Congratulations!

[Valid RSS] This is a valid RSS feed.

Recommendations

This feed is valid, but interoperability with the widest range of feed readers could be improved by implementing the following recommendations.

Source: http://feeds.feedburner.com/behance/vorr

  1. <?xml version="1.0" encoding="utf-8" ?>
  2. <rss xmlns:content="http://purl.org/rss/1.0/modules/content/" version="2.0">
  3. <channel>
  4.  <title><![CDATA[ Featured Projects]]></title>
  5.  <link>http://www.behance.net</link>
  6.  <description><![CDATA[The latest projects featured on the ]]></description>
  7.  <pubDate>Tue, 24 Jun 2025 02:09:27 +0000</pubDate>
  8.  <language>en-us</language>
  9.        <item>
  10.        <title><![CDATA[23?24]]></title>
  11.        <link><![CDATA[https://www.behance.net/gallery/208670897/2324]]></link>
  12.        <guid><![CDATA[https://www.behance.net/gallery/208670897/2324]]></guid>
  13.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c92b97208670897.Y3JvcCw5MDAsNzAzLDAsMjA5.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  14.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c92b97208670897.Y3JvcCw5MDAsNzAzLDAsMjA5.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  15.        <pubDate><![CDATA[Tue, 24 Jun 2025 01:00:14 +0000]]></pubDate>
  16.      </item>
  17.        <item>
  18.        <title><![CDATA[CUPETIT Corporate Gift Packaging]]></title>
  19.        <link><![CDATA[https://www.behance.net/gallery/227192781/CUPETIT-Corporate-Gift-Packaging]]></link>
  20.        <guid><![CDATA[https://www.behance.net/gallery/227192781/CUPETIT-Corporate-Gift-Packaging]]></guid>
  21.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6a4d93227192781.Y3JvcCwxMTUwLDkwMCwxMzEsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  22.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6a4d93227192781.Y3JvcCwxMTUwLDkwMCwxMzEsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  23.        <pubDate><![CDATA[Mon, 23 Jun 2025 21:00:10 +0000]]></pubDate>
  24.      </item>
  25.        <item>
  26.        <title><![CDATA[KFC Balloon]]></title>
  27.        <link><![CDATA[https://www.behance.net/gallery/183329945/KFC-Balloon]]></link>
  28.        <guid><![CDATA[https://www.behance.net/gallery/183329945/KFC-Balloon]]></guid>
  29.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/718858183329945.Y3JvcCwxOTY3LDE1MzgsMTExNSwxNTk3.jpg' style='float:left; margin-right:15px;' /><br /> In 2023, the 10,000th KFC store opens in Hangzhou, China.
  30. Everything in KFC was turned into balloons to celebrate the occasion.]]></description>
  31.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/718858183329945.Y3JvcCwxOTY3LDE1MzgsMTExNSwxNTk3.jpg' style='float:left; margin-right:15px;' /><br /> In 2023, the 10,000th KFC store opens in Hangzhou, China.
  32. Everything in KFC was turned into balloons to celebrate the occasion.]]></content:encoded>
  33.        <pubDate><![CDATA[Mon, 23 Jun 2025 17:00:12 +0000]]></pubDate>
  34.      </item>
  35.        <item>
  36.        <title><![CDATA[Pulse | Feel Alive]]></title>
  37.        <link><![CDATA[https://www.behance.net/gallery/227833397/Pulse-Feel-Alive]]></link>
  38.        <guid><![CDATA[https://www.behance.net/gallery/227833397/Pulse-Feel-Alive]]></guid>
  39.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/30fdc1227833397.Y3JvcCwyMjQ0LDE3NTUsMCww.jpg' style='float:left; margin-right:15px;' /><br /> Pulse is a modern flight training hub based at Madrid's Cuatro Vientos airport, founded by a team of aviation professionals with over 20 years of experience in pilot education. Built from the ground up, Pulse represents a fresh, forward-thinking approach to flight training?infused with energy, purpose, and a deep passion for aviation.
  40.  
  41. Catering to both young aspiring pilots and working adults pursuing a long-held dream, Pulse offers flexible training paths that include commercial pilot certification, private pilot licenses, flight instruction, and drone operation. Its hybrid model combines rigorous practical training with advanced online learning?while also introducing a key differentiator: emotional and psychological training to help students develop the mindset, focus, and resilience required to thrive in the cockpit and beyond.]]></description>
  42.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/30fdc1227833397.Y3JvcCwyMjQ0LDE3NTUsMCww.jpg' style='float:left; margin-right:15px;' /><br /> Pulse is a modern flight training hub based at Madrid's Cuatro Vientos airport, founded by a team of aviation professionals with over 20 years of experience in pilot education. Built from the ground up, Pulse represents a fresh, forward-thinking approach to flight training?infused with energy, purpose, and a deep passion for aviation.
  43.  
