Congratulations!

[Valid RSS] This is a valid RSS feed.

Recommendations

This feed is valid, but interoperability with the widest range of feed readers could be improved by implementing the following recommendations.

Source: http://feeds.feedburner.com/behance/vorr

  1. <?xml version="1.0" encoding="utf-8" ?>
  2. <rss xmlns:content="http://purl.org/rss/1.0/modules/content/" version="2.0">
  3. <channel>
  4.  <title><![CDATA[ Featured Projects]]></title>
  5.  <link>http://www.behance.net</link>
  6.  <description><![CDATA[The latest projects featured on the ]]></description>
  7.  <pubDate>Thu, 03 Jul 2025 17:34:24 +0000</pubDate>
  8.  <language>en-us</language>
  9.        <item>
  10.        <title><![CDATA[2024]]></title>
  11.        <link><![CDATA[https://www.behance.net/gallery/222302959/2024]]></link>
  12.        <guid><![CDATA[https://www.behance.net/gallery/222302959/2024]]></guid>
  13.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/9eb2af222302959.Y3JvcCwyMzI1LDE4MTgsMCw1NjM.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  14.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/9eb2af222302959.Y3JvcCwyMzI1LDE4MTgsMCw1NjM.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  15.        <pubDate><![CDATA[Thu, 03 Jul 2025 17:30:04 +0000]]></pubDate>
  16.      </item>
  17.        <item>
  18.        <title><![CDATA[SP?Arte Rebrand]]></title>
  19.        <link><![CDATA[https://www.behance.net/gallery/229147287/SPArte-Rebrand]]></link>
  20.        <guid><![CDATA[https://www.behance.net/gallery/229147287/SPArte-Rebrand]]></guid>
  21.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f9d5fb229147287.Y3JvcCwxMjQ5LDk3NywwLDA.jpg' style='float:left; margin-right:15px;' /><br /> SP?Arte is the largest art and design fair in Latin America. Since 2005, it has brought together art and design galleries, publishers, magazines, museums and institutions, presenting, in each edition, thousands of works from Brazilian and international artists at the historic São Paulo Biennial Pavilion.
  22.  
  23. After their acclaimed 20th anniversary edition the prior year, they felt the brand was due a cohesive, comprehensive rebrand. With a focus on building a more recognisable brand on and off fair dates, there was a need to establish a perene institutional identity while also designing a flexible system and guidelines for the annual fair visuals. 
  24.  
  25. The logo, previously set in all-caps, now unifies the brand name's spelling in mixed case, as it's used across all communication. The bold and unique typeface Uniforma is a powerful conector ? ranging from logo to titles and sub-brands, it unifies and reinforces SP?Arte's consistency throughout communication.]]></description>
  26.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/f9d5fb229147287.Y3JvcCwxMjQ5LDk3NywwLDA.jpg' style='float:left; margin-right:15px;' /><br /> SP?Arte is the largest art and design fair in Latin America. Since 2005, it has brought together art and design galleries, publishers, magazines, museums and institutions, presenting, in each edition, thousands of works from Brazilian and international artists at the historic São Paulo Biennial Pavilion.
  27.  
  28. After their acclaimed 20th anniversary edition the prior year, they felt the brand was due a cohesive, comprehensive rebrand. With a focus on building a more recognisable brand on and off fair dates, there was a need to establish a perene institutional identity while also designing a flexible system and guidelines for the annual fair visuals. 
  29.  
