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  4. <title>Imaginify Community Network</title>
  5. <pubDate>Thu, 08 Aug 2024 15:12:18 -0700</pubDate>
  6. <link>http://www.imaginify.org/post/</link>
  7. <description>PostNuke Powered Site</description>
  8. <language>en-us</language>
  9. <image>
  10. <title>Imaginify Community Network</title>
  11. <url>http://www.imaginify.org/post/images/logo.gif</url>
  12. <link>http://www.imaginify.org/post/</link>
  13. </image>
  14. <webMaster>inf&#111;&#064;&#105;maginify.org</webMaster>
  15. <item>
  16. <title>Vids created with ML &amp; DL exploring the work of Curie, Darwin, Fleming, Lovelace, Nightingale, Pasteur + Turing</title>
  17. <link>http://www.imaginify.org/post/Article159.html</link>
  18. <description>&quot;How the Past Will Forge Our Future to Transform Healthcare&quot; (2023-2024)
  19.  
  20.  
  21.  
  22. VIDEO 1 \x95 VIDEO 2 \x95 VIDEO 3 \x95 VIDEO 4
  23.  
  24. &quot;Dialogue with History: The Future of Healthcare&quot;
  25. [is] an education resource composed of a collection of videos
  26. where artificial intelligence brings [...] historical figures
  27. back to life to reflect on contemporary [...] advancements
  28. based on their past breakthrough contributions.&quot;
  29. YouTube videos posted by Hector Zenil.</description>
  30. <pubDate>Thu, 08 Aug 2024 15:12:18 -0700</pubDate>
  31. </item>
  32. <item>
  33. <title>Channels Opening \x95 Magnify Our Imagination</title>
  34. <link>http://www.imaginify.org/post/Article158.html</link>
  35. <description>Open Broadcaster Software (OBS) Studio
  36. free/open-source | cross-platform | screencasting | live streaming
  37.  
  38. Provides real-time capture, scene composition, recording, encoding, and broadcasting via
  39. \x95 Real Time Messaging Protocol (RTMP);
  40. \x95 HTTP Live Streaming (HLS);
  41. \x95 Secure Reliable Transport (SRT);
  42. \x95 Reliable Internet Stream Transport (RIST); and/or
  43. \x95 Web Real-Time Communication (WebRTC).
  44.  
  45. OBS Github</description>
  46. <pubDate>Sat, 04 Nov 2023 00:00:00 -0700</pubDate>
  47. </item>
  48. <item>
  49. <title>It's 2023! Re-Re-Re-Archiving Sundog &amp; Re-Re-Remixing Crossroads of Hope</title>
  50. <link>http://www.imaginify.org/post/Article157.html</link>
  51. <description>R E - &amp;quot; R E - R E M I X &amp;quot;
  52. Imaginify 'synchron'icity
  53. This happened by coincidence !
  54.  
  55. (0º) CLICK ABOVE IMAGINAL IMAGE
  56.  
  57. R E - &amp;quot; R E - R E - A R C H I V E &amp;quot;
  58. Imaginify 'synchron'ization
  59. This simply happened !
  60.  
  61.  
  62. </description>
  63. <pubDate>Fri, 03 Nov 2023 11:55:00 -0700</pubDate>
  64. </item>
  65. <item>
  66. <title>OPENVERSE \x97 images, audio, video</title>
  67. <link>http://www.imaginify.org/post/Article156.html</link>
  68. <description>Openverse is a tool that allows openly licensed and public domain works to be discovered and used by everyone.
  69.  
  70. Openverse searches across more than 300 million images from open APIs and the Common Crawl dataset. It goes beyond simple search to aggregate results across multiple public repositories into a single catalog, and facilitates reuse through features like machine-generated tags and one-click attribution.
  71.  
  72. They plan to add additional media types such as open texts and 3D models, with the ultimate goal of providing access to the estimated 2.5 billion CC licensed and public domain works on the web. All of their code is open source (Openverse frontend, Openverse API, Openverse Catalog) and welcome community contribution.
  73.  
  74.  
