FEED Validator

for Atom and RSS and KML

Congratulations!

This is a valid RSS feed.

Recommendations

This feed is valid, but interoperability with the widest range of feed readers could be improved by implementing the following recommendations.

line 47, column 0: style attribute contains potentially dangerous content: max-width (4 occurrences) [help]
```
					<description><![CDATA[<a href="https://thevoiceofphilly.com/samsung-tv- ...
```
line 47, column 0: description should not contain link_thumbnail attribute (4 occurrences) [help]
```
					<description><![CDATA[<a href="https://thevoiceofphilly.com/samsung-tv- ...
```
line 47, column 0: description should not contain decoding attribute (4 occurrences) [help]
```
					<description><![CDATA[<a href="https://thevoiceofphilly.com/samsung-tv- ...
```
line 47, column 0: description should not contain sizes attribute (4 occurrences) [help]
```
					<description><![CDATA[<a href="https://thevoiceofphilly.com/samsung-tv- ...
```
line 48, column 0: style attribute contains potentially dangerous content: max-width (10 occurrences) [help]
```
										<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/sa ...
```
line 48, column 0: content:encoded should not contain link_thumbnail attribute (10 occurrences) [help]
```
										<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/sa ...
```
line 48, column 0: content:encoded should not contain decoding attribute (10 occurrences) [help]
```
										<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/sa ...
```
line 48, column 0: content:encoded should not contain sizes attribute (10 occurrences) [help]
```
										<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/sa ...
```
line 48, column 0: content:encoded should not contain data-contrast attribute (8 occurrences) [help]
```
										<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/sa ...
```
line 48, column 0: content:encoded should not contain data-ccp-charstyle attribute (4 occurrences) [help]
```
										<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/sa ...
```
line 48, column 0: content:encoded should not contain data-ccp-props attribute (2 occurrences) [help]
```
										<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/sa ...
```
line 50, column 0: content:encoded should not contain data-start attribute (139 occurrences) [help]
```
Samsung is making a bold strategic pivot  ...
```
line 50, column 0: content:encoded should not contain data-end attribute (139 occurrences) [help]
```
Samsung is making a bold strategic pivot  ...
```
line 56, column 0: content:encoded should not contain data-section-id attribute (23 occurrences) [help]
```
<h3 data-section-id="12vhqv0" data-start="2136" data-end="2160">A Digital-to ...
```
line 245, column 0: Invalid HTML: EOF in middle of construct, at line 1, column 144 (6 occurrences) [help]
```
					<description><![CDATA[<a href="https://thevoiceofphilly.com/nocap-is-an ...
```

Source: https://thevoiceofphilly.com/feed/

<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
xmlns:content="http://purl.org/rss/1.0/modules/content/"
xmlns:wfw="http://wellformedweb.org/CommentAPI/"
xmlns:dc="http://purl.org/dc/elements/1.1/"
xmlns:atom="http://www.w3.org/2005/Atom"
xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
xmlns:media="http://search.yahoo.com/mrss/" >
<channel>
<title>YOLO</title>
<atom:link href="https://thevoiceofphilly.com/feed/" rel="self" type="application/rss+xml" />
<link>https://thevoiceofphilly.com</link>
<description>The Voice of Philly</description>
<lastBuildDate>Tue, 29 Jul 2025 00:07:00 +0000</lastBuildDate>
<language>en-US</language>
<sy:updatePeriod>
hourly </sy:updatePeriod>
<sy:updateFrequency>
1 </sy:updateFrequency>
<generator>https://wordpress.org/?v=6.8.2</generator>
<image>
<url>https://thevoiceofphilly.com/wp-content/uploads/2021/10/cropped-yolomag-500-32x32.png</url>
<title>YOLO</title>
<link>https://thevoiceofphilly.com</link>
<width>32</width>
<height>32</height>
</image>
<item>
<title>Samsung TV Plus Bets Big on Creator Economy with Launch of Exclusive FAST Channels</title>
<link>https://thevoiceofphilly.com/samsung-tv-plus-bets-big-on-creator-economy-with-launch-of-exclusive-fast-channels/</link>
<comments>https://thevoiceofphilly.com/samsung-tv-plus-bets-big-on-creator-economy-with-launch-of-exclusive-fast-channels/#respond</comments>
<dc:creator><![CDATA[Jonathan P. Wright]]></dc:creator>
<pubDate>Tue, 29 Jul 2025 00:05:34 +0000</pubDate>
<category><![CDATA[TRENDING]]></category>
<category><![CDATA[BUSINESS NEWS]]></category>
<category><![CDATA[EDITORIAL PICK]]></category>
<category><![CDATA[ad-supported streaming Samsung]]></category>
<category><![CDATA[creator economy streaming]]></category>
<category><![CDATA[FAST streaming platform]]></category>
<category><![CDATA[Samsung digital creator channels]]></category>
<category><![CDATA[Samsung TV Plus creators]]></category>
<guid isPermaLink="false">https://thevoiceofphilly.com/?p=3616</guid>
<description><![CDATA[<a href="https://thevoiceofphilly.com/samsung-tv-plus-bets-big-on-creator-economy-with-launch-of-exclusive-fast-channels/" title="Samsung TV Plus Bets Big on Creator Economy with Launch of Exclusive FAST Channels" rel="nofollow"><img width="788" height="520" src="https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101.png" class="webfeedsFeaturedVisual wp-post-image" alt="Samsung TV Plus Bets Big on Creator Economy with Launch of Exclusive FAST Channels" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101.png 972w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101-300x198.png 300w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101-768x506.png 768w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101-150x99.png 150w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101-450x297.png 450w" sizes="(max-width: 788px) 100vw, 788px"></a>Photo Credit: Photo by Compare Fibre on Unsplash Samsung is making a bold strategic pivot in the ever-evolving streaming landscape—by deepening its commitment to independent digital creators. Known for licensing premium content from traditional entertainment heavyweights like David Letterman, Conan O’Brien, and Steven Bartlett, the tech giant is now doubling down on original digital content [...]]]></description>
<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/samsung-tv-plus-bets-big-on-creator-economy-with-launch-of-exclusive-fast-channels/" title="Samsung TV Plus Bets Big on Creator Economy with Launch of Exclusive FAST Channels" rel="nofollow"><img width="788" height="520" src="https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101.png" class="webfeedsFeaturedVisual wp-post-image" alt="Samsung TV Plus Bets Big on Creator Economy with Launch of Exclusive FAST Channels" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101.png 972w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101-300x198.png 300w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101-768x506.png 768w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101-150x99.png 150w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-035101-450x297.png 450w" sizes="(max-width: 788px) 100vw, 788px"></a>Photo Credit: Photo by <a class="Hyperlink SCXW60110251 BCX8" href="https://unsplash.com/@comparefibre?utm_content=creditCopyText&utm_medium=referral&utm_source=unsplash" target="_blank" rel="noreferrer noopener nofollow">Compare Fibre</a> on <a class="Hyperlink SCXW60110251 BCX8" href="https://unsplash.com/photos/white-and-black-digital-device-YS_FCbcD5KM?utm_content=creditCopyText&utm_medium=referral&utm_source=unsplash" target="_blank" rel="noreferrer noopener nofollow">Unsplash</a>