  30. The logo, previously set in all-caps, now unifies the brand name's spelling in mixed case, as it's used across all communication. The bold and unique typeface Uniforma is a powerful conector ? ranging from logo to titles and sub-brands, it unifies and reinforces SP?Arte's consistency throughout communication.]]></content:encoded>
  31.        <pubDate><![CDATA[Thu, 03 Jul 2025 13:30:08 +0000]]></pubDate>
  32.      </item>
  33.        <item>
  34.        <title><![CDATA[STRATA II]]></title>
  35.        <link><![CDATA[https://www.behance.net/gallery/229166277/STRATA-II]]></link>
  36.        <guid><![CDATA[https://www.behance.net/gallery/229166277/STRATA-II]]></guid>
  37.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/ce95cf229166277.Y3JvcCwxOTk5LDE1NjQsMCwxOQ.jpg' style='float:left; margin-right:15px;' /><br /> Strata is a photographic study of geology, capturing the intricate patterns formed by rock layers built up over millions of years and revealed through erosion. Each image reveals swirling contours and fault lines resembling macro galaxies, mapping the Earth's geological history in vivid detail. The layers of rock serve as both art and archive.]]></description>
  38.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/ce95cf229166277.Y3JvcCwxOTk5LDE1NjQsMCwxOQ.jpg' style='float:left; margin-right:15px;' /><br /> Strata is a photographic study of geology, capturing the intricate patterns formed by rock layers built up over millions of years and revealed through erosion. Each image reveals swirling contours and fault lines resembling macro galaxies, mapping the Earth's geological history in vivid detail. The layers of rock serve as both art and archive.]]></content:encoded>
  39.        <pubDate><![CDATA[Thu, 03 Jul 2025 09:30:09 +0000]]></pubDate>
  40.      </item>
  41.        <item>
  42.        <title><![CDATA[NINI-INVADER: ?????]]></title>
  43.        <link><![CDATA[https://www.behance.net/gallery/229304085/NINI-INVADER-]]></link>
  44.        <guid><![CDATA[https://www.behance.net/gallery/229304085/NINI-INVADER-]]></guid>
  45.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/0c6b50229304085.Y3JvcCw4OTYsNzAxLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  46.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/0c6b50229304085.Y3JvcCw4OTYsNzAxLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  47.        <pubDate><![CDATA[Thu, 03 Jul 2025 05:30:05 +0000]]></pubDate>
  48.      </item>
  49.        <item>
  50.        <title><![CDATA[The Hideaways]]></title>
  51.        <link><![CDATA[https://www.behance.net/gallery/228898585/The-Hideaways]]></link>
  52.        <guid><![CDATA[https://www.behance.net/gallery/228898585/The-Hideaways]]></guid>
  53.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/7b178c228898585.Y3JvcCw5MDAsNzAzLDAsOA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  54.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/7b178c228898585.Y3JvcCw5MDAsNzAzLDAsOA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  55.        <pubDate><![CDATA[Thu, 03 Jul 2025 01:30:08 +0000]]></pubDate>
  56.      </item>
  57.        <item>
  58.        <title><![CDATA[Pendulum]]></title>
  59.        <link><![CDATA[https://www.behance.net/gallery/229282989/Pendulum]]></link>
  60.        <guid><![CDATA[https://www.behance.net/gallery/229282989/Pendulum]]></guid>
  61.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/1a4397229282989.Y3JvcCwxMDA3LDc4OCwyMTEsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  62.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/1a4397229282989.Y3JvcCwxMDA3LDc4OCwyMTEsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  63.        <pubDate><![CDATA[Wed, 02 Jul 2025 21:30:04 +0000]]></pubDate>
  64.      </item>
  65.        <item>
  66.        <title><![CDATA[Bertolotti Inmobiliaria]]></title>
  67.        <link><![CDATA[https://www.behance.net/gallery/229034367/Bertolotti-Inmobiliaria]]></link>
  68.        <guid><![CDATA[https://www.behance.net/gallery/229034367/Bertolotti-Inmobiliaria]]></guid>
  69.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/95655f229034367.Y3JvcCwxNjg1LDEzMTcsMCww.jpg' style='float:left; margin-right:15px;' /><br /> E. Bertolotti is a real estate company located in the Villa Crespo neighborhood of Buenos Aires. Created in the 1990s by Eduardo Antonio (Bertolotti Sr.), the family business quickly gained recognition, expanding into several neighborhoods across the city. After many years of steady growth, Federico and Eduardo (Bertolotti Jr.) approached us to lead a full rebrand?aiming to strengthen the identity and better reflect the values of the new generation. They also saw this moment of change as an opportunity to introduce a new business line: their own real estate development company.]]></description>
  70.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/95655f229034367.Y3JvcCwxNjg1LDEzMTcsMCww.jpg' style='float:left; margin-right:15px;' /><br /> E. Bertolotti is a real estate company located in the Villa Crespo neighborhood of Buenos Aires. Created in the 1990s by Eduardo Antonio (Bertolotti Sr.), the family business quickly gained recognition, expanding into several neighborhoods across the city. After many years of steady growth, Federico and Eduardo (Bertolotti Jr.) approached us to lead a full rebrand?aiming to strengthen the identity and better reflect the values of the new generation. They also saw this moment of change as an opportunity to introduce a new business line: their own real estate development company.]]></content:encoded>