  44. Catering to both young aspiring pilots and working adults pursuing a long-held dream, Pulse offers flexible training paths that include commercial pilot certification, private pilot licenses, flight instruction, and drone operation. Its hybrid model combines rigorous practical training with advanced online learning?while also introducing a key differentiator: emotional and psychological training to help students develop the mindset, focus, and resilience required to thrive in the cockpit and beyond.]]></content:encoded>
  45.        <pubDate><![CDATA[Mon, 23 Jun 2025 13:00:35 +0000]]></pubDate>
  46.      </item>
  47.        <item>
  48.        <title><![CDATA[Illustrations 2025 | January - May]]></title>
  49.        <link><![CDATA[https://www.behance.net/gallery/225914385/Illustrations-2025-January-May]]></link>
  50.        <guid><![CDATA[https://www.behance.net/gallery/225914385/Illustrations-2025-January-May]]></guid>
  51.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/1bfa03225914385.6852cda4868f9.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  52.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/1bfa03225914385.6852cda4868f9.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  53.        <pubDate><![CDATA[Mon, 23 Jun 2025 09:00:09 +0000]]></pubDate>
  54.      </item>
  55.        <item>
  56.        <title><![CDATA[GLACIAL TOPOGRAPHY ? Alaska]]></title>
  57.        <link><![CDATA[https://www.behance.net/gallery/228616711/GLACIAL-TOPOGRAPHY-Alaska]]></link>
  58.        <guid><![CDATA[https://www.behance.net/gallery/228616711/GLACIAL-TOPOGRAPHY-Alaska]]></guid>
  59.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/5abf51228616711.Y3JvcCwxNjAwLDEyNTEsMCwxNQ.jpg' style='float:left; margin-right:15px;' /><br /> "GLACIAL TOPOGRAPHY" is an aerial photography series by visual artist and fine art photographer Jan Erik Waider. Captured during a summer flight over Alaska's glaciers, the images explore sculptural ice formations shaped by pressure, gravity, and time. Shifting light reveals fractured geometry, meltwater lines, and tonal contrasts?abstract patterns that reflect the silent transformation of a fragile, ever-moving landscape.]]></description>
  60.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/5abf51228616711.Y3JvcCwxNjAwLDEyNTEsMCwxNQ.jpg' style='float:left; margin-right:15px;' /><br /> "GLACIAL TOPOGRAPHY" is an aerial photography series by visual artist and fine art photographer Jan Erik Waider. Captured during a summer flight over Alaska's glaciers, the images explore sculptural ice formations shaped by pressure, gravity, and time. Shifting light reveals fractured geometry, meltwater lines, and tonal contrasts?abstract patterns that reflect the silent transformation of a fragile, ever-moving landscape.]]></content:encoded>
  61.        <pubDate><![CDATA[Mon, 23 Jun 2025 05:00:06 +0000]]></pubDate>
  62.      </item>
  63.        <item>
  64.        <title><![CDATA[Paisagens brasileiras]]></title>
  65.        <link><![CDATA[https://www.behance.net/gallery/209493761/Paisagens-brasileiras]]></link>
  66.        <guid><![CDATA[https://www.behance.net/gallery/209493761/Paisagens-brasileiras]]></guid>
  67.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/67dc02209493761.Y3JvcCwyODg1LDIyNTYsMCwxNDI.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  68.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/67dc02209493761.Y3JvcCwyODg1LDIyNTYsMCwxNDI.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  69.        <pubDate><![CDATA[Mon, 23 Jun 2025 01:00:09 +0000]]></pubDate>
  70.      </item>
  71.        <item>
  72.        <title><![CDATA[NIKE SHANGHAI MARATHON 2023]]></title>
  73.        <link><![CDATA[https://www.behance.net/gallery/186655179/NIKE-SHANGHAI-MARATHON-2023]]></link>
  74.        <guid><![CDATA[https://www.behance.net/gallery/186655179/NIKE-SHANGHAI-MARATHON-2023]]></guid>
  75.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2e7739186655179.Y3JvcCwxODk4LDE0ODQsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  76.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2e7739186655179.Y3JvcCwxODk4LDE0ODQsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  77.        <pubDate><![CDATA[Sun, 22 Jun 2025 21:00:11 +0000]]></pubDate>
  78.      </item>
  79.        <item>
  80.        <title><![CDATA[GoDaddy - Juneteenth spots]]></title>
  81.        <link><![CDATA[https://www.behance.net/gallery/228549085/GoDaddy-Juneteenth-spots]]></link>
  82.        <guid><![CDATA[https://www.behance.net/gallery/228549085/GoDaddy-Juneteenth-spots]]></guid>
  83.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/23f9ce228549085.Y3JvcCwxMTA5MCw4Njc0LDAsMzg0.jpg' style='float:left; margin-right:15px;' /><br /> A collection of vector Juneteenth spots designed for GoDaddy. These spots follow the journey from Restoration era to the modern era, where Juneteenth is now an acknowledged holiday.]]></description>
  84.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/23f9ce228549085.Y3JvcCwxMTA5MCw4Njc0LDAsMzg0.jpg' style='float:left; margin-right:15px;' /><br /> A collection of vector Juneteenth spots designed for GoDaddy. These spots follow the journey from Restoration era to the modern era, where Juneteenth is now an acknowledged holiday.]]></content:encoded>
  85.        <pubDate><![CDATA[Sun, 22 Jun 2025 17:00:15 +0000]]></pubDate>
  86.      </item>
  87.        <item>
  88.        <title><![CDATA[Nothing to Show]]></title>
  89.        <link><![CDATA[https://www.behance.net/gallery/228297343/Nothing-to-Show]]></link>
  90.        <guid><![CDATA[https://www.behance.net/gallery/228297343/Nothing-to-Show]]></guid>
  91.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6c0931228297343.Y3JvcCwyNzAyLDIxMTMsMCwyMA.png' style='float:left; margin-right:15px;' /><br /> Nothing to Show was born as a response to a saturated fashion landscape, where logos often outweigh craftsmanship, and margins replace meaning.