Samsung is making a bold strategic pivot in the ever-evolving streaming landscape—by deepening its commitment to independent digital creators. Known for licensing premium content from traditional entertainment heavyweights like David Letterman, Conan O’Brien, and Steven Bartlett, the tech giant is now doubling down on original digital content by onboarding high-profile creators to its Samsung TV Plus platform.
In a move that signals the growing influence of digital personalities over conventional media stars, Samsung is launching a wave of free ad-supported streaming television (FAST) channels featuring some of the internet’s most recognizable names. Viewers can soon expect to see curated linear channels devoted exclusively to creators such as Dhar Mann, Michelle Khare, Smosh, The Try Guys, Donut Media, Epic Gardening, Mark Rober, and The Sorry Girls—all of whom made their names on platforms like YouTube but are now breaking new ground on Samsung’s ecosystem.
This initiative, announced Monday, marks a significant expansion of Samsung TV Plus’s content strategy. It shifts the narrative from simply being a free platform for repurposed television to a serious player in original, creator-first entertainment. And Samsung is doing more than simply licensing existing videos—in certain cases, such as with Dhar Mann’s production company, the brand will help finance the creation of exclusive new episodes intended solely for Samsung’s viewers.
<blockquote data-start="1794" data-end="2134">
“This is a major milestone for us as storytellers and producers,” Dhar Mann shared in a press release. “Partnering with Samsung TV Plus means we can bring meaningful, purpose-driven stories to even more homes around the world. It’s a transformative step, not just for our series, but for how creators are shaping the future of streaming.”
</blockquote>
<h3 data-section-id="12vhqv0" data-start="2136" data-end="2160">A Digital-to-TV Leap</h3>
While most of the featured creators began their journeys on YouTube, Samsung is betting that their appeal transcends the boundaries of mobile or desktop consumption. With this move, Samsung is placing digital-first personalities directly into the living rooms of millions of global viewers via smart TVs, smartphones, tablets, and monitors.
One of the most notable partnerships is with Mark Rober, the former NASA engineer turned viral science educator, whose blend of entertainment and STEM learning has earned him a following of nearly 70 million subscribers across platforms. His new FAST channel, aptly titled “Mark Rober TV,” will bring his blend of curiosity and innovation to Samsung’s massive user base.
<blockquote data-start="2876" data-end="3146">
“Bringing my content to Samsung TV Plus gives me the opportunity to share the excitement of science with families on the biggest screen in their home,” Rober explained. “It’s about sparking creativity, fostering curiosity, and making learning an immersive experience.”
</blockquote>
This leap from YouTube to a premium living-room experience represents a major shift in how content is both consumed and valued. It also highlights the increasing legitimacy and cultural power of creator-driven media.
<h3 data-section-id="31cofr" data-start="3366" data-end="3415">Samsung’s FAST Strategy: Scale + Authenticity</h3>
Samsung’s pivot toward creators isn’t a mere experiment—it’s a calculated play for long-term relevance in the FAST ecosystem. During this year’s IAB NewFronts, the company unveiled its vision of elevating digital-first creators into the living room experience, a space traditionally dominated by Hollywood.
Salek Brodsky, Senior Vice President and Global Head of Samsung TV Plus, emphasized that the initiative is more than content expansion—it’s about creating a premium home for creators in a TV-first environment.
<blockquote data-start="3936" data-end="4219">
“Samsung TV Plus is now the go-to platform for modern-day storytellers,” Brodsky noted. “We’re curating a premium experience where top creators can maintain creative control and deliver their content at scale without compromise. This marks a new era in how we define ‘television.’”
</blockquote>
Samsung’s approach is to present a carefully curated, ad-supported experience that blends the freedom of digital creation with the structure and reliability of linear programming. The idea is to create a win-win ecosystem: creators gain exposure to wider, more mainstream audiences, while Samsung offers viewers fresh, engaging content that doesn’t come with a subscription fee.
<h3 data-section-id="12tm343" data-start="4601" data-end="4622">The Numbers Speak</h3>
FAST channels have surged in popularity over the past few years, largely due to consumer fatigue with high-cost streaming subscriptions. Samsung TV Plus, which is pre-installed on all newer Samsung smart TVs and many Galaxy mobile devices, is perfectly positioned to capitalize on this trend.
As of late 2024, the platform hosts more than 700 FAST channels in the United States and over 1,000 channels globally. According to Samsung’s internal data, Samsung TV Plus now boasts more than 88 million monthly active users worldwide, a number that continues to grow as more consumers seek out cost-effective streaming alternatives.
This places Samsung TV Plus in direct competition with other ad-supported platforms like Pluto TV, Tubi, and Amazon Freevee. But unlike those platforms, Samsung’s unique advantage lies in hardware integration—its streaming service is baked into millions of TVs, smartphones, and tablets via its Tizen OS.
<h3 data-section-id="tj0jn0" data-start="5564" data-end="5600">Creator Economy Meets Big Screen</h3>
What’s significant about Samsung’s latest expansion is how it bridges the gap between mobile-native content and traditional television viewership. It reimagines the creator economy in a format that isn’t limited by algorithms, autoplay feeds, or ad blockers. Instead, it brings the creator’s brand directly to viewers in a scheduled, curated format that mimics the feel of classic TV—only with modern flair.
This format allows creators to own entire channels, where their videos are played around the clock. It also opens the door for new advertising models, including product placements, branded partnerships, and custom sponsorships—all within a high-visibility, premium environment.
Moreover, creators don’t need to fight platform algorithms or worry about losing reach due to sudden changes in content moderation. With Samsung’s backing, they gain creative freedom with stability—a rare combination in today’s digital media world.
<h3 data-section-id="4wod76" data-start="6540" data-end="6583">A Broader Vision for Home Entertainment</h3>
Samsung is also using this opportunity to redefine what “TV” means in 2025. In their vision, the television is no longer just for sitcoms, news, or dramas—it’s a dynamic, multi-purpose screen for education, entertainment, wellness, gaming, and creativity. And that means creators of all types, not just entertainers, are welcome.
For example, Epic Gardening brings nature and sustainability to a new audience of home gardeners and eco-conscious viewers. Donut Media appeals to car enthusiasts who crave a mix of humor and auto expertise. Michelle Khare’s challenge-based content fosters empowerment and self-growth, especially among younger audiences.
By integrating this diverse content lineup into a lean-back, big-screen experience, Samsung is broadening its content ecosystem far beyond what traditional networks could ever offer. It’s no longer just about passive viewing—it’s about immersive learning, interactive inspiration, and relatable personalities.
<h3 data-section-id="1fhnxjz" data-start="7550" data-end="7573">Future Implications</h3>
This move could set a precedent for other hardware companies and streaming platforms. As the creator economy continues to explode, platforms that offer creators better visibility, revenue opportunities, and audience connection will inevitably rise in relevance.
For Samsung, it’s a chance to lead—not just as a hardware provider, but as a media ecosystem enabler. If the experiment succeeds, it could lead to full-scale investments in creator networks, proprietary production studios, and even original creator-hosted talk shows or docuseries.
We may also see a change in the creator career trajectory. YouTubers and TikTok stars may now dream of launching their own FAST channels rather than chasing brand deals or merchandise sales alone. Owning a linear channel gives them control over not just their content—but their media empire.
<hr data-start="8414" data-end="8417" />
Conclusion
Samsung TV Plus is no longer a passive player in the streaming war—it’s rewriting the rules. By elevating digital creators to the big screen and giving them dedicated FAST channels, Samsung is betting on a future where entertainment is deeply personal, hyper-accessible, and driven by authenticity.
The move represents more than a trend. It’s a tectonic shift in who controls the screen—and what kind of stories we gather around to watch.
 