  71.        <pubDate><![CDATA[Wed, 02 Jul 2025 17:30:09 +0000]]></pubDate>
  72.      </item>
  73.        <item>
  74.        <title><![CDATA[Animal Parents]]></title>
  75.        <link><![CDATA[https://www.behance.net/gallery/229355627/Animal-Parents]]></link>
  76.        <guid><![CDATA[https://www.behance.net/gallery/229355627/Animal-Parents]]></guid>
  77.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/71c782229355627.Y3JvcCwxMzM0LDEwNDMsMzMsMzg5.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  78.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/71c782229355627.Y3JvcCwxMzM0LDEwNDMsMzMsMzg5.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  79.        <pubDate><![CDATA[Wed, 02 Jul 2025 13:01:19 +0000]]></pubDate>
  80.      </item>
  81.        <item>
  82.        <title><![CDATA[CDSX]]></title>
  83.        <link><![CDATA[https://www.behance.net/gallery/226148269/CDSX]]></link>
  84.        <guid><![CDATA[https://www.behance.net/gallery/226148269/CDSX]]></guid>
  85.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b39a03226148269.Y3JvcCw2NzUsNTI4LDM1OCwyNTk.jpg' style='float:left; margin-right:15px;' /><br /> In this project, I bring together two icons of vanished eras - Polaroids and CD. These are not just image or data carriers, but tangible traces of time. Tactile, imperfect, vulnerable. Each bears the imprint of human touch, the erosion of time, the dust of light from the past. Polaroid captures a moment as it is - once and forever. CD, by contrast, was designed for duplication, repetition I asked myself: can these two approaches to memory be merged? And what happens when a living, fragile photographic emulsion is tenderly transferred onto a dead, disfigured disc? What is born at the crossroads of analog and digital? Using the technique of Polaroid emulsion lifting, I apply the wounded skin of an image onto warped CD surfaces. Under light, complex reflections emerge - visual phantoms, echoes, an inner radiation of the forgotten. These hybrid objects become layered artifacts, where the uniqueness of the moment enters into dialoque with the reproducibility of data.]]></description>
  86.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b39a03226148269.Y3JvcCw2NzUsNTI4LDM1OCwyNTk.jpg' style='float:left; margin-right:15px;' /><br /> In this project, I bring together two icons of vanished eras - Polaroids and CD. These are not just image or data carriers, but tangible traces of time. Tactile, imperfect, vulnerable. Each bears the imprint of human touch, the erosion of time, the dust of light from the past. Polaroid captures a moment as it is - once and forever. CD, by contrast, was designed for duplication, repetition I asked myself: can these two approaches to memory be merged? And what happens when a living, fragile photographic emulsion is tenderly transferred onto a dead, disfigured disc? What is born at the crossroads of analog and digital? Using the technique of Polaroid emulsion lifting, I apply the wounded skin of an image onto warped CD surfaces. Under light, complex reflections emerge - visual phantoms, echoes, an inner radiation of the forgotten. These hybrid objects become layered artifacts, where the uniqueness of the moment enters into dialoque with the reproducibility of data.]]></content:encoded>
  87.        <pubDate><![CDATA[Wed, 02 Jul 2025 09:00:13 +0000]]></pubDate>
  88.      </item>
  89.        <item>
  90.        <title><![CDATA[Wanted High Five 2025]]></title>
  91.        <link><![CDATA[https://www.behance.net/gallery/229263161/Wanted-High-Five-2025]]></link>
  92.        <guid><![CDATA[https://www.behance.net/gallery/229263161/Wanted-High-Five-2025]]></guid>
  93.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c2fa3d229263161.Y3JvcCwxMDQyLDgxNSwxOTgsMTcw.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  94.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c2fa3d229263161.Y3JvcCwxMDQyLDgxNSwxOTgsMTcw.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  95.        <pubDate><![CDATA[Wed, 02 Jul 2025 05:00:04 +0000]]></pubDate>
  96.      </item>
  97.        <item>
  98.        <title><![CDATA[Vege cookbook illustrations]]></title>
  99.        <link><![CDATA[https://www.behance.net/gallery/228781827/Vege-cookbook-illustrations]]></link>
  100.        <guid><![CDATA[https://www.behance.net/gallery/228781827/Vege-cookbook-illustrations]]></guid>
  101.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/ace3b4228781827.Y3JvcCw5OTksNzgyLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  102.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/ace3b4228781827.Y3JvcCw5OTksNzgyLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  103.        <pubDate><![CDATA[Wed, 02 Jul 2025 01:00:13 +0000]]></pubDate>
  104.      </item>
  105.        <item>
  106.        <title><![CDATA[LOBBY BAR DC]]></title>
  107.        <link><![CDATA[https://www.behance.net/gallery/228619055/LOBBY-BAR-DC]]></link>
  108.        <guid><![CDATA[https://www.behance.net/gallery/228619055/LOBBY-BAR-DC]]></guid>
  109.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4bd375228619055.Y3JvcCwxMTk0LDkzNCwxMDMsMA.jpg' style='float:left; margin-right:15px;' /><br /> Lobby Bar is a restaurant-bar located in Washington, D.C. that seeks to be the meeting point where great conversations are born and barriers fade away with a good cocktail. It's a space where opposites coexist?the capital of unexpected connections.]]></description>
