Congratulations!

[Valid RSS] This is a valid RSS feed.

Recommendations

This feed is valid, but interoperability with the widest range of feed readers could be improved by implementing the following recommendations.

Source: http://feeds.feedburner.com/behance/vorr

  1. <?xml version="1.0" encoding="utf-8" ?>
  2. <rss xmlns:content="http://purl.org/rss/1.0/modules/content/" version="2.0">
  3. <channel>
  4.  <title><![CDATA[ Featured Projects]]></title>
  5.  <link>http://www.behance.net</link>
  6.  <description><![CDATA[The latest projects featured on the ]]></description>
  7.  <pubDate>Thu, 10 Jul 2025 09:07:42 +0000</pubDate>
  8.  <language>en-us</language>
  9.        <item>
  10.        <title><![CDATA[Editorial illustration]]></title>
  11.        <link><![CDATA[https://www.behance.net/gallery/178065955/Editorial-illustration]]></link>
  12.        <guid><![CDATA[https://www.behance.net/gallery/178065955/Editorial-illustration]]></guid>
  13.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/52f364178065955.Y3JvcCwxMjAwLDkzOCwwLDI0Mw.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  14.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/52f364178065955.Y3JvcCwxMjAwLDkzOCwwLDI0Mw.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  15.        <pubDate><![CDATA[Thu, 10 Jul 2025 06:00:06 +0000]]></pubDate>
  16.      </item>
  17.        <item>
  18.        <title><![CDATA[Livraria Lello | LL ? Flip Machine]]></title>
  19.        <link><![CDATA[https://www.behance.net/gallery/225957049/Livraria-Lello-LL-Flip-Machine]]></link>
  20.        <guid><![CDATA[https://www.behance.net/gallery/225957049/Livraria-Lello-LL-Flip-Machine]]></guid>
  21.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a78836225957049.Y3JvcCw5NjMsNzUzLDI1MCw3.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  22.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a78836225957049.Y3JvcCw5NjMsNzUzLDI1MCw3.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  23.        <pubDate><![CDATA[Thu, 10 Jul 2025 02:00:06 +0000]]></pubDate>
  24.      </item>
  25.        <item>
  26.        <title><![CDATA[Lizards]]></title>
  27.        <link><![CDATA[https://www.behance.net/gallery/229341599/Lizards]]></link>
  28.        <guid><![CDATA[https://www.behance.net/gallery/229341599/Lizards]]></guid>
  29.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/dd2377229341599.Y3JvcCwxMjAwLDkzOCwwLDEzMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  30.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/dd2377229341599.Y3JvcCwxMjAwLDkzOCwwLDEzMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  31.        <pubDate><![CDATA[Wed, 09 Jul 2025 22:00:04 +0000]]></pubDate>
  32.      </item>
  33.        <item>
  34.        <title><![CDATA[?duo®??????? | Pet branding design]]></title>
  35.        <link><![CDATA[https://www.behance.net/gallery/229403597/duo-Pet-branding-design]]></link>
  36.        <guid><![CDATA[https://www.behance.net/gallery/229403597/duo-Pet-branding-design]]></guid>
  37.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2dcbaa229403597.Y3JvcCwxMDg0LDg0OCwyMTIsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  38.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2dcbaa229403597.Y3JvcCwxMDg0LDg0OCwyMTIsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  39.        <pubDate><![CDATA[Wed, 09 Jul 2025 18:00:05 +0000]]></pubDate>
  40.      </item>
  41.        <item>
  42.        <title><![CDATA[Color block]]></title>
  43.        <link><![CDATA[https://www.behance.net/gallery/229782817/Color-block]]></link>
  44.        <guid><![CDATA[https://www.behance.net/gallery/229782817/Color-block]]></guid>
  45.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4e1782229782817.Y3JvcCw5OTksNzgyLDAsMzY4.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  46.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4e1782229782817.Y3JvcCw5OTksNzgyLDAsMzY4.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  47.        <pubDate><![CDATA[Wed, 09 Jul 2025 14:00:08 +0000]]></pubDate>
  48.      </item>
  49.        <item>
  50.        <title><![CDATA[??????·??????packaging design]]></title>
  51.        <link><![CDATA[https://www.behance.net/gallery/229799285/packaging-design]]></link>
  52.        <guid><![CDATA[https://www.behance.net/gallery/229799285/packaging-design]]></guid>