  92. Rooted in Antwerp's radical design culture, our brand is a silent rebellion. We craft timeless pieces that speak through texture, silhouette, and material, not through labels.]]></description>
  93.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6c0931228297343.Y3JvcCwyNzAyLDIxMTMsMCwyMA.png' style='float:left; margin-right:15px;' /><br /> Nothing to Show was born as a response to a saturated fashion landscape, where logos often outweigh craftsmanship, and margins replace meaning.
  94. Rooted in Antwerp's radical design culture, our brand is a silent rebellion. We craft timeless pieces that speak through texture, silhouette, and material, not through labels.]]></content:encoded>
  95.        <pubDate><![CDATA[Sun, 22 Jun 2025 13:00:07 +0000]]></pubDate>
  96.      </item>
  97.        <item>
  98.        <title><![CDATA[Magic Library. Botanical Elixirs from Books.(18)]]></title>
  99.        <link><![CDATA[https://www.behance.net/gallery/226242811/Magic-Library-Botanical-Elixirs-from-Books%2818%29]]></link>
  100.        <guid><![CDATA[https://www.behance.net/gallery/226242811/Magic-Library-Botanical-Elixirs-from-Books%2818%29]]></guid>
  101.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/958c32226242811.Y3JvcCwzMTE5LDI0NDAsMCwxMDE5.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  102.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/958c32226242811.Y3JvcCwzMTE5LDI0NDAsMCwxMDE5.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  103.        <pubDate><![CDATA[Sun, 22 Jun 2025 09:00:07 +0000]]></pubDate>
  104.      </item>
  105.        <item>
  106.        <title><![CDATA[Volvo Cars | S90]]></title>
  107.        <link><![CDATA[https://www.behance.net/gallery/228068609/Volvo-Cars-S90]]></link>
  108.        <guid><![CDATA[https://www.behance.net/gallery/228068609/Volvo-Cars-S90]]></guid>
  109.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/ec299d228068609.Y3JvcCwzMzQ0LDI2MTUsNjI5LDEwNw.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  110.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/ec299d228068609.Y3JvcCwzMzQ0LDI2MTUsNjI5LDEwNw.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  111.        <pubDate><![CDATA[Sun, 22 Jun 2025 05:00:11 +0000]]></pubDate>
  112.      </item>
  113.        <item>
  114.        <title><![CDATA[SUNCOAST FONT FAMILY]]></title>
  115.        <link><![CDATA[https://www.behance.net/gallery/228302849/SUNCOAST-FONT-FAMILY]]></link>
  116.        <guid><![CDATA[https://www.behance.net/gallery/228302849/SUNCOAST-FONT-FAMILY]]></guid>
  117.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6dd5aa228302849.Y3JvcCwxMjAwLDkzOCwwLDA.jpg' style='float:left; margin-right:15px;' /><br /> Suncoast is a contemporary typeface with a retro soul. It blends the structural clarity of grotesques with the warmth and rhythm of humanist styles, resulting in a font that feels both timeless and unmistakably current.
  118. With clean shapes, generous spacing, and subtle character, Suncoast is ideal for commercial uses: from packaging and product design to editorial, signage, and visual identity systems.
  119.  
  120. To bring Suncoast to life beyond traditional specimens, TipoType invited La Libertad Studio and BACILE to explore the typeface from a branding perspective, imagining how it could perform across a range of industries, tones, and real-world use cases.
  121. Each fictional universe was designed to highlight different aspects of the typeface, demonstrating how Suncoast adapts across applications as diverse as educational programs, juice packaging, burger joints, and boxing gyms.
  122.  
  123. Now available at tipotype.com with a launch promo.
  124.  
  125. Happy designing!]]></description>
  126.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6dd5aa228302849.Y3JvcCwxMjAwLDkzOCwwLDA.jpg' style='float:left; margin-right:15px;' /><br /> Suncoast is a contemporary typeface with a retro soul. It blends the structural clarity of grotesques with the warmth and rhythm of humanist styles, resulting in a font that feels both timeless and unmistakably current.
  127. With clean shapes, generous spacing, and subtle character, Suncoast is ideal for commercial uses: from packaging and product design to editorial, signage, and visual identity systems.
  128.  
  129. To bring Suncoast to life beyond traditional specimens, TipoType invited La Libertad Studio and BACILE to explore the typeface from a branding perspective, imagining how it could perform across a range of industries, tones, and real-world use cases.
  130. Each fictional universe was designed to highlight different aspects of the typeface, demonstrating how Suncoast adapts across applications as diverse as educational programs, juice packaging, burger joints, and boxing gyms.
  131.  
  132. Now available at tipotype.com with a launch promo.
  133.  
