuicios.&lt;/b&gt; Como he dicho, la producción ochentera
  11303. y su interpretación son las bases de &lt;i&gt;E·MO·TION&lt;/i&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  11304. &lt;div class=&quot;MsoNormal&quot;&gt;
  11305. &lt;br /&gt;&lt;/div&gt;
  11306. &lt;div class=&quot;MsoNormal&quot;&gt;
  11307. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Quizás pueda sonar similar en algunos tracks, pero en mi caso, este fue
  11308. el click que necesitaba para apreciar a la cantante más allá de un hit exitoso.
  11309. Al comenzar Jepsen nos anima a escapar y eso es lo que consigue. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Nos traslada a una pista de baile en la que
  11310. lo damos todo, nos olvidamos de los problemas, bebemos, ligamos y nos dejamos
  11311. llevar. &lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
  11312. &lt;div class=&quot;MsoNormal&quot;&gt;
  11313. &lt;br /&gt;&lt;/div&gt;
  11314. &lt;div class=&quot;MsoNormal&quot;&gt;
  11315. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Porque, como dice Jepsen en el track que da título al álbum, está
  11316. hablando de sueños, de fantasías y de sentir. En &lt;i&gt;E·MO·TION&lt;/i&gt; no cabe
  11317. pensar y por si no nos queda claro, lo silabea: no busques mensajes
  11318. grandilocuentes ni nada que sea pretencioso, Carly solo busca pura química,
  11319. pura e-mo-ción. &lt;span style=&quot;mso-spacerun: yes;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
  11320. &lt;br /&gt;
  11321. &lt;div style=&quot;margin: 0px;&quot;&gt;
  11322. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; style=&quot;cursor: move; font-size: 12pt;&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  11323. &lt;div class=&quot;normal&quot; style=&quot;margin-bottom: 12pt;&quot;&gt;
  11324. &lt;/div&gt;
  11325. &lt;div style=&quot;text-align: justify;&quot;&gt;
  11326. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;span class=&quot;meta-nav&quot; style=&quot;box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/10/analisis-de-melodrama-de-lorde-la.html&quot; style=&quot;font-size: medium;&quot;&gt;Análisis de Melodrama de Lorde: La imagen de uno mismo&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
  11327. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
  11328. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif;&quot;&gt;«&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/12/analisis-de-i-see-you-de-xx-conectamos.html&quot;&gt;Análisis de I See You de The xx: ¿Conectamos?&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  11329. &lt;br /&gt;&lt;/div&gt;
  11330. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;/span&gt;&lt;br /&gt;
  11331. &lt;!--EndFragment--&gt;</content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/1418573025903453757/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/03/analisis-de-emotion-de-carly-rae-jepsen.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1418573025903453757'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/1418573025903453757'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/03/analisis-de-emotion-de-carly-rae-jepsen.html' title='Análisis de E·MO·TION de Carly Rae Jepsen: Pura química'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0QvHbju012UmZt_zIKxhr_BzE_n04SaudWDPaPLph7WY4v5QGKB08KehJzXvzZ166GJQ6m6xgN-Ib6Nl7z83kslmkBBiPktflsdc6IwjfXoBivvMrPeQ1mBKoPR2tO5cwEwV7j8bTU9w/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-8530963121230260652</id><published>2018-03-11T19:09:00.000+01:00</published><updated>2018-10-14T19:05:55.886+02:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Articulo"/><category scheme="http://www.blogger.com/atom/ns#" term="Fama a bailar"/><category scheme="http://www.blogger.com/atom/ns#" term="OT 2017"/><category scheme="http://www.blogger.com/atom/ns#" term="Television"/><category scheme="http://www.blogger.com/atom/ns#" term="TV/Cine"/><title type='text'>OT 2017: La mejor oportunidad para FAMA a bailar</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  11339.  &lt;w:View&gt;Normal&lt;/w:View&gt;
  11340.  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  11341.  &lt;w:TrackMoves/&gt;
  11342.  &lt;w:TrackFormatting/&gt;
  11343.  &lt;w:HyphenationZone&gt;21&lt;/w:HyphenationZone&gt;
  11344.  &lt;w:PunctuationKerning/&gt;
  11345.  &lt;w:ValidateAgainstSchemas/&gt;
  11346.  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  11347.  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  11348.  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  11349.  &lt;w:DoNotPromoteQF/&gt;
  11350.  &lt;w:LidThemeOther&gt;ES&lt;/w:LidThemeOther&gt;
  11351.  &lt;w:LidThemeAsian&gt;JA&lt;/w:LidThemeAsian&gt;
  11352.  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  11353.  &lt;w:Compatibility&gt;
  11354.   &lt;w:BreakWrappedTables/&gt;
  11355.   &lt;w:SnapToGridInCell/&gt;
  11356.   &lt;w:WrapTextWithPunct/&gt;
  11357.   &lt;w:UseAsianBreakRules/&gt;
  11358.   &lt;w:DontGrowAutofit/&gt;
  11359.   &lt;w:SplitPgBreakAndParaMark/&gt;
  11360.   &lt;w:EnableOpenTypeKerning/&gt;
  11361.   &lt;w:DontFlipMirrorIndents/&gt;
  11362.   &lt;w:OverrideTableStyleHps/&gt;
  11363.   &lt;w:UseFELayout/&gt;
  11364.  &lt;/w:Compatibility&gt;
  11365.  &lt;m:mathPr&gt;
  11366.   &lt;m:mathFont m:val=&quot;Cambria Math&quot;/&gt;
  11367.   &lt;m:brkBin m:val=&quot;before&quot;/&gt;
  11368.   &lt;m:brkBinSub m:val=&quot;&amp;#45;-&quot;/&gt;
  11369.   &lt;m:smallFrac m:val=&quot;off&quot;/&gt;
  11370.   &lt;m:dispDef/&gt;
  11371.   &lt;m:lMargin m:val=&quot;0&quot;/&gt;
  11372.   &lt;m:rMargin m:val=&quot;0&quot;/&gt;
  11373.   &lt;m:defJc m:val=&quot;centerGroup&quot;/&gt;
  11374.   &lt;m:wrapIndent m:val=&quot;1440&quot;/&gt;
  11375.   &lt;m:intLim m:val=&quot;subSup&quot;/&gt;
  11376.   &lt;m:naryLim m:val=&quot;undOvr&quot;/&gt;
  11377.  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
  11378. &lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
  11379. &lt;w:LatentStyles DefLockedState=&quot;false&quot; DefUnhideWhenUsed=&quot;true&quot;
  11380.  DefSemiHidden=&quot;true&quot; DefQFormat=&quot;false&quot; DefPriority=&quot;99&quot;
  11381.  LatentStyleCount=&quot;276&quot;&gt;
  11382.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;0&quot; SemiHidden=&quot;false&quot;
  11383.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Normal&quot;/&gt;
  11384.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; SemiHidden=&quot;false&quot;
  11385.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;heading 1&quot;/&gt;
  11386.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 2&quot;/&gt;
  11387.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 3&quot;/&gt;
  11388.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 4&quot;/&gt;
  11389.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 5&quot;/&gt;
  11390.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 6&quot;/&gt;
  11391.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 7&quot;/&gt;
  11392.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 8&quot;/&gt;
  11393.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;9&quot; QFormat=&quot;true&quot; Name=&quot;heading 9&quot;/&gt;
  11394.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 1&quot;/&gt;
  11395.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 2&quot;/&gt;
  11396.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 3&quot;/&gt;
  11397.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 4&quot;/&gt;
  11398.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 5&quot;/&gt;
  11399.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 6&quot;/&gt;
  11400.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 7&quot;/&gt;
  11401.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 8&quot;/&gt;
  11402.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;39&quot; Name=&quot;toc 9&quot;/&gt;
  11403.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;35&quot; QFormat=&quot;true&quot; Name=&quot;caption&quot;/&gt;
  11404.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;10&quot; SemiHidden=&quot;false&quot;
  11405.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Title&quot;/&gt;
  11406.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; Name=&quot;Default Paragraph Font&quot;/&gt;
  11407.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;11&quot; SemiHidden=&quot;false&quot;