  53.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/706143229799285.Y3JvcCw1MTk0LDQwNjIsMzYwLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  54.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/706143229799285.Y3JvcCw1MTk0LDQwNjIsMzYwLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  55.        <pubDate><![CDATA[Wed, 09 Jul 2025 10:00:04 +0000]]></pubDate>
  56.      </item>
  57.        <item>
  58.        <title><![CDATA[Gibberish Cacophony]]></title>
  59.        <link><![CDATA[https://www.behance.net/gallery/229866823/Gibberish-Cacophony]]></link>
  60.        <guid><![CDATA[https://www.behance.net/gallery/229866823/Gibberish-Cacophony]]></guid>
  61.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4b36cc229866823.Y3JvcCw4MzcsNjU0LDIyMSw0MTQ.jpg' style='float:left; margin-right:15px;' /><br /> Personal Work 2025]]></description>
  62.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4b36cc229866823.Y3JvcCw4MzcsNjU0LDIyMSw0MTQ.jpg' style='float:left; margin-right:15px;' /><br /> Personal Work 2025]]></content:encoded>
  63.        <pubDate><![CDATA[Wed, 09 Jul 2025 06:00:04 +0000]]></pubDate>
  64.      </item>
  65.        <item>
  66.        <title><![CDATA[Bruna Soranz]]></title>
  67.        <link><![CDATA[https://www.behance.net/gallery/229811373/Bruna-Soranz]]></link>
  68.        <guid><![CDATA[https://www.behance.net/gallery/229811373/Bruna-Soranz]]></guid>
  69.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/229d86229811373.Y3JvcCwxMjU5LDk4NCwzNzMsOTM.jpg' style='float:left; margin-right:15px;' /><br /> Bruna Soranz is an interior designer and the author of Microcosmos ? a methodology that sees each project as a living system in constant dialogue with time, nature and the people who inhabit it. More than creating spaces, her work explores how environments can reconnect us with presence, rhythm and sensory experience.]]></description>
  70.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/229d86229811373.Y3JvcCwxMjU5LDk4NCwzNzMsOTM.jpg' style='float:left; margin-right:15px;' /><br /> Bruna Soranz is an interior designer and the author of Microcosmos ? a methodology that sees each project as a living system in constant dialogue with time, nature and the people who inhabit it. More than creating spaces, her work explores how environments can reconnect us with presence, rhythm and sensory experience.]]></content:encoded>
  71.        <pubDate><![CDATA[Wed, 09 Jul 2025 02:00:04 +0000]]></pubDate>
  72.      </item>
  73.        <item>
  74.        <title><![CDATA[ORIGIN]]></title>
  75.        <link><![CDATA[https://www.behance.net/gallery/229471081/ORIGIN]]></link>
  76.        <guid><![CDATA[https://www.behance.net/gallery/229471081/ORIGIN]]></guid>
  77.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/97442b229471081.Y3JvcCw0MTY3LDMyNTksMCw0NTM.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  78.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/97442b229471081.Y3JvcCw0MTY3LDMyNTksMCw0NTM.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  79.        <pubDate><![CDATA[Tue, 08 Jul 2025 22:00:06 +0000]]></pubDate>
  80.      </item>
  81.        <item>
  82.        <title><![CDATA[Unique artworks]]></title>
  83.        <link><![CDATA[https://www.behance.net/gallery/229635833/Unique-artworks]]></link>
  84.        <guid><![CDATA[https://www.behance.net/gallery/229635833/Unique-artworks]]></guid>
  85.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/57b932229635833.Y3JvcCw2NzUsNTI4LDE2LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  86.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/57b932229635833.Y3JvcCw2NzUsNTI4LDE2LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  87.        <pubDate><![CDATA[Tue, 08 Jul 2025 18:00:16 +0000]]></pubDate>
  88.      </item>
  89.        <item>
  90.        <title><![CDATA[Bonnland]]></title>
  91.        <link><![CDATA[https://www.behance.net/gallery/229745671/Bonnland]]></link>
  92.        <guid><![CDATA[https://www.behance.net/gallery/229745671/Bonnland]]></guid>
  93.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/33cb72229745671.Y3JvcCwxNjY3LDEzMDMsMCw5Mjg.jpg' style='float:left; margin-right:15px;' /><br /> Bonnland, located near Hammelburg in Lower Franconia, was first mentioned in 802 as "Bonlante." Over time, it grew into a small village, later surrounded by military training grounds.
  94.  
  95. Used as a POW camp in both World Wars, the site held thousands of prisoners, many forced into labor. In 1938, the Nazi Army cleared the village to expand the training area, relocating around 280 residents.
  96.  
