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  34. <title>Carlos Saura’s ‘The Hunt’ Gets Modern-Day ‘Revision,’ Rolls in July (EXCLUSIVE)  </title>
  35. <link>https://variety.com/2024/film/global/carlos-saura-pedro-aguilera-carmen-machi-1236005970/</link>
  36. <comments>https://variety.com/2024/film/global/carlos-saura-pedro-aguilera-carmen-machi-1236005970/#respond</comments>
  37. <dc:creator><![CDATA[John Hopewell]]></dc:creator>
  38. <pubDate>Fri, 17 May 2024 06:48:52 +0000</pubDate>
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  42. <category><![CDATA[Cannes Film Festival]]></category>
  43. <category><![CDATA[Carlos Saura]]></category>
  44. <category><![CDATA[Carmen Machi]]></category>
  45. <category><![CDATA[Pedro Aguilera]]></category>
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  48. <description><![CDATA[“La Mesías” star Carmen Machi, Almodóvar muse Rossy de Palma and Blanca Portillo, a Cannes best actress co-winner for Almodóvar’s “Volver,” are set to star in “The Prey” (“Dia de Caza”), billed as a contemporary revision of Carlos Saura’s 1965 pic “The Hunt,” quite possibly his crowing achievement. The film is set to shoot in [&#8230;]]]></description>
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  58. <title>&#8216;Ghost Trail&#8217; Review: Adam Bessa Electrifies a Tense Refugee Revenge Thriller</title>
  59. <link>https://variety.com/2024/film/reviews/ghost-trail-review-adam-bessa-1236004535/</link>
  60. <comments>https://variety.com/2024/film/reviews/ghost-trail-review-adam-bessa-1236004535/#respond</comments>
  61. <dc:creator><![CDATA[Jessica Kiang]]></dc:creator>
  62. <pubDate>Fri, 17 May 2024 05:37:23 +0000</pubDate>
  63. <category><![CDATA[Reviews]]></category>
  64. <category><![CDATA[Adam Bessa]]></category>
  65. <category><![CDATA[Cannes Critics Week]]></category>
  66. <category><![CDATA[Ghost Trail]]></category>
  67. <category><![CDATA[Jonathan Millet]]></category>
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  70. <description><![CDATA[If the best revenge is living well, it is a truism that has not yet taken root for Hamid (a riveting Adam Bessa), the dark, scarred heart of Jonathan Millet&#8217;s brooding, gripping &#8220;Ghost Trail.&#8221; Outside his soon-to-be-revealed mission, Hamid barely has a life at all, placing him firmly in the genre tradition of the taciturn, [&#8230;]]]></description>
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  80. <title>Czech Filmmakers Forge Ties, Ramp Up Foreign Co-Productions to Boost Growing Industry</title>
  81. <link>https://variety.com/2024/film/focus/czech-republic-international-coproductions-industry-growth-1235984688/</link>
  82. <comments>https://variety.com/2024/film/focus/czech-republic-international-coproductions-industry-growth-1235984688/#respond</comments>
  83. <dc:creator><![CDATA[Postcardjunky]]></dc:creator>
  84. <pubDate>Fri, 17 May 2024 05:35:00 +0000</pubDate>
  85. <category><![CDATA[Focus]]></category>
  86. <category><![CDATA[Global]]></category>
  87. <category><![CDATA[Markets & Festivals]]></category>
  88. <category><![CDATA[Spotlight]]></category>
  89. <category><![CDATA[Agnieszka Holland]]></category>
  90. <category><![CDATA[Cannes Film Festival]]></category>
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  93. <description><![CDATA[It’s been 20 years since the Czech Republic hosted its first pavilion at the Cannes Film Festival’s Marché du Film, with a Czech delegation arriving at the prestigious French fest just days after their country had joined the European Union. The timing was both propitious and symbolic: In the two decades since, the Czech industry [&#8230;]]]></description>
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  103. <media:title type="html">Living Large</media:title>
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  107. <title>Production Hub Czech Republic Looks to Lure More Blockbusters With New Film and TV Law</title>
  108. <link>https://variety.com/2024/film/focus/wheel-of-time-ballerina-czech-republic-new-film-law-1235984679/</link>
  109. <comments>https://variety.com/2024/film/focus/wheel-of-time-ballerina-czech-republic-new-film-law-1235984679/#respond</comments>
  110. <dc:creator><![CDATA[Postcardjunky]]></dc:creator>
  111. <pubDate>Fri, 17 May 2024 05:30:00 +0000</pubDate>
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  113. <category><![CDATA[Global]]></category>
  114. <category><![CDATA[Markets & Festivals]]></category>
  115. <category><![CDATA[Spotlight]]></category>
  116. <category><![CDATA[Amazon Prime Video]]></category>
  117. <category><![CDATA[Ballerina]]></category>
  118. <category><![CDATA[Nosferatu]]></category>
  119. <category><![CDATA[Wheel of Time]]></category>
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  121.  