  75. Saturn's Rings in Ultraviolet Light by NASA Goddard Photo and Video. CC BY 2.0.</description>
  76. <pubDate>Tue, 30 May 2023 22:34:56 -0700</pubDate>
  77. </item>
  78. <item>
  79. <title>Communities Responding: Makerspaces and so much more!</title>
  80. <link>http://www.imaginify.org/post/Article155.html</link>
  81. <description>
  82.  
  83. </description>
  84. <pubDate>Thu, 09 Apr 2020 19:41:49 -0700</pubDate>
  85. </item>
  86. <item>
  87. <title>Complexity \x95 Systems Science \x95 Complex Systems</title>
  88. <link>http://www.imaginify.org/post/Article154.html</link>
  89. <description>SELECTION OF COURSES &amp; ORGANIZATIONS
  90. COMPLEXITY, SYSTEMS SCIENCE, AND COMPLEX SYSTEMS
  91.  
  92. \x95 New England Complex Systems Institute | NECSI courses
  93. \x95 Complexity Explorer (courses) | Santa Fe Institute (SFI)
  94. \x95 Systems Innovation (videos) | playlists
  95. \x95 Portland State Univ. (PDX) Systems Science Program
  96. \x95 Capra Course | Trailer
  97.  
  98.  
  99. &quot;Single-layer feedforward artificial neural network&quot; Akritasa, cc 2015
  100.  
  101.  
  102. &quot;Artificial neural network with layer coloring&quot; glosser, cc 2013
  103.  
  104. Also see Imaginify Emerging Systems
  105.  
  106. </description>
  107. <pubDate>Mon, 24 Jun 2019 13:27:49 -0700</pubDate>
  108. </item>
  109. <item>
  110. <title>UPDATE TO UPDATE (2015): DH</title>
  111. <link>http://www.imaginify.org/post/Article153.html</link>
  112. <description>:: UPDATED MARCH 3RD 2015 ::
  113. &quot;A SHORT GUIDE&quot;
  114. A Short Guide to the Digital Humanities [Open Access]. 2012. MIT Press (pp. 121\x96136).
  115. Anne Burdick, Johanna Drucker, Peter lunenfeld, Todd Presner, &amp; Jeffrey Schnapp.
  116.  
  117. &quot;COMPLETE BOOK&quot;
  118. Digital_Humanities [Open Access]. 2012. MIT Press (pp. i-x and 1-141.
  119. Anne Burdick, Johanna Drucker, Peter lunenfeld, Todd Presner, &amp; Jeffrey Schnapp.
  120.  
  121. Cover: Jeremy Eichenbaum. Image: 9780262018470.jpg, JPG circa 2012. MIT Press</description>
  122. <pubDate>Tue, 03 Mar 2015 10:10:00 -0800</pubDate>
  123. </item>
  124. <item>
  125. <title>Thriving Open Source Physical Fun-da-mentals [Back-2-Basics]</title>
  126. <link>http://www.imaginify.org/post/Article151.html</link>
  127. <description>OPEN SOURCE HARDWARE ECOLOGIES EMERGING!
  128.  
  129. In 2004 (a long time ago), Imaginify noticed something . . .
  130. on the horizon . . . Open Source Ecology!
  131.  
  132. Now, Marcin Jakubowski is finally featured on TED in 2011, &quot;Open-sourced blueprints for civilization.&quot;
  133.  
  134. One day at a time . . . imagine if i . . . read the good news : )
  135.  
  136. OpenSourceEcology.org
  137. &quot;[T]he Global Village Construction Set,
  138. building open source technologies for resilient communities&quot; !!!
  139. </description>
  140. <pubDate>Thu, 21 Apr 2011 04:20:00 -0700</pubDate>
  141. </item>
  142. <item>
  143. <title>Batesons circa 2011</title>
  144. <link>http://www.imaginify.org/post/Article150.html</link>
  145. <description>
  146. AN ECOLOGY OF MIND
  147. A FILM BY NORA BATESON
  148.  
  149.  