  134. Happy designing!]]></content:encoded>
  135.        <pubDate><![CDATA[Sun, 22 Jun 2025 01:00:11 +0000]]></pubDate>
  136.      </item>
  137.        <item>
  138.        <title><![CDATA[ARTWORKS 25']]></title>
  139.        <link><![CDATA[https://www.behance.net/gallery/228276457/ARTWORKS-25]]></link>
  140.        <guid><![CDATA[https://www.behance.net/gallery/228276457/ARTWORKS-25]]></guid>
  141.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2f372f228276457.Y3JvcCwxNjE2LDEyNjQsMjE2LDM4NA.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  142.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/2f372f228276457.Y3JvcCwxNjE2LDEyNjQsMjE2LDM4NA.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  143.        <pubDate><![CDATA[Sat, 21 Jun 2025 21:00:10 +0000]]></pubDate>
  144.      </item>
  145.        <item>
  146.        <title><![CDATA[Best of 25 Part I]]></title>
  147.        <link><![CDATA[https://www.behance.net/gallery/228502453/Best-of-25-Part-I]]></link>
  148.        <guid><![CDATA[https://www.behance.net/gallery/228502453/Best-of-25-Part-I]]></guid>
  149.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6404ee228502453.Y3JvcCwyNjc5LDIwOTUsNjQzLDY2.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  150.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6404ee228502453.Y3JvcCwyNjc5LDIwOTUsNjQzLDY2.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  151.        <pubDate><![CDATA[Sat, 21 Jun 2025 17:00:11 +0000]]></pubDate>
  152.      </item>
  153.        <item>
  154.        <title><![CDATA[Story Fold Classics]]></title>
  155.        <link><![CDATA[https://www.behance.net/gallery/228546219/Story-Fold-Classics]]></link>
  156.        <guid><![CDATA[https://www.behance.net/gallery/228546219/Story-Fold-Classics]]></guid>
  157.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/5a6fec228546219.Y3JvcCwyOTE5LDIyODMsMCwyMQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  158.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/5a6fec228546219.Y3JvcCwyOTE5LDIyODMsMCwyMQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  159.        <pubDate><![CDATA[Sat, 21 Jun 2025 13:00:16 +0000]]></pubDate>
  160.      </item>
  161.        <item>
  162.        <title><![CDATA[?YOVO???????????????????]]></title>
  163.        <link><![CDATA[https://www.behance.net/gallery/228484987/YOVO]]></link>
  164.        <guid><![CDATA[https://www.behance.net/gallery/228484987/YOVO]]></guid>
  165.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/07d229228484987.Y3JvcCwxNTk5LDEyNTEsMzUsMA.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  166.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/07d229228484987.Y3JvcCwxNTk5LDEyNTEsMzUsMA.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  167.        <pubDate><![CDATA[Sat, 21 Jun 2025 08:33:28 +0000]]></pubDate>
  168.      </item>
  169.        <item>
  170.        <title><![CDATA[? · 2025 IV]]></title>
  171.        <link><![CDATA[https://www.behance.net/gallery/220737717/-2025-IV]]></link>
  172.        <guid><![CDATA[https://www.behance.net/gallery/220737717/-2025-IV]]></guid>
  173.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/df0bad220737717.681199f45247c.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  174.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/df0bad220737717.681199f45247c.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  175.        <pubDate><![CDATA[Sat, 21 Jun 2025 04:30:08 +0000]]></pubDate>
  176.      </item>
  177.        <item>
  178.        <title><![CDATA[Traditional Illustrations in 2025]]></title>
  179.        <link><![CDATA[https://www.behance.net/gallery/228429621/Traditional-Illustrations-in-2025]]></link>
  180.        <guid><![CDATA[https://www.behance.net/gallery/228429621/Traditional-Illustrations-in-2025]]></guid>
  181.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/92376c228429621.Y3JvcCwxMDAxLDc4MiwwLDA.jpeg' style='float:left; margin-right:15px;' /><br /> My personal works for joining art events, submitting to a stock company, and general comic pages. All of them were drawn with traditional tools, then edited by Adobe Photoshop for creating precise files.]]></description>
  182.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/92376c228429621.Y3JvcCwxMDAxLDc4MiwwLDA.jpeg' style='float:left; margin-right:15px;' /><br /> My personal works for joining art events, submitting to a stock company, and general comic pages. All of them were drawn with traditional tools, then edited by Adobe Photoshop for creating precise files.]]></content:encoded>
  183.        <pubDate><![CDATA[Sat, 21 Jun 2025 00:30:10 +0000]]></pubDate>
  184.      </item>
  185.        <item>
  186.        <title><![CDATA[Hyper Vietnam]]></title>
  187.        <link><![CDATA[https://www.behance.net/gallery/226823407/Hyper-Vietnam]]></link>
  188.        <guid><![CDATA[https://www.behance.net/gallery/226823407/Hyper-Vietnam]]></guid>
  189.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/43a2fb226823407.Y3JvcCwxOTk5LDE1NjQsMCw3NTI.jpg' style='float:left; margin-right:15px;' /><br /> Hyper is a bold newcomer to the healthy snack scene, aiming to energize people's days with high-quality protein bars and a big dose of fun. We developed a vibrant, high-impact identity built around the idea of a "burst of energy," capturing the brand's mission to power up daily routines with style and substance.]]></description>