  97. Some briefly returned after WWII, but in 1965 the Bundeswehr fully took over. Since then, Bonnland has remained sealed off as a military training village?intact but uninhabited.
  98.  
  99. Many buildings are now protected, including the 13th-century St. Michaelis Church. Today, the empty streets reflect the silence of a community long gone.]]></description>
  100.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/33cb72229745671.Y3JvcCwxNjY3LDEzMDMsMCw5Mjg.jpg' style='float:left; margin-right:15px;' /><br /> Bonnland, located near Hammelburg in Lower Franconia, was first mentioned in 802 as "Bonlante." Over time, it grew into a small village, later surrounded by military training grounds.
  101.  
  102. Used as a POW camp in both World Wars, the site held thousands of prisoners, many forced into labor. In 1938, the Nazi Army cleared the village to expand the training area, relocating around 280 residents.
  103.  
  104. Some briefly returned after WWII, but in 1965 the Bundeswehr fully took over. Since then, Bonnland has remained sealed off as a military training village?intact but uninhabited.
  105.  
  106. Many buildings are now protected, including the 13th-century St. Michaelis Church. Today, the empty streets reflect the silence of a community long gone.]]></content:encoded>
  107.        <pubDate><![CDATA[Tue, 08 Jul 2025 14:00:10 +0000]]></pubDate>
  108.      </item>
  109.        <item>
  110.        <title><![CDATA[Telekomosok Fesztiválja]]></title>
  111.        <link><![CDATA[https://www.behance.net/gallery/229797751/Telekomosok-Fesztivalja]]></link>
  112.        <guid><![CDATA[https://www.behance.net/gallery/229797751/Telekomosok-Fesztivalja]]></guid>
  113.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b541db229797751.Y3JvcCw5MzcsNzMzLDIzMiwyNw.png' style='float:left; margin-right:15px;' /><br /> Telekomosok Fesztiválja is a nationwide summer event series by Magyar Telekom, designed to connect with younger audiences through music, culture, and community programs. The initiative creates a fresh, experience-driven brand touchpoint that travels across multiple locations in Hungary ? all with free entry for Telekom subscribers.
  114. Visual Identity Concept:?The visual system was built around Telekom's iconic magenta, which was a required brand element. Instead of letting it dominate, we integrated magenta into a vibrant, playful color palette. This approach allowed us to preserve brand recognition while giving the festival its own distinctive and contemporary look.
  115. The identity uses bold geometric and organic shapes arranged in dynamic compositions that create rhythm and movement across various formats. The typography is a rounded grotesque typeface, emphasizing approachability and clarity.]]></description>
  116.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b541db229797751.Y3JvcCw5MzcsNzMzLDIzMiwyNw.png' style='float:left; margin-right:15px;' /><br /> Telekomosok Fesztiválja is a nationwide summer event series by Magyar Telekom, designed to connect with younger audiences through music, culture, and community programs. The initiative creates a fresh, experience-driven brand touchpoint that travels across multiple locations in Hungary ? all with free entry for Telekom subscribers.
  117. Visual Identity Concept:?The visual system was built around Telekom's iconic magenta, which was a required brand element. Instead of letting it dominate, we integrated magenta into a vibrant, playful color palette. This approach allowed us to preserve brand recognition while giving the festival its own distinctive and contemporary look.