  11408.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  11409.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  11410.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  11411.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  11412.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  11413.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  11414.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  11415.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  11416.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  11417.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  11418.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  11419.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  11420.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  11421.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  11422.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  11423.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  11424.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  11425.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  11426.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  11427.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  11428.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  11429.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  11430.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  11431.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  11432.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  11433.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  11434.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  11435.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  11436.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  11437.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  11438.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  11439.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  11440.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  11441.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  11442.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  11443.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  11444.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  11445.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  11446.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  11447.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  11448.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  11449.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
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  11451.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  11452.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  11453.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
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  11455.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
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  11457.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  11458.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
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  11462.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
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  11466.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
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  11468.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
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  11472.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  11473.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  11474.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  11475.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  11476.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  11477.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  11478.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  11479.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  11480.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  11481.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  11482.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  11483.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  11484.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  11485.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  11486.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  11487.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  11488.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
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  11490.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
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  11494.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  11495.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  11496.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  11497.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  11498.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  11499.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  11500.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  11501.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  11502.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  11503.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  11504.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  11505.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  11506.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
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  11508.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
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  11510.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  11511.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  11512.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  11513.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  11514.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  11515.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  11516.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
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  11518.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
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  11526.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
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  11528.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  11529.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  11530.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  11531.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  11532.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
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  11534.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  11535.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  11536.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  11537.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  11538.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  11539.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  11540.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  11541.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  11542.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  11543.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  11544.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  11545.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  11546.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  11547.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  11548.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  11549.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  11550.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  11551.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  11552.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  11553.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  11554.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  11555.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  11556.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  11557.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
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  11727. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ZFGoQMwTu254mlFrVSdJew09MDvemY-LoPTWHF4sD0maf63oQyVbyFszmU8HTLX4MzwbcsO0HCHxtRFQaN1I2m8JVV1iTYcXyL8dFuhCni_1JsxanlxMobXx2SyFVMfxTHKtaoakY34/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ZFGoQMwTu254mlFrVSdJew09MDvemY-LoPTWHF4sD0maf63oQyVbyFszmU8HTLX4MzwbcsO0HCHxtRFQaN1I2m8JVV1iTYcXyL8dFuhCni_1JsxanlxMobXx2SyFVMfxTHKtaoakY34/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
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  11729. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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  11731. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  11732. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11733. &lt;span style=&quot;font-size: 12pt;&quot;&gt;“Yo siento el ritmo en mi