  190.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/43a2fb226823407.Y3JvcCwxOTk5LDE1NjQsMCw3NTI.jpg' style='float:left; margin-right:15px;' /><br /> Hyper is a bold newcomer to the healthy snack scene, aiming to energize people's days with high-quality protein bars and a big dose of fun. We developed a vibrant, high-impact identity built around the idea of a "burst of energy," capturing the brand's mission to power up daily routines with style and substance.]]></content:encoded>
  191.        <pubDate><![CDATA[Fri, 20 Jun 2025 20:30:11 +0000]]></pubDate>
  192.      </item>
  193.        <item>
  194.        <title><![CDATA[Jovia - Where all this money is coming from?]]></title>
  195.        <link><![CDATA[https://www.behance.net/gallery/214458961/Jovia-Where-all-this-money-is-coming-from]]></link>
  196.        <guid><![CDATA[https://www.behance.net/gallery/214458961/Jovia-Where-all-this-money-is-coming-from]]></guid>
  197.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/90ae30214458961.Y3JvcCwxMjcwLDk5NCw2Niww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  198.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/90ae30214458961.Y3JvcCwxMjcwLDk5NCw2Niww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  199.        <pubDate><![CDATA[Fri, 20 Jun 2025 16:30:13 +0000]]></pubDate>
  200.      </item>
  201.        <item>
  202.        <title><![CDATA[FH Noetica (Font Family)]]></title>
  203.        <link><![CDATA[https://www.behance.net/gallery/228443581/FH-Noetica-%28Font-Family%29]]></link>
  204.        <guid><![CDATA[https://www.behance.net/gallery/228443581/FH-Noetica-%28Font-Family%29]]></guid>
  205.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c7f895228443581.Y3JvcCwyODc2LDIyNTAsNTYyLDA.png' style='float:left; margin-right:15px;' /><br /> FH Noetica is a geometric sans-serif typeface shaped by optical sensitivity and modernist reasoning. Its design finds early resonance in A.M. Cassandre's Peignot and Hermann Zapf's Optima, both known for rejecting strict genre boundaries in favor of expressive structure. Rather than following conventional classifications, FH Noetica focuses on spatial clarity, tonal contrast, and architectural rhythm. The letterforms blend subtle modulation with geometric restraint, producing a tone that is neutral yet intentional. Designed with both text and display settings in mind, the typeface is especially suited to systems that require clarity without rigidity. Interfaces, editorial layouts, and photographic labeling among them. FH Noetica is not just built to be read, but to be seen with precision.]]></description>
  206.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c7f895228443581.Y3JvcCwyODc2LDIyNTAsNTYyLDA.png' style='float:left; margin-right:15px;' /><br /> FH Noetica is a geometric sans-serif typeface shaped by optical sensitivity and modernist reasoning. Its design finds early resonance in A.M. Cassandre's Peignot and Hermann Zapf's Optima, both known for rejecting strict genre boundaries in favor of expressive structure. Rather than following conventional classifications, FH Noetica focuses on spatial clarity, tonal contrast, and architectural rhythm. The letterforms blend subtle modulation with geometric restraint, producing a tone that is neutral yet intentional. Designed with both text and display settings in mind, the typeface is especially suited to systems that require clarity without rigidity. Interfaces, editorial layouts, and photographic labeling among them. FH Noetica is not just built to be read, but to be seen with precision.]]></content:encoded>
  207.        <pubDate><![CDATA[Fri, 20 Jun 2025 12:30:15 +0000]]></pubDate>
  208.      </item>
  209.        <item>
  210.        <title><![CDATA[Fashion Football ? Bloke Core]]></title>
  211.        <link><![CDATA[https://www.behance.net/gallery/228450081/Fashion-Football-Bloke-Core]]></link>
  212.        <guid><![CDATA[https://www.behance.net/gallery/228450081/Fashion-Football-Bloke-Core]]></guid>
  213.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/940ecc228450081.Y3JvcCwxMDg5LDg1Miw4LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  214.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/940ecc228450081.Y3JvcCwxMDg5LDg1Miw4LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  215.        <pubDate><![CDATA[Fri, 20 Jun 2025 08:01:02 +0000]]></pubDate>
  216.      </item>
  217.        <item>
  218.        <title><![CDATA[Flamingo Flower Still Life]]></title>
  219.        <link><![CDATA[https://www.behance.net/gallery/228490757/Flamingo-Flower-Still-Life]]></link>
  220.        <guid><![CDATA[https://www.behance.net/gallery/228490757/Flamingo-Flower-Still-Life]]></guid>
  221.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/7afb14228490757.Y3JvcCwxMjAwLDkzOCwwLDU5.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  222.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/7afb14228490757.Y3JvcCwxMjAwLDkzOCwwLDU5.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  223.        <pubDate><![CDATA[Fri, 20 Jun 2025 04:00:16 +0000]]></pubDate>
  224.      </item>
  225.        <item>
  226.        <title><![CDATA[Kin]]></title>
  227.        <link><![CDATA[https://www.behance.net/gallery/227937249/Kin]]></link>
  228.        <guid><![CDATA[https://www.behance.net/gallery/227937249/Kin]]></guid>
  229.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/54db74227937249.Y3JvcCw4MDgsNjMyLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> Kin is an emotionally intelligent AI companion that provides meaningful support in your day-to-day life.