  150. Gregory Bateson,  1904 - 1980
  151. </description>
  152. <pubDate>Sun, 10 Apr 2011 14:40:00 -0700</pubDate>
  153. </item>
  154. <item>
  155. <title>Tom Lowe's Scapes of Time</title>
  156. <link>http://www.imaginify.org/post/Article149.html</link>
  157. <description>Timescapes (2011)
  158. Behind the Scenes of &quot;TimeScapes&quot;
  159. &quot;A shot of me [Tom Lowe] working on a timelapse shot last night.&quot;
  160. Photo by Chris Mierzwinski (http://www.visceralfilms.ca)
  161. URL: http://www.flickr.com/photos/digitallion/4680293368/
  162. © Tom Lowe&#032;&#064;&#032;Timescapes.org [click photo above]</description>
  163. <pubDate>Sat, 01 Jan 2011 00:00:00 -0800</pubDate>
  164. </item>
  165. <item>
  166. <title>UPDATED: Thrivability: A New Collection</title>
  167. <link>http://www.imaginify.org/post/Article148.html</link>
  168. <description>&amp;#8220;Thrivability... the designer's role... pays attention to... details of life hidden in the landscape... The invisible frontiers... where modernity has failed to make good on its promises... the wanderer around invisible peripheries, the witness and facilitator of emergent states.&amp;#8221;
  169. - &quot;Design&quot; by Joanna Guldi, Harvard Society of Fellows
  170.  
  171.  
  172. Image: Public Domain</description>
  173. <pubDate>Wed, 03 Mar 2010 00:00:00 -0800</pubDate>
  174. </item>
  175. <item>
  176. <title>UPDATED: DH (2009)</title>
  177. <link>http://www.imaginify.org/post/Article147.html</link>
  178. <description>:: UPDATED JUNE 24TH 2009 ::
  179. &quot;THE DIGITAL HUMANITIES MANIFESTO 2.0&quot;
  180.  
  181. digitalhumanities.ucla.edu/images/stories/mellon_seminar_readings/manifesto%2020.pdf
  182.  
  183. Meta-Manifesto : June 16, 2009 : In Development
  184.  
  185. &quot;THE PROMISE OF DIGITAL HUMANITIES&quot;
  186.  
  187. digitalhumanities.ucla.edu/images/stories/papers/promise%20of%20digital%20humanities.pdf
  188.  
  189. Whitepaper : March 1, 2009 : Final Version
  190. : Characteristics :
  191. Interdisciplinary
  192. Collaborative
  193. Socially Engaged
  194. Timely and Relevant
  195.  
  196.  
  197. &quot;The Mona Lisa&quot; by Leonardo da Vinci
  198. Public Domain</description>
  199. <pubDate>Tue, 03 Mar 2009 00:00:00 -0800</pubDate>
  200. </item>
  201. <item>
  202. <title>Analog Creativity Re-Presented in Digital Medium</title>
  203. <link>http://www.imaginify.org/post/Article146.html</link>
  204. <description>
  205. &quot;Autumn Treasures&quot; by Trixi
  206. (CC) Attribution-Noncommercial-No Derivative Works 2.0 Generic
  207.  
  208.  
  209. &quot;Re Ordering&quot; by Trixi
  210. (CC) Attribution-Noncommercial-No Derivative Works 2.0 Generic</description>
  211. <pubDate>Sat, 14 Feb 2009 14:00:00 -0800</pubDate>
  212. </item>
  213. <item>
  214. <title>A crossover reference: Peer-to-Patent</title>
  215. <link>http://www.imaginify.org/post/Article145.html</link>
  216. <description>Peer-to-Patent is a pilot project in collaboration with the US Patent and Trademark Office. It was established in 2007 and recently extended/expanded to June 15, 2009. It is focused on helping the patent office perform high-quality examinations of pending patent applications by enlisting the public to help find and explain prior art.... Peer-to-Patent uses social software features to facilitate discussion amongst groups of volunteer experts. Users can upload prior art references, participate in discussion forums, rate other user submissions, add research references, invite others, and more. This helps the examiners focus their attention on the submission(s) of prior art that have the highest relevance to an application.
  217.  
  218. Beth Simone Noveck, Law Professor, and Director, Institute for Information Law and Policy, New York Law School launched the Peer to Patent: Community Patent Review project.
  219.  
  220. Incentives for submitting an application to the project include:
  221. \x95 Expedited review. Public review begins one month after publication of the application. Review continues for four months, after which the patent examiner conducts an expedited examination of the patent application.