  118. The identity uses bold geometric and organic shapes arranged in dynamic compositions that create rhythm and movement across various formats. The typography is a rounded grotesque typeface, emphasizing approachability and clarity.]]></content:encoded>
  119.        <pubDate><![CDATA[Tue, 08 Jul 2025 10:00:06 +0000]]></pubDate>
  120.      </item>
  121.        <item>
  122.        <title><![CDATA[Dive !]]></title>
  123.        <link><![CDATA[https://www.behance.net/gallery/229660301/Dive-]]></link>
  124.        <guid><![CDATA[https://www.behance.net/gallery/229660301/Dive-]]></guid>
  125.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c66a15229660301.Y3JvcCwxNDAwLDEwOTUsMCwyMjU.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  126.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c66a15229660301.Y3JvcCwxNDAwLDEwOTUsMCwyMjU.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  127.        <pubDate><![CDATA[Tue, 08 Jul 2025 06:00:13 +0000]]></pubDate>
  128.      </item>
  129.        <item>
  130.        <title><![CDATA[Botaniste]]></title>
  131.        <link><![CDATA[https://www.behance.net/gallery/229610457/Botaniste]]></link>
  132.        <guid><![CDATA[https://www.behance.net/gallery/229610457/Botaniste]]></guid>
  133.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/d94bfe229610457.Y3JvcCw5OTAsNzc0LDIyMyw0NA.jpg' style='float:left; margin-right:15px;' /><br /> Until now, the Botaniste brand was focused on the B2B market, but it decided to shift its strategy and target end consumers as well?a more demanding audience that values hair health and the quality of the products they choose. With this change, the brand also needed to evolve its visual identity, positioning Botaniste in a more natural context and elevating its perception toward a more aspirational and premium territory?drawing inspiration from the rich imagery associated with the world of botany.]]></description>
  134.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/d94bfe229610457.Y3JvcCw5OTAsNzc0LDIyMyw0NA.jpg' style='float:left; margin-right:15px;' /><br /> Until now, the Botaniste brand was focused on the B2B market, but it decided to shift its strategy and target end consumers as well?a more demanding audience that values hair health and the quality of the products they choose. With this change, the brand also needed to evolve its visual identity, positioning Botaniste in a more natural context and elevating its perception toward a more aspirational and premium territory?drawing inspiration from the rich imagery associated with the world of botany.]]></content:encoded>
  135.        <pubDate><![CDATA[Tue, 08 Jul 2025 02:00:05 +0000]]></pubDate>
  136.      </item>
  137.        <item>
  138.        <title><![CDATA[Portfolio May-June Illustrations]]></title>
  139.        <link><![CDATA[https://www.behance.net/gallery/228975077/Portfolio-May-June-Illustrations]]></link>
  140.        <guid><![CDATA[https://www.behance.net/gallery/228975077/Portfolio-May-June-Illustrations]]></guid>
  141.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/66f5de228975077.Y3JvcCwxMDAzLDc4NSwxNTYsMjcw.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  142.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/66f5de228975077.Y3JvcCwxMDAzLDc4NSwxNTYsMjcw.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  143.        <pubDate><![CDATA[Mon, 07 Jul 2025 22:00:09 +0000]]></pubDate>
  144.      </item>
  145.        <item>
  146.        <title><![CDATA[HKU Architecture Degree Show 2025]]></title>
  147.        <link><![CDATA[https://www.behance.net/gallery/229529951/HKU-Architecture-Degree-Show-2025]]></link>
  148.        <guid><![CDATA[https://www.behance.net/gallery/229529951/HKU-Architecture-Degree-Show-2025]]></guid>
  149.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/268e68229529951.Y3JvcCwzNjAwLDI4MTUsMCw1OTc.jpg' style='float:left; margin-right:15px;' /><br /> The Degree Shows of Department of Architecture and Division of Landscape Architecture, The University of Hong Kong, were held in Knowles Building, from June to July 2025.
  150.  
  151. The key visual this year is inspired by the ancient Chinese character of Show / Exhibition: ? zh?n (an old alternative of ? zh?n), the character is composed of 4 arrayed ? on a grid, which means the display of crafts or the extreme craftsmanship by showing multiple of crafts in the character. The visual is animated with 88 versions of ?, created by transforming Chinese and Latin calligraphy, typography , and by various abstracted geometries, representing each graduate's unique thesis work and other students' works from affiliate exhibitions. In contrast to last year visual's complexity by utilizing AI generated graphics, this year visual uses only colors and fills to demonstrate simplicity.
  152.  
  153. Client ?
  154. Department of Architecture, The University of Hong Kong
  155.  
  156. Typeface In Use ?
  157. Funnel Display, designed by Kristian Möller]]></description>
  158.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/268e68229529951.Y3JvcCwzNjAwLDI4MTUsMCw1OTc.jpg' style='float:left; margin-right:15px;' /><br /> The Degree Shows of Department of Architecture and Division of Landscape Architecture, The University of Hong Kong, were held in Knowles Building, from June to July 2025.
  159.  
  160. The key visual this year is inspired by the ancient Chinese character of Show / Exhibition: ? zh?n (an old alternative of ? zh?n), the character is composed of 4 arrayed ? on a grid, which means the display of crafts or the extreme craftsmanship by showing multiple of crafts in the character. The visual is animated with 88 versions of ?, created by transforming Chinese and Latin calligraphy, typography , and by various abstracted geometries, representing each graduate's unique thesis work and other students' works from affiliate exhibitions. In contrast to last year visual's complexity by utilizing AI generated graphics, this year visual uses only colors and fills to demonstrate simplicity.
  161.  
  162. Client ?
  163. Department of Architecture, The University of Hong Kong
  164.  