  11734. interior, ese que me hace vibrar y alimenta mi pasión”. Así empezaba la
  11735. sintonía de uno de los programas más míticos de la televisión en España. Hablo,
  11736. por supuesto, desde mi experiencia. &lt;/span&gt;&lt;b style=&quot;font-size: 12pt;&quot;&gt;Fama
  11737. ¡a bailar! marcó a una generación&lt;/b&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;, una a la que le pilló un poco joven OT 1
  11738. como para vivirlo tan intensamente, la gente de los 90, mi generación. Deseaba
  11739. tanto la vuelta de este formato que ya escribí una entrada que no llegué a
  11740. publicar sobre este tema, mucho antes de que Cero anunciara su retorno. Y la
  11741. razón tiene nombre propio: OT 2017.&lt;/span&gt;&lt;br /&gt;
  11742. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;/div&gt;
  11743. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11744. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11745. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11746. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;El fin del
  11747. reality por el reality&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  11748. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  11749. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoUZ2wHoQTNiFt14A7_vTBEetJGPumJc0X1v7ME3U-4ezmc4i2u4NEww207th1zG1CeqJ3KyQckPjA2K751otrlw2fFz1ARUH_qIx9cEePHKyF17T3j9b8DkpGOlTHlmFji_H6KPfDq6c/s1600/ana-guerra-gala-8-ot-pase-micros-2.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;441&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgoUZ2wHoQTNiFt14A7_vTBEetJGPumJc0X1v7ME3U-4ezmc4i2u4NEww207th1zG1CeqJ3KyQckPjA2K751otrlw2fFz1ARUH_qIx9cEePHKyF17T3j9b8DkpGOlTHlmFji_H6KPfDq6c/s1600/ana-guerra-gala-8-ot-pase-micros-2.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  11750. &lt;br /&gt;
  11751. &lt;br /&gt;
  11752. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11753. Los gustos en televisión van
  11754. cambiando y evolucionando. En muchas ocasiones, además, esto ocurre de forma
  11755. cíclica. Gran Hermano comenzó su andadura en nuestro país en el año 2000,
  11756. revolucionando la televisión. El reality con mayúsculas había llegado a nuestro
  11757. país. Es curioso que dos años después apareciera OT, revolucionándola de nuevo,
  11758. incluyendo un nuevo factor dentro de la ecuación: la academia. Mientras el
  11759. programa de TeleCinco basaba su contenido en la convivencia pura y dura, en el
  11760. de La 1, la convivencia era una consecuencia. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11761. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11762. Años después la importancia del
  11763. aprendizaje quedaba en un segundo plano y la baza del reality volvió a tomar
  11764. fuerza. Risto llegaba en 2006 al nuevo OT y GH ofrecía una de sus ediciones más
  11765. interesantes. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11766. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11767. Teniendo esto como base, el
  11768. éxito de Fama ¡a bailar! en 2008 era algo lógico. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Un programa que volvía a poner la escuela en el centro de todo y con un
  11769. plantel de profesores lleno de carisma&lt;/b&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11770. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11771. Precisamente, es eso lo que
  11772. hemos vivido estos últimos años. Las ediciones 15, 16 de GH y su versión VIP
  11773. han sido las más vistas en muchos años. Sin embargo, como ha ocurrido en el
  11774. resto de ocasiones, el público ahora busca que la convivencia de esos reality
  11775. esté justificada, que las riñas vengan motivadas por un desencuentro real y que
  11776. los concursantes no entren resabiados a la casa. Aquí aparece OT 2017.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11777. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11778. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;La vuelta de
  11779. la academia por encima del talent show&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  11780. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  11781. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikf-HrrL2tT2fadx0wQjRyDhJ3mz64c1obL5YJXMi8H-NKOzEyKE4Y_TyMIRjiWTljCiWZr7TnKaWSvlg6tcqSDP11nmnu4elI2M7DIcz4wA-wjcELJbxw0R5hCfjQpHsTHPlGlnqNzpo/s1600/LV-III-AUDICIONES-1-IVAN-Y-MIKEL-HERZOG.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;532&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikf-HrrL2tT2fadx0wQjRyDhJ3mz64c1obL5YJXMi8H-NKOzEyKE4Y_TyMIRjiWTljCiWZr7TnKaWSvlg6tcqSDP11nmnu4elI2M7DIcz4wA-wjcELJbxw0R5hCfjQpHsTHPlGlnqNzpo/s1600/LV-III-AUDICIONES-1-IVAN-Y-MIKEL-HERZOG.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  11782. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11783. &lt;br /&gt;&lt;/div&gt;
  11784. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11785. &lt;span style=&quot;font-size: 12pt;&quot;&gt;Si el retorno de OT ha tenido
  11786. tanto éxito ha sido porque el público se sentía identificado con lo que ocurría
  11787. dentro de la casa. Cualquiera de nosotros podía ser cualquiera de los concursantes.
  11788. Les veíamos reír, llorar, frustrarse. Veíamos que &lt;/span&gt;&lt;b style=&quot;font-size: 12pt;&quot;&gt;una buena actuación no venía única y exclusivamente de su talento&lt;/b&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;,
  11789. como puede parecer en programas como La Voz o Got Talent. Sino que al margen de
  11790. esto, éramos partícipes del trabajo que llevaba y, sobre todo, de su evolución.
  11791. Así Ana pasaba de cantar &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;¿Cómo Te Atreves
  11792. A Volver?&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;&amp;nbsp; &lt;/span&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;A un &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Lágrimas Negras&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; que nos dejó sin palabras. &lt;/span&gt;&lt;b style=&quot;font-size: 12pt;&quot;&gt;Es ahí donde reside la buena acogida de esta nueva edición, en que el
  11793. público se ilusione y diga “yo también puedo”.&lt;/b&gt;&lt;/div&gt;
  11794. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11795. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11796. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11797. ¿Y cuál es la otra escuela
  11798. televisiva que enganchó a los jóvenes hace ya diez años? Exacto, Fama ¡a
  11799. bailar!. OT ha abierto el camino y, lo más importante, ha demostrado cómo es la
  11800. forma correcta de traer este tipo de formatos al año en el que estamos. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11801. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11802. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;La nueva nostalgia&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  11803. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  11804. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAgRoV0cDLgCFowINVSXNiO6O5wOpEa5486QBjJMdiAPUvrn8bVcyVOhICMtiVLUhXpwBodBRCvYQKw6BVzVQEL3kj_o654cQ9j5pfANEo63WIqksXO_oaOrXEGLVIx3LNxYjNujDsHGI/s1600/61938_profesores-fama-a-bailar-2018.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;533&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhAgRoV0cDLgCFowINVSXNiO6O5wOpEa5486QBjJMdiAPUvrn8bVcyVOhICMtiVLUhXpwBodBRCvYQKw6BVzVQEL3kj_o654cQ9j5pfANEo63WIqksXO_oaOrXEGLVIx3LNxYjNujDsHGI/s1600/61938_profesores-fama-a-bailar-2018.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  11805. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11806. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  11807. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11808. &lt;span style=&quot;font-size: 12pt;&quot;&gt;“Mi camino es el de hoy, ¿para
  11809. qué mirar atrás? Se tu mismo, sé el mejor”. La nostalgia, más en estos tiempos,
  11810. es una baza segura. Star Wars, Harry Potter, Jurassic Park y un sin fin de
  11811. marcas más han jugado a remover recuerdos. Pero OT nos ha enseñado que &lt;/span&gt;&lt;b style=&quot;font-size: 12pt;&quot;&gt;si un programa de entretenimiento quiere
  11812. volver a enamorar, no puede limitarse a recordar cómo nos emocionó, tiene que
  11813. emocionar de nuevo&lt;/b&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;.&lt;/span&gt;&lt;/div&gt;
  11814. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11815. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11816. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11817. Para eso, no basta con contar
  11818. con caras conocidas (Noemí y Manu han sido la conexión con el pasado), creo que
