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  5. <title>NeMe</title>
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  8. <pubDate>Tue, 15 Oct 2019 12:17:05 GMT</pubDate>
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  10. <title>Through Other Eyes</title>
  11. <description><![CDATA[<p>“I&#8217;m an eye. A mechanical eye. I, the machine, show you a world the way only I can see it. I free myself for today and forever from human immobility.”, Dziga Vertov, writing in 1922, described the elation of the cinema camera capable of seeing in ways that had never been seen before. “Freed from the boundaries of time and space, I co-ordinate any and all points of the universe, wherever I want them to be. My way leads towards the creation of a fresh perception of the world. Thus I explain in a new way the world unknown to you.”</p>]]></description>
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  13. <pubDate>Tue, 15 Oct 2019 06:42:40 GMT</pubDate>
  14. <dc:creator>NeMe</dc:creator>
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  18. <title>Children of Prometheus</title>
  19. <description><![CDATA[<p>NeMe and curator Marc Garrett, cofounder and co-Director of Furtherfield have the pleasure to invite you to <em>Children of Prometheus</em>. The exhibition, opening on Friday, 11 October at 7:30pm at the NeMe Arts Centre investigates the landscape of a rapidly transforming world and how some of these shifts inform and affect our immediate environment. </p>]]></description>
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  21. <pubDate>Thu, 26 Sep 2019 06:53:51 GMT</pubDate>
  22. <dc:creator>NeMe</dc:creator>
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  26. <title>1s and 0s, haves and have-nots</title>
  27. <description><![CDATA[<p>On Saturday, 21 September, 2019, 7:30pm, as part of her residency at NeMe for <em>Through Other Eyes</em>, Sanela Jahi&cacute; will be presenting her current research at the NeMe Arts Centre. <br />
  28. The relations between machines and humans is one of the constants in Sanela&#8217;s work. Her artistic production places the research of complex relations between technology and the social, individuals and their identity directly into the context of the critique of capitalist relations of production. The current wave of pervasive automation and technologies of prediction is radically transforming and reorganising all forms of labour.</p>]]></description>
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  30. <pubDate>Thu, 05 Sep 2019 06:36:37 GMT</pubDate>
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  35. <title>Through Other Eyes</title>
  36. <description><![CDATA[<p>On Friday September 6, at 7:30pm, NeMe has the great pleasure of inviting you to the exhibition opening of <em>Through Other Eyes</em>, curated by James Bridle.</p>]]></description>
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  38. <pubDate>Wed, 14 Aug 2019 06:08:31 GMT</pubDate>
  39. <dc:creator>NeMe</dc:creator>
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  43. <title>International Cyprus Poster Triennial 2019</title>
  44. <description><![CDATA[<p>The international Cyprus Poster Triennial (<span class="caps">CPT</span>) is a non-profit institution that aims to promote and disseminate knowledge and creativity in the field of graphic design by focusing on the poster as a major medium of visual communication. From the early printing of broadsides in the beginning of the 19th century to the present digital era, posters have been influential not only as vehicles that provide information but also as tools responsible for social change, developing awareness on crucial issues, dissemination of revolutionary or political ideas and propaganda.</p>]]></description>
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  46. <pubDate>Wed, 31 Jul 2019 04:39:51 GMT</pubDate>
  47. <dc:creator>NeMe</dc:creator>
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  51. <title>Workshop: Through Other Eyes</title>
  52. <description><![CDATA[<p><em>Through Other Eyes</em> examines the nature of both power and agency within human-technology relations so that issues of control become increasingly complex. The role of non-human actors in the creative process establishes how objects exert agency in a similar manner to humans and in many cases introduce spontaneous and unexpected results which may be viewed as a legitimate form of aesthetic expression. </p>]]></description>
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  54. <pubDate>Sat, 22 Jun 2019 04:19:59 GMT</pubDate>
  55. <dc:creator>NeMe</dc:creator>
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  59. <title>(UN)REAL</title>
  60. <description><![CDATA[<p>What is real, and how are you sure it is so? How often can your experiences be real if so many are digital and virtual or influenced by the chemistry and architecture of your brain? Scientific research uncovers ways that our minds and senses conspire to produce gaps between the actual and the perceived. How do we navigate these blind spots, which can be exploited by trickery like fake news, but then embraced willingly to escape reality, for pleasure in fantasy? And is our concept of the real transformed by biomedical science, which brings us new understanding of mental conditions like synesthesia, dementia, or phenomena like the placebo effect?</p>]]></description>
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  62. <pubDate>Sat, 08 Jun 2019 09:39:54 GMT</pubDate>
  63. <dc:creator>NeMe</dc:creator>
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  67. <title>The Concept of Material Practice: a transdiscursive inquiry</title>
  68. <description><![CDATA[<p>The concept of ‘material practice’ is unconsolidated, more a floating signifier than a theoretical tool, appearing in ad hoc conceptualisations in varying discourses. This essay unfolds a comparative analysis of the concept across seven discursive configurations: 1) material culture; 2) embodiment; 3) architecture, engineering and design; 4) labour and economics; 5) human geography; 6) the concept of <em>techne</em> in the history of ideas; and 7) scientific method. Despite the variants of the concept of material practice that can be found, all sampled articles exhibit certain general features which suggest wider applicability. This essay establishes the need for a new general concept of material practice out of close readings of the current usages of the term.</p>]]></description>
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  70. <pubDate>Fri, 07 Jun 2019 11:37:20 GMT</pubDate>
  71. <dc:creator>NeMe</dc:creator>
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  75. <title>Terms of Refusal</title>
  76. <description><![CDATA[<p>When ideals of capitalist progress become the driver of societal value, a position of refusal can be a political and necessary act. Eyebeam&#8217;s 2020 Residency Open Call asks applicants to consider refusal as it relates to technology and its impact on society. How do acts of refusal manifest in one’s life and work poetically or directly?</p>]]></description>
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  78. <pubDate>Wed, 29 May 2019 04:33:52 GMT</pubDate>
  79. <dc:creator>NeMe</dc:creator>
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  83. <title>First international Cyprus Poster Triennial</title>
  84. <description><![CDATA[<p>On <strong>Friday 28 June at 8:30pm</strong>, we would like to invite you at the NeMe Arts Centre for the opening of the first international <em>Cyprus Poster Triennial</em> (<span class="caps">CPT</span>). As part of its support for the Triennial, on <strong>Saturday 6 July, 2019 at 6:30pm</strong>, the Department of Arts and Communications of Frederick University presents <em>The Designer&#8217;s Backpack</em> a series of talks and presentations that aim to underline and explain a recent shift towards freelancing and self-initiated / collective business models in the Cypriot visual communication scene. </p>]]></description>
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  86. <pubDate>Mon, 27 May 2019 09:07:05 GMT</pubDate>
  87. <dc:creator>NeMe</dc:creator>
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Copyright © 2002-9 Sam Ruby, Mark Pilgrim, Joseph Walton, and Phil Ringnalda