  165. Typeface In Use ?
  166. Funnel Display, designed by Kristian Möller]]></content:encoded>
  167.        <pubDate><![CDATA[Mon, 07 Jul 2025 18:00:14 +0000]]></pubDate>
  168.      </item>
  169.        <item>
  170.        <title><![CDATA[A Forest Full of Fireflies]]></title>
  171.        <link><![CDATA[https://www.behance.net/gallery/229674603/A-Forest-Full-of-Fireflies]]></link>
  172.        <guid><![CDATA[https://www.behance.net/gallery/229674603/A-Forest-Full-of-Fireflies]]></guid>
  173.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/309c24229674603.Y3JvcCwxNzA0LDEzMzMsMTQ3LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  174.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/309c24229674603.Y3JvcCwxNzA0LDEzMzMsMTQ3LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  175.        <pubDate><![CDATA[Mon, 07 Jul 2025 14:00:07 +0000]]></pubDate>
  176.      </item>
  177.        <item>
  178.        <title><![CDATA[Futuro Imperfecto]]></title>
  179.        <link><![CDATA[https://www.behance.net/gallery/229524823/Futuro-Imperfecto]]></link>
  180.        <guid><![CDATA[https://www.behance.net/gallery/229524823/Futuro-Imperfecto]]></guid>
  181.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fe0cee229524823.Y3JvcCwxNDAwLDEwOTUsMCwzMjk.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  182.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fe0cee229524823.Y3JvcCwxNDAwLDEwOTUsMCwzMjk.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  183.        <pubDate><![CDATA[Mon, 07 Jul 2025 10:00:22 +0000]]></pubDate>
  184.      </item>
  185.        <item>
  186.        <title><![CDATA[Illustration Collection XV]]></title>
  187.        <link><![CDATA[https://www.behance.net/gallery/229296455/Illustration-Collection-XV]]></link>
  188.        <guid><![CDATA[https://www.behance.net/gallery/229296455/Illustration-Collection-XV]]></guid>
  189.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2a293c229296455.Y3JvcCwxMTkzLDkzMyw1MCw0ODE.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  190.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2a293c229296455.Y3JvcCwxMTkzLDkzMyw1MCw0ODE.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  191.        <pubDate><![CDATA[Mon, 07 Jul 2025 06:00:18 +0000]]></pubDate>
  192.      </item>
  193.        <item>
  194.        <title><![CDATA[TRAMO ? Branding]]></title>
  195.        <link><![CDATA[https://www.behance.net/gallery/229581061/TRAMO-Branding]]></link>
  196.        <guid><![CDATA[https://www.behance.net/gallery/229581061/TRAMO-Branding]]></guid>
  197.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/1e0eb4229581061.Y3JvcCw1NDQ1LDQyNTksMTA3LDA.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  198.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/1e0eb4229581061.Y3JvcCw1NDQ1LDQyNTksMTA3LDA.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  199.        <pubDate><![CDATA[Mon, 07 Jul 2025 02:00:10 +0000]]></pubDate>
  200.      </item>
  201.        <item>
  202.        <title><![CDATA[BUMBLE &amp; HIGHSNOBIETY]]></title>
  203.        <link><![CDATA[https://www.behance.net/gallery/214699739/BUMBLE-HIGHSNOBIETY]]></link>
  204.        <guid><![CDATA[https://www.behance.net/gallery/214699739/BUMBLE-HIGHSNOBIETY]]></guid>
  205.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fc510c214699739.Y3JvcCwyODgyLDIyNTQsMzA2LDQ0Mg.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  206.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/fc510c214699739.Y3JvcCwyODgyLDIyNTQsMzA2LDQ0Mg.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  207.        <pubDate><![CDATA[Sun, 06 Jul 2025 22:00:13 +0000]]></pubDate>
  208.      </item>
  209.        <item>
  210.        <title><![CDATA[COMEPA - Visual identity]]></title>
  211.        <link><![CDATA[https://www.behance.net/gallery/229531891/COMEPA-Visual-identity]]></link>
  212.        <guid><![CDATA[https://www.behance.net/gallery/229531891/COMEPA-Visual-identity]]></guid>
  213.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/202/543f50229531891.Y3JvcCwzNzU2LDI5MzgsNDkyLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  214.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/202/543f50229531891.Y3JvcCwzNzU2LDI5MzgsNDkyLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  215.        <pubDate><![CDATA[Sun, 06 Jul 2025 18:00:19 +0000]]></pubDate>
  216.      </item>
  217.        <item>
  218.        <title><![CDATA[Mercedes-AMG]]></title>
  219.        <link><![CDATA[https://www.behance.net/gallery/229563113/Mercedes-AMG]]></link>