  11819. Paula Vázquez es siempre un acierto. Sino que hay que renovar, hay que hacer
  11820. míticos nuevos rostros que traigan frescura al formato y se sientan como algo
  11821. actual. Es por eso que me ha alegrado mucho que el elenco de profesores sea
  11822. totalmente nuevo. Así como el rediseño del logo, que aunque al principio no me
  11823. convenció, ahora he entendido el concepto que hay detrás. “La Fama vive en ti”
  11824. y por eso los bailarines entran dentro del propio logo. Clara inspiración de la
  11825. nueva identidad gráfica de Los Ángeles. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11826. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11827. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;font-size: x-large;&quot;&gt;Movistar, el giro
  11828. de guion que nadie esperaba&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
  11829. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  11830. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8Qn_RpuKWvf99Nnh94y8ZeNB3EnpT84YRm0ZLTFzfEbZAGfZCNwUnu2G_UhDrJqxQGaOO3tH1ZEffSh3MChT3lbAt3uB4zGovAc1wFOR9TXeyDQOCG7E_HP2NEHSI-7Hxu9EpSgGCYDg/s1600/8_db7f593d3d.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;440&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8Qn_RpuKWvf99Nnh94y8ZeNB3EnpT84YRm0ZLTFzfEbZAGfZCNwUnu2G_UhDrJqxQGaOO3tH1ZEffSh3MChT3lbAt3uB4zGovAc1wFOR9TXeyDQOCG7E_HP2NEHSI-7Hxu9EpSgGCYDg/s1600/8_db7f593d3d.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  11831. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11832. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  11833. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11834. &lt;span style=&quot;font-size: 12pt;&quot;&gt;El anuncio del nuevo Fama a
  11835. bailar (ahora sin signos de exclamación) sonó algo agridulce en las
  11836. conversaciones de mi alrededor. Por un lado, era un notición que todo el mundo
  11837. recibió con ilusión. Pero por el otro, el programa llegaba de una forma
  11838. inesperada, como la nueva apuesta de la televisión de pago. Televisión, por
  11839. cierto, que hace muy complicada la suscripción si no formas parte de la familia
  11840. Movistar. Algo que la empresa debería poner sobre la mesa si quiere competir
  11841. como plataforma de contenido, en vez de que el contenido sea un añadido de todo
  11842. lo demás.&lt;/span&gt;&lt;/div&gt;
  11843. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11844. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11845. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11846. Es por eso que podemos decir ya
  11847. que el nuevo Fama no será un fenómeno al nivel de OT. Es matemáticamente
  11848. imposible. Sin embargo, probablemente esto no sea lo que Cero busque en él. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Si Late Motiv es un programa tan apreciado
  11849. dentro de la cadena, no es por las audiencias que consigue, que también, sino
  11850. por el ruido que genera fuera.&lt;/b&gt; Yo, personalmente, veo casi todo el programa
  11851. en YouTube. Puede ser que esto sea lo que ha atraído a Movistar de OT.
  11852. Preguntaos un momento cuántas horas habéis visto del programa de La 1 en
  11853. YouTube respecto a las que habéis visto en televisión. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Cero buscar un generador de contenido en internet, y ya lo tiene. &lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
  11854. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11855. Sin embargo, esto no quiere
  11856. decir que el reto no sea enorme, estamos hablando de un reality. Uno que es en
  11857. directo, nada que ver con El Puente. La dificultad de crear conversación cuando
  11858. el acceso a la emisión del programa es tan limitado está ahí. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Seguir el 24 horas en YouTube solo tiene
  11859. sentido si puedes ver después el resultado sobre el escenario del trabajo de
  11860. los concursantes.&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
  11861. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11862. “No digas que no voy a llegar
  11863. hasta el final, voy a seguir y pelear, ya nada me podrá parar. No tengo miedo a
  11864. caer, si quiero lo conseguiré. Aprenderé a ser fuerte, no me rendiré”. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
  11865. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  11866. Fama a bailar tiene muchos
  11867. retos por delante: enamorar de nuevo al público con sus profesores y alumnos,
  11868. romper la barrera de la televisión de pago y diferenciarse de OT trayendo una
  11869. propuesta con personalidad. Y para eso, tiene que arriesgarse, &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;porque solo arriesgándose y trayendo
  11870. mensajes rompedores podrá demostrar qué lo hace diferente de la televisión en
  11871. abierto.&lt;/b&gt; Solo así podrá volver a ser especial para las nuevas generaciones.&lt;/div&gt;
  11872. &lt;div&gt;
  11873. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  11874. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  11875. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  11876. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  11877. &lt;div class=&quot;separator&quot; style=&quot;clear: both;&quot;&gt;
  11878. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/10/primeras-impresiones-de-ot-2017.html&quot;&gt;Primeras impresiones de OT 2017&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  11879. &lt;div style=&quot;text-align: justify;&quot;&gt;
  11880. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  11881. &lt;div style=&quot;text-align: justify;&quot;&gt;
  11882. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/10/big-little-lies-cuando-las-mentiras-lo.html&quot;&gt;Big Little Lies: Cuando las mentiras lo inundan todo&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  11883. &lt;br /&gt;&lt;/div&gt;
  11884. &lt;/div&gt;
  11885. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/8530963121230260652/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/03/ot-2017-la-mejor-oportunidad-para-fama.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/8530963121230260652'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/8530963121230260652'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/03/ot-2017-la-mejor-oportunidad-para-fama.html' title='OT 2017: La mejor oportunidad para FAMA a bailar'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg5ZFGoQMwTu254mlFrVSdJew09MDvemY-LoPTWHF4sD0maf63oQyVbyFszmU8HTLX4MzwbcsO0HCHxtRFQaN1I2m8JVV1iTYcXyL8dFuhCni_1JsxanlxMobXx2SyFVMfxTHKtaoakY34/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3813689199376250188.post-406119834278436599</id><published>2018-03-04T20:15:00.001+01:00</published><updated>2018-03-04T20:16:26.210+01:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Christina Aguilera"/><category scheme="http://www.blogger.com/atom/ns#" term="Discos"/><category scheme="http://www.blogger.com/atom/ns#" term="Justin Timberlake"/><category scheme="http://www.blogger.com/atom/ns#" term="Man Of The Woods"/><title type='text'>Análisis de Man Of The Woods de Justin Timberlake: La fusión de dos mundos</title><content type='html'>&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  11962.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Subtitle&quot;/&gt;
  11963.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;22&quot; SemiHidden=&quot;false&quot;
  11964.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Strong&quot;/&gt;
  11965.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;20&quot; SemiHidden=&quot;false&quot;
  11966.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Emphasis&quot;/&gt;
  11967.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;59&quot; SemiHidden=&quot;false&quot;
  11968.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Table Grid&quot;/&gt;
  11969.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Placeholder Text&quot;/&gt;
  11970.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;1&quot; SemiHidden=&quot;false&quot;
  11971.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;No Spacing&quot;/&gt;
  11972.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  11973.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading&quot;/&gt;
  11974.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  11975.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List&quot;/&gt;
  11976.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  11977.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid&quot;/&gt;