  230.  
  231. At the end of 2023, we were brought in to develop a visual identity for Kin. Our work over the past couple years covered everything from the core identity to the website (narrative, design and development) to team apparel, animation, conceptual app UI, photography and more.]]></description>
  232.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/54db74227937249.Y3JvcCw4MDgsNjMyLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> Kin is an emotionally intelligent AI companion that provides meaningful support in your day-to-day life.
  233.  
  234. At the end of 2023, we were brought in to develop a visual identity for Kin. Our work over the past couple years covered everything from the core identity to the website (narrative, design and development) to team apparel, animation, conceptual app UI, photography and more.]]></content:encoded>
  235.        <pubDate><![CDATA[Fri, 20 Jun 2025 00:00:17 +0000]]></pubDate>
  236.      </item>
  237.        <item>
  238.        <title><![CDATA[Philosophers for Free Society Magazine]]></title>
  239.        <link><![CDATA[https://www.behance.net/gallery/227712295/Philosophers-for-Free-Society-Magazine]]></link>
  240.        <guid><![CDATA[https://www.behance.net/gallery/227712295/Philosophers-for-Free-Society-Magazine]]></guid>
  241.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/5341eb227712295.Y3JvcCwxMzAzLDEwMTksNTQsNDcx.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  242.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/5341eb227712295.Y3JvcCwxMzAzLDEwMTksNTQsNDcx.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  243.        <pubDate><![CDATA[Thu, 19 Jun 2025 20:00:12 +0000]]></pubDate>
  244.      </item>
  245.        <item>
  246.        <title><![CDATA[Bac Impact - Éco Entreprises Québec | LG2]]></title>
  247.        <link><![CDATA[https://www.behance.net/gallery/227931947/Bac-Impact-Eco-Entreprises-Qubec-LG2]]></link>
  248.        <guid><![CDATA[https://www.behance.net/gallery/227931947/Bac-Impact-Eco-Entreprises-Qubec-LG2]]></guid>
  249.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a38138227931947.Y3JvcCw4MDgsNjMyLDAsMA.png' style='float:left; margin-right:15px;' /><br /> Bin Impact is Québec's new civic brand, created to provide clear information and guidance to citizens on the recycling system across the province. The custom logotype was inspired by the household recycling bin, both in its shape and iconic blue colour. Designed as a square seal, it becomes a strong, recognizable symbol placed on every bin. The visual identity uses a blue-based palette with accents of orange and off-white, referencing paper and raw materials. The system features a modern, angular typeface designed to inspire trust and clarity. It easily adapts to different tones:
  250. ? Clear and direct for regulatory notices and informative content.
  251. ? Bold and uplifting for awareness campaigns, with the type echoing the logo's angles.
  252.  
  253. The photography is raw and unretouched, showing everyday recyclable materials in their natural state ? on their way to a second life. Editorial content is stripped down for clarity and impact, with a tone that's inclusive, reassuring and action-oriented.]]></description>
  254.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a38138227931947.Y3JvcCw4MDgsNjMyLDAsMA.png' style='float:left; margin-right:15px;' /><br /> Bin Impact is Québec's new civic brand, created to provide clear information and guidance to citizens on the recycling system across the province. The custom logotype was inspired by the household recycling bin, both in its shape and iconic blue colour. Designed as a square seal, it becomes a strong, recognizable symbol placed on every bin. The visual identity uses a blue-based palette with accents of orange and off-white, referencing paper and raw materials. The system features a modern, angular typeface designed to inspire trust and clarity. It easily adapts to different tones:
  255. ? Clear and direct for regulatory notices and informative content.
  256. ? Bold and uplifting for awareness campaigns, with the type echoing the logo's angles.
  257.  