 
]]></content:encoded>
<wfw:commentRss>https://thevoiceofphilly.com/samsung-tv-plus-bets-big-on-creator-economy-with-launch-of-exclusive-fast-channels/feed/</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
<item>
<title>Pluto TV Warns Viewers: Free Streaming Might Be Changing</title>
<link>https://thevoiceofphilly.com/pluto-tv-warns-viewers-free-streaming-might-be-changing/</link>
<comments>https://thevoiceofphilly.com/pluto-tv-warns-viewers-free-streaming-might-be-changing/#respond</comments>
<dc:creator><![CDATA[Jonathan P. Wright]]></dc:creator>
<pubDate>Mon, 28 Jul 2025 23:47:07 +0000</pubDate>
<category><![CDATA[BUSINESS NEWS]]></category>
<category><![CDATA[EDITORIAL PICK]]></category>
<category><![CDATA[SOCIAL JUSTICE]]></category>
<category><![CDATA[TRENDING]]></category>
<category><![CDATA[ad-supported streaming shift]]></category>
<category><![CDATA[free streaming restrictions]]></category>
<category><![CDATA[Paramount Global streaming changes]]></category>
<category><![CDATA[Pluto TV mandatory login]]></category>
<category><![CDATA[Pluto TV user backlash]]></category>
<guid isPermaLink="false">https://thevoiceofphilly.com/?p=3611</guid>
<description><![CDATA[<a href="https://thevoiceofphilly.com/pluto-tv-warns-viewers-free-streaming-might-be-changing/" title="Pluto TV Warns Viewers: Free Streaming Might Be Changing" rel="nofollow"><img width="788" height="487" src="https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443.png" class="webfeedsFeaturedVisual wp-post-image" alt="Pluto TV Warns Viewers: Free Streaming Might Be Changing" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443.png 990w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443-300x185.png 300w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443-768x475.png 768w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443-150x93.png 150w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443-450x278.png 450w" sizes="(max-width: 788px) 100vw, 788px"></a>Photo Credit: Photo by BoliviaInteligente on Unsplash In a digital age where streaming platforms are constantly evolving, Pluto TV—a free ad-supported streaming service owned by Paramount Global—is finding itself at a pivotal crossroads. What once seemed like a no-strings-attached way to enjoy live TV and on-demand content may be inching closer toward a more restrictive [...]]]></description>
<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/pluto-tv-warns-viewers-free-streaming-might-be-changing/" title="Pluto TV Warns Viewers: Free Streaming Might Be Changing" rel="nofollow"><img width="788" height="487" src="https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443.png" class="webfeedsFeaturedVisual wp-post-image" alt="Pluto TV Warns Viewers: Free Streaming Might Be Changing" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443.png 990w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443-300x185.png 300w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443-768x475.png 768w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443-150x93.png 150w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/Screenshot-2025-07-29-034443-450x278.png 450w" sizes="(max-width: 788px) 100vw, 788px"></a>Photo Credit: Photo by <a class="Hyperlink SCXW203125300 BCX8" href="https://unsplash.com/@boliviainteligente?utm_content=creditCopyText&utm_medium=referral&utm_source=unsplash" target="_blank" rel="noreferrer noopener nofollow">BoliviaInteligente</a> on <a class="Hyperlink SCXW203125300 BCX8" href="https://unsplash.com/photos/the-logo-for-pluto-v-on-a-black-background-5HuX-zC9O1E?utm_content=creditCopyText&utm_medium=referral&utm_source=unsplash" target="_blank" rel="noreferrer noopener nofollow">Unsplash</a>
In a digital age where streaming platforms are constantly evolving, Pluto TV—a free ad-supported streaming service owned by Paramount Global—is finding itself at a pivotal crossroads. What once seemed like a no-strings-attached way to enjoy live TV and on-demand content may be inching closer toward a more restrictive model. With reports emerging that the platform is testing mandatory logins for accessing certain content, many long-time users are feeling betrayed, while others argue it’s a minor and inevitable shift.
<h2 data-section-id="r8korx" data-start="838" data-end="876">Rising Popularity of Free Streaming</h2>
Over the past few years, streaming services that offer content at no cost have experienced a significant boom. Among them, Pluto TV has emerged as a frontrunner. Owned by media conglomerate Paramount Global, the platform has seen exponential growth in both user engagement and brand awareness.
According to Paramount’s earnings call in May 2025, Pluto TV hit a record high for viewer consumption. Chris McCarthy, the Co-CEO of Paramount Global, revealed that global watch time for Pluto TV spiked by 26% year-over-year in the first quarter alone. This growth not only reflects the increasing popularity of free ad-supported television (FAST) but also shows how consumers are reacting to the rising prices of traditional subscription-based streaming services like Netflix, Disney+, and Hulu.
<h2 data-section-id="yg9ag1" data-start="1671" data-end="1707">Why Free Streaming is Taking Over</h2>
One key factor behind the growing success of platforms like Pluto TV is the broader frustration with subscription fatigue. According to a recent report by the digital security company All About Cookies, 84% of Americans have canceled at least one streaming subscription in the past. A notable 44% of them cited price hikes as the primary reason. The study also found that 42% of Americans now rely on free streaming services as their go-to way to watch television.
People are clearly growing tired of constantly increasing monthly fees, and in an era of economic uncertainty, free options with ad interruptions seem like a small trade-off. Pluto TV, which earns revenue through advertising instead of subscription fees, has capitalized on this trend effectively—until now.
<h2 data-section-id="cpo3qh" data-start="2484" data-end="2537">The Controversial New Requirement: Log In to Watch</h2>
Pluto TV has historically prided itself on being completely accessible. Users could open the app or website and immediately begin watching content without signing up for anything. While the platform did encourage users to create free accounts to enable features like saving favorites or resuming shows, it always included a “Not now” option.
But this frictionless experience is reportedly changing.
Over the past few weeks, users have taken to Reddit and other online forums to report a significant shift in Pluto TV’s access model. Several users claim that the “Not now” option is disappearing, and some channels are now completely inaccessible unless the viewer logs in with an account. Screens are reportedly displaying messages like “Unlock Free TV” or “Limited Viewing” when attempting to switch channels, essentially putting certain content behind a digital gate.
These changes are not entirely new. Earlier in the year, Pluto TV tested similar restrictions but quickly removed them after user backlash, stating it was merely an experimental rollout. According to a report from Cord Cutter News, the feature was rolled back following complaints and was not meant to be permanent at the time.
Now, however, it seems the login wall is making a quiet comeback—and users are once again sounding the alarm.
<h2 data-section-id="1yc4sl0" data-start="3852" data-end="3890">Viewer Reactions: Divided and Vocal</h2>
The change has sparked polarizing reactions among Pluto TV’s audience. While some users see the login requirement as an insignificant inconvenience, others fear it marks the beginning of a slippery slope toward paid content or increased surveillance.
In one popular Reddit post, a user expressed frustration after discovering they could no longer switch channels without logging in. The user wrote: “As of last night I noticed Pluto is requiring a sign-up in order to change channels so that’s it—I am out. I kinda figured this day would come as aggressive as they have been about logging in.”
Other users chimed in, offering both pragmatic workarounds and cynical predictions.
“It’s free, just get a burner email account—it’s not that big of a deal,” one commenter said, shrugging off the issue.
Another added: “I’ll agree with most people and say it’s still free, just use another email. But at the same time, since Paramount acquired it, it’s obvious more money is going into advertising, and I wouldn’t be surprised if requiring a login is just a step toward putting a price on it.”
This debate encapsulates a broader concern: can a free streaming service truly stay free forever, especially when it’s owned by a major media conglomerate with shareholders to answer to?
<h2 data-section-id="m92qjn" data-start="5172" data-end="5208">What’s Really Driving the Change?</h2>
The login requirement may seem minor, but it’s indicative of larger forces at play.
During the same earnings call in May where Pluto TV’s viewer numbers were praised, Paramount’s Chris McCarthy admitted that monetization hasn’t quite matched audience growth. In other words, people are watching more, but the revenue per user is not increasing at the same pace.