  122. <description><![CDATA[When the creative team behind Prime Video’s splashy fantasy series “The Wheel of Time” began scouring the globe for locations five years ago, it ran into a problem not uncharacteristic of that period of peak TV: It was all but impossible to find a production hub that could both accommodate the show’s sprawling footprint and [&#8230;]]]></description>
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  128. <media:title type="html">Wheel-of-Time</media:title>
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  131. <item>
  132. <title>Italian Film Business Lashes Out at Political Delay</title>
  133. <link>https://variety.com/2024/film/focus/italian-film-business-cannes-1235989452/</link>
  134. <comments>https://variety.com/2024/film/focus/italian-film-business-cannes-1235989452/#respond</comments>
  135. <dc:creator><![CDATA[Leo Barraclough]]></dc:creator>
  136. <pubDate>Fri, 17 May 2024 05:30:00 +0000</pubDate>
  137. <category><![CDATA[Focus]]></category>
  138. <category><![CDATA[Global]]></category>
  139. <category><![CDATA[Spotlight]]></category>
  140. <category><![CDATA[Cannes Film Festival]]></category>
  141. <category><![CDATA[Marco Bellocchio]]></category>
  142. <category><![CDATA[Paolo Sorrentino]]></category>
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  144.  
  145. <description><![CDATA[Italy’s film industry is fighting to stay vibrant amid disruption caused both by politics and market forces.After reaping the rewards of a protracted growth spurt, local producers are facing a forced slowdown as the country’s right-wing government dithers with modifications they plan to make to several key regulations, most significantly to the country’s currently stalled [&#8230;]]]></description>
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  151. <media:title type="html">Parthenope</media:title>
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  155. <title>Italian Buzz Titles Include Films by Paolo Sorrentino, Luca Guadagnino</title>
  156. <link>https://variety.com/2024/film/focus/italian-buzz-titles-paolo-sorrentino-luca-guadagnino-1235989464/</link>
  157. <comments>https://variety.com/2024/film/focus/italian-buzz-titles-paolo-sorrentino-luca-guadagnino-1235989464/#respond</comments>
  158. <dc:creator><![CDATA[Leo Barraclough]]></dc:creator>
  159. <pubDate>Fri, 17 May 2024 05:30:00 +0000</pubDate>
  160. <category><![CDATA[Focus]]></category>
  161. <category><![CDATA[Global]]></category>
  162. <category><![CDATA[Spotlight]]></category>
  163. <category><![CDATA[Cannes Film Festival]]></category>
  164. <category><![CDATA[Luca Guadagnino]]></category>
  165. <category><![CDATA[Paolo Sorrentino]]></category>
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  168. <description><![CDATA[The persistent vibrancy of Italian cinema, despite increasing financing difficulties, is undisputable if you look at the range of the country’s current output and what’s percolating in the pipeline. It spans from highly sophisticated new works by maestros such as Paolo Sorrentino and Luca Guadagnino to crassly commercial global megahits like Netflix Italy original “The [&#8230;]]]></description>
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  174. <media:title type="html">Le-Deluge</media:title>
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  178. <title>Pinocchio Horror in &#8216;Winnie-the-Pooh: Blood and Honey&#8217; Universe Unveils R-Rated Details: Skin Suits, High Kill Counts and Lots of Gore (EXCLUSIVE)</title>
  179. <link>https://variety.com/2024/film/global/pinocchio-horror-winnie-the-pooh-blood-and-honey-universe-1236005898/</link>
  180. <comments>https://variety.com/2024/film/global/pinocchio-horror-winnie-the-pooh-blood-and-honey-universe-1236005898/#respond</comments>
  181. <dc:creator><![CDATA[Alex Ritman]]></dc:creator>
  182. <pubDate>Fri, 17 May 2024 05:30:00 +0000</pubDate>
  183. <category><![CDATA[Global]]></category>
  184. <category><![CDATA[News]]></category>
  185. <category><![CDATA[Winnie-the-Pooh: Blood and Honey]]></category>
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  187.  