  110.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/4bd375228619055.Y3JvcCwxMTk0LDkzNCwxMDMsMA.jpg' style='float:left; margin-right:15px;' /><br /> Lobby Bar is a restaurant-bar located in Washington, D.C. that seeks to be the meeting point where great conversations are born and barriers fade away with a good cocktail. It's a space where opposites coexist?the capital of unexpected connections.]]></content:encoded>
  111.        <pubDate><![CDATA[Tue, 01 Jul 2025 21:00:11 +0000]]></pubDate>
  112.      </item>
  113.        <item>
  114.        <title><![CDATA[Final Drive | Sportsman | Orbix Studio | Illustration]]></title>
  115.        <link><![CDATA[https://www.behance.net/gallery/228798053/Final-Drive-Sportsman-Orbix-Studio-Illustration]]></link>
  116.        <guid><![CDATA[https://www.behance.net/gallery/228798053/Final-Drive-Sportsman-Orbix-Studio-Illustration]]></guid>
  117.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/7eeb36228798053.Y3JvcCwxMzgwLDEwODAsMzAsMA.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  118.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/7eeb36228798053.Y3JvcCwxMzgwLDEwODAsMzAsMA.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  119.        <pubDate><![CDATA[Tue, 01 Jul 2025 17:00:13 +0000]]></pubDate>
  120.      </item>
  121.        <item>
  122.        <title><![CDATA[Google Developer Groups - Branding]]></title>
  123.        <link><![CDATA[https://www.behance.net/gallery/228275795/Google-Developer-Groups-Branding]]></link>
  124.        <guid><![CDATA[https://www.behance.net/gallery/228275795/Google-Developer-Groups-Branding]]></guid>
  125.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/22d475228275795.Y3JvcCwzMjgyLDI1NjcsMjg0LDMxNg.jpg' style='float:left; margin-right:15px;' /><br /> Brand identity and design system for Google for Developers. A flexible visual identity inspired by code, featuring branding, graphic design, motion design, typography, and design systems. Created for global developer communities, events, and digital platforms.]]></description>
  126.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/22d475228275795.Y3JvcCwzMjgyLDI1NjcsMjg0LDMxNg.jpg' style='float:left; margin-right:15px;' /><br /> Brand identity and design system for Google for Developers. A flexible visual identity inspired by code, featuring branding, graphic design, motion design, typography, and design systems. Created for global developer communities, events, and digital platforms.]]></content:encoded>
  127.        <pubDate><![CDATA[Tue, 01 Jul 2025 13:00:31 +0000]]></pubDate>
  128.      </item>
  129.        <item>
  130.        <title><![CDATA[ANTHROPOGENIC LANDSCAPES ? Germany]]></title>
  131.        <link><![CDATA[https://www.behance.net/gallery/228896789/ANTHROPOGENIC-LANDSCAPES-Germany]]></link>
  132.        <guid><![CDATA[https://www.behance.net/gallery/228896789/ANTHROPOGENIC-LANDSCAPES-Germany]]></guid>
  133.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6334f9228896789.Y3JvcCwxNjAwLDEyNTEsMCwxNQ.jpg' style='float:left; margin-right:15px;' /><br /> 'ANTHROPOGENIC LANDSCAPES' is an aerial landscape series by visual artist and fine art photographer Jan Erik Waider. All photos were taken in Northern Germany.]]></description>
  134.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/6334f9228896789.Y3JvcCwxNjAwLDEyNTEsMCwxNQ.jpg' style='float:left; margin-right:15px;' /><br /> 'ANTHROPOGENIC LANDSCAPES' is an aerial landscape series by visual artist and fine art photographer Jan Erik Waider. All photos were taken in Northern Germany.]]></content:encoded>
  135.        <pubDate><![CDATA[Tue, 01 Jul 2025 09:00:48 +0000]]></pubDate>
  136.      </item>
  137.        <item>
  138.        <title><![CDATA[ILLUSTRATION - Retroverse Festival]]></title>
  139.        <link><![CDATA[https://www.behance.net/gallery/226776051/ILLUSTRATION-Retroverse-Festival]]></link>
  140.        <guid><![CDATA[https://www.behance.net/gallery/226776051/ILLUSTRATION-Retroverse-Festival]]></guid>
  141.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/778361226776051.Y3JvcCwyNDgwLDE5MzksMCw5Mzk.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  142.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/778361226776051.Y3JvcCwyNDgwLDE5MzksMCw5Mzk.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  143.        <pubDate><![CDATA[Tue, 01 Jul 2025 05:00:06 +0000]]></pubDate>
  144.      </item>
  145.        <item>
  146.        <title><![CDATA[Sto. Mercado]]></title>
  147.        <link><![CDATA[https://www.behance.net/gallery/228380573/Sto-Mercado]]></link>
  148.        <guid><![CDATA[https://www.behance.net/gallery/228380573/Sto-Mercado]]></guid>
  149.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/41fdc3228380573.Y3JvcCwyNTQ2LDE5OTEsMCw2.png' style='float:left; margin-right:15px;' /><br /> The new identity of the Santo Amaro Municipal Market sought to revitalize the space, which reopened after a devastating fire. With a combination of tradition and innovation, the logo and illustrations reflect the history of the market and pay tribute to important characters, communicating with new generations without alienating old customers.]]></description>