  11978.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  11979.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1&quot;/&gt;
  11980.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  11981.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2&quot;/&gt;
  11982.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  11983.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1&quot;/&gt;
  11984.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  11985.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2&quot;/&gt;
  11986.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  11987.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1&quot;/&gt;
  11988.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  11989.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2&quot;/&gt;
  11990.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  11991.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3&quot;/&gt;
  11992.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  11993.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List&quot;/&gt;
  11994.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  11995.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading&quot;/&gt;
  11996.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  11997.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List&quot;/&gt;
  11998.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  11999.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid&quot;/&gt;
  12000.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  12001.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 1&quot;/&gt;
  12002.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  12003.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 1&quot;/&gt;
  12004.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  12005.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 1&quot;/&gt;
  12006.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  12007.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 1&quot;/&gt;
  12008.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  12009.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 1&quot;/&gt;
  12010.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  12011.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 1&quot;/&gt;
  12012.  &lt;w:LsdException Locked=&quot;false&quot; UnhideWhenUsed=&quot;false&quot; Name=&quot;Revision&quot;/&gt;
  12013.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;34&quot; SemiHidden=&quot;false&quot;
  12014.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;List Paragraph&quot;/&gt;
  12015.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;29&quot; SemiHidden=&quot;false&quot;
  12016.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Quote&quot;/&gt;
  12017.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;30&quot; SemiHidden=&quot;false&quot;
  12018.   UnhideWhenUsed=&quot;false&quot; QFormat=&quot;true&quot; Name=&quot;Intense Quote&quot;/&gt;
  12019.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  12020.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 1&quot;/&gt;
  12021.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  12022.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 1&quot;/&gt;
  12023.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  12024.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 1&quot;/&gt;
  12025.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  12026.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 1&quot;/&gt;
  12027.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  12028.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 1&quot;/&gt;
  12029.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  12030.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 1&quot;/&gt;
  12031.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  12032.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 1&quot;/&gt;
  12033.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  12034.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 1&quot;/&gt;
  12035.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  12036.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 2&quot;/&gt;
  12037.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  12038.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 2&quot;/&gt;
  12039.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  12040.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 2&quot;/&gt;
  12041.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  12042.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 2&quot;/&gt;
  12043.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  12044.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 2&quot;/&gt;
  12045.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  12046.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 2&quot;/&gt;
  12047.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  12048.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 2&quot;/&gt;
  12049.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  12050.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 2&quot;/&gt;
  12051.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  12052.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 2&quot;/&gt;
  12053.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  12054.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 2&quot;/&gt;
  12055.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  12056.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 2&quot;/&gt;
  12057.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  12058.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 2&quot;/&gt;
  12059.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  12060.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 2&quot;/&gt;
  12061.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  12062.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 2&quot;/&gt;
  12063.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  12064.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 3&quot;/&gt;
  12065.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  12066.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 3&quot;/&gt;
  12067.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  12068.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 3&quot;/&gt;
  12069.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  12070.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 3&quot;/&gt;
  12071.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  12072.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 3&quot;/&gt;
  12073.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  12074.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 3&quot;/&gt;
  12075.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  12076.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 3&quot;/&gt;
  12077.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  12078.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 3&quot;/&gt;
  12079.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  12080.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 3&quot;/&gt;
  12081.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  12082.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 3&quot;/&gt;
  12083.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  12084.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 3&quot;/&gt;
  12085.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  12086.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 3&quot;/&gt;
  12087.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  12088.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 3&quot;/&gt;
  12089.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  12090.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 3&quot;/&gt;
  12091.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  12092.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 4&quot;/&gt;
  12093.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  12094.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 4&quot;/&gt;
  12095.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  12096.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 4&quot;/&gt;
  12097.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  12098.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 4&quot;/&gt;
  12099.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  12100.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 4&quot;/&gt;
  12101.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  12102.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 4&quot;/&gt;
  12103.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  12104.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 4&quot;/&gt;