  222. \x95 Potentially stronger patents. If Peer-to-Patent review works as expected, patents that survive the process have already undergone considerable scrutiny and will be less at risk of a successful challenge later.
  223. \x95 Public service. Applicants can feel they are contributing to a valuable experiment in new models and technologies for public decision-making.
  224.  
  225. &quot;The Peer-to-Patent Web site is built using open source technologies (RoR, MySQL, Linux OS). Hosted database/web servers, load balancers, and interactive features (threaded discussions, e-mail alerts, RSS feeds, social bookmarks, video clips, tagging, ratings, and more).&quot;
  226.  
  227. Sponsors: CA, Inc., General Electric, Hewlett Packard, IBM, Intellectual Ventures, John D. and Catherine T. MacArthur Foundation, Microsoft, Omidyar Network, and Red Hat. Peertopatent.org content is licensed under a Creative Commons Attribution-Noncommercial-ShareAlike 3.0 US License, except where otherwise noted.</description>
  228. <pubDate>Fri, 23 Jan 2009 00:00:00 -0800</pubDate>
  229. </item>
  230. <item>
  231. <title>Open Source Font &amp; Forges</title>
  232. <link>http://www.imaginify.org/post/Article144.html</link>
  233. <description>An interesting post-typographical innovation...
  234.  
  235. Free EcoFont uses up to 20% less ink.
  236. Results vary font size 9 or 10 is best depending on
  237. your software and the quality of your screen...
  238. Best for OpenOffice on Mac, PC, or Linux.
  239. Distributed under GPL and based upon Bitstream Vera...
  240.  
  241.  
  242. VeraSansSpecimen.svg by Sun Ladder
  243. CC-BY-SA 3.0 &amp; GDFL
  244.  
  245. Also check out some new forges on the top right column... : )
  246. BioForge, Digital Commons, Media Commons, Moving Images, Open GoogleCode, RubyForge,
  247. ScienceCommons, ScientificCommons, Software Archive, SourceForge, WikiSpecies</description>
  248. <pubDate>Sat, 13 Dec 2008 11:20:00 -0800</pubDate>
  249. </item>
  250. <item>
  251. <title>The 1st Stanford University Open Source Lab Unconference</title>
  252. <link>http://www.imaginify.org/post/Article143.html</link>
  253. <description></description>
  254. <pubDate>Wed, 05 Nov 2008 19:54:49 -0800</pubDate>
  255. </item>
  256. <item>
  257. <title>FLASH: Giant Styrobot Invades from Oregon!</title>
  258. <link>http://www.imaginify.org/post/Article141.html</link>
  259. <description>Giant Styrobot &amp; Featured Stories &amp; More
  260.  
  261.  
  262. &quot;Zoe and Styrobot, Looking Back - Rice University Art Gallery&quot;
  263. Source: Flickr \x95 Photo by Mr. Kimberly
  264. (CC) Attribution-Noncommercial-Share Alike 2.0
  265.  
  266.  
  267. \x93Ironically, the robots actually critique
  268. the very culture of which they are byproducts . . .
  269. Every time something ships there\x92s a piece of
  270. Styrofoam to keep it safe and sound . . .
  271. I really look at these pieces as being
  272. mechanical and robot in nature.
  273. The result is a pretty poignant statement about what we buy . . .
  274. and what we throw away.\x94
  275. - Michael Salter, Associate Professor
  276. Department of Digital Arts, University of Oregon
  277. Time-lapse of &quot;Art from Excess&quot; at the San Jose Museum of Art.
  278. </description>
  279. <pubDate>Mon, 29 Sep 2008 18:40:00 -0700</pubDate>
  280. </item>
  281. <item>
  282. <title>berkeley.edu.law.tech.freeculture.con</title>
  283. <link>http://www.imaginify.org/post/Article140.html</link>
  284. <description>
  285.  
  286. freeculture.berkeley.edu/Free_Culture_2008.html
  287. law.berkeley.edu/institutes/bclt/events_calendar.htm
  288. dmax.bampfa.berkeley.edu/blog/2008/09/free-culture-2008-international-conference-2
  289.  