  150.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/41fdc3228380573.Y3JvcCwyNTQ2LDE5OTEsMCw2.png' style='float:left; margin-right:15px;' /><br /> The new identity of the Santo Amaro Municipal Market sought to revitalize the space, which reopened after a devastating fire. With a combination of tradition and innovation, the logo and illustrations reflect the history of the market and pay tribute to important characters, communicating with new generations without alienating old customers.]]></content:encoded>
  151.        <pubDate><![CDATA[Tue, 01 Jul 2025 01:00:06 +0000]]></pubDate>
  152.      </item>
  153.        <item>
  154.        <title><![CDATA[XIN CH?O!]]></title>
  155.        <link><![CDATA[https://www.behance.net/gallery/229227409/XIN-CHAO]]></link>
  156.        <guid><![CDATA[https://www.behance.net/gallery/229227409/XIN-CHAO]]></guid>
  157.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c9dfc0229227409.Y3JvcCwxMzM2LDEwNDUsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  158.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c9dfc0229227409.Y3JvcCwxMzM2LDEwNDUsMCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  159.        <pubDate><![CDATA[Mon, 30 Jun 2025 21:00:11 +0000]]></pubDate>
  160.      </item>
  161.        <item>
  162.        <title><![CDATA[POSTERS ? 2025 ?]]></title>
  163.        <link><![CDATA[https://www.behance.net/gallery/229137787/POSTERS-2025-]]></link>
  164.        <guid><![CDATA[https://www.behance.net/gallery/229137787/POSTERS-2025-]]></guid>
  165.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/038526229137787.Y3JvcCw0Mjk5LDMzNjIsMCwxNTk.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  166.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/038526229137787.Y3JvcCw0Mjk5LDMzNjIsMCwxNTk.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  167.        <pubDate><![CDATA[Mon, 30 Jun 2025 15:00:12 +0000]]></pubDate>
  168.      </item>
  169.        <item>
  170.        <title><![CDATA[Goblins and puppets]]></title>
  171.        <link><![CDATA[https://www.behance.net/gallery/228944465/Goblins-and-puppets]]></link>
  172.        <guid><![CDATA[https://www.behance.net/gallery/228944465/Goblins-and-puppets]]></guid>
  173.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/d52c8b228944465.Y3JvcCw5ODQsNzcwLDIwNyww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  174.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/d52c8b228944465.Y3JvcCw5ODQsNzcwLDIwNyww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  175.        <pubDate><![CDATA[Mon, 30 Jun 2025 11:00:24 +0000]]></pubDate>
  176.      </item>
  177.        <item>
  178.        <title><![CDATA[Where A Whisper Means More Than A Thousand Words]]></title>
  179.        <link><![CDATA[https://www.behance.net/gallery/227892047/Where-A-Whisper-Means-More-Than-A-Thousand-Words]]></link>
  180.        <guid><![CDATA[https://www.behance.net/gallery/227892047/Where-A-Whisper-Means-More-Than-A-Thousand-Words]]></guid>
  181.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/566f42227892047.Y3JvcCwxOTE3LDE1MDAsMTY2LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  182.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/566f42227892047.Y3JvcCwxOTE3LDE1MDAsMTY2LDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  183.        <pubDate><![CDATA[Mon, 30 Jun 2025 06:32:04 +0000]]></pubDate>
  184.      </item>
  185.        <item>
  186.        <title><![CDATA[My Curated Shoes]]></title>
  187.        <link><![CDATA[https://www.behance.net/gallery/229035543/My-Curated-Shoes]]></link>
  188.        <guid><![CDATA[https://www.behance.net/gallery/229035543/My-Curated-Shoes]]></guid>
  189.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/87b2bc229035543.Y3JvcCwxMDczLDgzOSw3NCwxMzU.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  190.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/87b2bc229035543.Y3JvcCwxMDczLDgzOSw3NCwxMzU.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  191.        <pubDate><![CDATA[Mon, 30 Jun 2025 02:30:30 +0000]]></pubDate>
  192.      </item>
  193.        <item>
  194.        <title><![CDATA[Embark]]></title>
  195.        <link><![CDATA[https://www.behance.net/gallery/229047015/Embark]]></link>
  196.        <guid><![CDATA[https://www.behance.net/gallery/229047015/Embark]]></guid>
  197.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/9e0d7a229047015.Y3JvcCwxNjE2LDEyNjQsMCww.jpg' style='float:left; margin-right:15px;' /><br /> Embark is a consulting firm founded on a simple idea: that if you treat people excellently, they'll do excellent work. Embark helps businesses grow and succeed by putting happiness first. And their numbers prove that happiness really is good for business. We created a visual identity to express the happiness that was already present within the company.]]></description>
  198.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/9e0d7a229047015.Y3JvcCwxNjE2LDEyNjQsMCww.jpg' style='float:left; margin-right:15px;' /><br /> Embark is a consulting firm founded on a simple idea: that if you treat people excellently, they'll do excellent work. Embark helps businesses grow and succeed by putting happiness first. And their numbers prove that happiness really is good for business. We created a visual identity to express the happiness that was already present within the company.]]></content:encoded>
  199.        <pubDate><![CDATA[Sun, 29 Jun 2025 22:30:07 +0000]]></pubDate>
  200.      </item>
  201.        <item>
  202.        <title><![CDATA[YOKAI CREW | character design]]></title>
  203.        <link><![CDATA[https://www.behance.net/gallery/227430973/YOKAI-CREW-character-design]]></link>
  204.        <guid><![CDATA[https://www.behance.net/gallery/227430973/YOKAI-CREW-character-design]]></guid>