  12105.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  12106.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 4&quot;/&gt;
  12107.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  12108.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 4&quot;/&gt;
  12109.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  12110.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 4&quot;/&gt;
  12111.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  12112.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 4&quot;/&gt;
  12113.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  12114.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 4&quot;/&gt;
  12115.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  12116.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 4&quot;/&gt;
  12117.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  12118.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 4&quot;/&gt;
  12119.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  12120.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 5&quot;/&gt;
  12121.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  12122.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 5&quot;/&gt;
  12123.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  12124.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 5&quot;/&gt;
  12125.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  12126.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 5&quot;/&gt;
  12127.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  12128.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 5&quot;/&gt;
  12129.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  12130.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 5&quot;/&gt;
  12131.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  12132.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 5&quot;/&gt;
  12133.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  12134.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 5&quot;/&gt;
  12135.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  12136.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 5&quot;/&gt;
  12137.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  12138.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 5&quot;/&gt;
  12139.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  12140.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 5&quot;/&gt;
  12141.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  12142.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 5&quot;/&gt;
  12143.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  12144.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 5&quot;/&gt;
  12145.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  12146.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 5&quot;/&gt;
  12147.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;60&quot; SemiHidden=&quot;false&quot;
  12148.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Shading Accent 6&quot;/&gt;
  12149.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;61&quot; SemiHidden=&quot;false&quot;
  12150.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light List Accent 6&quot;/&gt;
  12151.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;62&quot; SemiHidden=&quot;false&quot;
  12152.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Light Grid Accent 6&quot;/&gt;
  12153.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;63&quot; SemiHidden=&quot;false&quot;
  12154.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 1 Accent 6&quot;/&gt;
  12155.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;64&quot; SemiHidden=&quot;false&quot;
  12156.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Shading 2 Accent 6&quot;/&gt;
  12157.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;65&quot; SemiHidden=&quot;false&quot;
  12158.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 1 Accent 6&quot;/&gt;
  12159.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;66&quot; SemiHidden=&quot;false&quot;
  12160.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium List 2 Accent 6&quot;/&gt;
  12161.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;67&quot; SemiHidden=&quot;false&quot;
  12162.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 1 Accent 6&quot;/&gt;
  12163.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;68&quot; SemiHidden=&quot;false&quot;
  12164.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 2 Accent 6&quot;/&gt;
  12165.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;69&quot; SemiHidden=&quot;false&quot;
  12166.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Medium Grid 3 Accent 6&quot;/&gt;
  12167.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;70&quot; SemiHidden=&quot;false&quot;
  12168.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Dark List Accent 6&quot;/&gt;
  12169.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;71&quot; SemiHidden=&quot;false&quot;
  12170.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Shading Accent 6&quot;/&gt;
  12171.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;72&quot; SemiHidden=&quot;false&quot;
  12172.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful List Accent 6&quot;/&gt;
  12173.  &lt;w:LsdException Locked=&quot;false&quot; Priority=&quot;73&quot; SemiHidden=&quot;false&quot;
  12174.   UnhideWhenUsed=&quot;false&quot; Name=&quot;Colorful Grid Accent 6&quot;/&gt;
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  12294. &lt;br /&gt;
  12295. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  12296. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzuOByPQcsbXMASpCxsILqI_ADWOdTtIVApzQ4tcYk01oQPhbXLQA6ZEQ2WI88mAspM0bW1WupmgevBeBYd3V2OcOLxaBo1l4z4ICcAp-BRW26nsKANUk6FQ3mWZDaQkGmZmi-NoNJ884/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;370&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzuOByPQcsbXMASpCxsILqI_ADWOdTtIVApzQ4tcYk01oQPhbXLQA6ZEQ2WI88mAspM0bW1WupmgevBeBYd3V2OcOLxaBo1l4z4ICcAp-BRW26nsKANUk6FQ3mWZDaQkGmZmi-NoNJ884/s1600/1+Ima%25CC%2581genes+destacadas+800.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  12297. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  12298. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  12299. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  12300. &lt;span style=&quot;font-size: 12pt;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  12301. &lt;div class=&quot;MsoNormal&quot; style=&quot;margin-bottom: 12.0pt;&quot;&gt;
  12302. &lt;span style=&quot;font-size: 12pt;&quot;&gt;Yo, para quien no me conozca, soy de un pequeño pueblo de Navarra,
  12303. aunque hace tiempo que no vivo regularmente allí. Habrá gente que no sepa de
  12304. qué hablo, pero otros muchos me entenderán cuando digo que la relación con tu
  12305. pueblo, ir cuando ha pasado tiempo o volver a la capital después de una visita,
  12306. a veces es raro.&lt;/span&gt;&lt;/div&gt;
  12307. &lt;a name=&#39;more&#39;&gt;&lt;/a&gt;&lt;br /&gt;
  12308. &lt;div class=&quot;MsoNormal&quot;&gt;
  12309. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;o:p&gt;&amp;nbsp;&lt;/o:p&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;Justin Timberlake es de Shelby Forest, una pequeña comunidad al lado de
  12310. Memphis. Por eso cuando anunció que su nuevo disco se titularía &lt;/span&gt;&lt;i style=&quot;font-size: 12pt;&quot;&gt;Man Of The
  12311. Woods&lt;/i&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt; el camino era claro en mi mente, &lt;/span&gt;&lt;b style=&quot;font-size: 12pt;&quot;&gt;la
  12312. estela de &lt;i&gt;Joanne&lt;/i&gt; es larga y la vuelta a los orígenes estaba cantada&lt;/b&gt;&lt;span style=&quot;font-size: 12pt;&quot;&gt;.
  12313. Sin embargo, Justin no suele ser el típico artista que sigue estelas.&lt;/span&gt;&lt;/div&gt;
  12314. &lt;div class=&quot;MsoNormal&quot;&gt;
  12315. &lt;br /&gt;&lt;/div&gt;
  12316. &lt;div class=&quot;MsoNormal&quot;&gt;
  12317. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Por eso, cuando escuché &lt;i&gt;Filthy&lt;/i&gt; por primera vez me sorprendí,
  12318. pero pronto entendí qué era lo que Justin pretendía. &lt;/span&gt;&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;El primer track del álbum nada tenía que ver con el country que
  12319. esperábamos. La electrónica del tema se encuentra mucho más cerca de Daft Punk
  12320. que de Dolly Parton. Definitivamente, &lt;i&gt;Filthy&lt;/i&gt;, que comienza con un “If
  12321. you know what&#39;s good come on”, &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;no