  290.  
  291. </description>
  292. <pubDate>Fri, 08 Aug 2008 08:00:00 -0700</pubDate>
  293. </item>
  294. <item>
  295. <title>Cycles and Spirals</title>
  296. <link>http://www.imaginify.org/post/Article139.html</link>
  297. <description>Wikipedia : Cycles
  298.  
  299.  
  300. &quot;This image has been (or is hereby) released into the public domain by its author, Cumbrowski at the English Wikipedia project.
  301. This applies worldwide. In case this is not legally possible:
  302. Cumbrowski grants anyone the right to use this work for any purpose,
  303. without any conditions, unless such conditions are required by law.&quot;
  304.  
  305. Time ^ Calendar
  306. Planetary cycles
  307. Astronomical cycles
  308. Climate and weather cycles
  309. Geological cycles
  310. Organic
  311. Agricultural cycles
  312. Biological and medical cycles
  313. Brain waves and cycles
  314. Physics
  315. Mathematics of waves and cycles
  316. Electromagnetic spectrum
  317. Sound waves
  318. Manmade
  319. Economic and business cycles
  320. Music and rhythm cycles
  321. Religious, mythological, and spiritual cycles
  322. Social and cultural cycles
  323. Military and war
  324. Literature
  325. &amp; Spirals . . .
  326.  
  327. 10th Anniversary of Media Ecology</description>
  328. <pubDate>Fri, 25 Jul 2008 12:07:09 -0700</pubDate>
  329. </item>
  330. <item>
  331. <title>U R Meta4, 2008 :::: From Happening to Unmuseum to Open Museum(s)</title>
  332. <link>http://www.imaginify.org/post/Article138.html</link>
  333. <description>Unmuseum recommended reading: &quot;Possibilities for Transformational Conferences&quot; a paper by Sunrise Facilitation, a collective that met regularly in Eugene, Oregon from 2000-2006. While no longer active, the ideas and connections from it generated this paper. Formats include: appreciative inquiry, expert time vs. participatory time, fishbowls, kinetic spectrum, pause for pairs, small group sharing, speed geeking/dating, storytelling, open space, world café, and more. Published (CC) Attribution-Noncommercial-Share Alike 3.0.
  334. In addition, view the open exhibition catalog by Sterling Israel M.S. curating and archiving Eco-Art &amp; Artists titled, &quot;Creative Students and Artists in Eugene: New Visions for a Healthy Planet&quot; from March 2007, Arts &amp; Administration, University of Oregon. Published (CC) Attribution-Noncommercial-Share Alike 3.0.
  335.  
  336. &quot;Basic Open System Model&quot; by Anonymous, wikipedia, Public Domain
  337.  
  338. &gt;
  339. Digital Art Media Progam (DMAX)
  340. UC Berkeley Art Museum and Pacific Film Archive
  341. ...the first open-source museum collection - is a preservation repository
  342. and online database of born-digital art. This next-generation cultural works project,
  343. currently in the planning phase, also provides a testbed for developing innovative legal,
  344. economic, and cultural frameworks for the digital arts.
  345.  
  346. &gt;
  347. Department of Modern Culture and Media
  348. Brown University
  349. ...the museum is entirely in the public domain
  350. (add, modify, or remove art, likewise, elements of the building).
  351. Our goal is to reimagine definitions of art, artist,
  352. curator, museum, culture, and open source.  
  353. This project is underway in a virtual reality called Second Life.
  354.  
  355. &gt;
  356.  
  357. &quot;Galactic Trading Cards Installation&quot;
  358. Illuminated, by PodCollective
  359.  
  360. p.s. worth checking out when in a deeply reflective state...
  361. Molotov Alva and His Search for the Creator
  362.  
  363. Photo by John Swords via Flickr
  364. (CC) Attribution-Noncommercial-No Derivative Works 2.0 Generic
  365.  
  366. [Part I] [Part II]
  367.  