  220.        <guid><![CDATA[https://www.behance.net/gallery/229563113/Mercedes-AMG]]></guid>
  221.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3de10f229563113.Y3JvcCwzMjE1LDI1MTUsMzk3LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  222.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3de10f229563113.Y3JvcCwzMjE1LDI1MTUsMzk3LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  223.        <pubDate><![CDATA[Sun, 06 Jul 2025 14:00:31 +0000]]></pubDate>
  224.      </item>
  225.        <item>
  226.        <title><![CDATA[Looking for the summer]]></title>
  227.        <link><![CDATA[https://www.behance.net/gallery/229100097/Looking-for-the-summer]]></link>
  228.        <guid><![CDATA[https://www.behance.net/gallery/229100097/Looking-for-the-summer]]></guid>
  229.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3d0bfb229100097.Y3JvcCwxMTE4LDg3NSw2OSww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  230.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3d0bfb229100097.Y3JvcCwxMTE4LDg3NSw2OSww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  231.        <pubDate><![CDATA[Sun, 06 Jul 2025 10:00:06 +0000]]></pubDate>
  232.      </item>
  233.        <item>
  234.        <title><![CDATA[New elephant]]></title>
  235.        <link><![CDATA[https://www.behance.net/gallery/229443755/New-elephant]]></link>
  236.        <guid><![CDATA[https://www.behance.net/gallery/229443755/New-elephant]]></guid>
  237.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3ae830229443755.6864edb562644.jpg' style='float:left; margin-right:15px;' /><br /> A few years ago, an aspiring author, Sergey Lobanov, approached me with a proposal to create a book for his children.
  238. We became very passionate about our work. Today, the book "The New Elephant" is available to everyone.
  239.  
  240. It is a heartwarming story about a bear cub who decides to become an elephant. It is a tale of friendship, understanding, and support.]]></description>
  241.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3ae830229443755.6864edb562644.jpg' style='float:left; margin-right:15px;' /><br /> A few years ago, an aspiring author, Sergey Lobanov, approached me with a proposal to create a book for his children.
  242. We became very passionate about our work. Today, the book "The New Elephant" is available to everyone.
  243.  
  244. It is a heartwarming story about a bear cub who decides to become an elephant. It is a tale of friendship, understanding, and support.]]></content:encoded>
  245.        <pubDate><![CDATA[Sun, 06 Jul 2025 06:00:03 +0000]]></pubDate>
  246.      </item>
  247.        <item>
  248.        <title><![CDATA[WorRC ? Brand Identity]]></title>
  249.        <link><![CDATA[https://www.behance.net/gallery/229469253/WorRC-Brand-Identity]]></link>
  250.        <guid><![CDATA[https://www.behance.net/gallery/229469253/WorRC-Brand-Identity]]></guid>
  251.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3888b2229469253.Y3JvcCwzMTc4LDI0ODYsMCww.jpg' style='float:left; margin-right:15px;' /><br /> WorRC is a non-profit group working to advance how organisations measure and understand their people. Through its Workforce Counts campaign and open set of principles, it's building shared standards for non-financial workforce reporting ? helping employers, investors and foundations use data on headcount, turnover, skills and more in a clearer, more consistent way. Leading the programme is the Northwestern Pritzker School of Law Chicago, who tasked us with refreshing their existing name, the brand, and subsequent campaign and badge identities.A key requirement was to ensure the identity was open-source in look and feel ? transparent and inclusive ? where the facts and information were presented with order and clarity.]]></description>
  252.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3888b2229469253.Y3JvcCwzMTc4LDI0ODYsMCww.jpg' style='float:left; margin-right:15px;' /><br /> WorRC is a non-profit group working to advance how organisations measure and understand their people. Through its Workforce Counts campaign and open set of principles, it's building shared standards for non-financial workforce reporting ? helping employers, investors and foundations use data on headcount, turnover, skills and more in a clearer, more consistent way. Leading the programme is the Northwestern Pritzker School of Law Chicago, who tasked us with refreshing their existing name, the brand, and subsequent campaign and badge identities.A key requirement was to ensure the identity was open-source in look and feel ? transparent and inclusive ? where the facts and information were presented with order and clarity.]]></content:encoded>