  205.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e7b762227430973.Y3JvcCw4MDgsNjMyLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> A second chance. What if such an opportunity were granted to wandering yokai? In atonement for their past transgressions these yokai now strive to assist human lives. By utilizing plasma-powered machinery, they endeavor to make the most of this newfound chance. Chochin-obake, Kodama, Kappa, Yurei, Nekomata, and Oni. Together, they form a group called the Yokai Crew.]]></description>
  206.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/e7b762227430973.Y3JvcCw4MDgsNjMyLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> A second chance. What if such an opportunity were granted to wandering yokai? In atonement for their past transgressions these yokai now strive to assist human lives. By utilizing plasma-powered machinery, they endeavor to make the most of this newfound chance. Chochin-obake, Kodama, Kappa, Yurei, Nekomata, and Oni. Together, they form a group called the Yokai Crew.]]></content:encoded>
  207.        <pubDate><![CDATA[Sun, 29 Jun 2025 18:30:06 +0000]]></pubDate>
  208.      </item>
  209.        <item>
  210.        <title><![CDATA[Cole Metals Group by DD.NYC® | Branding &amp; Web Design]]></title>
  211.        <link><![CDATA[https://www.behance.net/gallery/228066929/Cole-Metals-Group-by-DDNYC-Branding-Web-Design]]></link>
  212.        <guid><![CDATA[https://www.behance.net/gallery/228066929/Cole-Metals-Group-by-DDNYC-Branding-Web-Design]]></guid>
  213.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3ca35f228066929.Y3JvcCwxMzQ5LDEwNTUsMTMsMjM.png' style='float:left; margin-right:15px;' /><br /> ]]></description>
  214.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3ca35f228066929.Y3JvcCwxMzQ5LDEwNTUsMTMsMjM.png' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  215.        <pubDate><![CDATA[Sun, 29 Jun 2025 14:30:03 +0000]]></pubDate>
  216.      </item>
  217.        <item>
  218.        <title><![CDATA[Th? "Cháu là c? tích"]]></title>
  219.        <link><![CDATA[https://www.behance.net/gallery/225156447/Tho-Chau-la-c-tich]]></link>
  220.        <guid><![CDATA[https://www.behance.net/gallery/225156447/Tho-Chau-la-c-tich]]></guid>
  221.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/dbde41225156447.Y3JvcCw3NDgsNTg1LDAsOTY.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  222.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/dbde41225156447.Y3JvcCw3NDgsNTg1LDAsOTY.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  223.        <pubDate><![CDATA[Sun, 29 Jun 2025 10:30:06 +0000]]></pubDate>
  224.      </item>
  225.        <item>
  226.        <title><![CDATA[? · 2025 II]]></title>
  227.        <link><![CDATA[https://www.behance.net/gallery/225777193/-2025-II]]></link>
  228.        <guid><![CDATA[https://www.behance.net/gallery/225777193/-2025-II]]></guid>
  229.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/d91837225777193.685ba6a1eee79.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  230.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/d91837225777193.685ba6a1eee79.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  231.        <pubDate><![CDATA[Sun, 29 Jun 2025 06:00:39 +0000]]></pubDate>
  232.      </item>
  233.        <item>
  234.        <title><![CDATA[Fruit and Veg Illustrations]]></title>
  235.        <link><![CDATA[https://www.behance.net/gallery/210358069/Fruit-and-Veg-Illustrations]]></link>
  236.        <guid><![CDATA[https://www.behance.net/gallery/210358069/Fruit-and-Veg-Illustrations]]></guid>
  237.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/52838f210358069.Y3JvcCwyNjAxLDIwMzQsMCw1OTI.png' style='float:left; margin-right:15px;' /><br /> Inspired by advertising from the 1940's and 50's, I set out to create these fruit and veg illustrations as a personal project.]]></description>
  238.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/52838f210358069.Y3JvcCwyNjAxLDIwMzQsMCw1OTI.png' style='float:left; margin-right:15px;' /><br /> Inspired by advertising from the 1940's and 50's, I set out to create these fruit and veg illustrations as a personal project.]]></content:encoded>
  239.        <pubDate><![CDATA[Sun, 29 Jun 2025 02:00:13 +0000]]></pubDate>
  240.      </item>
  241.        <item>
  242.        <title><![CDATA[Telescope.fyi]]></title>
  243.        <link><![CDATA[https://www.behance.net/gallery/228823141/Telescopefyi]]></link>
  244.        <guid><![CDATA[https://www.behance.net/gallery/228823141/Telescopefyi]]></guid>
  245.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3a91c8228823141.Y3JvcCw4MDgsNjMyLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> Telescope is a new kind of platform built for those who still believe the internet should inspire. It helps tastemakers share what they genuinely love, and get paid for their taste. No ads, no algorithms, just honest recommendations from real people. In a digital landscape cluttered with trends and noise, Telescope brings back intentional discovery, where curiosity and trust matter more than clicks. For this project, we developed the full brand identity and designed the website, playing with the metaphor of zooming in?like a telescope?to focus only on what truly matters. The result is a bold, clean visual language with fresh colors, editorial typography, and imagery that celebrates real humans and the things they care about.