  12322. representa a ese “hombre de los bosques”, sino a la estrella mundial en la que
  12323. se ha convertido&lt;/b&gt;. Pero, ¿quién es el Justin real? El videoclip no lo deja
  12324. claro, quizás porque no hay un Justin que no lo sea. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12325. &lt;div class=&quot;MsoNormal&quot;&gt;
  12326. &lt;br /&gt;&lt;/div&gt;
  12327. &lt;div class=&quot;MsoNormal&quot;&gt;
  12328. &lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt;Una semana después publicó &lt;i&gt;Supplies&lt;/i&gt;,
  12329. una canción que, de nuevo, no veíamos venir. Aquí escuchamos al cantante mucho
  12330. más urbano, recordándonos sonidos R&amp;amp;B que ha usado en el pasado, en &lt;i&gt;FutureSex/Love
  12331. Sounds&lt;/i&gt;; aunque un tanto monótona en el estribillo. A&lt;/span&gt; primera vista
  12332. parece un tema sexual, utilizando frases del tipo&lt;span style=&quot;color: black; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic;&quot;&gt; “yo seré la madera
  12333. si necesitas calor” o “yo seré el generador si necesitas electricidad”. Rozando
  12334. incluso el mal gusto, porque lo cierto es que hay personas que no se pueden
  12335. permitir encender la calefacción. Sin embargo, el videoclip sí que tiene un
  12336. enfoque social y político, dándole más profundidad a la canción y haciéndola
  12337. mucho más interesante.&lt;/span&gt;&lt;/div&gt;
  12338. &lt;div class=&quot;MsoNormal&quot;&gt;
  12339. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12340. &lt;div class=&quot;MsoNormal&quot;&gt;
  12341. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Y en tercer lugar tuvimos &lt;i&gt;Say Something&lt;/i&gt;. Otro giro inesperado
  12342. que, ahora sí, nos traía un tema country-folk; uno, por cierto, muy bueno. La
  12343. forma en la que las voces de Chris Stapleton y Justin están tratadas y
  12344. combinadas es sencillamente genial. Aquí, el cantante habla de no dejarse
  12345. atrapar por la corriente, de que está cansado que siempre importe lo que tenga o
  12346. no tenga que decir. El peso de la fama. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12347. &lt;div class=&quot;MsoNormal&quot;&gt;
  12348. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  12349. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  12350. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLm6zXR_QqwmPIgQrrMh2viiSK86ZOs5-_Qdo_M3KbQuxTPT74_TRSEFa9lVyhrESwv7oWHU3xlwMIfL9DyxK_Xc-Y9hYmPbXy014HLEHG38lbWOFBjLYG8qZ776NqfBzJb7zROPhwJWQ/s1600/JustinTimberlake2017_2_16_9.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLm6zXR_QqwmPIgQrrMh2viiSK86ZOs5-_Qdo_M3KbQuxTPT74_TRSEFa9lVyhrESwv7oWHU3xlwMIfL9DyxK_Xc-Y9hYmPbXy014HLEHG38lbWOFBjLYG8qZ776NqfBzJb7zROPhwJWQ/s1600/JustinTimberlake2017_2_16_9.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  12351. &lt;div class=&quot;MsoNormal&quot;&gt;
  12352. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  12353. &lt;div class=&quot;MsoNormal&quot;&gt;
  12354. &lt;br /&gt;&lt;/div&gt;
  12355. &lt;div class=&quot;MsoNormal&quot;&gt;
  12356. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Si me detengo tanto en estas tres canciones es porque &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;son imprescindibles para entender la
  12357. propuesta de &lt;i&gt;Man Of The Woods&lt;/i&gt;.&lt;/b&gt; &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Cada
  12358. una representa un pilar, un ingrediente de la fusión que es el nuevo álbum de
  12359. Timberlake&lt;/b&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12360. &lt;div class=&quot;MsoNormal&quot;&gt;
  12361. &lt;br /&gt;&lt;/div&gt;
  12362. &lt;div class=&quot;MsoNormal&quot;&gt;
  12363. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;De esta forma, si Justin canta temas con base country-folk como &lt;i&gt;Flannel&lt;/i&gt;,
  12364. &lt;i&gt;The Hard Stuff &lt;/i&gt;o, &lt;i&gt;Wave&lt;/i&gt;, &lt;i&gt;Breeze Off The Pond&lt;/i&gt;, aunque algo
  12365. menos, lo hace remozándolos con sonidos electrónicos y elementos urbanos. Una
  12366. mezcla que en algunos momentos casa sorprendentemente bien. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12367. &lt;div class=&quot;MsoNormal&quot;&gt;
  12368. &lt;br /&gt;&lt;/div&gt;
  12369. &lt;div class=&quot;MsoNormal&quot;&gt;
  12370. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;No es el caso de otros temas como &lt;i&gt;Livin’ Off The Land&lt;/i&gt; o el mismo
  12371. &lt;i&gt;Man Of The Woods.&lt;/i&gt; Que parten de melodías interesantes, sobre todo la
  12372. primera, pero que los añadidos restan en vez de sumar. Porque cuando el
  12373. contraste es demasiado pronunciado, sí, suena muy diferente, pero también
  12374. chirría en muchos momentos. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Como si
  12375. Justin se reencontrara con los amigos de la infancia en su pueblo, pero fuera
  12376. vestido con un traje de lentejuelas diseñado por Tom Ford. Desentona.&lt;/b&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12377. &lt;div class=&quot;MsoNormal&quot;&gt;
  12378. &lt;br /&gt;&lt;/div&gt;
  12379. &lt;div class=&quot;MsoNormal&quot;&gt;
  12380. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Aunque haya gran cantidad de experimentación en este disco, también
  12381. trae ese estilo made in Timbaland que tanto nos gusta. Es en estos tracks donde
  12382. más brilla y vemos que la fusión que nos propone puede ser muy interesante. El
  12383. rollo de &lt;i&gt;Midnight Summer Jam&lt;/i&gt; queda genial con las guitarras y la
  12384. armónica. &lt;i&gt;Montana&lt;/i&gt; es otro claro ejemplo, donde la fusión es menor, pero
  12385. el resultado es muy bueno.&lt;/span&gt;&lt;/div&gt;
  12386. &lt;div class=&quot;MsoNormal&quot;&gt;
  12387. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;&lt;o:p&gt;&lt;br /&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12388. &lt;div class=&quot;MsoNormal&quot;&gt;
  12389. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;En un disco en el que parece que quiere abrirse y enseñarnos al
  12390. verdadero Justin, también hay momento para ponerse íntimo con temas como &lt;i&gt;Higher
  12391. Higher&lt;/i&gt; o &lt;i&gt;Morning Light&lt;/i&gt;. En estos destaca la interpretación tanto de
  12392. él como de Alicia Keys, que le da un toque muy sensual en su colaboración con
  12393. Timberlake. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12394. &lt;div class=&quot;MsoNormal&quot;&gt;
  12395. &lt;br /&gt;&lt;/div&gt;
  12396. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  12397. &lt;a href=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij8yRIuMd2y4aNkNmiOD60dIylFSBcrnO-6VBlMPzTIJf4yehq3uUxQRbOnMCTdz68ps1ojiVx7eQRZIWnjEdNx_k9a3oP_U-cspy_LyGdL0NthMI6fImRKXDD0pme3daMVJ50TbI9ptQ/s1600/Petrusich-Justin-Timberlake-Filthy-Man-of-the-Woods.jpg&quot; imageanchor=&quot;1&quot; style=&quot;clear: left; float: left; margin-bottom: 1em; margin-right: 1em;&quot;&gt;&lt;img border=&quot;0&quot; data-original-height=&quot;450&quot; data-original-width=&quot;800&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEij8yRIuMd2y4aNkNmiOD60dIylFSBcrnO-6VBlMPzTIJf4yehq3uUxQRbOnMCTdz68ps1ojiVx7eQRZIWnjEdNx_k9a3oP_U-cspy_LyGdL0NthMI6fImRKXDD0pme3daMVJ50TbI9ptQ/s1600/Petrusich-Justin-Timberlake-Filthy-Man-of-the-Woods.jpg&quot; /&gt;&lt;/a&gt;&lt;/div&gt;
  12398. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  12399. &lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 12pt;&quot;&gt;Sin embargo, en este terreno el cantante también nos da una de cal y
  12400. otra de arena. Porque de la misma forma que nos regala temas hechos con mucho
  12401. gusto, también tenemos otros como &lt;i&gt;Souce&lt;/i&gt;; u&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 12pt;&quot;&gt;n&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;cambria&amp;quot;; font-size: 12pt;&quot;&gt; tema muy sexual en
  12402. el que habla de que le gusta “el rosa” de su mujer y a ella le gusta “su
  12403. morado”, haciendo una descripción quizás demasiado gráfica de su miembro. Y de
  12404. la misma forma nos ofrece un interludio recitado por su mujer en el que nos
  12405. cuenta lo mucho que adora a su marido, algo que me saca muy mucho del álbum.&lt;/span&gt;&lt;/div&gt;
  12406. &lt;div class=&quot;MsoNormal&quot;&gt;
  12407. &lt;br /&gt;&lt;/div&gt;
  12408. &lt;div class=&quot;MsoNormal&quot;&gt;
  12409. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Todo esto desemboca en &lt;i&gt;Young Man&lt;/i&gt;, el cierre del álbum que dedica
  12410. a su hijo. Como si tras todos estos esfuerzos por volver al Justin más humano
  12411. dieran sus frutos no tanto por incluir sonidos de guitarras, sino gracias a él.