  253.        <pubDate><![CDATA[Sun, 06 Jul 2025 02:00:14 +0000]]></pubDate>
  254.      </item>
  255.        <item>
  256.        <title><![CDATA[OFFF Sevilla]]></title>
  257.        <link><![CDATA[https://www.behance.net/gallery/229537933/OFFF-Sevilla]]></link>
  258.        <guid><![CDATA[https://www.behance.net/gallery/229537933/OFFF-Sevilla]]></guid>
  259.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/48a7e1229537933.Y3JvcCwxMzgwLDEwODAsMTE5LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  260.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/48a7e1229537933.Y3JvcCwxMzgwLDEwODAsMTE5LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  261.        <pubDate><![CDATA[Sat, 05 Jul 2025 22:00:08 +0000]]></pubDate>
  262.      </item>
  263.        <item>
  264.        <title><![CDATA[HOLACAMP | Camping made extraOUTdinary]]></title>
  265.        <link><![CDATA[https://www.behance.net/gallery/197157271/HOLACAMP-Camping-made-extraOUTdinary]]></link>
  266.        <guid><![CDATA[https://www.behance.net/gallery/197157271/HOLACAMP-Camping-made-extraOUTdinary]]></guid>
  267.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/af05cf197157271.Y3JvcCwxMDgwLDg0NCwwLDExNw.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  268.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/af05cf197157271.Y3JvcCwxMDgwLDg0NCwwLDExNw.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  269.        <pubDate><![CDATA[Sat, 05 Jul 2025 18:00:14 +0000]]></pubDate>
  270.      </item>
  271.        <item>
  272.        <title><![CDATA[Steven Noble "Hall of Fame" Collection of Woodcuts]]></title>
  273.        <link><![CDATA[https://www.behance.net/gallery/229512525/Steven-Noble-Hall-of-Fame-Collection-of-Woodcuts]]></link>
  274.        <guid><![CDATA[https://www.behance.net/gallery/229512525/Steven-Noble-Hall-of-Fame-Collection-of-Woodcuts]]></guid>
  275.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/d8edc8229512525.Y3JvcCwxNDI2LDExMTUsNzkwLDM5MQ.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  276.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/d8edc8229512525.Y3JvcCwxNDI2LDExMTUsNzkwLDM5MQ.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  277.        <pubDate><![CDATA[Sat, 05 Jul 2025 14:00:29 +0000]]></pubDate>
  278.      </item>
  279.        <item>
  280.        <title><![CDATA[The Interim]]></title>
  281.        <link><![CDATA[https://www.behance.net/gallery/228990401/The-Interim]]></link>
  282.        <guid><![CDATA[https://www.behance.net/gallery/228990401/The-Interim]]></guid>
  283.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a79c2a228990401.Y3JvcCw0OTU0LDM4NzQsNDI5LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  284.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a79c2a228990401.Y3JvcCw0OTU0LDM4NzQsNDI5LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  285.        <pubDate><![CDATA[Sat, 05 Jul 2025 10:00:06 +0000]]></pubDate>
  286.      </item>
  287.        <item>
  288.        <title><![CDATA[Teatro Municipal Lousã]]></title>
  289.        <link><![CDATA[https://www.behance.net/gallery/229454317/Teatro-Municipal-Lousa]]></link>
  290.        <guid><![CDATA[https://www.behance.net/gallery/229454317/Teatro-Municipal-Lousa]]></guid>
  291.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/39dbad229454317.Y3JvcCwyMTgxLDE3MDYsMTg4LDA.png' style='float:left; margin-right:15px;' /><br /> More than half a century after its construction, Teatro Municipal da Lousã reopened its doors completely renovated, with a new identity, upgraded facilities, and an excellent program that includes music, dance, theater, film cycles, and more. The custom typeface was inspired by the old cinema-theater sign that is still present on the façade, bringing its timeless aesthetic into a contemporary digital context.]]></description>
  292.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/39dbad229454317.Y3JvcCwyMTgxLDE3MDYsMTg4LDA.png' style='float:left; margin-right:15px;' /><br /> More than half a century after its construction, Teatro Municipal da Lousã reopened its doors completely renovated, with a new identity, upgraded facilities, and an excellent program that includes music, dance, theater, film cycles, and more. The custom typeface was inspired by the old cinema-theater sign that is still present on the façade, bringing its timeless aesthetic into a contemporary digital context.]]></content:encoded>