  258. The photography is raw and unretouched, showing everyday recyclable materials in their natural state ? on their way to a second life. Editorial content is stripped down for clarity and impact, with a tone that's inclusive, reassuring and action-oriented.]]></content:encoded>
  259.        <pubDate><![CDATA[Thu, 19 Jun 2025 16:00:35 +0000]]></pubDate>
  260.      </item>
  261.        <item>
  262.        <title><![CDATA[Just Decoration exhibition at W Budapest]]></title>
  263.        <link><![CDATA[https://www.behance.net/gallery/228254181/Just-Decoration-exhibition-at-W-Budapest]]></link>
  264.        <guid><![CDATA[https://www.behance.net/gallery/228254181/Just-Decoration-exhibition-at-W-Budapest]]></guid>
  265.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a83f9b228254181.Y3JvcCwyNTU2LDIwMDAsMjIxLDA.jpg' style='float:left; margin-right:15px;' /><br /> The "JUST DECORATION" exhibition is a playful, conceptual exploration of "lobby art" and the blurred lines between fine art and interior decoration. Beyond their aesthetic appeal, and often challenging "snobbish" art interpretations that dismiss artworks exhibited in hotels as less serious or valuable, these pieces can blend into the environment, prompting you to question whether they are mere decoration or retain their artistic essence, often carrying strong social critiques and profound underlying concepts. Ultimately, this collection invites an ironic contemplation of how art is perceived outside traditional spaces, subverting elitist notions and challenging conventional definitions of beauty and utility.]]></description>
  266.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a83f9b228254181.Y3JvcCwyNTU2LDIwMDAsMjIxLDA.jpg' style='float:left; margin-right:15px;' /><br /> The "JUST DECORATION" exhibition is a playful, conceptual exploration of "lobby art" and the blurred lines between fine art and interior decoration. Beyond their aesthetic appeal, and often challenging "snobbish" art interpretations that dismiss artworks exhibited in hotels as less serious or valuable, these pieces can blend into the environment, prompting you to question whether they are mere decoration or retain their artistic essence, often carrying strong social critiques and profound underlying concepts. Ultimately, this collection invites an ironic contemplation of how art is perceived outside traditional spaces, subverting elitist notions and challenging conventional definitions of beauty and utility.]]></content:encoded>
  267.        <pubDate><![CDATA[Thu, 19 Jun 2025 12:00:09 +0000]]></pubDate>
  268.      </item>
  269.        <item>
  270.        <title><![CDATA[Susumu Yokota Skintone Edition Volume 1]]></title>
  271.        <link><![CDATA[https://www.behance.net/gallery/228374161/Susumu-Yokota-Skintone-Edition-Volume-1]]></link>
  272.        <guid><![CDATA[https://www.behance.net/gallery/228374161/Susumu-Yokota-Skintone-Edition-Volume-1]]></guid>
  273.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a6e04d228374161.Y3JvcCwzNzI2LDI5MTQsMCw1NQ.jpg' style='float:left; margin-right:15px;' /><br /> Susumu Yokota was a pioneer of Japanese contemporary music and production. Lo Recordings is releasing a two volume box set of the 14 albums he released on his Skintone label. All fully remastered and pressed on coloured vinyl. The first volume features the albums Magic Thread, Image 1983?1998, Sakura, Grinning Cat, Will, The Boy and the Tree, and Laputa. Each vinyl inner sleeve is printed with a special green-black ink with a spot varnish to highlight each reworked cover image. The slipcase is wrapped in a special black linen paper embedded with silver glitter. Our custom made typography is overprinted in glossy silver foil. Also included is a 4-page booklet with extensive sleeve notes and a double-sided poster. You can pre-order the Volume 1 box set from susumuyokota.bandcamp.com/album/skintone-edition-vo ahead of its August 1st release date. Volume 2 will follow next year. A CD box set for each volume will also be available.]]></description>
  274.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a6e04d228374161.Y3JvcCwzNzI2LDI5MTQsMCw1NQ.jpg' style='float:left; margin-right:15px;' /><br /> Susumu Yokota was a pioneer of Japanese contemporary music and production. Lo Recordings is releasing a two volume box set of the 14 albums he released on his Skintone label. All fully remastered and pressed on coloured vinyl. The first volume features the albums Magic Thread, Image 1983?1998, Sakura, Grinning Cat, Will, The Boy and the Tree, and Laputa. Each vinyl inner sleeve is printed with a special green-black ink with a spot varnish to highlight each reworked cover image. The slipcase is wrapped in a special black linen paper embedded with silver glitter. Our custom made typography is overprinted in glossy silver foil. Also included is a 4-page booklet with extensive sleeve notes and a double-sided poster. You can pre-order the Volume 1 box set from susumuyokota.bandcamp.com/album/skintone-edition-vo ahead of its August 1st release date. Volume 2 will follow next year. A CD box set for each volume will also be available.]]></content:encoded>
  275.        <pubDate><![CDATA[Thu, 19 Jun 2025 08:00:25 +0000]]></pubDate>
  276.      </item>
  277.        <item>
  278.        <title><![CDATA[Equinoccio 2025]]></title>
  279.        <link><![CDATA[https://www.behance.net/gallery/228356721/Equinoccio-2025]]></link>
  280.        <guid><![CDATA[https://www.behance.net/gallery/228356721/Equinoccio-2025]]></guid>
  281.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/8bfb5a228356721.Y3JvcCwzOTk5LDMxMjgsMCw5NDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  282.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/8bfb5a228356721.Y3JvcCwzOTk5LDMxMjgsMCw5NDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  283.        <pubDate><![CDATA[Thu, 19 Jun 2025 04:00:11 +0000]]></pubDate>
  284.      </item>
  285.        <item>
  286.        <title><![CDATA[Illustration Collection 2025]]></title>
  287.        <link><![CDATA[https://www.behance.net/gallery/225728469/Illustration-Collection-2025]]></link>