  368. ... more to come ... </description>
  369. <pubDate>Sat, 07 Jun 2008 00:00:00 -0700</pubDate>
  370. </item>
  371. <item>
  372. <title>Practical Ways to Foster Ecological Remediation</title>
  373. <link>http://www.imaginify.org/post/Article137.html</link>
  374. <description>&quot;WCI student isolates microbe that lunches on plastic bags&quot; (via The Record)
  375. Synopsis: Daniel Burd's stew contains ground-up plastic in a mix of landfill dirt, yeast and tap water. After experimenting with different temperatures and configurations, he isolated the microbial remediators. He discovered that it biodegrades over 40% of the weight of plastic bags in less than three months. The only waste is water and a bit of carbon dioxide.
  376.  
  377. &quot;This is a huge, huge step forward... We're using nature to solve a man-made problem.&quot;
  378. Daniel Burd, 16-yr-old junior, Waterloo Collegiate Institute &amp; Canada-Wide Science Fair winner
  379.  
  380. Additionally, in re-meditation, continuing to reduce our consumption
  381. of packaged goods and non-reusable baggage remains a high priority.
  382.  
  383. &quot;String is king&quot; by fixlr (via Flickr)
  384. (CC) Attribution-Noncommercial-Share Alike 2.0 Generic
  385.  
  386. How to help limit the ever-growing patch of garbage floating in the Pacific Ocean:
  387. \x95 Limit use of plastics when possible.
  388. \x95 Use a reusable bag when shopping.
  389. \x95 Take your trash with you when you leave the beach.
  390. \x95 Make sure trash bins are securely closed.</description>
  391. <pubDate>Fri, 23 May 2008 23:55:00 -0700</pubDate>
  392. </item>
  393. <item>
  394. <title>:: MOMA OPEN'D &amp; ELASTIC :: GRL &amp; SPOT :: DESIGN LABS EXTRAORDINAIRE ::</title>
  395. <link>http://www.imaginify.org/post/Article136.html</link>
  396. <description>FLEXIBILITY OF MIND!!! Two featured open source artisans on Imaginify, The Graffiti Research Lab and MM2+3 collaborator Scott Draves are now featured in the Museum of Modern Art's &quot;Design and the Elastic Mind&quot; (2008) curated by Paola Antonelli and Patricia Juncosa Vecchierini. &quot;Over the past twenty-five years, people have weathered dramatic changes in their experience of time, space, matter, and identity. Individuals cope daily with a multitude of changes in scale and pace... The exhibition highlights designers\x92 ability to grasp momentous changes in technology, science, and history...&quot;
  397.  
  398.  
  399. L.A.S.E.R. Tag Graffiti Projection System (The Mobile Broadcast Unit)
  400. PopRally presents Graffiti Research Lab: The Complete First Season (May 4, 2008&#032;&#064;&#032;MOMA)
  401. funded by the generous support of Katherine Farley &amp; Jerry I. Speyer [Trailer]
  402. Imaginify : ::::::::::::: EXPERIENTIAL GRAFFITI ::::::::::::::::::::::::: (April 2006)
  403. TORRENTURL : torrentz.com/d8153e785b737b8f355c7a0ce9864de21059661a  (April 2008)
  404.  
  405.  
  406. Electric Sheep (Spotworks) MOMA Online by Scott Draves
  407. Leonardo (cover) : Vol. 41, Issue 1 (January 2008)
  408. Discover Magazine : 14 Best Ways to Use Your Computer\x92s Spare Time (March 2008)
  409. Imaginify : Distributed Stimuli (October 2005)
  410. BLIP.TV : Dreams in in High Fidelity/Electric Sheep Sample (March 2007)
  411. </description>
  412. <pubDate>Tue, 29 Apr 2008 04:00:00 -0700</pubDate>
  413. </item>
  414. <item>
  415. <title>Online..... Ecology... Games... Innovation... Learning... Media...</title>
  416. <link>http://www.imaginify.org/post/Article135.html</link>
  417. <description>MIT Press Journals has recently published (under Creative Commons Attribution-Noncommercial-No Derivative Works Unported 3.0 license) a series on Digital Media &amp; Learning, definitely worth examining &quot;...the effect of digital media tools on how people learn, network, communicate, and play, and how growing up with these tools may affect peoples sense of self, how they express themselves, and their ability to learn, exercise judgment, and think systematically...&quot;
  418.  