“Monetization has been softer than expected due to the influx of supply,” McCarthy said. He added that while engagement across Paramount+ and Pluto TV continues to rise, balancing supply-demand dynamics in the ad space remains a challenge. The implication? Pluto needs to extract more value from its growing audience, and requiring logins is a step toward doing that.
By getting users to sign in, Pluto TV gains more access to data—what people watch, when they watch, and how often. This behavioral data can then be used to deliver more personalized ads, optimize content placement, and drive better ad sales. It’s a logical move for a business under pressure to increase revenue without charging subscription fees. But for users, it raises questions about privacy and future monetization.
<h2 data-section-id="kdvyl3" data-start="6366" data-end="6416">The Rise of the FAST Wars: Competition Heats Up</h2>
Pluto TV isn’t operating in a vacuum. The landscape of free streaming is becoming fiercely competitive. Other platforms are not just catching up—they’re racing ahead.
Fox’s ad-supported streaming platform, Tubi, has seen what the company calls “accelerating growth.” During its own earnings call, Fox Corporation CEO Lachlan Murdoch stated that Tubi is rapidly becoming a mainstream service in the U.S., serving over 65% of its user base with increasing engagement.
“Tubi really is becoming a mainstream service across America,” Murdoch said. “What we’ve seen over the last year or two is Tubi becoming something that’s not just a place for free content, but a very, very good business.”
Likewise, DirecTV recently launched MyFree DirecTV, offering over 90 channels for free, including familiar names like ABC News Live, CourtTV, and Bravo Vault. With options like these entering the market, Pluto TV can’t afford to stand still. Innovation—whether in features, monetization, or user data strategy—is no longer optional; it’s necessary for survival.
<h2 data-section-id="doett7" data-start="7472" data-end="7504">What Comes Next for Pluto TV?</h2>
At its core, the tension surrounding Pluto TV’s latest move is about trust. Users were drawn to the platform because of its promise: free, easy, no strings attached. Requiring login credentials, even if the service remains technically “free,” shifts the dynamic. It introduces friction, raises privacy concerns, and creates suspicion about what’s around the corner.
However, from a business standpoint, the shift is understandable. In a crowded market with limited ad budgets and razor-thin margins, Pluto TV needs to compete—and compete smartly. If it can prove that mandatory logins lead to better ad targeting and higher revenue without severely damaging user growth, then it may have found a formula to sustain itself long-term.
But if the backlash intensifies and viewers abandon the service in favor of less intrusive alternatives, the gamble could backfire.
<h2 data-section-id="114wazr" data-start="8374" data-end="8391">Final Thoughts</h2>
Pluto TV’s warning shot to its users—sign in or lose access—is more than just a minor UX change. It’s a signal of where the industry is headed. As free streaming services evolve under mounting economic pressure, user expectations and corporate strategies are bound to clash.
The platform’s future may rest on how gracefully it can balance monetization with user satisfaction. Whether Pluto TV becomes a cautionary tale or a case study in adaptive growth remains to be seen. But one thing is clear: the “free” in free streaming is no longer as simple as it used to be.
]]></content:encoded>
<wfw:commentRss>https://thevoiceofphilly.com/pluto-tv-warns-viewers-free-streaming-might-be-changing/feed/</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
<item>
<title>Elon Musk Unveils Tesla’s First ‘Retro-Futuristic’ Diner in Hollywood—Complete with Optimus Robots, Drive-In Screens, and Cybertruck Food Boxes</title>
<link>https://thevoiceofphilly.com/elon-musk-unveils-teslas-first-retro-futuristic-diner-in-hollywood-complete-with-optimus-robots-drive-in-screens-and-cybertruck-food-boxes/</link>
<comments>https://thevoiceofphilly.com/elon-musk-unveils-teslas-first-retro-futuristic-diner-in-hollywood-complete-with-optimus-robots-drive-in-screens-and-cybertruck-food-boxes/#respond</comments>
<dc:creator><![CDATA[Jonathan P. Wright]]></dc:creator>
<pubDate>Mon, 28 Jul 2025 23:40:42 +0000</pubDate>
<category><![CDATA[TRENDING]]></category>
<category><![CDATA[BUSINESS NEWS]]></category>
<category><![CDATA[EDITORIAL PICK]]></category>
<category><![CDATA[Cybertruck food boxes]]></category>
<category><![CDATA[Elon Musk retro diner]]></category>
<category><![CDATA[Optimus robot Tesla]]></category>
<category><![CDATA[Tesla Diner Hollywood]]></category>
<category><![CDATA[Tesla lifestyle brand]]></category>
<guid isPermaLink="false">https://thevoiceofphilly.com/?p=3608</guid>
<description><![CDATA[<a href="https://thevoiceofphilly.com/elon-musk-unveils-teslas-first-retro-futuristic-diner-in-hollywood-complete-with-optimus-robots-drive-in-screens-and-cybertruck-food-boxes/" title="Elon Musk Unveils Tesla’s First ‘Retro-Futuristic’ Diner in Hollywood—Complete with Optimus Robots, Drive-In Screens, and Cybertruck Food Boxes" rel="nofollow"><img width="768" height="1024" src="https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-768x1024.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Elon Musk Unveils Tesla’s First ‘Retro-Futuristic’ Diner in Hollywood—Complete with Optimus Robots, Drive-In Screens, and Cybertruck Food Boxes" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-768x1024.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-225x300.jpg 225w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-1152x1536.jpg 1152w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-1536x2048.jpg 1536w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-150x200.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-450x600.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-1200x1600.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-scaled.jpg 1920w" sizes="(max-width: 768px) 100vw, 768px"></a>Image credit: Photo by Michael Martinelli on Unsplash In the heart of Hollywood, where dreams and spectacle go hand-in-hand, Elon Musk has made his latest vision a reality—a retro-futuristic Tesla diner. Equal parts nostalgia and innovation, the venue combines a 1950s American diner aesthetic with futuristic tech straight out of a sci-fi film. The Tesla [...]]]></description>
<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/elon-musk-unveils-teslas-first-retro-futuristic-diner-in-hollywood-complete-with-optimus-robots-drive-in-screens-and-cybertruck-food-boxes/" title="Elon Musk Unveils Tesla’s First ‘Retro-Futuristic’ Diner in Hollywood—Complete with Optimus Robots, Drive-In Screens, and Cybertruck Food Boxes" rel="nofollow"><img width="768" height="1024" src="https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-768x1024.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Elon Musk Unveils Tesla’s First ‘Retro-Futuristic’ Diner in Hollywood—Complete with Optimus Robots, Drive-In Screens, and Cybertruck Food Boxes" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-768x1024.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-225x300.jpg 225w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-1152x1536.jpg 1152w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-1536x2048.jpg 1536w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-150x200.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-450x600.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-1200x1600.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2025/07/1a-scaled.jpg 1920w" sizes="(max-width: 768px) 100vw, 768px"></a>Image credit: Photo by <a href="https://unsplash.com/@michaelmartinelli?utm_content=creditCopyText&utm_medium=referral&utm_source=unsplash" rel="nofollow noopener" target="_blank">Michael Martinelli</a> on <a href="https://unsplash.com/photos/a-robot-standing-in-front-of-a-white-wall--CPRUDsU7Mo?utm_content=creditCopyText&utm_medium=referral&utm_source=unsplash" rel="nofollow noopener" target="_blank">Unsplash</a>
In the heart of Hollywood, where dreams and spectacle go hand-in-hand, Elon Musk has made his latest vision a reality—a retro-futuristic Tesla diner. Equal parts nostalgia and innovation, the venue combines a 1950s American diner aesthetic with futuristic tech straight out of a sci-fi film. The Tesla Diner and Drive-In officially opened its doors on July 21, 2025, bringing with it humanoid robots, oversized drive-in movie screens, and super-fast EV charging stations—all with the signature Elon Musk twist.
<h2 data-section-id="19g42sa" data-start="1016" data-end="1069">Opening Day: A Show of Spectacle and Sentiment</h2>
Opening at exactly 4:20 p.m. PST—an unmistakable nod to Musk’s well-known affinity for cannabis culture—the diner immediately drew crowds of curious onlookers, car enthusiasts, and Tesla superfans alike. The chosen time was more than just a cheeky Easter egg; it was a clear declaration that this wasn’t just a diner—it was an experience.
Located along the iconic Santa Monica Boulevard in the Hollywood neighborhood of Los Angeles, the Tesla Diner stood gleaming, surrounded by a swarm of vehicles, influencers with ring lights, drone photographers, and lines of attendees eager to get a glimpse of the tech billionaire’s latest invention. Some lined up not just for the food or spectacle, but for the chance to experience a slice of Musk’s world—equal parts Silicon Valley, Burning Man, and Disney’s Tomorrowland.