  246.  
  247. telescope.fyi]]></description>
  248.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3a91c8228823141.Y3JvcCw4MDgsNjMyLDAsMA.jpg' style='float:left; margin-right:15px;' /><br /> Telescope is a new kind of platform built for those who still believe the internet should inspire. It helps tastemakers share what they genuinely love, and get paid for their taste. No ads, no algorithms, just honest recommendations from real people. In a digital landscape cluttered with trends and noise, Telescope brings back intentional discovery, where curiosity and trust matter more than clicks. For this project, we developed the full brand identity and designed the website, playing with the metaphor of zooming in?like a telescope?to focus only on what truly matters. The result is a bold, clean visual language with fresh colors, editorial typography, and imagery that celebrates real humans and the things they care about.
  249.  
  250. telescope.fyi]]></content:encoded>
  251.        <pubDate><![CDATA[Sat, 28 Jun 2025 22:00:09 +0000]]></pubDate>
  252.      </item>
  253.        <item>
  254.        <title><![CDATA[5 Costa Rica inspired exotic birds.]]></title>
  255.        <link><![CDATA[https://www.behance.net/gallery/228775029/5-Costa-Rica-inspired-exotic-birds]]></link>
  256.        <guid><![CDATA[https://www.behance.net/gallery/228775029/5-Costa-Rica-inspired-exotic-birds]]></guid>
  257.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3b1fb4228775029.Y3JvcCwxMTk0LDkzNCwxMDMsMA.jpg' style='float:left; margin-right:15px;' /><br /> A selection of 5 Costa Rica inspired exotic birds for a private residence.]]></description>
  258.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/3b1fb4228775029.Y3JvcCwxMTk0LDkzNCwxMDMsMA.jpg' style='float:left; margin-right:15px;' /><br /> A selection of 5 Costa Rica inspired exotic birds for a private residence.]]></content:encoded>
  259.        <pubDate><![CDATA[Sat, 28 Jun 2025 18:00:04 +0000]]></pubDate>
  260.      </item>
  261.        <item>
  262.        <title><![CDATA[Branding [Piropo]]]></title>
  263.        <link><![CDATA[https://www.behance.net/gallery/228011227/Branding-Piropo]]></link>
  264.        <guid><![CDATA[https://www.behance.net/gallery/228011227/Branding-Piropo]]></guid>
  265.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a77ce9228011227.Y3JvcCwxMDA3LDc4OCwxOTcsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  266.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/a77ce9228011227.Y3JvcCwxMDA3LDc4OCwxOTcsMA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  267.        <pubDate><![CDATA[Sat, 28 Jun 2025 14:00:09 +0000]]></pubDate>
  268.      </item>
  269.        <item>
  270.        <title><![CDATA[The Goat that learned to count]]></title>
  271.        <link><![CDATA[https://www.behance.net/gallery/114168863/The-Goat-that-learned-to-count]]></link>
  272.        <guid><![CDATA[https://www.behance.net/gallery/114168863/The-Goat-that-learned-to-count]]></guid>
  273.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/95e962114168863.Y3JvcCw5MTgsNzE4LDY1LDQzNg.jpg' style='float:left; margin-right:15px;' /><br /> Illustrations for the children's story.
  274. Part of the book "Big illustrated tale book"
  275. Ababahalamaha Publisher, Ukraine. 2017
  276.  
  277. The font in the heading is Girly Minnie by Tokokoo]]></description>
  278.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/95e962114168863.Y3JvcCw5MTgsNzE4LDY1LDQzNg.jpg' style='float:left; margin-right:15px;' /><br /> Illustrations for the children's story.
  279. Part of the book "Big illustrated tale book"
  280. Ababahalamaha Publisher, Ukraine. 2017
  281.  