  419. See: \x94Read open access\x94 \x97 complete creative commons'd and free editions . . .
  420. Digital Youth, Innovation, &amp; the Unexpected
  421. (cc) Edited by Tara McPherson, Associate Professor, School of Cinematic Arts, University of Southern California.
  422. How emergent practices and developments in young people's digital media can result in technological innovation or lead to unintended learning experiences and unanticipated social encounters.
  423.  
  424. Youth, Identity, &amp; Digital Media
  425. (cc) Edited by David Buckingham, Professor, Institute of Education, London University.
  426. Contributors discuss how growing up in a world saturated with digital media affects the development of young people's individual and social identities.</description>
  427. <pubDate>Mon, 31 Mar 2008 18:20:00 -0700</pubDate>
  428. </item>
  429. <item>
  430. <title>Merce Cunningham's &quot;Loops&quot; (Open Source Choreography), 2008</title>
  431. <link>http://www.imaginify.org/post/Article134.html</link>
  432. <description>&quot;Loops got its name from the circular movements Merce could do with his wrists . . .  sometimes Merce set the order of the Loops sections by chance operations . . . The 2008 version [an abstract digital portrait of Merce Cunningham that runs in real time and never repeats] is open source, part of the Loops Preservation Project. The project addresses cultural memory as endangered by the computer age \x97 an age that perhaps offers a solution . . .&quot; - The OpenEnded Group
  433.  
  434. &quot;. . . we\x92re trying to change the eco-system of digital art and performance . . . how digital art is taught and thought about . . . the very thing that we are trying to address in this \x93preservation project\x94: that is preservation itself . . . what if performance (or installation) of an artwork counted as distribution?&quot; - The OpenEnded Group
  435.  
  436.  
  437. &quot;loops-twenty-1202233329111-00002.jpg&quot;
  438.  
  439. &quot;Loops is opened up completely&quot;
  440. &quot;Loops&quot; by Merce Cunningham
  441. solo dance choreography : CC 3.0 license
  442. &quot;Loops&quot; by OpenEnded Group
  443. digital artwork : GPL license, v3
  444. &quot;FIELD&quot; by OpenEnded Group
  445. development environment : GPL license, v3</description>
  446. <pubDate>Fri, 29 Feb 2008 03:40:00 -0800</pubDate>
  447. </item>
  448. <item>
  449. <title>WIKISTRUCTION OF WIKITECTURE</title>
  450. <link>http://www.imaginify.org/post/Article133.html</link>
  451. <description>Wikitecture [wiki+architecture] &quot;...a diverse spectrum of individuals interested in exploring the potential of applying an Open Source paradigm to the design and production of both real and virtual architecture and urban planning... conducting \x91Wikitecture\x92 experiments to work out the exact procedures and protocols necessary to harness a group\x92s collective intelligence in designing architecture... in much the same way Wikipedia enables a loose, self-organizing network of contributors to collaborate on content creation, the Studio Wikitecture group has been using these experiments to work out the manner by which a group of geographical disperse individuals can come together to share ideas, edit the contributions of others, and to vote on the success or failure of proposed design iterations...&quot;
  452.  
  453.  
  454. &quot;OAN Nepal Challenge&quot; via Flickr (updated March 4, 2008)
  455.  
  456. &quot;Wikitecture Progress Machinima&quot; (video update February 10, 2008)
  457. the Open Architecture Challenge 3D Wiki interface, architectural collaboration,
  458. Building Information Model (BIM) technology. Music by DJ BLUE, via ccMixter.
  459.  
  460. &quot;Improving Architecture and City Planning by Harnessing the Ideas behind...
  461. Mass Collaboration, Social Networking, Wikis, Folksonomies, Open Source,
  462. Prosumers, Networked Intelligence, Crowd Sourcing, Crowd Wisdom,
  463. Smart Mobs, Peer Production, Lightweight Collaboration, Emergent Intelligence,
  464. Social Production, Self-Organized Communities... and the like.&quot;
  465. </description>
  466. <pubDate>Sun, 20 Jan 2008 00:00:00 -0800</pubDate>
  467. </item>
  468. </channel>
  469. </rss>
  470.  

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