As the sun dipped below the horizon, two colossal screens lit up the lot with cinematic vibrance, while Tesla’s humanoid Optimus robots—first unveiled during the company’s AI Day in 2022—circulated among guests, offering popcorn and posing for selfies.
<h2 data-section-id="1x8meeg" data-start="2143" data-end="2195">What’s on the Menu: Diner Food in a Cyber Age</h2>
While most diners might feature cheeseburgers and milkshakes served in classic red booths, the Tesla Diner ups the ante with food boxes inspired by the infamous Cybertruck—Tesla’s angular, stainless-steel electric pickup that has become a symbol of futuristic design. These food containers mimic the Cybertruck’s sharp, metallic exterior, making even french fries look like part of a tech exhibit.
Cups, fries cartons, and burger wrappers all carry the signature Tesla lightning bolt, reinforcing brand identity with each bite. While the full menu hasn’t been officially published yet, reports from opening-day attendees described a variety of comfort foods with a modern twist—plant-based burgers, loaded fries, and artisanal soda blends were among the offerings.
Customers can order food directly from their vehicles using the Tesla Diner app, a seamless integration for Tesla owners who already control everything from air conditioning to music playlists through their dashboard touchscreen.
<h2 data-section-id="1ehrue4" data-start="3203" data-end="3265">Tesla’s Vision: Charging, Entertainment, and Experience</h2>
The site is also home to a whopping 80 V4 Supercharger stalls, representing the latest generation of Tesla’s ultra-fast charging technology. These allow customers to power up their vehicles while enjoying movies, ordering food, and lounging in their cars or at designated dining areas.
This isn’t just a pitstop—it’s a transformation of what travel and time on the road could look like. It’s designed to turn idle time into entertainment time. While your EV charges in under 30 minutes, you could be halfway through a movie, halfway through a burger, or halfway through a romantic date under the glow of futuristic neon lights.
The addition of giant drive-in screens turns the space into an open-air movie theater—reminiscent of the 1950s Americana drive-in culture, but with a modern upgrade. Tesla vehicles, when parked at the site, can stream audio directly to the in-car sound system, offering a private, high-quality cinematic experience without ever stepping out of your seat.
<h2 data-section-id="17o1v2k" data-start="4257" data-end="4315">From Meme to Reality: Musk’s Diner Dream Comes True</h2>
The idea of a Tesla diner has been circulating within Musk’s online musings since at least 2018. It began as one of his now-classic Twitter posts (now X), where he mentioned opening a retro drive-in diner with roller-skating waitresses and rock music. At the time, most followers took it as another eccentric Musk idea—equal parts brilliant and ridiculous.
But fast forward to 2023, Tesla officially received approval for construction at the current Santa Monica Boulevard location. What once sounded like a joke slowly materialized into a legitimate business endeavor.
Now, in 2025, the concept has finally come to life—and judging by the public response, it might be here to stay. Musk has already hinted at scaling the concept globally. In a follow-up post on X, he said, “If this one works well, we’ll bring Tesla Diners to major cities worldwide—and place them along major long-distance routes.”
<h2 data-section-id="1tkz7nt" data-start="5223" data-end="5267">A Space for All—Even Non-Tesla Owners</h2>
While the branding is unapologetically Tesla, Musk made a point of stating the diner is meant to be a fun destination for everyone, not just Tesla drivers.
“Aiming to be a fun experience for all, whether Tesla owners or not. Will keep improving,” Musk posted.
That inclusivity hints at a broader goal: turning Tesla from merely a car manufacturer into a lifestyle brand. From solar roofs and home batteries to humanoid robots and now fast-food entertainment venues, Musk’s ambition is to integrate Tesla into every aspect of daily life.
<h2 data-section-id="1se60sb" data-start="5811" data-end="5868">The Robots Are Coming: Optimus Joins the Workforce</h2>
Perhaps one of the most buzzed-about elements of the launch was the appearance of Optimus, Tesla’s humanoid robot. Still in development but already making public appearances, Optimus is designed to handle repetitive tasks and potentially replace humans in certain labor roles.
At the diner, Optimus’ role was mostly ceremonial—handing out popcorn, interacting with guests, and showcasing Tesla’s robotics capabilities. However, the implication is clear: in the near future, robots like Optimus might serve, clean, or even cook in Tesla’s establishments. It’s an early glimpse into what Musk has called “a robotic future economy.”
For fans of automation, it was a delight. For skeptics of tech’s encroachment into human labor, it was a warning sign.
<h2 data-section-id="11l00kt" data-start="6628" data-end="6674">Contextual Timing: A Strategic PR Move?</h2>
Tesla’s diner launch comes at a time when the company is facing some headwinds. The electric vehicle market, once dominated by Tesla, is now increasingly competitive with entries from Ford, Rivian, Hyundai, and Chinese EV manufacturers like BYD.
Tesla’s Q2 vehicle sales dropped slightly year-over-year, sparking concern among investors. While the diner may seem like a fun distraction, it also serves as a clever PR maneuver—a way to keep the brand in the cultural spotlight while reinforcing its identity as a company that breaks molds and defies expectations.
Tesla stock was up roughly 1% following the diner’s debut, a small but telling bump as Wall Street reacts to the buzz.
<h2 data-section-id="1fx222r" data-start="7361" data-end="7411">Beyond Cars: A Lifestyle and Cultural Brand</h2>
The Hollywood Tesla Diner is more than a novelty—it’s a strategic evolution of Tesla’s identity. Musk is positioning Tesla not just as a car company, but as a lifestyle brand that touches transportation, entertainment, hospitality, and even robotics.
Think of Apple building stores that feel like art museums. Think of Disney merging movies, merchandise, and theme parks into one seamless experience. Tesla is doing the same—only it’s doing it with EVs, fast food, robots, and movie nights.
And it’s all part of Musk’s larger narrative: building a future that feels like science fiction brought to life.
<h2 data-section-id="7voaem" data-start="8020" data-end="8079">What’s Next: Expansion Plans and Political Overtones</h2>
Musk hasn’t ruled out expanding the diner concept across the U.S. and internationally. If the Hollywood location proves successful, expect to see similar drive-in experiences pop up along major highway routes and in cosmopolitan hubs like Tokyo, London, Berlin, and Dubai.
Interestingly, the launch also marks Musk’s return to focusing more intently on Tesla, after stepping away from his short-lived tenure with the Department of Government Efficiency under former President Donald Trump. The two reportedly fell out over disagreements surrounding the controversial “Big Beautiful Bill,” leading Musk to jokingly announce he would form his own political party.
Whether or not that happens, the Tesla Diner serves as a reminder that when Musk sets his sights on something—no matter how strange or improbable—it’s only a matter of time before it becomes reality.
<hr data-start="8950" data-end="8953" />
Final Word
The Tesla Diner is a fusion of nostalgia and futurism, embodying Elon Musk’s unique blend of engineering ambition, pop culture savvy, and flair for showmanship. It’s a statement piece for a company that’s always aiming to be more than just a carmaker.
From Cybertruck-themed food packaging to Optimus robots offering popcorn, the Tesla Diner isn’t just redefining drive-ins—it’s reimagining how we experience rest stops, fast food, and entertainment in the 21st century.
And if Musk has his way, this is just the beginning.
]]></content:encoded>
<wfw:commentRss>https://thevoiceofphilly.com/elon-musk-unveils-teslas-first-retro-futuristic-diner-in-hollywood-complete-with-optimus-robots-drive-in-screens-and-cybertruck-food-boxes/feed/</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
<item>
<title>NoCap is an interactive “Fortune Teller”</title>
<link>https://thevoiceofphilly.com/nocap-is-an-interactive-fortune-teller/</link>
<comments>https://thevoiceofphilly.com/nocap-is-an-interactive-fortune-teller/#respond</comments>
<dc:creator><![CDATA[Jonathan P. Wright]]></dc:creator>
<pubDate>Tue, 25 Jan 2022 20:54:56 +0000</pubDate>
<category><![CDATA[NEW MUSIC ALERT]]></category>
<category><![CDATA[MUSIC NEWS]]></category>
<category><![CDATA[Fortune Teller]]></category>
<category><![CDATA[NoCap]]></category>
<category><![CDATA[Steel Human]]></category>
<guid isPermaLink="false">https://thevoiceofphilly.com/?p=3550</guid>