  293.        <pubDate><![CDATA[Sat, 05 Jul 2025 06:00:16 +0000]]></pubDate>
  294.      </item>
  295.        <item>
  296.        <title><![CDATA[Various Illustrations 2025]]></title>
  297.        <link><![CDATA[https://www.behance.net/gallery/229546661/Various-Illustrations-2025]]></link>
  298.        <guid><![CDATA[https://www.behance.net/gallery/229546661/Various-Illustrations-2025]]></guid>
  299.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f2ac5a229546661.Y3JvcCwxOTIwLDE1MDEsMCwxNjY.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  300.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f2ac5a229546661.Y3JvcCwxOTIwLDE1MDEsMCwxNjY.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  301.        <pubDate><![CDATA[Sat, 05 Jul 2025 02:00:10 +0000]]></pubDate>
  302.      </item>
  303.        <item>
  304.        <title><![CDATA[KSU60th Key Visual ??????60??]]></title>
  305.        <link><![CDATA[https://www.behance.net/gallery/224121875/KSU60th-Key-Visual-60]]></link>
  306.        <guid><![CDATA[https://www.behance.net/gallery/224121875/KSU60th-Key-Visual-60]]></guid>
  307.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/56db8f224121875.Y3JvcCw5NjYsNzU1LDIxLDE2.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  308.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/56db8f224121875.Y3JvcCw5NjYsNzU1LDIxLDE2.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  309.        <pubDate><![CDATA[Fri, 04 Jul 2025 22:00:04 +0000]]></pubDate>
  310.      </item>
  311.        <item>
  312.        <title><![CDATA[Bondi]]></title>
  313.        <link><![CDATA[https://www.behance.net/gallery/229225149/Bondi]]></link>
  314.        <guid><![CDATA[https://www.behance.net/gallery/229225149/Bondi]]></guid>
  315.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2afa5d229225149.Y3JvcCwxMTU0LDkwMiwwLDY1NA.jpg' style='float:left; margin-right:15px;' /><br /> Bondi Sushi Bar cover Illustrations for different media.
  316. Menu, Mural and Car/Van template artwork.
  317.  
  318. Marine life-  style illustrations]]></description>
  319.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2afa5d229225149.Y3JvcCwxMTU0LDkwMiwwLDY1NA.jpg' style='float:left; margin-right:15px;' /><br /> Bondi Sushi Bar cover Illustrations for different media.
  320. Menu, Mural and Car/Van template artwork.
  321.  
  322. Marine life-  style illustrations]]></content:encoded>
  323.        <pubDate><![CDATA[Fri, 04 Jul 2025 18:00:25 +0000]]></pubDate>
  324.      </item>
  325.        <item>
  326.        <title><![CDATA[HotFinch &amp; Ostmost / Branding]]></title>
  327.        <link><![CDATA[https://www.behance.net/gallery/229368219/HotFinch-Ostmost-Branding]]></link>
  328.        <guid><![CDATA[https://www.behance.net/gallery/229368219/HotFinch-Ostmost-Branding]]></guid>
  329.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/5e8dda229368219.Y3JvcCwxNDAwLDEwOTUsMCwxMzE.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  330.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/5e8dda229368219.Y3JvcCwxNDAwLDEwOTUsMCwxMzE.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  331.        <pubDate><![CDATA[Fri, 04 Jul 2025 14:00:07 +0000]]></pubDate>
  332.      </item>
  333.        <item>
  334.        <title><![CDATA[Drained in Light]]></title>
  335.        <link><![CDATA[https://www.behance.net/gallery/229412849/Drained-in-Light]]></link>
  336.        <guid><![CDATA[https://www.behance.net/gallery/229412849/Drained-in-Light]]></guid>
  337.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/7f8772229412849.Y3JvcCwxOTk3LDE1NjIsMCwxMjAx.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  338.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/7f8772229412849.Y3JvcCwxOTk3LDE1NjIsMCwxMjAx.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  339.        <pubDate><![CDATA[Fri, 04 Jul 2025 10:00:15 +0000]]></pubDate>
  340.      </item>
  341.  </channel>
  342. </rss>

If you would like to create a banner that links to this page (i.e. this validation result), do the following:

  1. Download the "valid RSS" banner.

  2. Upload the image to your own server. (This step is important. Please do not link directly to the image on this server.)

  3. Add this HTML to your page (change the image src attribute if necessary):

If you would like to create a text link instead, here is the URL you can use:

http://www.feedvalidator.org/check.cgi?url=http%3A//feeds.feedburner.com/behance/vorr

Home · About · News · Docs · Terms

 
Copyright © 2002-9 Sam Ruby, Mark Pilgrim, Joseph Walton, and Phil Ringnalda