  288.        <guid><![CDATA[https://www.behance.net/gallery/225728469/Illustration-Collection-2025]]></guid>
  289.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/cd9c56225728469.Y3JvcCwyMTU4LDE2ODgsNDIyLDA.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  290.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/cd9c56225728469.Y3JvcCwyMTU4LDE2ODgsNDIyLDA.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  291.        <pubDate><![CDATA[Thu, 19 Jun 2025 00:00:07 +0000]]></pubDate>
  292.      </item>
  293.        <item>
  294.        <title><![CDATA[MASS DELUSION]]></title>
  295.        <link><![CDATA[https://www.behance.net/gallery/227787403/MASS-DELUSION]]></link>
  296.        <guid><![CDATA[https://www.behance.net/gallery/227787403/MASS-DELUSION]]></guid>
  297.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f87fb4227787403.Y3JvcCwxMDA3LDc4OCwxOTcsMA.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  298.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f87fb4227787403.Y3JvcCwxMDA3LDc4OCwxOTcsMA.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  299.        <pubDate><![CDATA[Wed, 18 Jun 2025 20:00:12 +0000]]></pubDate>
  300.      </item>
  301.        <item>
  302.        <title><![CDATA[18 MONTHS - SECOND NURTURE]]></title>
  303.        <link><![CDATA[https://www.behance.net/gallery/227382277/18-MONTHS-SECOND-NURTURE]]></link>
  304.        <guid><![CDATA[https://www.behance.net/gallery/227382277/18-MONTHS-SECOND-NURTURE]]></guid>
  305.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/018a40227382277.Y3JvcCwyNzYxLDIxNjAsODYxLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  306.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/018a40227382277.Y3JvcCwyNzYxLDIxNjAsODYxLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  307.        <pubDate><![CDATA[Wed, 18 Jun 2025 16:00:08 +0000]]></pubDate>
  308.      </item>
  309.        <item>
  310.        <title><![CDATA[Knot Bakehouse, Branding]]></title>
  311.        <link><![CDATA[https://www.behance.net/gallery/205166023/Knot-Bakehouse-Branding]]></link>
  312.        <guid><![CDATA[https://www.behance.net/gallery/205166023/Knot-Bakehouse-Branding]]></guid>
  313.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/79901c205166023.Y3JvcCwxMjYzLDk4Nyw2OCww.png' style='float:left; margin-right:15px;' /><br /> We were engaged to create a brand identity for Knot Bakehouse, a new cafe in Dubai, UAE. The main task was to design an identity that would attract a wide range of customers and become a new hot spot in the city.
  314.  
  315. In order for the cafe to look clear and welcoming for all ages and genders, it was decided to focus on a minimalistic design with some color pop-ups. Having the interior evolving around orange-yellow hues, we opted for a blue color as the main identity highlight. An opposite hue to the interior color gave us a needed contrast, and, hence, a unique look and feel. The logo got several variations, where the graphic one took a leading role, while the wordmark ? a secondary. The typography got bold and structured essence to exude reliability.]]></description>
  316.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/79901c205166023.Y3JvcCwxMjYzLDk4Nyw2OCww.png' style='float:left; margin-right:15px;' /><br /> We were engaged to create a brand identity for Knot Bakehouse, a new cafe in Dubai, UAE. The main task was to design an identity that would attract a wide range of customers and become a new hot spot in the city.
  317.  
  318. In order for the cafe to look clear and welcoming for all ages and genders, it was decided to focus on a minimalistic design with some color pop-ups. Having the interior evolving around orange-yellow hues, we opted for a blue color as the main identity highlight. An opposite hue to the interior color gave us a needed contrast, and, hence, a unique look and feel. The logo got several variations, where the graphic one took a leading role, while the wordmark ? a secondary. The typography got bold and structured essence to exude reliability.]]></content:encoded>
  319.        <pubDate><![CDATA[Wed, 18 Jun 2025 12:00:08 +0000]]></pubDate>
  320.      </item>
  321.        <item>
  322.        <title><![CDATA[CITIES]]></title>
  323.        <link><![CDATA[https://www.behance.net/gallery/228211073/CITIES]]></link>
  324.        <guid><![CDATA[https://www.behance.net/gallery/228211073/CITIES]]></guid>
  325.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4b3ec9228211073.684fc29bdb5f8.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  326.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4b3ec9228211073.684fc29bdb5f8.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  327.        <pubDate><![CDATA[Wed, 18 Jun 2025 08:00:08 +0000]]></pubDate>
  328.      </item>
  329.        <item>
  330.        <title><![CDATA[NAMIBIA NAMIB DESERT PART 1]]></title>
  331.        <link><![CDATA[https://www.behance.net/gallery/228258443/NAMIBIA-NAMIB-DESERT-PART-1]]></link>
  332.        <guid><![CDATA[https://www.behance.net/gallery/228258443/NAMIBIA-NAMIB-DESERT-PART-1]]></guid>
  333.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/076e94228258443.Y3JvcCwyNTU2LDIwMDAsMjIxLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  334.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/076e94228258443.Y3JvcCwyNTU2LDIwMDAsMjIxLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  335.        <pubDate><![CDATA[Wed, 18 Jun 2025 04:00:05 +0000]]></pubDate>
  336.      </item>
  337.  </channel>
  338. </rss>

If you would like to create a banner that links to this page (i.e. this validation result), do the following:

  1. Download the "valid RSS" banner.

  2. Upload the image to your own server. (This step is important. Please do not link directly to the image on this server.)

  3. Add this HTML to your page (change the image src attribute if necessary):

If you would like to create a text link instead, here is the URL you can use:

http://www.feedvalidator.org/check.cgi?url=http%3A//feeds.feedburner.com/behance/vorr

Copyright © 2002-9 Sam Ruby, Mark Pilgrim, Joseph Walton, and Phil Ringnalda