<description><![CDATA[<a href="https://thevoiceofphilly.com/nocap-is-an-interactive-fortune-teller/" title="NoCap is an interactive “Fortune Teller”" rel="nofollow"><img width="788" height="443" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-1024x576.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="NoCap is an interactive "Fortune Teller"" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-1024x576.jpg 1024w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-300x169.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-768x432.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-150x84.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-450x253.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-1200x675.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap.jpg 1280w" sizes="(max-width: 788px) 100vw, 788px"></a>Clearly, 2021 is the year of NoCap. After an unfortunate stint in prison, Alabama native Dr. Dre blessed his fans with classic tracks like “38 Sides,” “On Purpose,” “Dismiss You,” ]]></description>
<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/nocap-is-an-interactive-fortune-teller/" title="NoCap is an interactive “Fortune Teller”" rel="nofollow"><img width="788" height="443" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-1024x576.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="NoCap is an interactive "Fortune Teller"" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-1024x576.jpg 1024w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-300x169.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-768x432.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-150x84.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-450x253.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap-1200x675.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Nocap.jpg 1280w" sizes="(max-width: 788px) 100vw, 788px"></a>
Clearly, 2021 is the year of NoCap. After an unfortunate stint in prison, Alabama native Dr. Dre blessed his fans with classic tracks like “38 Sides,” “On Purpose,” “Dismiss You,” “Time Speed,” “Vaccine,” “Unwanted Freestyle,” “Sun Up To Sun Down,” “200 Or Better,” “Ghetto Can’t Be Saved,” and “Flaws.” NoCap continues the trend on yesterday’s music release, “Fortune Teller,” a modern tune in which the artist ruminates about his circle, women, personal style, financial goals, and more:
“Fortune Teller” is accompanied by a short clip and features a well-dressed NoCap performing the song in a variety of settings, including nearby some train tracks and in the heart of the city that he is currently in.
During the period between 2015 and 2020, NoCap released one full-length album entitled Steel Human, which included 16 tracks featuring Jacquees, Lil Uzi Vert, Boosie Badazz, and DaBaby. In 2019, The Backend Child and The Hood Dictionary, and in 2018, Neighborhood Hero, the star and affiliate of Never Broke Again had large impacts. As well as his own music, NoCap has contributed to the likes of Doe Boy “Look In My Eyes,” YFN Lucci “Used To, Pt. 2,” Yung Bleu “Dead & Famous,” Sniper Gang and Kodak Black “Let’s Step,” and No Savage “Feeling Down.”
]]></content:encoded>
<wfw:commentRss>https://thevoiceofphilly.com/nocap-is-an-interactive-fortune-teller/feed/</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
<item>
<title>“I Need Bands” is a new track from Guapdad 4000</title>
<link>https://thevoiceofphilly.com/i-need-bands-is-a-new-track-from-guapdad-4000/</link>
<comments>https://thevoiceofphilly.com/i-need-bands-is-a-new-track-from-guapdad-4000/#respond</comments>
<dc:creator><![CDATA[Jonathan P. Wright]]></dc:creator>
<pubDate>Tue, 25 Jan 2022 20:39:20 +0000</pubDate>
<category><![CDATA[MUSIC NEWS]]></category>
<category><![CDATA[NEW MUSIC ALERT]]></category>
<category><![CDATA[Guapdad 4000]]></category>
<category><![CDATA[Money]]></category>
<category><![CDATA[Scamboy]]></category>
<guid isPermaLink="false">https://thevoiceofphilly.com/?p=3546</guid>
<description><![CDATA[<a href="https://thevoiceofphilly.com/i-need-bands-is-a-new-track-from-guapdad-4000/" title="“I Need Bands” is a new track from Guapdad 4000" rel="nofollow"><img width="640" height="640" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Guapdad-4000-1.jpg" class="webfeedsFeaturedVisual wp-post-image" alt=""I Need Bands" is a new track from Guapdad 4000" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Guapdad-4000-1.jpg 640w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Guapdad-4000-1-300x300.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Guapdad-4000-1-150x150.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Guapdad-4000-1-450x450.jpg 450w" sizes="(max-width: 640px) 100vw, 640px"></a>Guapdad 4000 has recently released the music video for his “Money” single, which was followed by the release of the official music video. In fact, ]]></description>
<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/i-need-bands-is-a-new-track-from-guapdad-4000/" title="“I Need Bands” is a new track from Guapdad 4000" rel="nofollow"><img width="640" height="640" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Guapdad-4000-1.jpg" class="webfeedsFeaturedVisual wp-post-image" alt=""I Need Bands" is a new track from Guapdad 4000" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Guapdad-4000-1.jpg 640w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Guapdad-4000-1-300x300.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Guapdad-4000-1-150x150.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Guapdad-4000-1-450x450.jpg 450w" sizes="(max-width: 640px) 100vw, 640px"></a>
Guapdad 4000 has recently released the music video for his “Money” single, which was followed by the release of the official music video. In fact, even though the offering is new to most of his fans, it’s an old release from the vault which has been updated with a new cover. Earlier in August, the Oakland rapper did a similar thing to re-release his “Scamboy” album.
A short time later, he returned to deliver another track before the ball dropped, titled “Got Me Bent,” featuring Nate Curry and Jace. Continuing his streak of consistency, Guapdad releases the latest single, “I Need Bands.” Guapdad puts some production by Linkup on the track:
Guapdad 4000 and !llmind unveiled the deluxe edition of their joint album 1176 earlier this year in June, which includes a guest appearance from Rick Ross. As a Bay Area legend, Too $hort and Rayven Justice also appeared on “Oaklandish” last year to represent their city. Aside from that, he also released his street racer “Alpha” music video, which was soon followed up by an amusing remix featuring fellow artist Bfb Da Packman.
]]></content:encoded>
<wfw:commentRss>https://thevoiceofphilly.com/i-need-bands-is-a-new-track-from-guapdad-4000/feed/</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
<item>
<title>BEATKING, 2 Chainz, and Moneybagg Yo release “Pop Music” video</title>
<link>https://thevoiceofphilly.com/beatking-2-chainz-and-moneybagg-yo-release-pop-music-video/</link>
<comments>https://thevoiceofphilly.com/beatking-2-chainz-and-moneybagg-yo-release-pop-music-video/#respond</comments>
<dc:creator><![CDATA[Jonathan P. Wright]]></dc:creator>
<pubDate>Mon, 24 Jan 2022 19:58:23 +0000</pubDate>
<category><![CDATA[MUSIC NEWS]]></category>
<category><![CDATA[NEW MUSIC ALERT]]></category>
<category><![CDATA[2 Chainz]]></category>
<category><![CDATA[BEATKING]]></category>
<category><![CDATA[Moneybagg Yo]]></category>
<category><![CDATA[Pop Music]]></category>
<guid isPermaLink="false">https://thevoiceofphilly.com/?p=3542</guid>
<description><![CDATA[<a href="https://thevoiceofphilly.com/beatking-2-chainz-and-moneybagg-yo-release-pop-music-video/" title="BEATKING, 2 Chainz, and Moneybagg Yo release “Pop Music” video" rel="nofollow"><img width="788" height="443" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-1024x576.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="BEATKING, 2 Chainz, and Moneybagg Yo release "Pop Music" video" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-1024x576.jpg 1024w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-300x169.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-768x432.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-150x84.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-450x253.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-1200x675.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz.jpg 1280w" sizes="(max-width: 788px) 100vw, 788px"></a>According to reports, 2 Chainz is close to completing his seventh studio LP, Dope Don't Self Itself, which should be released on February 4. ]]></description>
<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/beatking-2-chainz-and-moneybagg-yo-release-pop-music-video/" title="BEATKING, 2 Chainz, and Moneybagg Yo release “Pop Music” video" rel="nofollow"><img width="788" height="443" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-1024x576.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="BEATKING, 2 Chainz, and Moneybagg Yo release "Pop Music" video" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-1024x576.jpg 1024w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-300x169.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-768x432.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-150x84.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-450x253.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz-1200x675.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/2-Chainz.jpg 1280w" sizes="(max-width: 788px) 100vw, 788px"></a>