  12412. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12413. &lt;div class=&quot;MsoNormal&quot;&gt;
  12414. &lt;br /&gt;&lt;/div&gt;
  12415. &lt;div class=&quot;MsoNormal&quot;&gt;
  12416. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Justin Timberlake nos trae un disco arriesgado, uno que sí habla de
  12417. volver a las raíces, pero no solo de eso. &lt;i&gt;Man Of The Woods&lt;/i&gt; se mira cara
  12418. a cara con &lt;i&gt;Bionic&lt;/i&gt; de Christina Aguilera para representar sus dos mundos.
  12419. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;El Justin superstar aparece con el
  12420. R&amp;amp;B urbano que ya conocemos y elementos electrónicos, mientras que el
  12421. Justin más familiar suena acompañado de guitarras.&lt;/b&gt; Sin embargo, mientras
  12422. que Christina presentaba un sonido petardo y otro más soul por separado, Justin
  12423. intenta rizar más el rizo y los junta. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12424. &lt;div class=&quot;MsoNormal&quot;&gt;
  12425. &lt;br /&gt;&lt;/div&gt;
  12426. &lt;div class=&quot;MsoNormal&quot;&gt;
  12427. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;La propuesta de &lt;i&gt;Man
  12428. Of The Woods&lt;/i&gt; no es tanto un sonido concreto como una fusión.&lt;/span&gt;&lt;/b&gt;&lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt; De esta forma, nunca
  12429. escuchamos música electrónica, urbana o country, sino que las canciones siempre
  12430. son una mezcla de las tres en diferentes cantidades. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;Esto da como resultado algo muy original, pero que en algunas ocasiones
  12431. se pasa de experimental,&lt;/b&gt; sonando industrial temas que intentan ser íntimos,
  12432. por ejemplo.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12433. &lt;div class=&quot;MsoNormal&quot;&gt;
  12434. &lt;br /&gt;&lt;/div&gt;
  12435. &lt;div class=&quot;MsoNormal&quot;&gt;
  12436. &lt;span style=&quot;color: black; mso-ascii-font-family: Cambria; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-font-style: italic; mso-hansi-font-family: Cambria;&quot;&gt;Es por eso que, de la misma forma que &lt;i&gt;Bionic&lt;/i&gt; no entusiasmó a
  12437. todo el mundo, el nuevo disco de Justin Timberlake tampoco lo ha hecho. &lt;b style=&quot;mso-bidi-font-weight: normal;&quot;&gt;&lt;i&gt;Man Of The Woods&lt;/i&gt; está lejos de ser
  12438. un mal disco, pero quizás son demasiados los mensajes que intenta entrelazar&lt;/b&gt;,
  12439. algo que rema en contra de volver a las raíces, a ese hombre de los bosques de Shelby
  12440. Forest y a la sencillez que eso supone. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
  12441. &lt;div class=&quot;MsoNormal&quot;&gt;
  12442. &lt;br /&gt;&lt;/div&gt;
  12443. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  12444. &lt;img border=&quot;0&quot; data-original-height=&quot;6&quot; data-original-width=&quot;1600&quot; height=&quot;0.7&quot; src=&quot;https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTTtZnQtFJMfszJAOeg8YGNUXWfnTk_99oS80gYUT0v_jaTKj3yNa33L2R3GMCyOBSEx7_v6aJxz2Pjtcwg5FsLZ1bl8JSvExrBbIQF84GUWnds5ndvBJW47D5d0Jf6kSxR9Q5ojl9Tmw/s320/li%25CC%2581nea+entradas-10.png&quot; width=&quot;816&quot; /&gt;&lt;/div&gt;
  12445. &lt;br /&gt;
  12446. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: center;&quot;&gt;
  12447. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  12448. &lt;div class=&quot;separator&quot; style=&quot;clear: both; text-align: left;&quot;&gt;
  12449. &lt;span class=&quot;meta-nav&quot; style=&quot;background-color: white; box-sizing: border-box; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px; text-align: justify;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif; text-align: justify;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2017/12/la-lista-de-diciembre-el-ano-del-country.html&quot;&gt;La Lista de Diciembre: El año del country&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
  12450. &lt;div style=&quot;text-align: justify;&quot;&gt;
  12451. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
  12452. &lt;div style=&quot;text-align: justify;&quot;&gt;
  12453. &lt;span style=&quot;background-color: white; color: #333333; font-family: &amp;quot;pt serif&amp;quot; , serif; font-size: 14px;&quot;&gt;«&lt;/span&gt;&lt;span style=&quot;font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;span style=&quot;background-color: white; color: #333333; font-size: 14px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;background-color: white; font-family: &amp;quot;times&amp;quot; , &amp;quot;times new roman&amp;quot; , serif;&quot;&gt;&lt;a href=&quot;https://jaspop.blogspot.com.es/2018/02/analisis-bionic-de-christina-aguilera.html&quot;&gt;Análisis Bionic de Christina Aguilera: Tras la super mujer&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;
  12454. &lt;br /&gt;&lt;/div&gt;
  12455. </content><link rel='replies' type='application/atom+xml' href='https://jaspop.blogspot.com/feeds/406119834278436599/comments/default' title='Enviar comentarios'/><link rel='replies' type='text/html' href='https://jaspop.blogspot.com/2018/03/analisis-de-man-of-woods-de-justin.html#comment-form' title='0 comentarios'/><link rel='edit' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/406119834278436599'/><link rel='self' type='application/atom+xml' href='https://www.blogger.com/feeds/3813689199376250188/posts/default/406119834278436599'/><link rel='alternate' type='text/html' href='https://jaspop.blogspot.com/2018/03/analisis-de-man-of-woods-de-justin.html' title='Análisis de Man Of The Woods de Justin Timberlake: La fusión de dos mundos'/><author><name>Unknown</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzuOByPQcsbXMASpCxsILqI_ADWOdTtIVApzQ4tcYk01oQPhbXLQA6ZEQ2WI88mAspM0bW1WupmgevBeBYd3V2OcOLxaBo1l4z4ICcAp-BRW26nsKANUk6FQ3mWZDaQkGmZmi-NoNJ884/s72-c/1+Ima%25CC%2581genes+destacadas+800.jpg" height="72" width="72"/><thr:total>0</thr:total></entry></feed>

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