  188. <description><![CDATA[Pinocchio is entering the Poohniverse. The frequently adapted children&#8217;s story is set to become the latest standalone film introduced into the extremely bloody and gory world of &#8220;Winnie-the-Pooh: Blood and Honey,&#8221; the IP-bludgeoning microbudget slasher that that sparked headlines for turning A. A. Milne’s jovial bear into a feral serial killer (and made $5.2 million [&#8230;]]]></description>
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  194. <media:title type="html">Winnie the Pooh Blood and Honey</media:title>
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  197. <item>
  198. <title>Chile&#8217;s Alfredo Castro Preps Directorial Debut, &#8216;Los Trabajadores de la Muerte&#8217; (EXCLUSIVE)</title>
  199. <link>https://variety.com/2024/film/global/alfredo-castro-directorial-debut-cannes-1236005978/</link>
  200. <comments>https://variety.com/2024/film/global/alfredo-castro-directorial-debut-cannes-1236005978/#respond</comments>
  201. <dc:creator><![CDATA[Jamie Lang]]></dc:creator>
  202. <pubDate>Fri, 17 May 2024 05:25:00 +0000</pubDate>
  203. <category><![CDATA[Global]]></category>
  204. <category><![CDATA[Markets & Festivals]]></category>
  205. <category><![CDATA[News]]></category>
  206. <category><![CDATA[Alfredo Castro]]></category>
  207. <category><![CDATA[Les Films de l&#039;Âge d&#039;Or]]></category>
  208. <category><![CDATA[Los Trabajadores de la muerte]]></category>
  209. <category><![CDATA[Storyboard Media]]></category>
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  211.  
  212. <description><![CDATA[Chilean actor Alfredo Castro (&#8220;The Club,&#8221; &#8220;Tony Manero”) will make his directorial debut with the psychological thriller &#8220;Los Trabajadores de la Muerte,” which translates to “the workers of death.” Based on Diamela Eltit&#8217;s novel of the same title, the film is penned by Castro and Pablo Valledor. Chile’s Storyboard Media and Les Films de l&#8217;Âge [&#8230;]]]></description>
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  222. <title>Arab Films Breaking New Ground: Buzz Titles Include &#8216;Aïcha,&#8217; &#8216;Hijra,&#8217; &#8216;Siwar&#8217;</title>
  223. <link>https://variety.com/2024/film/focus/arab-cinema-buzz-titles-1235989987/</link>
  224. <comments>https://variety.com/2024/film/focus/arab-cinema-buzz-titles-1235989987/#respond</comments>
  225. <dc:creator><![CDATA[Leo Barraclough]]></dc:creator>
  226. <pubDate>Fri, 17 May 2024 05:23:00 +0000</pubDate>
  227. <category><![CDATA[Focus]]></category>
  228. <category><![CDATA[Global]]></category>
  229. <category><![CDATA[Spotlight]]></category>
  230. <category><![CDATA[Cannes Film Festival]]></category>
  231. <category><![CDATA[Maysaloun Hamoud]]></category>
  232. <category><![CDATA[Mehdi M. Barsaoui]]></category>
  233. <category><![CDATA[Muhammed Hamdy]]></category>
  234. <category><![CDATA[Osama Alkhurayji]]></category>
  235. <category><![CDATA[Saïd Hamich Benlarbi]]></category>
  236. <category><![CDATA[Shahad Ameen]]></category>
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  238.  
  239. <description><![CDATA[Arab cinema continues to break new ground with a fresh crop of social dramas, several of which depict female empowerment in different forms. These range from the tale of a young woman who fakes being dead so she can leave everything behind, to a rape-revenge thriller titled “Beretta,” just like the semi-automatic pistol used by [&#8230;]]]></description>
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  245. <media:title type="html">Perfumed-With-Mint</media:title>
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  248. <item>
  249. <title>Sola Media Closes Multiple Territory Sales on &#8216;The Sloth Lane&#8217; Ahead of Annecy World Premiere (EXCLUSIVE)</title>
  250. <link>https://variety.com/2024/film/global/sola-media-the-sloth-lane-annecy-1236007213/</link>
  251. <comments>https://variety.com/2024/film/global/sola-media-the-sloth-lane-annecy-1236007213/#respond</comments>
  252. <dc:creator><![CDATA[Leo Barraclough]]></dc:creator>
  253. <pubDate>Fri, 17 May 2024 05:17:23 +0000</pubDate>
  254. <category><![CDATA[Global]]></category>
  255. <category><![CDATA[News]]></category>
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  260.  
  261. <description><![CDATA[Sola Media has closed sales for multiple territories for &#8220;The Sloth Lane,&#8221; which will world premiere at the Annecy Intl. Animation Film Festival. Sola will be presenting a first look at the trailer at the Cannes Market. The story, which centers on an adorable family of sloths and their journey to the fast-paced world of [&#8230;]]]></description>
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