According to reports, 2 Chainz is close to completing his seventh studio LP, Dope Don’t Self Itself, which should be released on February 4. Having recently released 42 Dugg-assisted “Million Dollars Worth of Game,” a man by the name of Toni & Titi Boi continued the momentum with “Pop Music,” featuring BEATKING and Moneybagg Yo. They bring their strip club vibe to the song:
A video clip accompanying the track “Pop Music” shows 2 Chainz & Co. outside with several women who spend little time showing off their dance moves, which may not be appropriate for work. In addition to being able to buy high-end whips, jewelry, and cash in abundance, this product demonstrates to what extent these artists’ lifestyles are truly elite.
When it is released, Dope Don’t Sell Itself will be immediately followed by 2020’s So Help Me God!, which featured 15 tracks featuring Chief Keef, YoungBoy Never Broke Again, Brent Faiyaz, Kanye West, Lil Uzi Vert, Lil Wayne, Mulatto, Rick Ross, Kevin Gates, Ty Dolla Sign, and more. In addition, 2 Chainz re-released his classic mixtape T.R.U. REALigion to mark its tenth year. The mixtape also contains the songs “Sofa” and “Wreck” with Big Sean and Wiz Khalifa, respectively.
]]></content:encoded>
<wfw:commentRss>https://thevoiceofphilly.com/beatking-2-chainz-and-moneybagg-yo-release-pop-music-video/feed/</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
<item>
<title>Shenseea and Megan Thee Stallion show out in “Lick” visual</title>
<link>https://thevoiceofphilly.com/shenseea-and-megan-thee-stallion-show-out-in-lick-visual/</link>
<comments>https://thevoiceofphilly.com/shenseea-and-megan-thee-stallion-show-out-in-lick-visual/#respond</comments>
<dc:creator><![CDATA[Jonathan P. Wright]]></dc:creator>
<pubDate>Mon, 24 Jan 2022 19:40:58 +0000</pubDate>
<category><![CDATA[MUSIC NEWS]]></category>
<category><![CDATA[NEW MUSIC ALERT]]></category>
<category><![CDATA[Lick]]></category>
<category><![CDATA[Megan Thee Stallion]]></category>
<category><![CDATA[Shenseea]]></category>
<guid isPermaLink="false">https://thevoiceofphilly.com/?p=3538</guid>
<description><![CDATA[<a href="https://thevoiceofphilly.com/shenseea-and-megan-thee-stallion-show-out-in-lick-visual/" title="Shenseea and Megan Thee Stallion show out in “Lick” visual" rel="nofollow"><img width="788" height="443" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-1024x576.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Shenseea and Megan Thee Stallion show out in "Lick" visual" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-1024x576.jpg 1024w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-300x169.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-768x432.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-150x84.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-450x253.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-1200x675.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1.jpg 1280w" sizes="(max-width: 788px) 100vw, 788px"></a>Shensea's long-awaited debut album is currently being eagerly anticipated worldwide. Since then, the Jamaican emcee has shared several noteworthy singles: ]]></description>
<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/shenseea-and-megan-thee-stallion-show-out-in-lick-visual/" title="Shenseea and Megan Thee Stallion show out in “Lick” visual" rel="nofollow"><img width="788" height="443" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-1024x576.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Shenseea and Megan Thee Stallion show out in "Lick" visual" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-1024x576.jpg 1024w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-300x169.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-768x432.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-150x84.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-450x253.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1-1200x675.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Shenseea-1.jpg 1280w" sizes="(max-width: 788px) 100vw, 788px"></a>
Shensea’s long-awaited debut album is currently being eagerly anticipated worldwide. Since then, the Jamaican emcee has shared several noteworthy singles: “Be Good,” “Run Run,” “You’re The One I Love” featuring Rvssian, as well as “Dolly” on Jan. 21, she winds up the year with the amazingly sultry “Lick,” which she recorded with Megan Thee Stallion and is produced by Joseph L’Étranger, BoogzDaBeast, and Murda Beatz. Essentially, the track is a description of how the artists prefer to be physically satisfied:
Shenseea has made several big appearances outside of her own music as well, such as her collaboration with Canadian star Belly on “How I’m Feelin”. Her talents were also employed by Kanye West on his LP DONDA, which can be found on the Madden NFL 22 soundtrack. Moreover, Shenseea appeared last year at Hot 97’s Summer Jam, sharing the stage with the likes of CJ, DreamDoll, Rotimi, and Swizz Beatz.
Earlier this month, Shenseea performed a freestyle over Skillibeng’s “Crocodile Teeth” instrumental on Funkmaster Flex’s show in the same station. As for Megan Thee Stallion, she recently released the mixtape Something For Thee Hotties, which featured 21 tracks and collaborations with Dino Btw, Juicy J, and VickeeLo. Hopes are high that her official follow-up to her chart-topping debut Good News will soon arrive.
]]></content:encoded>
<wfw:commentRss>https://thevoiceofphilly.com/shenseea-and-megan-thee-stallion-show-out-in-lick-visual/feed/</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
<item>
<title>Popcaan and Skillibeng collaborate on “Pree”</title>
<link>https://thevoiceofphilly.com/popcaan-and-skillibeng-collaborate-on-pree/</link>
<comments>https://thevoiceofphilly.com/popcaan-and-skillibeng-collaborate-on-pree/#respond</comments>
<dc:creator><![CDATA[Jonathan P. Wright]]></dc:creator>
<pubDate>Fri, 21 Jan 2022 21:53:12 +0000</pubDate>
<category><![CDATA[MUSIC NEWS]]></category>
<category><![CDATA[NEW MUSIC ALERT]]></category>
<category><![CDATA[Popcaan]]></category>
<category><![CDATA[Pree]]></category>
<category><![CDATA[Skillibeng]]></category>
<guid isPermaLink="false">https://thevoiceofphilly.com/?p=3535</guid>
<description><![CDATA[<a href="https://thevoiceofphilly.com/popcaan-and-skillibeng-collaborate-on-pree/" title="Popcaan and Skillibeng collaborate on “Pree”" rel="nofollow"><img width="788" height="443" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-1024x576.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Popcaan and Skillibeng collaborate on "Pree"" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-1024x576.jpg 1024w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-300x169.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-768x432.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-150x84.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-450x253.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-1200x675.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng.jpg 1280w" sizes="(max-width: 788px) 100vw, 788px"></a>Skillibeng released The Prodigy in 2020. The project included 35 tracks and additional contributions from Jakal, Charlie Pro, Dre Island, Prince Swanny,]]></description>
<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/popcaan-and-skillibeng-collaborate-on-pree/" title="Popcaan and Skillibeng collaborate on “Pree”" rel="nofollow"><img width="788" height="443" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-1024x576.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Popcaan and Skillibeng collaborate on "Pree"" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-1024x576.jpg 1024w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-300x169.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-768x432.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-150x84.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-450x253.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng-1200x675.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Skillibeng.jpg 1280w" sizes="(max-width: 788px) 100vw, 788px"></a>
Skillibeng released The Prodigy in 2020. The project included 35 tracks and additional contributions from Jakal, Charlie Pro, Dre Island, Prince Swanny, Jada Kingdom, Dovey Magnum, Tommy Lee Sparta, Quenga, and Popcaan were all featured on the Dane Ray-produced “Pree,” which keeps the street-oriented focus the collaborators are known for:
For Out Deh Records, “Pree” receives an animated video from Nerv. Skillibeng’s subject matter mirrors the video’s montage of images, which includes shots of him smoking, being surrounded by women, falling into empty space, taking a motorcycle ride, and more. As the two rock matching jerseys with their names emblazoned on the back, Popcaan also appears as a virtual character.
On the Crocodile Teeth LP, Skillibeng continues his wildly successful hit single with 12 new cuts, while also getting contributions from Lil Zack, Popcaan, Rich The Kid, Spice, Stefflon Don, Davianah,and Bobby Shmurda. Also in 2021, The Prodigy: Ladies Only Edition was released, featuring contributions from Jay Critch, Rich The Kid, Shotta G, Honey Milan, Projexx, and more. There have been a variety of releases and collaborations from Skillibeng previously, ranging from “East Syde” “Mission,” with F.S. and Quenga, “Grade 1,” “Money Tree,”“Internet War,” “Time With You” “Soso Badniss,” with Laza Morgan, and “Wollan” alongside Unknown T.