  282. The font in the heading is Girly Minnie by Tokokoo]]></content:encoded>
  283.        <pubDate><![CDATA[Sat, 28 Jun 2025 10:00:06 +0000]]></pubDate>
  284.      </item>
  285.        <item>
  286.        <title><![CDATA[NAMIBIA KOLMANSKOP PART2]]></title>
  287.        <link><![CDATA[https://www.behance.net/gallery/228078255/NAMIBIA-KOLMANSKOP-PART2]]></link>
  288.        <guid><![CDATA[https://www.behance.net/gallery/228078255/NAMIBIA-KOLMANSKOP-PART2]]></guid>
  289.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b8231b228078255.Y3JvcCwyNTU2LDIwMDAsMjIxLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  290.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/b8231b228078255.Y3JvcCwyNTU2LDIwMDAsMjIxLDA.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  291.        <pubDate><![CDATA[Sat, 28 Jun 2025 06:00:06 +0000]]></pubDate>
  292.      </item>
  293.        <item>
  294.        <title><![CDATA[Antman 3 Quantumania - concept design]]></title>
  295.        <link><![CDATA[https://www.behance.net/gallery/228911599/Antman-3-Quantumania-concept-design]]></link>
  296.        <guid><![CDATA[https://www.behance.net/gallery/228911599/Antman-3-Quantumania-concept-design]]></guid>
  297.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/7be653228911599.Y3JvcCw4NjAsNjczLDU3MCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  298.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/7be653228911599.Y3JvcCw4NjAsNjczLDU3MCww.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  299.        <pubDate><![CDATA[Sat, 28 Jun 2025 02:00:05 +0000]]></pubDate>
  300.      </item>
  301.        <item>
  302.        <title><![CDATA[Modus Architects &amp; Artisans - Brand Identity]]></title>
  303.        <link><![CDATA[https://www.behance.net/gallery/229032953/Modus-Architects-Artisans-Brand-Identity]]></link>
  304.        <guid><![CDATA[https://www.behance.net/gallery/229032953/Modus-Architects-Artisans-Brand-Identity]]></guid>
  305.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c9edd5229032953.Y3JvcCwxNTgyLDEyMzgsNTAsMzk.jpg' style='float:left; margin-right:15px;' /><br /> Brand Identity for Modus Architects &amp; Artisans
  306. A modern and sustainable visual identity for an architecture firm rooted in innovation and human-centered design. From logo and typography to site signage and digital tools, every element was crafted to reflect MAA's values: user-centric thinking, contemporary aesthetics, and a strong commitment to sustainability.]]></description>
  307.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/c9edd5229032953.Y3JvcCwxNTgyLDEyMzgsNTAsMzk.jpg' style='float:left; margin-right:15px;' /><br /> Brand Identity for Modus Architects &amp; Artisans
  308. A modern and sustainable visual identity for an architecture firm rooted in innovation and human-centered design. From logo and typography to site signage and digital tools, every element was crafted to reflect MAA's values: user-centric thinking, contemporary aesthetics, and a strong commitment to sustainability.]]></content:encoded>
  309.        <pubDate><![CDATA[Fri, 27 Jun 2025 22:00:06 +0000]]></pubDate>
  310.      </item>
  311.        <item>
  312.        <title><![CDATA[CASSINA - MILAN DESIGN WEEK]]></title>
  313.        <link><![CDATA[https://www.behance.net/gallery/228844673/CASSINA-MILAN-DESIGN-WEEK]]></link>
  314.        <guid><![CDATA[https://www.behance.net/gallery/228844673/CASSINA-MILAN-DESIGN-WEEK]]></guid>
  315.        <description><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/918ab4228844673.Y3JvcCwxMjAwLDkzOCwwLDE4MQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></description>
  316.        <content:encoded><![CDATA[<img src='https://mir-s3-cdn-cf.behance.net/projects/404/918ab4228844673.Y3JvcCwxMjAwLDkzOCwwLDE4MQ.jpg' style='float:left; margin-right:15px;' /><br /> ]]></content:encoded>
  317.        <pubDate><![CDATA[Fri, 27 Jun 2025 18:00:03 +0000]]></pubDate>
  318.      </item>
  319.  </channel>
  320. </rss>

If you would like to create a banner that links to this page (i.e. this validation result), do the following:

  1. Download the "valid RSS" banner.

  2. Upload the image to your own server. (This step is important. Please do not link directly to the image on this server.)

  3. Add this HTML to your page (change the image src attribute if necessary):

If you would like to create a text link instead, here is the URL you can use:

http://www.feedvalidator.org/check.cgi?url=http%3A//feeds.feedburner.com/behance/vorr

Home · About · News · Docs · Terms

 
Copyright © 2002-9 Sam Ruby, Mark Pilgrim, Joseph Walton, and Phil Ringnalda