]]></content:encoded>
<wfw:commentRss>https://thevoiceofphilly.com/popcaan-and-skillibeng-collaborate-on-pree/feed/</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
<item>
<title>The Queens cast shares a new video for “Prepárate”</title>
<link>https://thevoiceofphilly.com/the-queens-cast-shares-a-new-video-for-preparate/</link>
<comments>https://thevoiceofphilly.com/the-queens-cast-shares-a-new-video-for-preparate/#respond</comments>
<dc:creator><![CDATA[Jonathan P. Wright]]></dc:creator>
<pubDate>Fri, 21 Jan 2022 21:50:36 +0000</pubDate>
<category><![CDATA[MUSIC NEWS]]></category>
<category><![CDATA[NEW MUSIC ALERT]]></category>
<category><![CDATA[Hear Me]]></category>
<category><![CDATA[Heart of Queens]]></category>
<category><![CDATA[I’m That Chick]]></category>
<category><![CDATA[Queens]]></category>
<category><![CDATA[Wrecking Ball]]></category>
<guid isPermaLink="false">https://thevoiceofphilly.com/?p=3532</guid>
<description><![CDATA[<a href="https://thevoiceofphilly.com/the-queens-cast-shares-a-new-video-for-preparate/" title="The Queens cast shares a new video for “Prepárate”" rel="nofollow"><img width="788" height="443" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-1024x576.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="The Queens cast shares a new video for "Prepárate"" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-1024x576.jpg 1024w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-300x169.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-768x432.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-150x84.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-450x253.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-1200x675.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens.jpg 1280w" sizes="(max-width: 788px) 100vw, 788px"></a>A few months ago, ABC officially premiered its new hip-hop musical series Queens, in which Eve, Brandy, Naturi Naughton, and Nadine Velazquez take on the role of Nasty Bitches,]]></description>
<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/the-queens-cast-shares-a-new-video-for-preparate/" title="The Queens cast shares a new video for “Prepárate”" rel="nofollow"><img width="788" height="443" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-1024x576.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="The Queens cast shares a new video for "Prepárate"" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-1024x576.jpg 1024w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-300x169.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-768x432.jpg 768w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-150x84.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-450x253.jpg 450w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens-1200x675.jpg 1200w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/Queens.jpg 1280w" sizes="(max-width: 788px) 100vw, 788px"></a>
A few months ago, ABC officially premiered its new hip-hop musical series Queens, in which Eve, Brandy, Naturi Naughton, and Nadine Velazquez take on the role of Nasty Bitches, a hip-hop group reunited in the 90s after losing their fame. Our fans have been treated to quite a few visuals so far, including “I’m That Chick,” “Nasty Girl,” “The Introduction” “Hear Me,” “Wrecking Ball,” and “Heart of Queens,” featuring rapper and actor Cam’ron.
As part of our preview of the upcoming episode, we previewed RemIt follows Ma’s appearance on “Queens” earlier this month with the songs “Lady Z Strikes Back,” and “Best of Me.” Today (19 Jan), the new single “Preparaté” is being released which features Def Jam recording artist OHNO performing in Spanish:
All music for “Queens” is composed by Zahir McGee and performed by the show’s stars under the guidance of executive producer Swizz Beatz. In the show’s plot, Nasty Girl rose to fame after their number-one single, “Nasty Girl,” ushered them into the limelight as one of the best girl groups of their generation. Although the band was critically and commercially successful, internal conflict and jealousy plagued it.
The show’s stars perform all the original music in Queens, which was composed by Zahir McGee and directed by Swizz Beatz. Considering the storyline of the show, those girls are once regarded as one of the greatest girl groups of their generation. After their chart-topping single, “Nasty Girl,” the group was once lauded as one of the greatest girl groups of all time. Critics and fans loved the band, but jealousy and internal conflict plagued the group.
]]></content:encoded>
<wfw:commentRss>https://thevoiceofphilly.com/the-queens-cast-shares-a-new-video-for-preparate/feed/</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
<item>
<title>Check out FKA Twigs’ mixtape ‘CAPRISONGS’</title>
<link>https://thevoiceofphilly.com/check-out-fka-twigs-mixtape-caprisongs/</link>
<comments>https://thevoiceofphilly.com/check-out-fka-twigs-mixtape-caprisongs/#respond</comments>
<dc:creator><![CDATA[Jonathan P. Wright]]></dc:creator>
<pubDate>Thu, 20 Jan 2022 20:11:34 +0000</pubDate>
<category><![CDATA[MUSIC NEWS]]></category>
<category><![CDATA[NEW MUSIC ALERT]]></category>
<category><![CDATA[CAPRISONGS]]></category>
<category><![CDATA[FKA Twigs]]></category>
<category><![CDATA[tears in the club]]></category>
<guid isPermaLink="false">https://thevoiceofphilly.com/?p=3530</guid>
<description><![CDATA[<a href="https://thevoiceofphilly.com/check-out-fka-twigs-mixtape-caprisongs/" title="Check out FKA Twigs’ mixtape ‘CAPRISONGS’" rel="nofollow"><img width="640" height="480" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/FKW-Twigs.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Check out FKA Twigs' mixtape 'CAPRISONGS'" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/FKW-Twigs.jpg 640w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/FKW-Twigs-300x225.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/FKW-Twigs-150x113.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/FKW-Twigs-450x338.jpg 450w" sizes="(max-width: 640px) 100vw, 640px"></a>In addition to releasing two top tier singles in the past couple of weeks, Fka Twigs last week unleashed a mixtape called CAPRISONGS, which includes 17 tracks and features from]]></description>
<content:encoded><![CDATA[<a href="https://thevoiceofphilly.com/check-out-fka-twigs-mixtape-caprisongs/" title="Check out FKA Twigs’ mixtape ‘CAPRISONGS’" rel="nofollow"><img width="640" height="480" src="https://thevoiceofphilly.com/wp-content/uploads/2022/01/FKW-Twigs.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="Check out FKA Twigs' mixtape 'CAPRISONGS'" style="display: block; margin: auto; margin-bottom: 20px;max-width: 100%;" link_thumbnail="1" decoding="async" srcset="https://thevoiceofphilly.com/wp-content/uploads/2022/01/FKW-Twigs.jpg 640w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/FKW-Twigs-300x225.jpg 300w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/FKW-Twigs-150x113.jpg 150w, https://thevoiceofphilly.com/wp-content/uploads/2022/01/FKW-Twigs-450x338.jpg 450w" sizes="(max-width: 640px) 100vw, 640px"></a>
In addition to releasing two top tier singles in the past couple of weeks, Fka Twigs last week unleashed a mixtape called CAPRISONGS, which includes 17 tracks and features from Pa Salieu, Jorja Smith, Dystopia, Daniel Caesar, Unknown T, Rema, Solo, Shygirl, and The Weeknd, the latter of whom contributed vocals to the infectious track “tears in the club.” In addition to CAPRISONGS, an additional visual was featured for the opening number “ride the dragon,” a twigs, Jeff Kleinman, Sounwave, Koreless, and El Guincho production in which the British star discusses her music release with her fans:
In the accompanying video for “ride the dragon,” Aidan Zamiri directs FKA Twigs while her dancers perform choreographed dance moves guerilla-style on the streets of Hackney. As a result, security personnel and building employees can be seen trying to stop the event, however, the party just continues at a new location.
With CAPRISONGS, Paul follows up his 2019 album MAGDALENE, which featured an appearance by Future. After that, she re-released loose cuts like “Why Don’t You Love Me” featuring Dua Lipa, “Measure Of A Man” alongside Central Cee, and “Don’t Judge Me” “Anarchy,” featuring Fred and Headie One again a song which will appear as the lead single for the film The King’s Man.
]]></content:encoded>
<wfw:commentRss>https://thevoiceofphilly.com/check-out-fka-twigs-mixtape-caprisongs/feed/</wfw:commentRss>
<slash:comments>0</slash:comments>
</item>
</channel>
</rss>

If you would like to create a banner that links to this page (i.e. this validation result), do the following:

Download the "valid RSS" banner.
Upload the image to your own server. (This step is important. Please do not link directly to the image on this server.)
Add this HTML to your page (change the image src attribute if necessary):

<a href="http://www.feedvalidator.org/check.cgi?url=https%3A//thevoiceofphilly.com/feed/"><img src="valid-rss-rogers.png" alt="[Valid RSS]" title="Validate my RSS feed" /></a>

If you would like to create a text link instead, here is the URL you can use:

http://www.feedvalidator.org/check.cgi?url=https%3A//thevoiceofphilly.com/feed/

Home · About · News · Docs · Terms